Cultural Identity Politics in the (Post-)Transitional Societies

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Cultural Identity Politics in the (Post-)Transitional Societies titles rather than foreign ones. These differences in cultural consumption trends are intriguing and show the multiplicity of value orientations that call for further research. The role of information and communication technologies is important for the development of new cultural expressions, new cultural practices and new forms of participation which are especially important in the context of the development of niche cultures. Through niches selected Croatian cultural content finds its trajectories towards global cultural flows, but this option is not used to its fullest. In addition, new spaces of cultural development open up, new options of cultural identification evolve that are more and more distanced from the homogeneous identitarian model that put national culture to the fore and these are moving towards a more heterogeneous model that includes a broader range of cultural interactions and exchanges. However, what is evident is the strong influence of the global culture industry, particularly from the US, and this raises the question of domination of another type of homogeneous identitarian model. Although the interpretations and usage of global cultural objects at the local level are diversified and have to be taken in a multidimensional way, their dominance asks for better policies for local cultural production and distribution. References Anderson, C. (2006) The Long Tail. How Endless Choice is Creating Unlimited Demand, London: Random House. Appadurai, A. (1996) „Discjuncture and Difference in the Global Cultural Economy“ in: Appadurai, A., Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press. Beck, U. (2001) Pronalaženje političkog: Prilog teoriji refleksivne modernizacije Zagreb: Naklada Jesenski i Turk. Beck, U. (2003) Što je globalizacija Zagreb: Vizura. Castells, M. (2000) Informacijsko doba: Ekonomija, društvo i kultura. Svezak 1. Uspon umreženog društva, Zagreb: Golden marketing. García Canclini, N. (2005) Hybrid Cultures. Strategies for Entering and Leaving Modernity, Minneapolis/London: University of Minnesota Press. Hepp, A. (2004) “Networks of the Media. Media Cultures, Connectivity and Globalization” Available: http://www.eurozine.com/articles/2004-07-08-hepp-en.html (12 December 2009). Jenkins, H. (2006) Convergence Culture. Where Old and New Media Collide, New York: New York University Press. 160
Culture of hits vs. culture of niches - cultural industries and processes of cultural identification in Croatia KEA European Affairs (2006) The Economy of Culture in Europe. A Study prepared for the EC (Directorate General for Education and Culture), Bruxelles: KEA, available: http://www. keanet.eu/ecoculture/studynew.pdf (7 February 2011). Lee, H. (1994) „Globalization and Cultural Change“, Current Sociology, Vol. 42(26), London, Thousand Oaks and New Delhi: Sage Publications, pp. 26-37. Lash, S. and Lury, C. (2007) Global Culture Industry. The Mediation of Things, Cambridge: Polity Press. Morley, D. (1991) “Where the Global Meets the Local: Notes from the Sitting Room”, Screen, Vol. 32(1), Oxford: Oxford Journals, pp. 1-15. Nederveen Pieterse, J. (1994) “Globalization as Hybridization”, in Kellner, D. M. and Durham, M. G. (eds), (2006), Media and Cultural Studies: Keyworks, Blackwell Publishing. Nederveen Pieterse, J. (2009) “Multipolarity Means Thinking Plural: Modernities”, Protosociology, Vol. 26, No. 1, pp.19-35. Primorac, J. and Jurlin, K. (2008) “Access, Piracy and Culture: The Implications of Digitalization in Southeastern Europe”, in Uzelac, A. and Cvjetičanin, B. (eds) Digital Culture. The Changing Dynamics, Zagreb: Institute for International Relations, pp.71-89. Švob-Đokić, N. (2008) “Uvodna razmatranja” in Švob-Đokić, N., Primorac, J., and Jurlin, K., Kultura zaborava. Industrijalizacija kulturnih djelatnosti, Zagreb: Naklada Jesenski i Turk. Tomić-Koludrović, I. and Petrić, M. (2007) “Hrvatsko društvo – Prije i tijekom tranzicije”, Društvena istraživanja, Zagreb, Vol. 16, No. 4-5 (90-91), pp. 867-889. Tomić-Koludrović, I. and Petrić, M. (2005) “Creative Industries in Transition: Towards a Creative Economy”, in Švob-Đokić, N. (ed.) The Emerging Creative Industries in Southeastern Europe, Zagreb: Institute for International Relations, pp.7-23. UNCTAD (2008) Creative Economy Report 2008. Geneva: UNCTAD. Vidović, D. (ed.) (2007) Clubture. Culture as the Process of Exchange 2002-2007, Zagreb: The Association of NGOs Clubture. Višnić, E. and Dragojević, S. (2008) Kulturne politike odozdo. Nezavisna kultura i nove suradničke prakse u Hrvatskoj/A bottom-up approach to cultural policy-making, Amsterdam, Bukurešt, Zagreb: ECUMEST Association and European Cultural Foundation. 161
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C o n t e n t s Foreword . . . . .
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FOREWORD
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Cultural Identity Politics in the (
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PART ONE Histories, memories and na
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Culture of trauma and identity poli
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References Culture of trauma and id
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PART TWO Communication, media and c
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How modern technology shape-shifts
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