Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
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<strong>Cultural</strong> <strong>Identity</strong> <strong>Politics</strong> <strong>in</strong> <strong>the</strong> (<strong>Post</strong>-)<strong>Transitional</strong> <strong>Societies</strong><br />
doma<strong>in</strong>s of cultural sociology, cultural policy analysis or cultural studies. Statistical data,<br />
on <strong>the</strong> o<strong>the</strong>r hand, <strong>in</strong>dicate significant correlations between economic expansion and<br />
traditional cultural ties among <strong>the</strong> countries <strong>in</strong>volved. For <strong>in</strong>stance, Austria is <strong>the</strong> largest<br />
foreign <strong>in</strong>vestor <strong>in</strong> Slovenia and one of <strong>the</strong> most important <strong>in</strong>vestors <strong>in</strong> SEE. The largest<br />
part of Slovenian foreign <strong>in</strong>vestment goes to Serbia and a significant part (one sixth) of<br />
Slovenian exports goes to SEE. As stressed <strong>in</strong> a book on cultural identities of <strong>the</strong> Western<br />
Balkans/SEE recently published by <strong>the</strong> Peace Institute Ljubljana, “<strong>the</strong> contemporary<br />
political reality of Europe is characterized by <strong>in</strong>cessant attempts to l<strong>in</strong>k <strong>the</strong> political and<br />
economic <strong>in</strong>tegration of Europe with <strong>the</strong> cultural aspect of Europeanism”. 4<br />
<strong>Cultural</strong> changes <strong>in</strong> <strong>the</strong> SEE cultures – as part of ra<strong>the</strong>r complex social, economic and<br />
political changes <strong>in</strong> transitional countries of <strong>the</strong> SEE region – encompass reformulation<br />
of cultural values, modernization of cultural practices and cultural identities, and growth<br />
of cultural productions, as well as <strong>in</strong>creased cultural communication and exchange,<br />
particularly <strong>in</strong> <strong>the</strong> regional and European contexts. It might be that such changes are<br />
reflected <strong>in</strong> <strong>the</strong> supposed redef<strong>in</strong>ition and reconstruction of cultural identities and <strong>in</strong> a<br />
new social role for cultures that <strong>in</strong>creas<strong>in</strong>gly stand for cultural creativity and <strong>in</strong>teraction,<br />
ra<strong>the</strong>r than for <strong>the</strong> representation of national values. The nature and outcomes of <strong>the</strong>se<br />
transitions are maybe felt <strong>in</strong> everyday life and practices, but <strong>the</strong>y still rema<strong>in</strong> only<br />
partly visible <strong>in</strong> research and analysis of cultural identification. A reliable <strong>the</strong>oretical<br />
account of transitional changes and of cultural transition practices is <strong>in</strong>deed needed<br />
<strong>in</strong> all SEE cultures, both at <strong>the</strong> national and regional levels. The time span of about<br />
fifteen to twenty-five years of different cultural practices makes <strong>the</strong> concentration on<br />
cultural identity issues possible and <strong>the</strong>oretically justifiable. The (re)modelled contexts<br />
of cultural identities oscillate among Europeanization, globalization, regionalization<br />
and nationalism, but also <strong>in</strong>clude balanc<strong>in</strong>g between regional cultural heritage and<br />
<strong>in</strong>novative modernity, supported, <strong>in</strong> particular, by new technologies and <strong>in</strong>creas<strong>in</strong>gly<br />
dynamic cultural communication.<br />
The texts published <strong>in</strong> this book discuss <strong>the</strong> three ma<strong>in</strong> contextual formats that<br />
position <strong>the</strong> processes of identity redef<strong>in</strong>ition: I – Histories, memories and national<br />
identities, II – Communication, media and cultural identities, and III – Productivity,<br />
creativity and unstable identities. They have all been developed follow<strong>in</strong>g <strong>the</strong> fruitful<br />
discussions at <strong>the</strong> Conference on Question<strong>in</strong>g <strong>Transitional</strong> Dynamics <strong>in</strong> Redef<strong>in</strong><strong>in</strong>g<br />
<strong>Cultural</strong> Identities <strong>in</strong> Sou<strong>the</strong>astern Europe, held <strong>in</strong> Ljubljana, on <strong>the</strong> 15 and 16 January<br />
2011 and presented here <strong>in</strong> a short report by Jaka Primorac.<br />
Challenges from Democratisation for <strong>the</strong> EU-Enlargement, 2005; Ca<strong>the</strong>r<strong>in</strong>e Samary, Yougoslavie de<br />
la décomposition aux enjeux européens, 2008, etc.<br />
4<br />
Tanja Petrović, A Long Way Home: Representations of <strong>the</strong> Western Balkans <strong>in</strong> Political and Media<br />
Discourses, Ljubljana: Peace Institute, 2009.<br />
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