Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
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<strong>Cultural</strong> <strong>Identity</strong> <strong>Politics</strong> <strong>in</strong> <strong>the</strong> (<strong>Post</strong>-)<strong>Transitional</strong> <strong>Societies</strong><br />
This text discusses some aspects of cultural identification <strong>in</strong> Sou<strong>the</strong>astern Europe <strong>in</strong><br />
a post-transitional perspective. <strong>Post</strong>-transition provides a context that may be roughly<br />
described as a context of multiculturality, cultural diversity, human rights observance<br />
and political and economic liberalism. The present analysis is concentrated on <strong>the</strong><br />
structural elements of cultural spaces, aspects of regional cultural communication and<br />
<strong>the</strong> establishment of a new cultural context that co<strong>in</strong>cides with <strong>the</strong> cultural diversity<br />
framework largely <strong>in</strong>fluenced by globalization and Europeanization processes. In this<br />
respect <strong>the</strong> Sou<strong>the</strong>ast European societies and cultures appear to be ever closer to cultural<br />
identifications that are diverse and <strong>in</strong>dividualized, while <strong>the</strong> nationally and ethnically<br />
structured cultures experience processes of reconstruction and reidentification.<br />
The structure of cultural space<br />
The concept of space, <strong>in</strong> <strong>the</strong> sense of location or geographical place, has been largely<br />
re<strong>in</strong>terpreted <strong>in</strong> discussions on cultures and cultural globalization. Arjun Appadurai<br />
argues that “<strong>the</strong> processes of globalization have radically altered <strong>the</strong> relations between<br />
subjectivity, location, political identification and <strong>the</strong> social imag<strong>in</strong>ation” (Baldauf and<br />
Hoeller, 2008). However, <strong>the</strong>se changes have by now contributed to <strong>the</strong> production of<br />
new content and symbols that <strong>in</strong>fluence <strong>the</strong> <strong>in</strong>terpretation of cultures and <strong>the</strong>ir role <strong>in</strong><br />
wider social and political frameworks, be <strong>the</strong>y global or local. New cultural spaces have<br />
emerged. They are def<strong>in</strong>ed by flexible borders (l<strong>in</strong>guistic, artistic, creative) that provide<br />
for cultural (re)identification and that may be subjected to <strong>the</strong> (re)established ethnic,<br />
national or professional delimitations.<br />
Different cultural spaces have become accessible and present <strong>in</strong> <strong>the</strong> daily life of many<br />
through deterritorialization that makes globality or locality irrelevant and through<br />
ever easier technological mediation that enables entrance <strong>in</strong>to <strong>the</strong> virtual world. Be<strong>in</strong>g<br />
omnipresent, <strong>the</strong>y are subjected to various <strong>in</strong>terpretations which may turn spaces <strong>in</strong>to<br />
“territories, flows, hierarchies” (Storper, 1997: 19-44), or <strong>in</strong>to <strong>in</strong>tellectual concepts open<br />
to creative efforts and to imag<strong>in</strong>ation. The mean<strong>in</strong>g of cultural spaces becomes l<strong>in</strong>ked<br />
to <strong>in</strong>terpretative communities, such as Anderson’s “imag<strong>in</strong>ed communities” (Anderson,<br />
1983). <strong>Cultural</strong> spaces represent a context <strong>in</strong> which cultural content is produced and<br />
expressed through symbolic signs.<br />
David Harvey (1990: 205, 306) argues that: “The social <strong>the</strong>ory privileges time over<br />
space”, assum<strong>in</strong>g that “temporal processes” operate with<strong>in</strong> “some pre-exist<strong>in</strong>g spatial<br />
order”. Thus <strong>the</strong> space may be <strong>in</strong>terpreted as a k<strong>in</strong>d of general background for any human<br />
activity, <strong>in</strong>clud<strong>in</strong>g <strong>the</strong> establishment of cultures and cultural identification. Accord<strong>in</strong>g<br />
to Harvey, “time is always a memory of <strong>the</strong> experienced space” (Harvey, 1990: 216),<br />
and <strong>the</strong>refore aes<strong>the</strong>tic <strong>the</strong>ories are primarily concerned with time, although space<br />
provides a general basis for all experiences, subsumed <strong>in</strong> a concentrated and rationalized<br />
“collapsed sense of time and space” (Harvey, 1990: 61). This would be <strong>the</strong> situation that<br />
we are fac<strong>in</strong>g <strong>in</strong> <strong>the</strong> present day globalized world: a collapsed sense of space and time<br />
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