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Unit 1.pdf - Southwest High School

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Activity 1.19<br />

continued<br />

Two Different Worlds<br />

My Notes<br />

&<br />

Grammar Usage<br />

Notice the sentences on<br />

this page in which Tan<br />

uses direct quotations.<br />

Writers use direct<br />

quotations to develop<br />

characters, to further<br />

action, and to add life to<br />

their writing.<br />

Direct quotations are<br />

always set off from the rest<br />

of the text with quotation<br />

marks. In addition,<br />

they may require other<br />

punctuation to convey<br />

meaning or to clearly<br />

distinguish what is quoted<br />

from what is not quoted.<br />

Always start a new<br />

paragraph for each<br />

speaker. Notice that the<br />

narrator has one paragraph<br />

for what she says and<br />

another paragraph for<br />

what her mother says.<br />

So now the only Chinese words she can say are shsh, houche, chr fan, and<br />

gwan deng shweijyau. How can she talk to people in China with these words<br />

Pee-pee, choo-choo train, eat, close light sleep.<br />

How can she think she can blend in Only her skin and her hair are<br />

Chinese. Inside—she is all American-made.<br />

It’s my fault she is this way. I wanted my children to have the best<br />

combination: American circumstances and Chinese character. How could<br />

I know these two things do not mix<br />

I taught her how American circumstances work. If you are born poor<br />

here, it’s no lasting shame. You are first in line for a scholarship. If the roof<br />

crashes on your head, no need to cry over this bad luck. You can sue anybody,<br />

make the landlord fix it. You do not have to sit like a Buddha under a tree<br />

letting pigeons drop their dirty business on your head. You can buy an<br />

umbrella. Or go inside a Catholic church. In America, nobody says you have<br />

to keep the circumstances somebody else gives you.<br />

She learned these things, but I couldn’t teach her about Chinese character.<br />

How to obey parents and listen to your mother’s mind. How not to show<br />

your own thoughts, to put your feelings behind your face so you can take<br />

advantage of hidden opportunities. Why easy things are not worth pursuing.<br />

How to know your own worth and polish it, never flashing it around like a<br />

cheap ring. Why Chinese thinking is best.<br />

No, this kind of thinking didn’t stick to her: She was too busy chewing<br />

gum, blowing bubbles bigger than her cheeks. Only that kind of thinking<br />

stuck.<br />

“Finish your coffee,” I told her yesterday. “Don’t throw your blessings<br />

away.”<br />

“Don’t be so old-fashioned, Ma,” she told me, finishing her coffee down<br />

the sink. “I’m my own person.”<br />

And I think, How can she be her own person When did I give her up<br />

Revisiting Your Draft: Reread your initial draft on being a stranger, and<br />

identify an appropriate place to revise and add dialogue (e.g., to reveal<br />

something about your characters or advance the narrative). Be sure to<br />

adhere to the punctuation rules of dialogue.<br />

© 2011 College Board. All rights reserved.<br />

68 SpringBoard® English Textual Power Senior English

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