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Download - Российский комитет Программы ЮНЕСКО ...

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• Permit to many repertoires to interact with the minimum of barriers,<br />

and allow them to constitute themselves mutually as communicational<br />

spaces and digital knowledge;<br />

• Allow the knowledge of these many repertoires to be shared at its<br />

most possible extent;<br />

• Allow available collections historically associated to many repertoires<br />

to be freely shared;<br />

• Allow the digital inclusion of repertoires that do not possess<br />

substantial written collections and the creation of their relations<br />

others, in multimedia base;<br />

• Allow permeability among repertoires to generate rizomatic knowledge<br />

creation (i.e. in a web design and without neuralgic points of control),<br />

without disciplinary approach (i.e. through knowledge exchange and/<br />

or through linguistic territorialities thought as historically rooted in<br />

different spaces and different time flux, that immediately will demand<br />

translation among them to communicate.); and<br />

• Use digital space as an instrument of de-territorialization.<br />

5. Best Conditions<br />

We have also asked the network members to share opinions on the opportunities<br />

of this project, and the mains obstacles.<br />

The list of current main local opportunities concerns roles for the university<br />

that were never available in our postcolonial set. And, unless we can trick<br />

history, there is no easy possibility to promote such insurrection of local<br />

content within the place that have systematic and consistently silenced it.<br />

Here is the positive list.<br />

• Possibility to develop local academic and artistic authorship,<br />

concerning subjects of local reality;<br />

• Possibility to develop digital inclusion with multicultural perspective;<br />

• Possibility to develop research on multilingualism with local<br />

researchers (south-south cooperation);<br />

• Participation of universities empowering communities in digital<br />

editing and publishing, with content quality priority;<br />

221

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