Feb 2015
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NEWS<br />
44<br />
MUSIC and movement<br />
In the 18th century, Jaquet Droz was known<br />
for its highly decorated grandfather clocks<br />
with sophisticated complications, music and<br />
automata. Today, the watchmaker’s elaborate<br />
designs are still in demand. As a case in point,<br />
the brand has created a celebratory timepiece<br />
for its 275th anniversary. The Charming Bird,<br />
in white or rose gold with a sapphire crystal<br />
dome, plays to the Jaquet Droz strengths by<br />
combining haute horlogerie with automata:<br />
powered by a piston-driven system, a tiny<br />
singing bird, set against a sapphire dial, flaps<br />
its wings, turns, opens its beak and flicks its<br />
tail. Jaquet Droz watch £29,300. Available<br />
from The Fine Watch Room, Ground Floor<br />
HARRODS MAGAZINE<br />
Telling TALES<br />
Designer Natalia Alaverdian has<br />
quite a reputation for making women<br />
look amazing: as fashion director for<br />
Harper’s Bazaar Russia, she styled<br />
everyone from Milla Jovovich to<br />
Naomi Campbell. In 2012, she<br />
left that role to launch AWAKE<br />
(All Wonderful Adventures Kindle<br />
Enthusiasm), a fashion brand<br />
referencing Japanese art and culture,<br />
inspired by tales from history, art and<br />
film. For SS15, Alaverdian focuses<br />
her talents on whimsical designs<br />
and playful details: think inverted<br />
box pleats, oversized fastenings and<br />
idiosyncratic prints. AWAKE dress<br />
£1,125. Available from Studio,<br />
First Floor<br />
Artistic alliance<br />
A fifth-generation member of the family<br />
that founded J Mendel in 1870, designer<br />
Gilles Mendel made his mark at the<br />
turn of the millennium by transforming<br />
the company from traditional furrier<br />
to fashion player. This season, Mendel<br />
continues on his quest to keep the firm<br />
at the forefront of fashion by joining<br />
forces with Puerto Rican artist Enoc Perez<br />
to create the Spring <strong>2015</strong> collection.<br />
The pair share a love of architecture,<br />
and this formed the starting point<br />
for their collaboration, with Mendel<br />
commissioning textile mills to replicate<br />
Perez’s paintings of buildings. Asymmetry<br />
also plays an important part in the<br />
designs, with Perez’s artistic flair seen in<br />
painterly motifs and abstract prints.<br />
J Mendel dress £2,720. Available from<br />
International Designer, First Floor<br />
An inte vie ith<br />
JEREMY MORRIS<br />
by Lindsay Macpherson<br />
Family-owned fine-jewellery<br />
house David Morris has<br />
designed for Elizabeth Taylor,<br />
Queen Noor of Jordan and the<br />
James Bond films. Managing<br />
director and principal designer<br />
Jeremy Morris talks to Harrods Magazine<br />
about creating jewellery that feels “alive”.<br />
“My father started out as a goldsmith in<br />
Hatton Garden. In 1962, his father-in-law<br />
loaned him £200, a lot of money then, to set<br />
up his own business. Within a year he’d won<br />
the De Beers international jewellery award.<br />
I grew up around jewellery – I can<br />
remember playing in the workshop<br />
as a child – but I did a three-year<br />
apprenticeship before I entered the<br />
business. Both my father and I are<br />
bench jewellers at heart; as well<br />
as knowing how jewellery should<br />
look and feel, we have<br />
a focus on manufacturing<br />
and craftsmanship that<br />
I don’t believe many others<br />
in the industry share.<br />
Our designs are never<br />
boring or generic; David<br />
Morris jewellery is certainly<br />
not for the faint-hearted.<br />
What we do is bold and strong,<br />
but also wearable for women<br />
of all ages. People<br />
who appreciate real<br />
jewellery generally<br />
love our pieces.<br />
There’s a distinct<br />
handwriting to our<br />
work. We’ve always<br />
been design-led –<br />
FROM TOP David Morris<br />
Cherry Blossom earrings<br />
and ring, price on request;<br />
exclusive to Harrods.<br />
Available from The<br />
Fine Jewellery Room,<br />
Ground Floor<br />
our creations are interesting and unusual. My<br />
father has a very good eye for jewellery that’s<br />
‘alive’ – he’s always reminding me to create<br />
movement in my designs. Jewellery can be<br />
plain and one-dimensional; we strive to make<br />
pieces that go beyond that.<br />
My inspiration usually comes from the<br />
stones. We might be influenced by maharaja<br />
jewellery, Art Deco or Art Nouveau, but if<br />
the stone is great, the design just flows, as it’s<br />
dictated by the unique elements of the stone.<br />
I often source antique jewellery, then recut<br />
and repolish the stones to create new pieces.<br />
I don’t see the company ever becoming<br />
a massive conglomerate. I’d like to ensure<br />
that it continues to grow and develop in line<br />
with my concept of a family jeweller.”