Film, Media & Cultural Studies 2010 - Library

Film, Media & 

Cultural Studies 

2010

Film, Media & Cultural Studies 2010 

Contents 

Film Studies 3 

World Cinema 5 

American Film 9 

Film History 11 

Film Genre 13 

Film Theory 14 

Television Studies 15 

Media Studies 16 

Music & Media 19 

Cultural Studies 20 

American Culture 22 

Cultural Theory 24 

Index 26 

Representatives and Agents 30 

Order Form 31 

cover image: © iStockphoto 

Highlights 

Post-Classical Hollywood 

By Barry Langford 

Guides students through the evolution of Hollywood filmmaking since 1945 (p9) 

Journalists in Film 

By Brian McNair 

Provides the inside scoop on the portrayal of journalists in film releases from 1997 to 2008 (p3) 

Cultural Studies and the Study of Popular Culture 

By John Storey 

A revised and fully updated edition of this best-selling introduction to the study of 

contemporary popular culture (p20) 

Orders 

You will find the order form at the end of the catalogue. Please photocopy it if you need extra copies. 

Textbook Inspection Copies 

t Titles marked with a textbook logo are available to lecturers on inspection. See order form for details. 

Ebooks 

e Books marked with the ebook logo are available as ebooks. The majority of our ebooks are available from 

Dawsonera, Ebrary, Ebook Library, Follett, MyiLibrary, NetLibrary and Questia. 

Journals 

To subscribe, order sample copies or sign up for TOC alerts visit www.eupjournals.com 

Mailing List 

Join our mailing list of request for email updates by registering at www.euppublishing.com 

Contacts 

Commissioning Editor Marketing Manager Rights Consultant 

Esmé Watson Anna Glazier Claire Abel 

+44 (0)131 651 1723 +44 (0)131 650 4223 Claire.Abel@eup.ed.ac.uk 

Esme.Watson@eup.ed.ac.uk 

Anna.Glazier@eup.ed.ac.uk 

2 Film, Media & Cultural Studies

NEW 

Journalists in Film 

Heroes and Villains 

Brian McNair, University of Strathclyde 

More than 2,000 films have been made about 

journalism and journalists, including some of 

the greatest works in cinema history. From 

Citizen Kane to La Dolce Vita, from Capote to 

Good Night, and Good Luck, from Salvador 

to A Mighty Heart, journalism has fascinated 

and inspired writers, directors and actors. 

Brian McNair’s study of journalists in film 

asks what they tell us about changing public 

perceptions of journalism and its role in 

society. 

Journalism is an important cultural form 

and cinema provides an arena to articulate 

society’s expectations of and public debates 

about journalism. This book approaches 

films about journalism as cinematic works of 

art in their own right, as well as evidence of 

journalism’s evolving public role. It considers 

key issues including the commercialisation of 

news values, the power of the columnist and 

the implications of digital technologies using 

films such as Shattered Glass, The Sweet Smell 

of Success, and Ace in the Hole. 

Illustrated throughout, the volume contains 

an appendix of mini essays covering films 

from 1997 to 2008. 

January 2010 o 240pp 

Pb o 978 0 7486 3447 7 o £19.99 

Hb o 978 0 7486 3446 0 o £70.00 

NEW 

Cinematic Journeys 

Films and Movement 

Dimitris Eleftheriotis, University of Glasgow 

Cinematic Journeys explores the 

interconnected histories, theories and 

aesthetics of cinematic movement. It 

traces the links between certain types of 

movement of/in the frame and broader 

cultural trends that have historically informed 

Western sensibilities, then contextualises 

that genealogy with an analysis of emerging 

trends in world cinema. The book investigates 

how movements of exploration, discovery 

and revelation are activated in specific 

cinematic narratives of travelling and 

displacement. These narratives are analysed 

with attention to the mass population 

movements and displacements that form 

their referential background. Finally, the book 

examines the ways in which travelling affects 

film itself. 

Case studies focus on the films of Jules Dassin, 

tracing thematic and aesthetic trends that can 

be related to his status as an exiled director; 

on films as travelling commodities (focussing 

on the popularity of Indian films in Greece 

in the 1950s and 60s); and on the category 

of the ‘foreign spectator’ (who moves across 

cultural borders when encountering ‘foreign’ 

films). 

April 2010 o 224pp 

Hb o 978 0 7486 3312 8 o £60.00 

FORTHCOMING 

Heritage Film Audiences 

Period Films and Contemporary Audiences 

in the UK 

Claire Monk, De Montfort University 

The concept of ‘heritage cinema’ is now 

firmly established as an influential, but 

also contested, critical framework for 

the discussion of period or historical 

representation in film yet the very idea of 

the ‘heritage film’ has rested on untested 

assumptions about its audiences. This book 

breaks significant new ground in both the 

scholarship on contemporary period films 

and film-audience studies by presenting the 

first empirically based study of the audiences 

for ‘quality’ period films. 

December 2010 o 256pp 

Hb o 978 0 7486 3824 6 o £65.00 

Memory and the Moving Image 

French Film in the Digital Era 

Isabelle McNeill, University of Cambridge 

This book investigates the role of the moving 

image in cultural memory, taking into 

account the impact of digital technologies 

on visual culture. Focusing on the French 

context, the book examines the ways in which 

recent French moving image works and films 

conceptualise both the past and the workings 

of memory. 

March 2010 o 208pp 

9 b&w illustrations 

Hb o 978 0 7486 3891 8 o £60.00 

Film Studies 

www.euppublishing.com 3

Film Studies 

British Film Directors 

Robert Shail, University of Wales, Lampeter 

‘As a basic primer on Brit movie-makers with a 

well-argued intro, Shail’s book is hard to beat. 

4 stars.’ – Total Film 

This concise, authoritative volume analyses 

critically the work of 100 British directors, 

from the innovators of the silent period 

to contemporary auteurs, providing an 

indispensable reference source for film 

students at all levels, as well as for the general 

cinema enthusiast. 

2007 o 256pp o e 


Pb o 978 0 7486 2231 3 o £17.99 

Hb o 978 0 7486 2230 6 o £55.00 

Figurations of Exile in Hitchcock 

and Nabokov 

Barbara Straumann, University of Zurich 

Barbara Straumann’s close reading of selected 

films and literary texts makes an important 

contribution to cultural analysis by opening 

up the work of two canonical authors to 

issues of exile and migration. It discusses 

psychoanalysis both as a critical approach and 

as a crucial reference point for the cinematic 

and literary texts themselves. 

2008 o 272pp o e 

Hb o 978 0 7486 3646 4 o £60.00 

JOURNAL 

Journal of British Cinema and 

Television 

Principal Editors: Julian Petley, Brunel 

University & James Chapman, University of 

Leicester 

The Journal of British Cinema and Television has 

rapidly established itself as indispensable for 

anyone seriously interested in British cinema 

and television, and is now the prime site for 

publishing cutting-edge work in these fields. 

Themed issues alternate with general 

issues, and future themes will include 

colour, stardom, the producer, Continental 

connections, and British film and television in 

the first decade of the new century. 

Each issue contains: 

• A wide range of papers 

• Substantial book reviews 

• A section intended to stimulate on-going 

debate about the study of British cinema 

and television 

• Interviews with leading practitioners 

• Reports of conferences and other relevant 

events 

• Reviews of soundtracks of British films and 

television programmes released on CD 

Three issues per year 

Volume 7 o 2010 

ISSN: 1743-4521 o e-ISSN: 1755-1714 

www.eupjournals.com/jbctv 

Film Sequels 

Theory and Practice from Hollywood to 

Bollywood 

Carolyn Jess-Cooke, University of Sunderland 

The film sequel has been much maligned in 

popular culture as a vampirish corporative 

exercise in profit-making and narrative 

regurgitation. Drawing on a wide range of 

examples, this volume situates the sequel 

within its industrial, cultural, theoretical and 

global contexts. 

February 2009 o 176pp o e 


Hb o 978 0 7486 2603 8 o £50.00 

Film Remakes 

Constantine Verevis, Monash University, 

Australia 

This comprehensive and systematic account 

of the phenomenon of cinematic remaking is 

divided into three broad sections: remaking 

as industrial category, remaking as textual 

category, and remaking as critical category. 

Case studies include the remaking of classics 

(Double Indemnity, Psycho), foreign art-films 

(Solaris, Le Samouraï), cult movies (Planet of 

the Apes, Dawn of the Dead), and television 

properties (Batman, Charlie’s Angels). 

2005 o 208pp o e 

Pb o 978 0 7486 2187 3 o £18.99 

Hb o 978 0 7486 2186 6 o £60.00 


FORTHCOMING 

New Zealand Cinema 

Ian Conrich, Roehampton University 

Despite the success of films such as The 

Piano, Heavenly Creatures, Once Were Warriors, 

Whale Rider, and The World’s Fastest Indian, 

New Zealand cinema remains one of the best 

kept secrets. Internationally, the country has 

become known for the location possibilities 

it offers, but since 1977 New Zealand has 

produced more than 250 movies and an array 

of acclaimed short films. 

This full-length study of New Zealand cinema 

explores a series of recurring themes and 

issues - law and authority, post-settler identity, 

neo-colonialism, Asia-Pacific diasporas, the 

Kiwi Gothic, and the reworking of American 

genres - across more than a hundred years of 

New Zealand film history. 

It presents critical readings of a diverse range 

of films - shorts, features, and documentaries 

- and considers the work of directors, 

producers, cinematographers and actors. 

Drawing on a private archive of pre-cinema 

New Zealand this book also includes a study 

of stereoviews and magic lantern slides. 

December 2010 o 224pp o t 


Pb o 978 0 7486 2464 5 o £22.99 

Hb o 978 0 7486 2463 8 o £70.00 

FORTHCOMING 

‘Bollywood’ in the Age of New Media 

The Geo-televisual Aesthetic 

Anustup Basu, University of Illinois 

This study of popular Indian cinema in the age 

of globalization, new media and metropolitan 

Hindu fundamentalism examines Hindi film 

between 1991 and 2004. From the early nineties 

popular Hindi cinema took a spectacular turn as 

a signature ‘Bollywood’ style evolved in the wake 

of liberalisation and the inauguration of a global 

media ecology in India. Basu connects this filmic 

geo-televisual style to an ongoing story of the 

uneven globalising process in India. 

September 2010 o 256pp 


Hb o 978 0 7486 4102 4 o £65.00 

FORTHCOMING 

Film and Video Censorship in 

Modern Britain 

Julian Petley, Brunel University 

This book analyses how film and video 

censorship have developed since 1979, a 

year which marked the arrival of both Mrs 

Thatcher’s government, with its strong streak 

of moral authoritarianism, and the birth of 

the domestic video industry, which posed a 

distinct threat to the long-standing modus 

operandi of film censorship in Britain. 


Pb o 978 0 7486 2539 0 o £19.99 

Hb o 978 0 7486 2538 3 o £60.00 

Scotland: Global Cinema 

Genres, Modes and Identities 

David Martin-Jones, University of St Andrews 

‘Wonderfully concrete, engaging, and detailed, 

this study patiently and systematically explores 

the fascinating phenomenon of global films shot 

in Scotland.’ – Professor Mette Hjort, Lingnan 

University, Hong Kong 

Scotland: Global Cinema is the first book to focus 

exclusively on the unprecedented explosion of 

filmmaking in Scotland in the 1990s and 2000s. 

It explores the various cinematic fantasies of 

Scotland created by contemporary filmmakers 

from all over the world - including Scotland, 

England, France, the United States and India - 

who braved the weather to shoot in Scotland. 

Significantly broadening the scope of previous 

debates, Scotland: Global Cinema provides 

analysis of ten different genres and modes 

prevalent in the 1990s/2000s and situates 

cinema in Scotland in a global context through 

analysis of the intersection of transversal flows 

of filmmaking, tourism, trade and transnational 

fantasy typical of globalization, as they meet 

and mingle against the world famous cinematic 

landscapes of Scotland. 

October 2009 o 256pp 


Hb o 978 0 7486 3391 3 o £60.00 

World Cinema 


World Cinema 

6 Film, Media & Cultural Studies 

SERIES 

Traditions in World Cinema 

Series Editors: Linda Badley, Middle 

Tennessee State University & R. Barton 

Palmer, Clemson University 

This series introduces diverse and fascinating 

movements in world cinema. Each volume 

concentrates on a set of films from a different 

national or regional (in some cases crosscultural) 

cinema which constitute a particular 

tradition. The series comprises both cutting 

edge monographs and student textbooks. 

Praise for the series: 

‘Traditions in World Cinema takes a 

sophisticated and wide-ranging approach… 

This collection contains plenty of useful and 

informative material [and] several chapters 

throw light on neglected corners of cinematic 

history.’ – Times Higher Education 

‘Not only does Armes canvass enormous 

territory, succinctly and in elegant prose, but he 

has also made a judicious selection of directors 

and films.’ – H-Africa 

‘[Japanese Horror Cinema] is a well written, 

deeply thought out publication.’ – Horror News 

‘[Chinese Martial Arts Cinema is] an excellent 

resource for the history of the genre, as well 

as topical and retroactive critical appraisal.’ – 

Golden Pigsy (blog) 

www.euppublishing.com/series/tcac 

FORTHCOMING 

The International Film Musical 

Edited by Corey K. Creekmur & Linda Y. 

Mokdad, both University of Iowa 

This book fills a significant gap in scholarship on 

film genre, popular music and world cinema by 

providing the first comparative consideration 

of the musical’s role within national cinema 

traditions. While the musical is one of the 

cinema’s few genuinely international genres, 

it has often functioned as an explicitly local or 

national form, drawing upon distinct traditions 

understood as ‘native’ rather than ‘international’. 

Individual chapters provide discussions of 

musicals from sixteen major national film 

traditions, along with the transnational musical. 



Hb o 978 0 7486 3476 7 o £60.00 

NEW IN PAPERBACK 

Czech and Slovak Cinema 

Theme and Tradition 

Peter Hames, Staffordshire University 

This unique study provides a historical overview 

of the Czech and Slovak film industries, 

considering key stylistic and thematic tendencies 

such as comedy and lyricism, and examining the 

political role of film, with particular emphasis on 

the period of the Prague Spring. 

September 2010 o 272pp o t o e 


Pb o 978 0 7486 2082 1 o £19.99 

Hb o 978 0 7486 2081 4 o £60.00 

Chinese Martial Arts Cinema 

The Wuxia Tradition 

Stephen Teo, National University of Singapore 

and RMIT University, Melbourne 

This book presents the first comprehensive 

account of the wuxia (martial chivalry) tradition 

as it developed in the early Shanghai cinema 

in the late 1920s, and from the 1950s onwards, 

in the Hong Kong and Taiwan film industries. 

Its most popular association is with the film 

Crouching Tiger, Hidden Dragon (2000). Films 

discussed include Come Drink With Me (1966), 

The One-Armed Swordsman (1967), A Touch of Zen 

(1970-71), Hero (2002), House of Flying Daggers 

(2004) and Curse of the Golden Flower (2006). 

March 2009 o 240pp o t o e 

Pb o 978 0 7486 3286 2 o £19.99 

Hb o 978 0 7486 3285 5 o £60.00 

Traditions in World Cinema 

Edited By Linda Badley, Middle Tennessee 

State University, R. Barton Palmer, Clemson 

University & Steven Jay Schneider, CUNY 

The core volume in the Traditions in World 

Cinema series brings together a colourful and 

wide-ranging collection of world cinematic 

traditions - national, regional and global - all of 

which are in need of introduction, investigation 

and, in some cases, critical reassessment. 

2005 o 288pp o t o e 

Pb o 978 0 7486 1863 7 o £21.99 

Hb o 978 0 7486 1862 0 o £60.00

ALSO AVAILABLE 

Palestinian Cinema 

Landscape, Trauma and Memory 

Nurith Gertz & George Khleifi 

2008 o 256pp o t o e 

Pb o 978 0 7486 3408 8 o £19.99 

Hb o 978 0 7486 3407 1 o £60.00 

African Filmmaking 

North and South of the Sahara 

Roy Armes 

2006 o 240pp o e 


Pb o 978 0 7486 2124 8 o £19.99 

Hb o 978 0 7486 2123 1 o £72.00 

Japanese Horror Cinema 

Edited by Jay McRoy 

2005 o 240pp o t 

Pb o 978 0 7486 1995 5 o £19.99 

Hb o 978 0 7486 1994 8 o £80.00 

New Punk Cinema 

Edited by Nicholas Rombes 

2005 o 224pp 

Pb o 978 0 7486 2035 7 o £22.99 

Introduction to Japanese Horror Film 

Colette Balmain, Buckinghamshire Chilterns 

University College 

Starting with the cultural phenomenon of 

Godzilla, this historical and cultural overview 

charts the evolution of Japanese horror from 

the 1950s through to contemporary classics 

such as Ringu and Ju-On: The Grudge. Divided 

thematically, it explores key motifs such 

as the vengeful virgin, the demonic child, 

the doomed lovers and the supernatural 

serial killer, situating them within traditional 

Japanese mythology and folk-tales. 

October 2008 o 232pp o t o e 


Pb o 978 0 7486 2475 1 o £16.99 

Hb o 978 0 7486 2474 4 o £60.00 

New Korean Cinema 

Edited by Chi-Yun Shin, Sheffield Hallam 

University & Julian Stringer, University of 

Nottingham 

‘A vital addition to the body of work available 

to those teaching Asian cinema in the west.’ – 

Screening the Past 

New Korean Cinema adopts a cross-cultural 

perspective and provides a comprehensive 

overview of the production, circulation and 

reception of modern South Korean cinema. 

2005 o 256pp o t 

Pb o 978 0 7486 1852 1 o £22.99 

Asian Cinemas 

A Reader and Guide 

Edited by Dimitris Eleftheriotis, University of 

Glasgow & Gary Needham, Nottingham Trent 

University 

This book uses a number of detailed case 

studies to investigate the limitations of 

Anglo-US theoretical models and critical 

paradigms. By engaging the readers with 

familiar areas of critical discourse – such 

as post-colonial criticism, ‘national cinema’, 

‘genre’, ‘authorship’ and ‘stardom’ – the book 

aims to introduce in context the ‘unfamiliar’ 

case studies which will be explored in depth 

and detail. 

2006 o 488pp o t 

Pb o 978 0 7486 1777 7 o £20.99 

Contemporary World Cinema 

Europe, the Middle East, East Asia and 

South Asia 

Shohini Chaudhuri, University of Essex 

This book provides an overview of the 

flourishing cinemas of parts of Europe, 

the Middle East, East Asia and South Asia. 

Highlighting transnational and cross-cultural 

structures, influences and themes, it offers 

a broad critical context for the study of 

contemporary world cinema and includes 

case studies of Scandinavian, Iranian, Hong 

Kong and Indian cinema. 

2005 o 200pp o t 

Pb o 978 0 7486 1799 9 o £17.99 

World Cinema 


World Cinema 

French Queer Cinema 

Nick Rees-Roberts, University of Bristol 

French Queer Cinema looks at queer selfrepresentation 

in contemporary auteur film 

and experimental video in France. Nick Rees- 

Roberts addresses the political background 

and material culture informing films such 

as Patrice Chéreau’s Son Frère and François 

Ozon’s Le Temps qui reste. He also provides 

the historical setting for this recent crop of 

films by looking at earlier productions such as 

Chéreau’s groundbreaking L’Homme blessé. 

2008 o 176pp o e 

Hb o 978 0 7486 3418 7 o £50.00 

Stalinist Cinema and the Production 

of History 

Museum of the Revolution 

Evgeny Dobrenko, University of Sheffield 

This book explores how Soviet film worked 

with time, the past, and memory and looks 

at its role in the conversion of the present 

and experience into history. The author uses 

the works of the great filmmakers of the 

Stalinist era to show the role of cinema in the 

formation of the Soviet political imagination. 

2008 o 320pp o e 

Hb o 978 0 7486 3445 3 o £60.00 

The Cinema of Small Nations 

Mette Hjort & Duncan Petrie 

This analysis of small national cinemas 

comprises twelve case studies of small 

national - and sub national - cinemas from 

around the world; Ireland, Denmark, Scotland, 

Bulgaria, Tunisia, Burkina Faso, Cuba, Quebec, 

Singapore, Taiwan, Hong Kong and New 

Zealand. Each chapter looks at a particular 

cinema and the book as a whole provides the 

basis for a broader understanding of small or 

minor national cinemas. 

2007 o 256pp o e 

Pb o 978 0 7486 2537 6 o £17.99 

Hb o 978 0 7486 2536 9 o £55.00 

European Cinemas in the 

Television Age 

Dorota Ostrowska, University of Edinburgh & 

Graham Roberts, University of Leeds 

In this radical rethinking of the post-war 

history of European cinemas the authors 

approach the subject from the perspective 

of television’s impact on cinematic culture. 

Television’s growing popularity has drastically 

reshaped cinema’s audiences and forced 

governments to introduce regulatory policies. 

It includes detailed case studies of Britain, 

France, Germany, Spain, Poland, Italy and 

Denmark. 

2007 o 208pp o e 

Pb o 978 0 7486 2309 9 o £19.99 

Hb o 978 0 7486 2308 2 o £65.00 


Cinema and Sensation 

French Film and the Art of Transgression 

Martine Beugnet 

2007 o 208pp o e 

Hb o 978 0 7486 2042 5 o £19.99 

A Cinema of Contradiction 

Spanish Film in the 1960s 

Sally Faulkner 

2006 o 208pp o e 

Hb o 978 0 7486 2160 6 o £55.00 

Sapphism on Screen 

Lesbian Desire in French and Francophone Cinema 

Lucille Cairns 

2006 o 232pp o e 

Hb o 978 0 7486 2165 1 o £60.00 


NEW 

Post-Classical Hollywood 

Film Industry, Style and Ideology since 1945 

Barry Langford, Royal Holloway, University of 

London 

At the end of World War II, Hollywood was 

incredibly prosperous. Numerous challenges 

and crises have since changed the American 

film industry yet Hollywood’s worldwide 

dominance remains intact at the start of a 

new century. 

Barry Langford explores the concept of 

‘post-classical’ Hollywood cinema and how 

it can help or hinder our understanding of 

Hollywood from the forties to the present. He 

looks at how today’s ‘Hollywood’ - absorbed 

into transnational media conglomerates like 

NewsCorp., Sony, and Viacom - differs from 

the legendary studios of Hollywood’s Golden 

Age. He discusses the dominant frameworks 

and conventions that influence the way films 

are made, marketed and consumed today and 

asks how these have changed across the last 

seven decades. Have these evolving contexts 

shaped the form, the style and the content of 

Hollywood movies, from Singin’ in the Rain to 

Pirates of the Caribbean 

May 2010 o 256pp 


Pb o 978 0 7486 3858 1 o £19.99 

Hb o 978 0 7486 3857 4 o £70.00 

FORTHCOMING 

American Politics in Hollywood Film 

Second edition 

Ian Scott, University of Manchester 

From Arnold Schwarzenegger’s rise to 

the Governorship of California through to 

the drama of the celebrity-fuelled 2008 

Presidential election, Hollywood and 

politics have never been more intimate. In 

this second edition of American Politics in 

Hollywood Film, Ian Scott takes up his analysis 

of political content and ideology through 

movies and contends that American culture 

and the institutional process continues to 

be portrayed, debated and influenced by a 

whole series of films. 

Scott describes how television has been an 

increasingly important part of this process, 

especially in the post-9/11, Bush era. Utilising 

a wide range of new films since 2000, as 

well as revisiting classic political texts from 

earlier Hollywood periods, Scott further 

extends his notion of the way sub-generic 

categories like Election Films and Bio-Pics 

work, while re-articulating the ideological and 

iconographic symbols at play in Hollywood’s 

political movie culture. 

December 2010 o 240pp 


Pb o 978 0 7486 4023 2 o £19.99 

Hb o 978 0 7486 4024 9 o £60.00 

NEW IN PAPERBACK 

Hollywood’s Blacklists 

A Political and Cultural History 

Reynold Humphries, University of Lille III 

‘I recommend Hollywood’s Blacklists as a concise 

introduction to a turbulent period in American 

history both on and off the screen.’ 

– Journal of American Culture 

‘Are you now or have you ever been a 

member of the Communist Party’ This 

question was endlessly repeated during the 

anti-Communist investigations carried out 

by the House Committee on un-American 

Activities (HUAC) in the 1950s. Hollywood’s 

Blacklists is a history of the political and 

cultural factors relevant to understanding the 

why and the how of the various investigations 

of the alleged Communist infiltration of 

Hollywood. 


Pb o 978 0 7486 2456 0 o £19.99 

Hollywood’s Cold War 

Tony Shaw, University of Hertfordshire 

This is the first book to explore the American 

film industry’s propaganda role throughout 

the Cold War, from the 1917 Bolshevik 

Revolution to the collapse of the Berlin Wall 

in 1989. 

2007 o 352pp o e 


Pb o 978 0 7486 2524 6 o £19.99 

Hb o 978 0 7486 2523 9 o £65.00 

American Film 



SERIES 

American Indies 

Series Editors: Gary Needham, Nottingham 

Trent University and Yannis Tzioumakis, 

University of Liverpool 

This series of books covers contemporary 

American films that have found commercial 

success but which have not been constrained 

by the formal and ideological parameters 

often associated with mainstream Hollywood 

cinema. Each volume explores a specific 

film and combines innovative and original 

research with clearly defined classroomorientated 

frameworks of film analysis. 

www.euppublishing.com/series/amin 

NEW 

Memento 

Claire Molloy, Liverpool John Moores 

University 

This study considers Memento’s position as 

an independent film before addressing key 

aspects of its narration, genre, distribution, 

marketing and reception. 



Pb o 978 0 7486 3772 0 o £12.99 

Hb o 978 0 7486 3771 3 o £50.00 

FORTHCOMING 

Far From Heaven 

Glyn Davis, The Glasgow School of Art 

This first full-length study of Far From Heaven 

includes chapters on key topics such as 

authorship, genre, postmodernism, queer 

theory, and positions the film in relation to 

the rest of Haynes’ career, the New Queer 

Cinema movement, and the history of US 

independent cinema. 

April 2011 o 160pp 


Pb o 978 0 7486 3779 9 o £12.99 

Hb o 978 0 7486 3778 2 o £50.00 

NEW 

Brokeback Mountain 

Gary Needham, Nottingham Trent University 

This book offers an overview of Focus Features 

as a hybrid company that operates across the 

mainstream and independent cinema sectors; 

examines the film in relation to the genres of 

the western and melodrama; and positions it 

within the context of gay film spectatorship 

and queer cinema. 

March 2010 o 160pp o e 


Pb o 978 0 7486 3383 8 o £12.99 

Hb o 978 0 7486 3382 1 o £50.00 

NEW 

Lost in Translation 

Geoff King, Brunel University 

From consideration of industrial factors such 

as funding and release strategy to the role of 

star performance and formal qualities, this 

book provides an in-depth analysis of the 

balance of more and less mainstream qualities 

offered by Lost in Translation. 


25 illustrations 

Pb o 978 0 7486 3746 1 o £12.99 

Hb o 978 0 7486 3745 4 o £50.00 

ALREADY AVAILABLE 

The Spanish Prisoner 

Yannis Tzioumakis, University of Liverpool 

Featuring a heavily convoluted narrative, a 

distinctive visual and belonging to the genre 

of the ‘con game film’, this book analyses 

The Spanish Prisoner as a film that bridges 

genre filmmaking with personal visual style, 

independent film production with niche 

distribution, and mainstream subject matter 

with unconventional filmic techniques. 

April 2009 o 160pp o e 


Pb o 978 0 7486 3369 2 o £12.99 

Hb o 978 0 7486 3368 5 o £50.00 


American Film / Film History 

American Independent Cinema 

Yannis Tzioumakis, University of Liverpool 

This book offers a comprehensive industrial 

and economic history of the independent 

sector from the studio era in the early 1910s to 

the present. Each chapter includes a number 

of case studies which focus on specific films 

and/or filmmakers. 

2006 o 320pp o t o e 

Pb o 978 0 7486 1867 5 o £18.99 

Hb o 978 0 7486 1866 8 o £60.00 

The American Western 

Stephen McVeigh, University of Wales, 

Swansea 

Structured chronologically, this book explores 

the interconnections between the Western in 

literature and film, and traces the evolution of 

the Western as a uniquely American form. 

2007 o 256p o t o e 

Pb o 978 0 7486 2141 5 o £19.99 

Hb o 978 0 7486 2140 8 o £65.00 


American History and Contemporary 

Hollywood Film 

Andrew Pepper & Trevor McCrisken 

2005 o 240pp o t 

Pb o 978 0 7486 1490 5 o £18.99 

Hb o 978 0 7486 1489 9 o £60.00 

The American Horror Film 

An Introduction 

Reynold Humphries 

2002 o 224pp 

Pb o 978 0 7486 1416 5 o £21.99 

American Politics in Hollywood Film 

Ian Scott 

2000 o 224pp 

Pb o 978 0 7486 1246 8 o £23.99 

The Vietnam War in History, Literature and Film 

Mark Taylor 

BAAS Paperbacks 

2003 o 176pp 

Pb o 978 0 7486 1533 9 o £20.99 

Terms of Endearment 

Hollywood Romantic Comedy of the 1980s and 1990s 

Edited by Peter William Evans 

& Celestino Deleyto 

1998 o 240pp 

Pb o 978 0 7486 0885 0 o £18.99 

American Science Fiction and the Cold War 

Literature and Film 

David Seed 

1999 o 224pp 

Pb o 978 1 85331 2274 o £27.99 

Gender, Ethnicity and Sexuality in Contemporary 


Jude Davies & Carol R. Smith 


1998 o 160pp 

Pb o 978 1 85331 1741 o £19.99 

Film History 

NEW 

Romantics and Modernists in 

British Cinema 

John Orr, Emeritus Professor, Edinburgh 

University 

John Orr takes a critical look at the intriguing 

relationship between romanticism and 

modernism that has been neglected in the 

study of UK cinema and downplayed in the 

development of Western cinema. The book 

covers a broad selection of films, film-makers 

and debates but also brings a fresh perspective 

to how scholars might understand and the 

major traditions that have shaped British 

cinema history. 

Covering the period between 1929 and the 

present this book examines directors such 

as Alfred Hitchcock, David Lean, Carol Reed, 

Nicholas Roeg, Terence Davies and Bill Douglas 

and discusses two genres vital to British cinema 

- the fugitive film and the trauma film - which 

bridge the gap between romantic and modern 

forms. The author also assesses the powerful 

impact of major expatriate directors like 

Joseph Losey, Michelangelo Antonioni, Roman 

Polanski, Stanley Kubrick and Jerzy Skolimowski 

on modernism in the 1960s and 1970s. After 

critical readings of key films, the conclusion 

analyses the persistence of romantic and 

modernist forms in the 21st century in two 

recent features, Control and Hunger. 

Edinburgh Studies in Film 


Hb o 978 0 7486 4014 0 o £60.00 


Film History 


The Cinema of Basil Dearden 

and Michael Relph 

Alan Burton, Klagenfurt University, Austria 

& Tim O’Sullivan, De Montfort University, 

Leicester 

Basil Dearden and Michael Relph came 

together at the famous Ealing Studios in 

the wartime period and became the most 

prolific production team at the studio. This 

book offers a full assessment and evaluation 

of the work of this important partnership 

and considers their contribution to wartime 

cinema at Ealing. 

Later, Dearden and Relph branched out into 

independent production. This study takes 

a fresh look at their cycle of controversial 

social problem films, and looks at their later 

period of filmmaking for the international 

market in the 1960s. Attention is also given 

to the significant place of comedy in their 

cinema and Michael Relph’s considerable 

achievements as an art director. 

Films discussed include The Captive Heart 

(1946), The Blue Lamp (1950) and Pool of 

London (1951), Sapphire (1959) and Victim 

(1961). 

December 2009 o 416pp 


Hb o 978 0 7486 3289 3 o £80.00 

Pierre Batcheff and Stardom in 1920s 

French Cinema 

Phil Powrie, University of Newcastle upon 

Tyne & Éric Rebillard, Association Française de 

Recherche sur l’Histoire du Cinéma 

This study of French silent cinema star, Pierre 

Batcheff places him in the context of 1920s 

popular cinema and analyses his links to 

intellectual circles such as the Surrealists in a 

period when European cinema was caught 

between commercialism and ‘art’. 

January 2009 o 320pp o e 


Hb o 978 0 7486 2197 2 o £60.00 

Film Histories 

An Introduction and Reader 

Edited by Paul Grainge, University of 

Nottingham, Mark Jancovich, University of 

East Anglia & Sharon Monteith, University of 

Nottingham 

‘The authors have managed successfully to combine 

two types of film text book: an all-embracing and 

succinct history book and an excellent collection of 

essays which provide a chronological analysis of 

the development of cinema.’ – Art, Design, Media 

Subject Centre Newsletter 

A wide-ranging introduction to film history, 

this anthology covers the full history of film 

from 1895 to the present day. 

2006 o 720pp o t 

Pb o 978 0 7486 1907 8 o £19.99 

Hb o 978 0 7486 1906 1 o £65.00 


John Mills and British Cinema 

Masculinity, Identity and Nation 

Gill Plain 

2006 o 264pp o e 

Pb o 978 0 7486 2108 8 o £17.99 

Hb o 978 0 7486 2107 1 o £54.00 

Censorship in Theatre and Cinema 

Anthony Aldgate & James C. Robertson 

2005 o 208pp 

Pb o 978 0 7486 1961 0 o £18.99 

The First World War and Popular Cinema 

1914 to the Present 

Edited by Michael Paris 

1999 o 240pp 

Pb o 978 0 7486 1099 0 o £12.99 

Post-war Cinema and Modernity 

A Film Reader 

Edited by John Orr & Olga Taxidou 

2000 o 464pp 

Pb o 978 0 7486 1281 9 o £17.99 

Hb o 978 0 7486 1282 6 o £85.00

Film Noir and the Cinema of Paranoia 

Wheeler Winston Dixon, University of 

Nebraska, Lincoln 

‘The book offers an impressive catalogue of 

marginal and forgotten films of the studio era, 

accompanied by handfuls of Hollywood 

Babylon dirt for added impact... noir addicts will 

walk away with one hell of a screening list.’ 

– Film Comment 

This overview of noir and fatalist film practice 

from 1945 demonstrates the ways in which 

American cinema has instilled a climate of fear 

in our daily lives, reinforced from the 1950s 

by TV, video and the internet. Film Noir and 

the Cinema of Paranoia expands the definition 

of what constitutes a noir film, and includes 

examples from a variety of genres such as 

science fiction noir, horror noir and even 

musical noir. 

Neo-noir films explored include The Last 

Seduction, Angel Heart, The Grifters, Red Rock 

West, The Usual Suspects, Mulholland Drive, L. A. 

Confidential, and Memento. 

February 2009 o 192pp o e 


Pb o 978 0 7486 2400 3 o £18.99 

Hb o 978 0 7486 2399 0 o £60.00 

Science Fiction Cinema 

Christine Cornea, University of East Anglia 

This broad historical and theoretical 

reassessment of the science fiction film genre 

explores the development of science fiction 

in cinema from its beginnings in early film 

through to recent examples of the genre. 

Each chapter sets analyses of selected films 

within a wider historical/cultural context, 

while concentrating on a specific thematic 

issue. Thematically organised for use as a 

course text, Science Fiction Cinema introduces 

theories and practices, and provides an 

overview of the main themes, approaches 

and areas of study. 

2007 o 336pp o t o e 

Pb o 978 0 7486 1642 8 o £17.99 

Hb o 978 0 7486 2465 2 o £55.00 

Film Genre 

Hollywood and Beyond 

Barry Langford, Royal Holloway, University of 

London 

The most authoritative introduction to the 

key topic of film genre and genre theory, Film 

Genre provides a comprehensive account of 

genre history and contemporary trends in 

Hollywood and global cinema, alongside the 

critical debates they have provoked. Langford 

presents genre as a constantly evolving 

phenomenon. 

2005 o 320pp o t 

Pb o 978 0 7486 1903 0 o £19.99 

The Erotic Thriller in 

Contemporary Cinema 

Linda Ruth Williams, University of 

Southampton 

This book discusses the erotic thriller and the 

new relationship between pornography and 

film noir which the erotic thriller has brought 

about. Chapters cover the erotic thriller as 

woman’s film, erotic thriller science fiction 

and horror, and the genre’s influence on other 

forms, such as European sex-thrillers and art 

house erotic thrillers. 

2005 o 480pp 

Pb o 978 0 7486 1148 5 o £22.99 

Hb o 978 0 7486 1149 2 o £80.00 


The Battle of Britain on Screen 

‘The Few’ in British Film and Television Drama 

S. P. Mackenzie 

2007 o 192pp o e 

Pb o 978 0 7486 2390 7 o £20.99 

Hb o 978 0 7486 2389 1 o £65.00 

New Queer Cinema 

A Critical Reader 

Edited by Michele Aaron 

2004 o 224pp 

Pb o 978 0 7486 1725 8 o £23.99 

Hb o 978 0 7486 1724 1 o £70.00 

The Documentary Film Movement 

An Anthology 

Ian Aitken 

1998 o 224pp 

Pb o 978 0 7486 0948 2 o £18.99 

Film Genre 


Film Theory 


JOURNAL 

Deleuze Studies 

Editor: Ian Buchanan, Cardiff University 

Deleuze Studies is the first paper-based journal to 

focus exclusively on the work of Gilles Deleuze. 

Increasing to three issues a year in 2010, and 

edited by a team of highly respected Deleuze 

scholars, Deleuze Studies is a forum for new work 

on the writings of Gilles Deleuze. A bold journal 

that challenges orthodoxies, encourages debate, 

invites controversy, seeks new applications and 

proposes new interpretations, Deleuze Studies is 

as interdisciplinary as Deleuze himself was and 

welcomes contributions from scholars working 

in all fields. 



ISSN: 1750-2241 o e-ISSN: 1755-1684 

www.eupjournals.com/dls 

Deleuze and the Cinemas of 

Performance 

Powers of Affection 

Elena del Río, University of Alberta 

This book is the first study of the interface 

between Deleuzian theory and film performance 

and offers a unique reconsideration of the 

performing body. Elena del Río draws on Gilles 

Deleuze’s philosophy of the body, and on 

Deleuze-Spinoza’s relevant concepts of affect 

and expression, to examine a kind of cinema that 

she calls ‘affective-performative’. 

2008 o 248pp o e 

Hb o 978 0 7486 3525 2 o £55.00 

Deleuze, Altered States and Film 

Anna Powell, Manchester Metropolitan 

University 

This book offers a typology of altered states, 

defining dream, hallucination, memory, trance 

and ecstasy in their cinematic expression. 

Case studies include Donnie Darko, 2001, 

Performance and Easy Rider. 

2007 o 224pp o e 

Hb o 978 0 7486 3282 4 o £50.00 

Deleuze and Horror Film 

Anna Powell, Manchester Metropolitan 

University 

Powell argues that film viewing is a form of 

‘altered consciousness’ and the experience of 

viewing horror film an ‘embodied event’. This 

book explores themes of insanity, sensory 

response to film, fractured time, the body and 

cinematography. 

2006 o 240pp 

Pb o 978 0 7486 1748 7 o £18.99 

Deleuze, Cinema and National Identity 

Narrative Time in National Contexts 

David Martin-Jones, University of St Andrews 

‘This book fruitfully and originally combines 

three areas of investigation: recent cinema, 

Deleuzean film theory, and national identity.’ 

– Forum for Modern Language Studies 

2008 o 256pp o e 

Pb o 978 0 7486 3585 6 o £18.99 


Deleuze and Cinema 

Barbara Kennedy 

2002 o 224pp 

Pb o 978 0 7486 1726 5 o £26.99 

European Film Theory and Cinema 

A Critical Introduction 

Ian Aitken 

2001 o 280pp 

Pb o 978 0 7486 1168 3 o £26.99 

Feminist Film Theory 

A Reader 

Edited by Sue Thornham 

1999 o 320pp 

Pb o 978 0 7486 0890 4 o £22.99 

Hb o 978 0 7486 0959 8 o £70.00 

Feminism and Film 

Maggie Humm 

1997 256pp 

Pb o 978 0 7486 0900 0 o £24.99 

Hb o 978 0 7486 0908 6 o £85.00 

Contemporary Cinema 

John Orr 

1998 o 224pp 

Pb o 978 0 7486 0836 2 o £26.99 

The Art and Politics of Film 

John Orr 

2000 o 208pp 

Pb o 978 0 7486 1199 7 o £24.99

Television Studies 

SERIES 

TV Genres 

Series Editors: Deborah Jermyn, Roehampton University & Su Holmes, University of East Anglia 

The TV Genres series provides accessible introductions to the study of key identifiable genres 

within TV Studies. Volumes are theoretically informed and innovative, while maintaining a 

‘reader-friendly’ approach. 

www.euppublishing.com/series/edtv 

The Sitcom 

Brett Mills, University of East Anglia 

Although sitcom has been a consistent staple 

of broadcasting the world over, rigorous 

academic work on it as a genre remains 

limited. This book explores the sitcom in terms 

of production, audiences, and texts, drawing 

on a range of examples and case studies in 

order to examine the genre’s characteristics, 

social position, and pleasures. It takes a global 

view of sitcom, examining international 

examples as well as those produced by 

the more dominant British and American 

broadcasting industries, in order to explore 

the relationships between sitcom, nation, and 

identity. 

• Includes extensive interviews with members 

of the British television 

• comedy industry 

• Offers detailed textual analyses of a range of 

programmes, drawing on 

• Humour Theory eo explore the ways in 

which jokes and comic moments work 

September 2009 o 160pp o t 

Pb o 978 0 7486 3752 2 o £16.99 

Hb o 978 0 7486 3751 5 o £60.00 

The Quiz Show 

Su Holmes, University of East Anglia 

Despite its enduring popularity with both 

broadcasters and audiences, the quiz show has 

found itself marginalised in studies of popular 

television. This book offers a unique 

introduction to the study of the quiz show. 

The book ranges across programmes from 

Double Your Money, The $64,000 Dollar Question, 

Twenty-One, The Price is Right, Who Wants to 

be a Millionaire and The Weakest Link to the 

controversial ‘Quiz TV Call’ phenomenon. 

Topics covered include the relationship 

between quiz shows and television genre; 

the early broadcast history of the quiz show; 

questions of institutional regulation; quiz show 

aesthetics; the social significance of ‘games’; 

‘ordinary’ people as television performers, 

and questions of quiz show reception (from 

interactivity to on-line fandom). 

2008 o 192pp o t o e 


Pb o 978 0 7486 2753 0 o £16.99 

Hb o 978 0 7486 2752 3 o £55.00 

The Great War on the Small Screen 

Representing the First World War in 

Contemporary Britain 

Emma Hanna, University of Greenwich, 

London 

There is a difficult relationship between the war’s 

history and its popular memory. Emma Hanna 

examines the personal, political and ideological 

struggles which have occurred during attempts 

to discuss the history of the First World War in 

British television, taking readers behind the 

scenes of programmes from the landmark series 

The Great War (BBC, 1964) up to The Somme 

(Channel 4, 2005). 

November 2009 o 200pp 


Hb o 978 0 7486 3389 0 o £55.00 

Social Issues in Television Fiction 

Lesley Henderson, Brunel University, London 

‘This groundbreaking book crosses the 

boundaries between media communication, 

television fiction and reception.’ – Journal of 

British Cinema and Television 

Drawing on unique empirical data this study 

examines the ways in which television fiction 

plays a vital and powerful role in reflecting 

and shaping socio-cultural attitudes. It uses a 

series of case studies to link practice to theory. 

2007 o 208pp o e 

Pb o 978 0 7486 2532 1 o £17.99 

Hb o 978 0 7486 2531 4 o £55.00 


Television Studies / Media Studies 

Masculinity and Popular Television 

Rebecca Feasey, Bath Spa University 

A comprehensive and accessible introduction to 

the key debates concerning the representation 

of masculinity in a wide range of contemporary 

television genres. Feasey looks at the depiction 

of public masculinity in the soap opera, 

homosexuality in the situation comedy, 

the portrayal of fatherhood in prime-time 

animation, emerging manhood in the teen 

male melodrama, alternative gender roles in 

science fiction, authority in the police drama, 

anxiety in trauma television, violence and 

machismo in sports coverage, exhibitionism 

in reality television and domesticity in lifestyle 

programming. 

2008 o 192pp 

Pb o 978 0 7486 2798 1 o £18.99 

Hb o 978 0 7486 2797 4 o £60.00 


Television Policy 

The MacTaggart Lectures 

Edited by Bob Franklin 

2005 o 304pp 

Pb o 978 0 7486 1718 0 o £19.99 

Hb o 978 0 7486 1717 3 o £60.00 

The Contemporary Television Series 

Edited by Michael Hammond & Lucy Mazdon 

2005 o 272pp 

Pb o 978 0 7486 1901 6 o £19.99 

Hb o 978 0 7486 1900 9 o £65.00 

Media Studies 

Media Studies: A Reader 

Third Edition 

Edited by Sue Thornham & Caroline Bassett, 

both University of Sussex, & Paul Marris, 

Anglia Ruskin University 

Media Studies: A Reader introduces the full 

range of theoretical perspectives through 

which the media may be explored, analysed, 

critiqued, and understood. The Reader reaches 

back to essential statements from writers such 

as Raymond Williams, Stuart Hall, Marshall 

McLuhan, Jürgen Habermas, Jean Baudrillard 

and Michel Foucault, whose work was central 

to forming the field. It also includes wide 

ranging contemporary work from diverse 

theorists, including Annabelle Sreberny, Paul 

Gilroy, Charlotte Brunsden, Angela McRobbie, 

Asu Askoy and Kevin Robins, Micheal Bull, and 

Nick Couldry. Finally, the Reader looks to the 

future, through the work of Mark Andrejevic, 

Lev Manovich, Jonathan Sterne and others. 

The sixty-seven readings are divided into two 

main parts: ‘Studying the Media’ and ‘Case 

Studies’, and all sections of this new edition 

have been updated with a rich selection 

of contemporary writing complementing 

re-chosen media ‘classics’. 

April 2009 o 896pp o t 

Pb o 978 0 7486 3784 3 o £24.99 

Hb o 978 0 7486 3783 6 o £80.00 

SERIES 

Media Topics 

Series Editor: Valerie Alia 

Volumes in the Media Topics series critically 

examine the core subject areas within Media 

Studies. Each volume offers a critical overview 

as well as an original intervention into the 

subject. Volume topics include: media theory 

and practice, history, policy, ethics, politics, 

discourse, culture and audience. 

Praise for the series: 

‘Media and Ethnic Minorities sets up a 

radical anthropological account of power and 

representation.’ – Media International Australia 

‘[Media Ethics and Social Change] is an 

ambitious attempt to look at media ethics from 

social scientific, philosophical and vocational 

perspectives… The book successfully negotiates 

the rocky path between vocational and 

academic life, demonstrating how in the media 

field an awareness of both is required to inform 

the protagonist.’ – The Lecturer 

‘Women, Feminism and Media is a first-class 

textbook and will become a must for students 

in media studies, women’s studies and cultural 

studies alike.’ – Jackie Stacey, University of 

Lancaster 

‘Media Policy and Globalization serves up an 

ambitious, readable, and concise synthesis of 

how the messy world-system of communication 

policy is described and pondered in the 

communications and media studies discipline.’ – 

Global Media and Communication 



Media Audiences 

Television, Meaning and Emotion 

Kristyn Gorton, University of York 

An engaging and original study of current 

research on television audiences and the 

concept of emotion, this book offers a new 

insight into key issues within television 

studies. Topics discussed include: television 

branding; emotional qualities in television 

texts; audience reception models; new 

research on fan cultures; ‘quality’ television; 

television aesthetics; reality television; 

individualism and its links to television 

consumption. 

The book is divided into two sections: the 

first covers theoretical work on the audience, 

fan cultures, global television, theorising 

emotion and affect in feminist theory and 

film and television studies. The second half 

offers a series of case studies on television 

programmes such as Wife Swap, The Sopranos 

and Six Feet Under in order to explore how 

emotion is fashioned, constructed and valued 

in televisual texts. The final chapter features 

original interview material with industry 

professionals in the UK and Irish soap industry 

along with advice to students on how to 

conduct their own small-scale ethnographic 

projects. 

September 2009 o 192pp o t 

Pb o 978 0 7486 2418 8 o £16.99 

Hb o 978 0 7486 2417 1 o £60.00 

Women, Feminism and Media 

Sue Thornham, University of Sussex 

Over the past few decades feminist media 

scholarship has flourished, to become a 

major influence on the fields of media, film 

and cultural studies. At the same time, the 

cultural shift towards ‘post-feminism’ has 

raised questions about the continuing validity 

of feminism as a defining term for this work. 

This book explores the changing and often 

ambivalent relationship between the three 

terms women, feminism and media in the 

light of these recent debates. 

2007 o 184pp o t 

Pb o 978 0 7486 2071 5 o £15.99 

Media Discourse 

Representation and Interaction 

Mary Talbot, University of Sunderland 

This lively and accessible study of media and 

discourse combines theoretical reflection with 

empirical engagement, and brings together 

insights from a range of disciplines. The book 

is divided into two sections, the first outlining 

key theoretical issues and concepts and the 

second being a sustained interrogation of 

social interaction in and around media. 

2007 o 208pp o t o e 

Pb o 978 0 7486 2348 8 o £15.99 

Hb o 978 0 7486 2347 1 o £60.00 


Media Policy and Globalization 

Paula Chakravartty & Katharine Sarikakis 

2006 o 224pp o t o e 

Pb o 978 0 7486 1849 1 o £16.99 

Alternative and Activist Media 

Mitzi Waltz 

2005 o 160pp o t o e 

Pb o 978 0 7486 1958 0 o £16.99 

Hb o 978 0 7486 1957 3 o £60.00 

Media Rights and Intellectual Property 

Richard Haynes 

2005 o 176pp o t 

Pb o 978 0 7486 1880 4 o £19.99 

Media and Ethnic Minorities 

Valerie Alia & Simone Bull 

2005 o 216pp o t o e 

Pb o 978 0 7486 2069 2 o £19.99 

Hb o 978 0 7486 2068 5 o £60.00 

Media Ethics and Social Change 

Valerie Alia 

2004 o 240pp o t 

Pb o 978 0 7486 1771 5 o £16.99 

Hb o 978 0 7486 1773 9 o £65.00 




Power Play 

Sport, the Media and Popular Culture 

Raymond Boyle, University of Glasgow & 

Richard Haynes, University of Stirling 

Since its first publication in 2000 Power Play 

has become a key text in the burgeoning 

study of media sport. This fully revised and 

updated edition reviews recent developments 

in the interdisciplinary field of media sport 

studies. It also provides new analysis of the 

global sports media marketplace taking into 

consideration the rapid changes in the media 

coverage of sport introduced by the Internet 

and new digital media platforms. 

May 2009 o 264pp o t o e 

Pb o 978 0 7486 3593 1 o £22.99 

Hb o 978 0 7486 3592 4 o £60.00 

The Media in Scotland 

Edited by Neil Blain, University of Stirling 

& David Hutchison, Glasgow Caledonian 

University 

‘A very welcome addition... The book is of 

importance to all who study the Scottish media.’ 

– Media Education Journal 

‘[The authors] are to be congratulated on 

assembling such a rich array of contributions 

and producing such an enjoyable, wide-ranging 

overview of the media north of the border.’ 

– European Journal of Communication 

2008 o 320pp o e 

Pb o 978 0 7486 2800 1 o £17.99 

Hb o 978 0 7486 2799 8 o £55.00 

Media Regulation, Public Interest 

and the Law 

Second Edition 

Mike Feintuck & Mike Varney, both University 

of Hull 

‘Through its very well organized and presented 

material, the book analyses the different types 

and forms of copyright, the ways it is enforced, 

who exactly owns it and whom it protects, as 

well as what kinds of practices are restrained by 

it.’ – The Year’s Work in Critical and Cultural 

Studies 

The second edition has been substantially 

revised and updated, to take account of 

matters such as European Directives, the UK’s 

Communications Act 2003 and the process of 

reviewing the BBC’s Charter. 

2006 o 240pp o t o e 

Pb o 978 0 7486 2166 8 o £24.99 


Get Set for Media and Cultural Studies 

Tony Purvis 

2006 o 224pp o t o e 

Pb o 978 0 7486 1695 4 o £12.99 

Practical Research Methods for Media and 


Making People Count 

Máire Messenger Davies & Nick Mosdell 

2006 o 224pp o t o e 

Pb o 978 0 7486 2185 9 o £16.99 

Hb o 978 0 7486 2184 2 o £55.00 

An Alternative Internet 

Radical Media, Politics and Creativity 

Chris Atton 

2004 o 192pp 

Pb o 978 0 7486 1770 8 o £19.99 

Hb o 978 0 7486 1769 2 o £70.00 

Media Talk 

Andrew Tolson 

2006 o 208pp o t 

Pb o 978 0 7486 1826 2 o £18.99 

Hb o 978 0 7486 1825 5 o £65.00 

Studying Media 

Problems of Theory and Method 

John Corner 

1998 o 192pp 

Pb o 978 0 7486 1067 9 o £14.99 

Scottish Newspapers, Language and Identity 

Fiona Douglas 

April 2009 o 192pp o e 

Hb o 978 0 7486 2437 9 o £50.00 

British News Media and the Spanish Civil War 

Tomorrow May Be Too Late 

David Deacon 

2008 o 208pp 


Hb o 978 0 7486 2748 6 o £60.00

Music & Media 

Music, Sound and Multimedia 

From the Live to the Virtual 

Jamie Sexton, University of Wales, 

Aberystwyth 

‘A valuable book about important topics, written 

by fresh voices on the academic music scene.’ 

– Music, Sound and the Moving Image 

‘[Music, Sound and Multimedia] will be useful 

to those in ethnomusicology and popular music 

studies who have been contemplating the new 

musical environments of digital media and 

broadband internet in recent years.’ 

– Ethnomusicology Forum 

This book provides a unique study of how 

music and other sounds play a central 

part in a host of media forms. It focuses 

on four areas – music videos, video game 

music, performance and presentation, 

and production and consumption – and 

addresses the importance of these aural 

concerns within our everyday experiences. 

Charting historical developments, mapping 

contemporary patterns, and speculating on 

future possibilities, this book is invaluable to 

students of sound and media. 

2007 o 224pp o e 


Pb o 978 0 7486 2534 5 o £17.99 

Film’s Musical Moments 

Edited by Ian Conrich, Roehampton 

University & Estella Tincknell, University of the 

West of England 

‘Film’s Musical Moments will be of use to film 

and TV scholars, as well as scholars whose work 

is more directly focused on music in media.’ 

– Film International 

‘This is something more than a collection of 

articles about music in film… [a] welcome 

addition to the literature on film’s musical 

nature.’ – Journal of British Cinema and 

Television 

Film’s Musical Moments is of equal importance 

to students of film studies, cultural studies 

and music. The book is organised into four 

sections which cover: cinema representations 

of music forms; stars, fan cultures and 

intertextuality; the importance of popular 

music to contemporary cinema; and specific 

national contexts. 

Chapters include jazz and animation, the 

country and western biopic, cult musicals and 

fandom, the importance of the soundtrack 

film, and musicals from the former East 

Germany. 

2006 o 240pp o e 

Pb o 978 0 7486 2345 7 o £18.99 

Hb o 978 0 7486 2344 0 o £70.00 


Music and Youth Culture 

Dan Laughey 

2006 o 256pp o t o e 

Pb o 978 0 7486 2381 5 o £20.99 

Hb o 978 0 7486 2380 8 o £60.00 

Popular Music Genres 

An Introduction 

Stuart Borthwick & Ron Moy 

2004 o 256pp o t 

Pb o 978 0 7486 1745 6 o £24.99 

Hb o 978 0 7486 1744 9 o £65.00 

Music and Copyright 

Second Edition 

Edited by Simon Frith & Lee Marshall 

2004 o 224pp 

Pb o 978 0 7486 1813 2 o £19.99 

Hb o 978 0 7486 1812 5 o £65.00 

Film Music 

Critical Approaches 

Edited by K. J. Donnelly 

2001 o 24pp 

Pb o 978 0 7486 1288 8 o £23.99 



NEW 

Cultural Studies and the Study of 

Popular Culture 

Third edition 

John Storey, University of Sunderland 

This revised and fully updated edition of the 

best-selling textbook maps the development 

of cultural studies and introduces the 

range of methods that have been used 

to study contemporary popular culture. 

Organised around a series of case studies, 

each chapter focuses on a different media 

form and presents a critical overview of the 

methodology for the actual study of popular 

culture. Individual chapters cover topics such 

as television, fiction, film, newspapers and 

magazines, popular music, consumption 

(television, fan culture and shopping), and the 

culture of globalisation. 

The third edition has been rewritten and 

expanded, including a revised and updated 

bibliography. It incorporates new sections 

on print media and celebrity, communities in 

cyberspace, and a postscript on the circuit of 

culture. 

May 2010 o 208pp 

Pb o 978 0 7486 4038 6 o £19.99 

Hb o 978 0 7486 4051 5 o £65.00 

NEW 

Culture and Power in Cultural Studies 

The Politics of Signification 

John Storey, University of Sunderland 

Culture and Power in Cultural Studies is a 

collection of John Storey’s best and most 

significant contributions to the field of 

cultural studies, spanning 25 years. Covering 

a variety of topics, all chapters share a 

common focus on culture and power and 

the politics of signification: the struggle to 

define social reality; to give the world and 

its contents meaning in particular ways to 

generate desired effects of power. 



Hb o 978 0 7486 4015 7 o £60.00 

AUTHOR CLOSE-UP 

John Storey is Professor of Cultural Studies 

and Director of the Centre for Research 

in Media and Cultural Studies at the 

University of Sunderland. He has published 

widely in cultural studies, including eight 

books. His work has been translated into 

many languages. 

Research Methods for Cultural Studies 

Edited by Michael Pickering, Loughborough 

University 

‘Research Methods for Cultural Studies is a 

brilliant book. It is inspiring, challenging, stroppy, 

provocative and well written. This is the best book 

that has been written on cultural studies methods.’ 

– Times Higher Education 

‘A clear, concise overview of the qualitative and 

quantitative approaches to research methods 

in cultural studies, this book will be useful for 

undergraduate students of all aspects of cultural 

study from anthropology to media studies.’ 

– The Bookseller 

This textbook provides students with clear 

overviews of research methods in cultural 

studies, along with guidelines on how to put 

these methods into practice. It advocates a 

multi-method approach, with students drawing 

from a pool of techniques and approaches 

suitable for their own topics of investigation. 

Designed for the needs of students on upperlevel 

undergraduates and above, reviewers 

agree this book is of enormous value across all 

fields of study involved in cultural enquiry and 

analysis. 

Research Methods for the Arts and Humanities 

2008 o 256pp o t 

Pb o 978 0 7486 2578 9 o £17.99 

Hb o 978 0 7486 2577 2 o £55.00 


Englishness 

Twentieth-Century Popular Culture and the 

Forming of English Identity 

Simon Featherstone, De Montfort University, 

Leicester 

This book examines the conflicts, dilemmas 

and contradictions that marked Englishness 

as the nation changed from an imperial 

power to a postcolonial state. The chapters 

deal with travel writing, popular song, music 

hall and variety theatre, dances, elocution 

lessons, sport, festivals, literature and film. 

January 2009 o 208pp o e 

Hb o 978 0 7486 2365 5 o £60.00 

Christmas, Ideology and 

Popular Culture 

Edited by Sheila Whiteley, University of Brighton 

This introduction to the study of popular 

culture uses one central case study - 

Christmas. It explores the cultural, social and 

historical contexts of Christmas in the UK, 

USA and Australia, covering such topics as 

fiction, film, television, art, newspapers and 

magazines, war, popular music and carols. 

2008 o 232pp o e 


Pb o 978 0 7486 2809 4 o £18.99 

Hb o 978 0 7486 2808 7 o £60.00 

NEW JOURNAL 

Modernist Cultures 

Editors: Andrzej Gasiorek, University of 

Birmingham, Deborah Parsons, University of 

Birmingham & Michael Valdez Moses, Duke 

University 

Modernist Cultures seeks to open modernism 

up to new kinds of inquiry, new subjects, 

and new arguments, and to examine the 

interdisciplinary and international contexts 

of modernism and modernity. The journal is 

committed to innovative scholarship and to 

dialogue across international borders, and 

intended as a genuinely interdisciplinary 

space for the lively, polemical discussion of 

contemporary trends in the field, a discussion 

that will, we hope, represent a range of critical 

approaches and foster debate between 

scholars working within different intellectual 

traditions. 

The editors invite essays from various fields 

of inquiry, in an attempt to reanimate the 

discourses through which modernism’s 

diverse cultures have hitherto been 

conceived. 

Two issues a year 


ISSN 2041-1022 o e-ISSN: 1753-8629 

www.eupjournals.com/mod 

Culture Wars 

The Media and the British Left 

James Curran, Ivor Gaber & Julian Petley, all 

Goldsmiths College, University of London 

‘This book is comprehensive and very readable.’ - 

Political Studies Review 

Culture Wars charts the battle between young 

politicians in London town halls and their 

elders in central government. It describes 

a clash not only between collectivism and 

market liberalism, but also between social and 

moral values shaped by different eras. 

2005 o 320pp o t o e 

Pb o 978 0 7486 1917 7 o £20.99 


Violence and the Cultural Politics of Trauma 

Jane Kilby 

2007 o 224pp 

Hb o 978 0 7486 1816 3 o £50.00 



American Culture 

SERIES 

Twentieth-Century American Culture 

Series Editor: Martin Halliwell 

This series provides accessible but challenging 

studies of American culture in the twentieth 

century. Each title covers a specific decade 

and offers a clear overview of its dominant 

cultural forms and influential texts, discussing 

their historical impact and cultural legacy. 

The books provide an intellectual context 

for examining the culture of each decade 

and include case studies featuring key texts, 

trends, events and figures, a chronology of the 

decade and bibliographies for each chapter. 

The series is complete in 2010 with the 

publication of the 1910s and 1990s volumes. 

www.euppublishing.com/series/tcac 

NEW 

American Culture in the 1910s 

Mark Whalan, University of Exeter 

This book provides a fresh account of the 

major cultural and intellectual trends of 

1910s America, a decade characterised by 

war, the flowering of modernism, the birth of 

Hollywood, and Progressive interpretations of 

culture and society. 

March 2010 o 248pp o t 


Pb o 978 0 7486 3424 8 o £17.99 

Hb o 978 0 7486 3423 1 o £60.00 

NEW 


Colin Harrison, Liverpool John Moores University 

The 1990s was witness to America’s expanding 

influence across the world but also a period of 

anxiety and social conflict. 

March 2010 o 248pp o t 


Pb o 978 0 7486 2222 1 o £17.99 

Hb o 978 0 7486 2221 4 o £60.00 


Susan Currell, University of Sussex 

An engaging account of the major cultural and 

intellectual trends that have been pivotal to the 

decade’s characterisation as ‘the jazz age.’ 



Pb o 978 0 7486 2522 2 o £17.99 

Hb o 978 0 7486 2521 5 o £60.00 


Will Kaufman, University of Central Lancashire 

This volume provides an exploration of American 

culture in the 1970s and charts the changing 

complexion of American culture from the 1950s 

into the 1980s. 

February 2009 o 264pp o t o e 


Pb o 978 0 7486 2143 9 o £17.99 

Hb o 978 0 7486 2142 2 o £60.00 



David Eldridge 



Pb o 978 0 7486 2259 7 o £17.99 

Hb o 978 0 7486 2258 0 o £55.00 


Jacqueline Foertsch 



Pb o 978 0 7486 2413 3 o £17.99 

Hb o 978 0 7486 2412 6 o £55.00 


Martin Halliwell 



Pb o 978 0 7486 1885 9 o £17.99 

Hb o 978 0 7486 1884 2 o £65.00 


Sharon Monteith 



Pb o 978 0 7486 1947 4 o £17.99 

Hb o 978 0 7486 1946 7 o £55.00 


Graham Thompson 



Pb o 978 0 7486 1910 8 o £17.99 

Hb o 978 0 7486 1909 2 o £66.00 


SERIES 

Introducing Ethnic Studies 

Robert Con Davis-Undiano, University of 

Oklahoma 

Providing the latest and the best of what is being 

thought in Ethnic Studies, this series is directed 

toward literary studies and particularly American 

Studies but also covers interdisciplinary topics 

appropriate to cultural studies and traditional 

area comparative studies, including material 

culture. Each volume provides a comprehensive 

introduction to the topics that are raised in 

discussions about ethnicity in contemporary 

culture. 

www.euppublishing.com/series/iets 

NEW 

African American Studies 

Jeanette R. Davidson 

This introduction to the large and rich area 

of inquiry and scholarship known as African 

American Studies covers topics including 

African Aesthetics, African American 

Visual Culture, African American Womanist 

Literature and Theory, and African American 

Religion and Philosophy. It discusses 

current challenges and opportunities for 

African American Studies in the context 

of predominantly white institutions and 

addresses important new curricular directions 

for the future, those that push the boundaries 

of Black Studies. 


Pb o 978 0 7486 3715 7 o £18.99 

Hb o 978 0 7486 3714 0 o £50.00 

9/11 and the War on Terror 

David Holloway, University of Derby 

Illustrated throughout, this interdisciplinary study 

discusses representation of 9/11 and the War on 

Terror in a variety of disciplines including film, 

literature, visual art and mass media. 

2008 o 208pp o e 


Pb o 978 0 7486 3381 4 o £12.99 

Hb o 978 0 7486 3380 7 o £45.00 

The Kennedy Assassination 

Peter Knight, University of Manchester 

This book offers an authoritative critical 

introduction to the way the Kennedy Assassination 

has been constructed in a range of discourses. 

Peter Knight explores representations of the 

assassination in historical, literary, cinematic, 

political, sociological and artistic discourses. 

2007 o 192pp o e 


Pb o 978 0 7486 2411 9 o £13.99 

Hb o 978 0 7486 2410 2 o £50.00 

American Thought and Culture 

in the 21st Century 

Edited by Martin Halliwell & Catherine 

Morley, University of Leicester 

This volume considers the changing patterns 

of American thought and culture in its 

transition into the early twenty-first century, 

bringing together high-profile thinkers and 

scholars to explore the most significant 

political, social and cultural trends in the 

United States during the current decade. 

2008 o 336pp o e 

Pb o 978 0 7486 2602 1 o £24.99 

Hb o 978 0 7486 2601 4 o £90.00 


African American Visual Arts 

Celeste-Marie Bernier, University of 

Nottingham 


2008 o 280pp o t o e 

16 colour illustrations 

Pb o 978 0 7486 2356 3 o £16.99 

The Cultures of the American New West 

Neil Campbell 


2000 o 182pp 

Pb o 978 0 7486 1176 8 o £19.99 

Issues in Americanisation and Culture 

A Handbook 

Edited by Neil Campbell, Jude Davies & 

George Mackay 

2004 o 288pp 

Pb o 978 0 7486 1943 6 o £20.99 

American Culture 


American Culture / Cultural Theory 


American Youth Cultures 

Edited by Neil Campbell 

2004 o 272pp 

Pb o 978 0 7486 1933 7 o £18.99 

American Cold War Culture 

Edited by Douglas Field 

2005 o 224pp 

Pb o 978 0 7486 1923 8 o £18.99 

The American Counterculture, 1945-1975 

Christopher Gair 

2007 o 240pp o e 

Pb o 978 0 7486 1989 4 o £19.99 

Hb o 978 0 7486 1988 7 o £65.00 

Religion, Culture and Politics in the Twentieth- 

Century United States 

Mark Hulsether 


May 2007 o 256pp o t o e 

Pb o 978 0 7486 1302 1 o £15.99 

Jazz in American Culture 

Peter Townsend 


July 2000 o 160pp 

Pb o 978 1 85331 204 5 o £19.99 

Animation and America 

Paul Wells 


March 2002 o 172pp 

Pb o 978 1 85331 203 8 o £20.99 

Cultural Theory 

NEW 

Literature, Cinema and Politics, 

1930-1945 

Reading between the Frames 

Laura Feigel, King’s College, London 

This detailed study of the relationship 

between politics, literature and cinema in the 

1930s tells the story that unfolded between 

1920s cinematic modernism and postwar 

cinematic neorealism, exploring the rise and 

fall of a distinct genre of politically committed 

cinematic literature. 

June 2010 o 288pp 


Hb o 978 0 7486 3950 2 o £65.00 

Deleuze and Performance 

Edited by Laura Cull, Northumbria University 

Deleuze and Performance is a collection of 

new essays dedicated to Deleuze’s writing 

on theatre and to the productivity of his 

philosophy for (re)thinking performance. This 

book provides rigorous analyses of Deleuze’s 

writings on theatre practitioners such as 

Artaud, Beckett and Carmelo Bene, as well as 

offering innovative readings of historical and 

contemporary performance. 

Deleuze Connections 

May 2009 o 288pp o e 


Pb o 978 0 7486 3504 7 o £24.99 

Hb o 978 0 7486 3503 0 o £75.00 

FORTHCOMING 

The Baudrillard Dictionary 

Edited by Richard G. Smith, Swansea 

University 

This is the first dictionary dedicated to the 

work of Jean Baudrillard and is an essential 

reference for students and scholars of 

his work. Written by over 30 specialists, it 

defines and contextualises the key terms 

and influences within Baudrillard’s thought, 

including ‘hyperreality’, ‘symbolic exchange’, 

‘reversibility’, ‘simulation’, ‘disappearance’, 

‘seduction’, ‘fashion’, ‘pataphysics’, ‘cloning’, ‘the 

Gulf War’, ‘terrorism’, and ‘9/11’. 

July 2010 o 256pp 

Pb o 978 0 7486 3921 2 o £19.99 

Hb o 978 0 7486 3922 9 o £60.00 

The Jean Baudrillard Reader 

Edited by Steve Redhead, University of 

Brighton 

This Reader comprises extracts of 

Baudrillard’s writings from the sixties to the 

noughties, with an editorial introduction 

and a concluding reading guide. Arranged 

chronologically in order of original 

publication, each section includes a translated 

extract prefaced by a short bibliographical 

introduction setting the scene. 

2008 o 240pp 

Pb o 978 0 7486 2789 9 o £16.99 

Hb o 978 0 7486 2788 2 o £50.00

Paul Virilio 

Theorist for an Accelerated Culture 

Steve Redhead, University of Brighton 

The first authoritative study of the life and 

work of French urban and cultural theorist 

Paul Virilio, this book sets out to explain and 

analyse what Virilio has actually said over the 

years and exactly when he said it, correcting 

many mistaken interpretations along the way. 

2004 o 184pp 

Pb o 978 0 7486 1928 3 o £20.99 

Hb o 978 0 7486 1927 6 o £65.00 

The Paul Virilio Reader 

Edited by Steve Redhead, University of 

Brighton 

Virilio’s work, originally published in French 

and stretching back to the 1950s, has until 

now been very difficult to access in full in 

English translation. The Paul Virilio Reader 

collects together for the first time readable 

extracts of Virilio’s work from the entire range 

of his career. 

2004 o 288pp 

Pb o 978 0 7486 2003 6 o £20.99 

Hb o 978 0 7486 2002 9 o £65.00 

Postfeminism 

Cultural Texts and Theories 

Stéphanie Genz & Benjamin A. Brabon, both 

Edge Hill University 

The first introductory text on postfeminism, 

this book provides an indispensable guide 

that both surveys and critically positions 

the main issues, theories and contemporary 

debates surrounding the term. Adopting an 

inclusive and interdisciplinary approach, this 

teaching-focused text includes topical case 

studies. 

April 2009 o 240pp o t o e 

Pb o 978 0 7486 3580 1 o £16.99 

Hb o 978 0 7486 3579 5 o £75.00 

New Cultural Studies 

Adventures in Theory 

Edited by Gary Hall & Clare Birchall, both 

Middlesex University 

‘Just when even the stodgiest of academics 

was getting used to the idea of cultural studies 

as a traditional academic discipline, here 

comes a book to shake everything up again.’ 

– Popmatters 

This book explores the past, present and 

future role of theory in cultural studies. 

2006 o 336pp o t o e 

Pb o 978 0 7486 2209 2 o £18.99 

Hb o 978 0 7486 2208 5 o £60.00 

Exploring Visual Culture 

Definitions, Concepts, Contexts 

Edited by Matthew Rampley, University of 

Teesside 

‘A recognisable guide that will be of use to 

undergraduates and those who want to come to 

terms quickly with the increasingly entrenched 

discourse’. – The Art Book 

Drawing on a wide range of examples from 

the last 100 years, the book explores the limits 

of visual culture as an interdisciplinary field of 

study, engaging in current debates about the 

uses and value of the study of visual culture. 

2005 o 272pp o t 

Pb o 978 0 7486 1845 3 o £19.99 


Deleuze and Memorial Culture 

Desire, Singular Memory and the Politics of Trauma 

Adrian Parr 

2008 o 216pp o e 

Hb o 978 0 7486 2754 7 o £55.00 

Spaces of Hope 

David Harvey 

2000 o 320pp 

Pb o 978 0 7486 1268 0 o £33.00 

Spaces of Capital 

Towards a Critical Geography 

David Harvey 

2001 o 432pp 

Pb o 978 0 7486 1541 4 o £27.99 

Cultural Theory 


Cultural Theory / Index 

JOURNAL 

Paragraph 

A Journal of Modern Critical Theory 

Paragraph publishes essays and review articles 

in English which explore critical theory in 

general and its application to literature, other 

arts and society. Regular special issues by 

guest editors highlight important themes and 

key figures in modern critical theory. 



ISSN: 0264-8334 o e-ISSN: 1750-0176 

www.eupjournals.com/para 

JOURNAL 

Derrida Today 

Editors: Nicholas Mansfield, Nicole Anderson, 

both Macquarie University 

Derrida Today focuses on what Derrida’s 

thought offers to contemporary debates 

about politics, society and global affairs. 

Controversies about power, violence, identity, 

globalisation, the resurgence of religion, 

economics and the role of critique all agitate 

public policy, media dialogue and academic 

debate. Derrida Today explores how Derridean 

thought and deconstruction make significant 

contributions to this debate, and reconsider 

the terms on which it takes place. 

Two issues per year 


ISSN: 1754-8500 o e-ISSN: 1754-8519 

www.eupjournals.com/drt 

9/11 and the War on Terror 23 

Aaron, Michele 13 

African American Studies 23 

African American Visual Arts 23 

African Filmmaking 7 

Aitken, Ian 13, 14 

Aldgate, Anthony 12 

Alia, Valerie 17 

Alternative and Activist Media 17 

Alternative Internet, An 18 

American Cold War Culture 24 

American Counterculture, The 24 

American Culture in the 1910s 22 









American History and Contemporary 11 

Hollywood Film 

American Horror Film, The 11 

American Independent Cinema 11 

American Politics in Hollywood Film, 9 

Second Editon 

American Politics in Hollywood Film, First 11 

Edition 

American Science Fiction and the Cold 11 

War 

American Thought and Culture in the 21st 23 

Century 

American Western, The 11 

American Youth Cultures 24 

Anderson, Nicole 26 

Animation and America 24 

Armes, Roy 7 

Art and Politics of Film, The 14 

Asian Cinemas 7 

Atton, Chris 18 

Badley, Linda 6 

Balmain, Colette 7 

Bassett, Caroline 16 

Battle of Britain on Screen, The 13 

Baudrillard Dictionary, The 24 

Bernier, Celeste-Marie 23 

Beugnet, Martine 8 

Birchall, Clare 25 

Blain, Neil 18 

Borthwick, Stuart 19 

Boyle, Raymond 18 

Brabon, Benjamin 25 

British Film Directors 4 

British News Media and the Spanish Civil 18 

War 

Brokeback Mountain 10 

Buchanan, Ian 14 

Bull, Simone 17 

Burton, Alan 12 

Cairns, Lucille 8 

Campbell, Neil 23, 24 

Censorship in Theatre and Cinema 12 


Index 

Chakravartty, Paula 17 

Chapman, James 4 

Chaudhuri, Shohini 7 

Chinese Martial Arts Cinema 6 

Christmas, Ideology and Popular Culture 21 

Cinema and Sensation 8 

Cinema of Basil Dearden and Michael 12 

Relph, The 

Cinema of Contradiction, A 8 

Cinema of Small Nations, The 8 

Cinematic Journeys 3 

Conrich, Ian 5, 19 

Contemporary Cinema 14 

Contemporary Television Series, The 16 

Contemporary World Cinema 7 

Cornea, Christine 13 

Corner, John 18 

Creekmur, Corey 6 

Cull, Laura 24 

Cultural Studies and the Study of Popular 20 

Culture 

Culture and Power in Cultural Studies 20 

Culture Wars 21 

Cultures of American New West, The 23 

Curran, James 21 

Currell, Susan 22 

Czech and Slovak Cinema 6 

Davidson, Jeanette 23 

Davies, Jude 23 

Davis, Glyn 10 

Deacon, David 18 

del Río, Elena 14 

Deleuze and Cinema 14 

Deleuze and Horror Film 14 

Deleuze and Memorial Culture 25 

Deleuze and Performance 24 

Deleuze and the Cinemas of Performance 14 

Deleuze Studies 14 

Deleuze, Altered States and Film 14 

Deleuze, Cinema and National Identity 14 

Deleyto, Celestino 11 

Derrida Today 26 

Dixon, Wheeler Winston 13 

Dobrenko, Evgeny 8 

Documentary Film Movement, The 13 

Donnelly, Kevin J. 19 

Douglas, Fiona 18 

Dumbrell, John 23 

Eldridge, David 22 

Eleftheriotis, Dimitris 3, 7 

Englishness 21 

Erotic Thriller in Contemporary Cinema, 13 

The 

European Cinemas in the Television Age 8 

European Film Theory and Cinema 14 

Evans, Peter William 11 

Exploring Visual Culture 25 

Far From Heaven 10 

Faulkner, Sally 8 

Feasey, Rebecca 16 

Featherstone, Simon 21 

Feigel, Lara 24 

Feintuck, Mike 18 

Feminism and Film 14 

Feminist Film Theory 14 

Field, Douglas 24 

Figurations of Exile in Hitchcock and 4 

Nabokov 

Film and Video Censorship in Modern 5 

Britain 

Film Genre 13 

Film Histories 12 

Film Music 19 

Film Noir and the Cinema of Paranoia 13 

Film Remakes 4 

Film Sequels 4 

Film’s Musical Moments 19 

First World War and Popular Cinema, The 12 

Foertsch, Jacqueline 22 

Franklin, Bob 16 

French Queer Cinema 8 

Frith, Simon 19 

Gaber, Ivor 21 

Gair, Christopher 24 

Gasiorek, Andrzej 21 

Genz, Stéphanie 25 

Gertz, Nurith 7 

Get Set for English Language 11 

Get Set for Media and Cultural Studies 18 

Gorton, Kristyn 17 

Grainge, Paul 12 

Great War on Small Screen, The 15 

Hall, Gary 25 

Halliwell, Martin 22, 23 

Hames, Peter 6 


Index 

Hammond, Michael 16 

Hanna, Emma 15 

Harrison, Colin 22 

Harvey, David 25 

Haynes, Richard 17, 18 

Henderson, Lesley 15 

Heritage Film Audiences 3 

Hjort, Mette 8 

Holloway, David 23 

Hollywood’s Blacklists 9 

Hollywood’s Cold War 9 

Holmes, Su 15 

Hulsether, Mark 24 

Humm, Maggie 14 

Humphries, Reynold 9, 11 

Hutchison, David 18 

International Film Musical, The 6 

Introduction to Japanese Horror Film 7 

Issues in Americanisation and Culture 23 

Jancovich, Mark 12 

Japanese Horror Cinema 7 

Jazz in American Culture 24 

Jean Baudrillard Reader, The 24 

Jess-Cooke, Carolyn 4 

John Mills and British Cinema 12 

Journal of British Cinema and Television 4 

Journalists in Film 3 

Kaufman, Will 22 

Kennedy Assassination, The 3 

Kennedy, Barbara 14 

Khleifi, George 7 

Kilby, Jane 21 

King, Geoff 10 

Knight, Peter 3 

Langford, Barry 9, 13 

Laughey, Daniel 19 

Literature, Cinema and Politics, 

24 

1930-1945 

Lost in Translation 10 

Mackenzie, S.P. 13 

Mansfield, Nicholas 26 

Marris, Paul 16 

Marshall, Lee 19 

Martin-Jones, David 5, 14 

Masculinity and Popular Television 16 

Mazdon, Lucy 16 

McCrisken, Trevor 11 

McKay, George 23 

McNair, Brian 3 

McNeill, Isabelle 3 

McRoy, Jay 7 

McVeigh, Stephen 11 

Media and Ethnic Minorities 17 

Media Audiences 17 

Media Discourse 17 

Media Ethics and Social Change 17 

Media in Scotland, The 18 

Media Policy and Globalization 17 

Media Regulation, Public Interest and 18 

the Law 

Media Rights and Intellectual Property 17 

Media Studies 16 

Media Talk 18 

Memento 10 

Memory and the Moving Image 3 

Messenger Davies, Maire 18 

Mills, Brett 15 

Modernist Cultures 21 

Mokdad, Linda 6 

Molloy, Claire 10 

Monk, Claire 3 

Monteith, Sharon 12, 22 

Morley, Catherine 23 

Mosdell, Nick 18 

Moses, Michael Valdez 21 

Moy, Ron 19 

Music and Copyright 19 

Music and Youth Culture 19 

Music, Sound and Multimedia 19 

Needham, Gary 7, 10 

New Cultural Studies 25 

New Korean Cinema 7 

New Punk Cinema 7 

New Queer Cinema 13 

New Zealand Cinema 5 

Orr, John 11, 12, 

14 

Ostrowska, Dorota 8 

O’Sullivan, Tim 12 

Palestinian Cinema 7 

Palmer, R. Barton 6 

Paragraph 26 

Paris, Michael 12 


Index 

Parr, Adrian 25 

Parsons, Deborah 21 

Paul Virilio 25 

Paul Virilio Reader, The 25 

Pepper, Andrew 11 

Petley, Julian 4, 5, 21 

Petrie, Duncan 8 

Pickering, Michael 20 

Pierre Batcheff and Stardom in 1920s 12 

French Cinema 

Plain, Gill 12 

Popular Music Genres 19 

Post-Classical Hollywood 9 

Postfeminism 25 

Post-war Cinema and Modernity 12 

Powell, Anna 14 

Power Play 18 

Powrie, Phil 12 

Practical Research Methods for Media and 18 


Purvis, Tony 18 

Quiz Show, The 15 

Rampley, Matthew 25 

Rebillard, Eric 12 

Redhead, Steve 24, 25 

Rees-Roberts, Nick 8 

Religion, Culture and Politics in the 24 

Twentieth-Century United States 

Research Methods for Cultural Studies 20 

Roberts, Graham 8 

Robertson, James C. 12 

Robinson, Christine 11 

Romantics and Modernists in British 11 

Cinema 

Rombes, Nicholas 7 

Sandbrook, Dominic 23 

Sapphism on Screen 8 

Sarikakis, Katharine 17 

Schneider, Steven Jay 6 

Science Fiction Cinema 13 

Scotland: Global Cinema 5 

Scott, Ian 9, 11 

Scottish Newspapers, Language and 18 

Identity 

Seed, David 11 

Sexton, Jamie 19 

Shail, Robert 4 

Shaw, Tony 9 

Shin, Chi-Yun 7 

Sitcom, The 15 

Smith, Richard 24 

Social Issues in Television Fiction 15 

Spaces of Capital 25 

Spaces of Hope 25 

Spanish Prisoner, The 10 

Stalinist Cinema and the Production of 8 

History 

Storey, John 20 

Straumann, Barbara 4 

Stringer, Julian 7 

Studying Media 18 

Talbot, Mary 17 

Taylor, Mark 11 

Television Policy 16 

Teo, Stephen 6 

Terms of Endearment 11 

Thompson, Graham 22 

Thornham, Sue 14, 16, 

17 

Tincknell, Estella 19 

Tolson, Andrew 18 

Townsend, Peter 24 

Traditions in World Cinema 6 

Tzioumakis, Yannis 10, 11 

Varney, Mike 18 

Verevis, Constantine 4 

Vietnam War in History, Literature and 11 

Film, The 

Violence and the Cultural Politics of 21 

Trauma 

Waltz, Mitzi 17 

Wells, Paul 24 

Whalan, Mark 22 

Whiteley, Sheila 21 

Williams, Linda Ruth 13 

Women, Feminism and Media 17 


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Japan 

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1-32-5, Higashi-shinagawa, 

Shinagawa-ku, Tokyo, 140-0002, Japan 

Tel: +813 5479 7251 

Fax: +813 5479 7307 

E: info@ups.co.jp 

Malaysia 

Taylor & Francis Asia Pacific 

No. 23-2, Jalan PJS 8/18, 

Dataran Mentari, 46150 Petaling Jaya, 

Selangor Darul Ehsan, Malaysia. 

Tel: 03 5630 1361 

Fax: 03 5630 1732 

E: david.yeong@tandf.com.sg 

Korea 

Se-Yung Jun 

ICK 

473-19 Seokyo-dong, Mapo-ku 

Seoul, Korea 121-842 

Tel: +822 3141 4791 

Fax: +822 3141 7733 

E: cs.ick@ick.co.kr 

The Netherlands/Benelux 

Dineke Kemper 

Kemper Conseil Publishing 

De Star 17, NL-2266 NA Liedshendam, 

The Netherlands 

Tel: 00 31 70 386 8031 

E: info@kemperconseil.nl 

Scandinavia 

Colin Flint Limited, 

Publishers Scandinavian Consultancy 

Ben Greig 

26 Harvey Goodwin Avenue, 

Cambridge, CB4 3EU, UK 

Tel/Fax: +44 (0) 1223 565 052 

E: ben.greig@dial.pipex.com 

China 

Mr George Lin 

Ian Taylor Associates 

17C Unit 1, Building C 

In Do Mansion, Hai Dian District, 

Beijing P.R.China, 100098 

Tel: 8610-58732025 

Fax: 8610-58732015 

E: glin@iantaylorassociates.com.cn 

Ian Taylor Associates 

45-47 Clerkenwell Green 

London, EC1R 0QX 

Tel/Fax: +44 20 7168 4283 

Mobile: +44 7711 168 580 

E: ian@iantaylorassociates.com 

www.iantaylorassociates.com 

South Africa 

Michael Brightmore 

Academic Marketing Services 

PO Box 411738 

Craighall 2024, South Africa 

Tel: +27 11 447 7441 

Fax: +27 11 447 4888 

E: mike@academicmarketing.co.za 

Spain & Portugal 

Cristina de Lara Ruiz 

Mare Nostrum Publishing Consultants 

Condesa de Chinchon, 25, Chalet 68 

28660 Boadilla del Monte, 

Madrid, Spain 

Tel/Fax: +34 91 633 66 65 

Mob: +34 677 43 3754 

E: cristinadelara@mare-nostrum.co.uk 

The Caribbean & Latin America 

David Williams 

InterMediaAmericana 

PO Box 8734, London, SE21 7ZF, UK 

Tel: 02072747113 

Fax: 020 7274 7103 

E: david@intermediaamericana.com 

SALES AND DISTRIBUTION 

United Kingdom, Europe 

& Middle East 

Marston Book Services 

PO Box 269, Abingdon, Oxon, OX14 4YN 

Tel: +44 (0) 1235 465500 

Fax: +44 (0) 1235 465555 

E: trade.order@marston.co.uk 

USA & Canada 

Columbia University Press 

61 West 62nd Street 

New York, NY 10023, USA 

Tel: +1 212 459 0600 

Fax: +1 212 459 3978 

E: cup_book@columbia.edu 

www.columbia.edu/cu/cup 

Australia & New Zealand 

NewSouth Books 

Sales & Marketing: 


Cliffbrook Campus UNSW 

45 Beach Street 

Coogee NSW 2034 

Tel: 02 9664 0909 Fax: 02 9664 5420 

Distribution Centre & Customer Service: 


C/- TL Distribution 

15-23 Helles Ave 

Moorebank NSW 2170 

Tel: 02 8778 9999 Fax: 02 8778 9944 

E: orders@tldistribution.com.au 

East & Southeast Asia 

Taylor and Francis Asia Pacific 

240 MacPherson Road, 

#08-01 Pines Industrial Building, 

Singapore 348574 

Tel: +65 67415166 

Fax: +65 67429356 

E: info@tandf.com.sg 

Iran 

Reza Anvar 

Noor Books Co. Ltd 

P O Box 14335-833 

146 Taleghani Avenue, Tehran 15986 

Tel: +98-21-88 89 35 75 

Fax: +98-21-88 89 35 76 

E: anvar_noor@hotmail.com

Order Form 

Delivery Address 

Name 

Institution/Branch 

Address 

Postcode 

Tel. 

Email 

Country 

Course Details for Inspection Copy Orders 

Course Name 

Subject 

Level 

Start Date 

No. of Students 

Method of Payment 

If you do not have an account with Marston Book Services please enter your method 

of payment below. 

I enclose a cheque for £ payable to Marston Book Services 

Please send me a pro-forma invoice 

Please charge my Maestro/Mastercard/Visa/Access/American Express 

Card No. / / / 

Expiry Date / Issue Date / 

Issue No. 

Card Security Code (the last three digit on the back of the card) 

Signature 

Date 

Postage and Packing 

UK: 1st book: £2.50 

Every book thereafter: 50p 

Europe: 1st book : £3.00 

Every book thereafter: £2.00 

ROW: 1st book : £5.00 

Every book thereafter: £3.00 

Please note that prices and publication dates in this catalogue are correct at time of going to press but are subject to change without notice. Inspection copies are sent at the 

discretion of Edinburgh University Press. 

Title Author ISBN IC Qty Price 

Please return all orders to our distributor: Marston Book Services, PO Box 269, Abingdon, Oxon, OX14 4YN 

Tel: +44 (0)1235 465 500 Fax: +44 (0)1235 465 555 Email: trade.order@marston.co.uk 

For Inspection Copy requests, please tick the ‘IC’ column and send this form to Marketing, Edinburgh University Press, 22 George Square, Edinburgh, EH8 9LF 

Tel: +44 (0)131 650 4218 Fax: +44 (0)131 552 0053 Email: marketing@eup.ed.ac.uk 


www.euppublishing.com 

Edinburgh University Press 

22 George Square 

Edinburgh 

EH8 9LF 

Tel: +44 (0)131 650 4218 

Email: marketing@eup.ed.ac.uk

Film, Media & Cultural Studies 2010 - Library

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