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Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...

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V<br />

Virgil<br />

Virgil’s Aeneid was the direct inspiration for<br />

Dante’s vision <strong>of</strong> hell in his celebrated Inferno.<br />

This indebtedness is symbolically reflected in the<br />

Inferno itself, because Virgil serves as Dante’s guide<br />

in his tour <strong>of</strong> the underworld. The Roman poet<br />

Virgil (70 B.C.–19 B.C.) was born Publius Vergilius<br />

Maro to a humble family in <strong>An</strong>des, a village near<br />

Mantua in northern Italy. He attended school at<br />

Cremona <strong>and</strong> Milan, <strong>and</strong> then he went to Rome to<br />

study medicine, mathematics, <strong>and</strong> rhetoric. Later<br />

he moved to Naples, where he studied philosophy<br />

under Siron the Epicurean. Lucretius’s philosophy<br />

<strong>of</strong> De rerum natura <strong>and</strong> Catullus’s poetry were the<br />

two major influences on Virgil during his formative<br />

years. His earliest certain work was the<br />

Bucolics or Eclogues, ten pastoral poems modeled<br />

on the Greek pastorals <strong>of</strong> Theocritus. The<br />

Georgics, his next work, is a didactic poem on<br />

farming describing the country life with which<br />

Virgil was personally familiar <strong>and</strong> dealing with all<br />

aspects <strong>of</strong> universal life, as the themes <strong>of</strong> the four<br />

books on War, Peace, Death, <strong>and</strong> Rebirth suggest.<br />

Virgil’s last years were devoted to the Aeneid,<br />

left unfinished at his death, telling about the<br />

w<strong>and</strong>erings <strong>of</strong> Aeneas after the fall <strong>of</strong> Troy, similar<br />

to the w<strong>and</strong>erings <strong>of</strong> Odysseus, <strong>and</strong> his final settlement<br />

in Latium. The poem is an epic about the<br />

formation <strong>of</strong> Roman people <strong>and</strong> the great role<br />

they played in the history <strong>of</strong> the world according<br />

271<br />

to a divine decree. The agency <strong>of</strong> fate is predominant<br />

in the poem, even though in some parts <strong>of</strong> it<br />

a spiritual dispensation is awarded to virtuous<br />

men, according to their actions.<br />

This image is particularly easy to perceive in<br />

the sixth book <strong>of</strong> the Aeneid, which can be considered<br />

the starting point <strong>of</strong> Dante’s Inferno. In this<br />

part <strong>of</strong> the poem, Virgil <strong>of</strong>fers his conception <strong>of</strong><br />

individual destiny after life, describing the descent<br />

<strong>of</strong> Aeneas into Hades, the underworld, escorted by<br />

the Sybil, to reach his father, from whom he will<br />

receive a mystic revelation <strong>and</strong> a prophecy before<br />

returning to the upper world.<br />

Virgil’s world <strong>of</strong> the dead is described as a<br />

place below the earth, which can be entered by the<br />

cave near Lake Avernus. It is thus very different<br />

from Homer’s underworld, located in the far<br />

northwest, but still apparently on the earth.<br />

Virgil’s underworld is populated by the shades <strong>of</strong><br />

great personages <strong>of</strong> legend <strong>and</strong> <strong>of</strong> the ordinary<br />

men: the righteous souls are allocated to the right<br />

region called Elysium <strong>and</strong> the sinners are<br />

punished in the left one called Tartarus, while the<br />

souls <strong>of</strong> those who have died in infancy <strong>and</strong> <strong>of</strong><br />

those who have died a violent death inhabit limbo<br />

<strong>and</strong> the region next to it.<br />

<strong>An</strong>chises, Aeneas’s father, leads his son on to a<br />

third division <strong>of</strong> the underworld, the banks <strong>of</strong><br />

Lethe, where the souls destined to return for<br />

another life to the upper world are gathered. Here

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