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Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...

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4 Ahriman<br />

chip cookies. He then opens a large refrigerator<br />

full <strong>of</strong> milk cartons—empty milk cartons, as it<br />

turns out. Turning to the television audience, he<br />

cries,“Where am I” Hell, it turns out, is being able<br />

to consume cookies without the milk that should<br />

invariably (according to our cultural tradition)<br />

accompany such consumption. The camera fades<br />

from the commercial’s protagonist as flaming<br />

letters proclaim the message, Got Milk Viewers<br />

are then advised to go out <strong>and</strong> stock up—while<br />

they still have the chance!<br />

See also Humor<br />

For Further Reading:<br />

Baddeley, Gavin. Lucifer Rising: Sin, Devil Worship<br />

<strong>and</strong> Rock’n’Roll. London: Plexus, 1999.<br />

Scott, Miriam Van. <strong>Encyclopedia</strong> <strong>of</strong> Hell. New York:<br />

Thomas Dunne Books, 1998.<br />

Ahriman<br />

Ahriman (or <strong>An</strong>gra Mainyu) is the Zoroastrian<br />

Satan, <strong>and</strong> the prototype <strong>of</strong> Satan for the Judeo-<br />

Christian-Islamic family <strong>of</strong> religions. The central<br />

theme <strong>of</strong> Zoroaster’s religious vision is the cosmic<br />

struggle between the god <strong>of</strong> light, Ahura Mazda<br />

(“wise lord”) <strong>and</strong> his angels, <strong>and</strong> the god <strong>of</strong> darkness,<br />

Ahriman (“evil spirit”) <strong>and</strong> his demons.<br />

Unlike Zoroastrianism’s sister/brother religious<br />

traditions, in which the outcome <strong>of</strong> the war<br />

between God <strong>and</strong> the Devil has already been<br />

decided, Zoroastrianism portrays the struggle as<br />

more or less evenly matched (though many<br />

str<strong>and</strong>s <strong>of</strong> the tradition would assert that Ahura<br />

Mazda’s triumph is inevitable). Individuals are<br />

urged to align themselves with the forces <strong>of</strong> light,<br />

as they will be judged according to the predominance<br />

<strong>of</strong> their good or evil deeds. Eventually there<br />

will be a final battle (a Zoroastrian Armageddon)<br />

between good <strong>and</strong> evil in which it is anticipated<br />

that Ahriman <strong>and</strong> his hosts will be defeated. The<br />

earth will then be renewed, evil people will be<br />

destroyed, <strong>and</strong> the righteous resurrected.<br />

One <strong>of</strong> the points on which Zoroastrianism<br />

differs from the other monotheisms is in its<br />

conceptualization <strong>of</strong> the genesis <strong>of</strong> Satan.<br />

Mainstream Judaism, Christianity, <strong>and</strong> Islam all<br />

view Satan as a fallen angel who was cast out <strong>of</strong><br />

heaven, either for disobeying God or for rebelling<br />

against God. By way <strong>of</strong> contrast, Ahriman is<br />

believed to be very much on par with Ahura<br />

Mazda. They even created the world together,<br />

which explains why the world is such a mixture <strong>of</strong><br />

good <strong>and</strong> bad. Later thinkers speculated that the<br />

two beings were twins, both fathered by Boundless<br />

Time (Zurvan). Ahriman is, however, not very<br />

creative in the sense that his evil creations are<br />

always responses to his brother’s good creations.<br />

Thus, for example, when Ahura Mazda created<br />

life, Ahriman responded by creating death.<br />

Ahriman also formed an infernal host as an<br />

inverted mirror image <strong>of</strong> the celestial host. For<br />

instance, in opposition to Asha, the archangel <strong>of</strong><br />

Truth, he created the archdemon Druj, the Lie.<br />

See also Demons; Satan; Zoroastrianism<br />

For Further Reading:<br />

Eliade, Mircea. A History <strong>of</strong> Religious Ideas. Vol. 1.<br />

Chicago: University <strong>of</strong> Chicago Press, 1978.<br />

Noss, John B. Man’s <strong>Religion</strong>s. 1956. 4th ed. New<br />

York: Macmillan, 1969.<br />

All Dogs Go to Heaven<br />

Charlie, this 1989 film’s animated canine protagonist,<br />

gets killed by a big bad dog. After spending a<br />

short time in heaven, Charlie becomes bored, <strong>and</strong><br />

wants excitement <strong>and</strong> challenges again. He also<br />

wants to get even. He is warned that if he sneaks<br />

out <strong>of</strong> heaven he may not be allowed to return.<br />

Charlie, however, goes ahead <strong>and</strong> does just that,<br />

slithering past the gatekeeper. Later, Charlie is<br />

fighting for his life as evil dogs attack him <strong>and</strong> a<br />

little orphan girl, <strong>and</strong> he dies again. The moment<br />

the devil dog in charge is about to claim Charlie as<br />

a permanent resident in canine hell, heaven’s<br />

emissaries reclaim him for his heroism in giving<br />

up his life to save the orphan girl.<br />

Amulet<br />

Amulets are special objects or symbols <strong>of</strong>ten worn<br />

as medallions for the purpose <strong>of</strong> warding <strong>of</strong>f evil.<br />

Amulets differ from talismans in that they<br />

passively protect their wearer from evil <strong>and</strong> harm.<br />

They are protection devices. Talismans, on the<br />

other h<strong>and</strong>, possess magical or supernatural<br />

powers <strong>of</strong> their own <strong>and</strong> transmit them to the

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