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Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...

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114 Hinduism<br />

A distinctive fresco depicting Shiva-Gajantaka, the story <strong>of</strong> the Hindu god Shiva killing the elephant demon.<br />

(Bridgeman Art Gallery)<br />

demons play an essential role in the overall<br />

harmony <strong>of</strong> the cosmos, providing an important<br />

counterpoint to the gods. Thus, for example, in the<br />

story <strong>of</strong> Krishna’s defeat <strong>of</strong> the serpent demon<br />

Kaliya, Krishna is in the process <strong>of</strong> killing the giant<br />

snake when Kaliya begs him for mercy:<br />

I am not capable <strong>of</strong> honoring nor <strong>of</strong> praising<br />

you, overlord <strong>of</strong> the gods, but please take pity<br />

on me, O god whose sole thought is<br />

compassion! The race <strong>of</strong> snakes into which I<br />

was born is a cruel one; this is its proper<br />

nature. But I am not at fault in this matter...<br />

for it is you who pour forth <strong>and</strong> absorb the<br />

whole world; classes, forms <strong>and</strong> natures have<br />

all been assigned by you, the creator.<br />

(Dimmitt <strong>and</strong> van Buitenen 1978, 115)<br />

Krishna responds by exiling Kaliya from the<br />

Yamuna River to the ocean, thereby implicitly<br />

acknowledging that even evil beings have a place<br />

in the world.<br />

According to the Bhagavad Gita, Krishna, as the<br />

Supreme Lord himself, embraces all <strong>of</strong> life’s<br />

contraries within himself—including universal<br />

destructiveness. This destructiveness is vividly<br />

expressed in two lines from the Bhagavad Gita that<br />

flashed through the mind <strong>of</strong> Robert Oppenheimer,<br />

director <strong>of</strong> the Los Alamos project, when the first<br />

atomic bomb was tested in Los Alamos, New<br />

Mexico on July 16, 1945:<br />

I am become death, the shatterer <strong>of</strong> worlds;<br />

Waiting the hour that ripens to their doom.<br />

(11:32–33)<br />

The corpus <strong>of</strong> Hindu scriptures <strong>of</strong> which the<br />

Bhagavad Gita is a part constitutes a complex,<br />

multilayered body <strong>of</strong> literature that is difficult to<br />

describe or characterize in a short space. The<br />

oldest layers <strong>of</strong> this tradition go back thous<strong>and</strong>s <strong>of</strong><br />

years before the Christian era. The Bhagavad Gita<br />

(the Lord’s Song), one <strong>of</strong> the more significant <strong>and</strong><br />

popular Hindu texts, is a short work that Western<br />

scholars speculate was inserted into the Mahabharata,<br />

the world’s longest epic, sometime

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