Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...
Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...
Satanism Today - An Encyclopedia of Religion, Folklore and Popular ...
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Introduction<br />
xiii<br />
imagery was also utilized by other romantic<br />
writers. More recent literary figures like the French<br />
poet Charles Baudelaire made use <strong>of</strong> the same<br />
inversion. For example, in his poem “The<br />
Possessed,” Baudelaire exclaimed, “There is no<br />
fiber in my trembling body that does not cry,‘Dear<br />
Beelzebub, I adore you!’”<br />
The conflicting images <strong>of</strong> the Devil we have<br />
inherited from the past have become yet more<br />
ambiguous in the present because the segment <strong>of</strong><br />
the population that accepts the real existence <strong>of</strong><br />
an evil Prince <strong>of</strong> Darkness is in the minority <strong>and</strong><br />
steadily diminishing. This does not mean that the<br />
traditional image <strong>of</strong> Satan has been completely<br />
eclipsed. Although Christianity no longer exercises<br />
hegemony over the thought world <strong>of</strong> the<br />
industrialized nations <strong>of</strong> the West, conservative<br />
Christians still constitute a significant subpopulation.<br />
The strength <strong>of</strong> this constituency is evident<br />
in many ways, from the effectiveness <strong>of</strong> Christian<br />
efforts to thwart the legalization <strong>of</strong> gay marriage<br />
to the powerful challenge Christians have been<br />
able to mount against abortion. Whether we<br />
applaud or deplore these efforts, the conservative<br />
Christian community from which they draw their<br />
power shows no signs <strong>of</strong> disappearing in the foreseeable<br />
future.<br />
This reference work proposes to survey<br />
contemporary images <strong>of</strong> the Devil. Although I<br />
have cast a wide net, the diabolical is far too<br />
pervasive in our cultural tradition for any single<br />
volume to even begin to encompass everything. I<br />
have thus been forced to make choices about what<br />
was <strong>and</strong> what was not incorporated into the<br />
following pages. My overarching criterion was<br />
whether or not particular phenomena were part<br />
<strong>of</strong> popular culture.<br />
At the same time, I made a number <strong>of</strong> important<br />
exceptions to this rule. For instance, out <strong>of</strong> a<br />
desire to include a multicultural/cross-cultural<br />
component, I included entries on the devils <strong>and</strong><br />
hells found in world religious traditions.<br />
(Christianity was not given a separate entry<br />
because the great bulk <strong>of</strong> the information<br />
contained in these pages derives directly or indirectly<br />
from the Christian tradition.) I also<br />
included brief entries on a significant number <strong>of</strong><br />
fallen angels—a kind <strong>of</strong> who’s who in hell—as<br />
well as entries on certain topics from older<br />
Western folklore about Satan <strong>and</strong> witches.<br />
With the exception <strong>of</strong> a few older theologians<br />
like Aquinas, I have largely ignored formal theology.<br />
The reader will also find treatments <strong>of</strong> a<br />
h<strong>and</strong>ful <strong>of</strong> traditional literary figures who have<br />
helped shape our images <strong>of</strong> the Prince <strong>of</strong><br />
Darkness, such as Milton <strong>and</strong> Dante. <strong>An</strong>d because<br />
<strong>of</strong> their influence on modern, religious <strong>Satanism</strong>,<br />
I included material on Romantic writers like Blake<br />
<strong>and</strong> other literary figures like Baudelaire.<br />
Beginning in 1966, religious <strong>Satanism</strong> emerged<br />
out <strong>of</strong> the occult subculture with the formation <strong>of</strong><br />
the Church <strong>of</strong> Satan. <strong>An</strong>ton LaVey, founder <strong>of</strong> the<br />
Church, was indebted to a number <strong>of</strong> different<br />
sources for his synthesis. Especially important were:<br />
1. Traditional folklore about the Devil <strong>and</strong><br />
various adversarial figures in world<br />
mythology.<br />
2. Certain Romantic poets who, as a literary<br />
device, created a noble, Promethean Satan<br />
at odds with the dehumanizing aspects <strong>of</strong><br />
modern society <strong>and</strong> traditional religiosity.<br />
3. The ritual magic tradition, particularly as<br />
that tradition was interpreted by the<br />
occultist Aleister Crowley.<br />
4. <strong>An</strong>d a wide variety <strong>of</strong> popular culture<br />
sources—literature, film <strong>and</strong> music about<br />
the Devil.<br />
Despite the fact that religious <strong>Satanism</strong> has<br />
always been a tiny movement, a significant<br />
number <strong>of</strong> entries provide information about this<br />
phenomenon <strong>and</strong> its background traditions<br />
because <strong>of</strong> the disproportionate public interest in<br />
“real” <strong>Satanism</strong>. During the course <strong>of</strong> compiling<br />
this encyclopedia, I also gathered demographic<br />
data on contemporary practicing Satanists. The<br />
report <strong>of</strong> my findings from this research is<br />
included in Appendix 3.<br />
<strong>An</strong>ton LaVey was <strong>and</strong> is a controversial figure,<br />
<strong>and</strong> to judge from some <strong>of</strong> the material one finds<br />
on the Internet, his memory <strong>and</strong> his organization<br />
are <strong>of</strong>ten attacked by other Satanists. In the course<br />
<strong>of</strong> my research, I found myself unwittingly stepping<br />
into this arena <strong>of</strong> contention. Perhaps as a<br />
consequence <strong>of</strong> this conflict, some <strong>of</strong> my contacts