CTSM Portfolio / Michael Mecham Page 1
CTSM Portfolio / Michael Mecham Page 1
CTSM Portfolio / Michael Mecham Page 1
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<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 1
I. OVERVIEW <strong>Page</strong> 3<br />
II. VITAL STATISTICS<br />
a. Candidate Profile <strong>Page</strong> 4<br />
b. Company Background <strong>Page</strong> 6<br />
III. SHOW OBJECTIVES / SHOW SCHEDULE <strong>Page</strong> 8<br />
IV. MANAGEMENT OF EXHIBIT DESIGN/PRODUCTION <strong>Page</strong> 10<br />
V. MANAGEMENT OF INTEGRATED MARKETING COMMUNICATIONS <strong>Page</strong> 15<br />
VI. MANAGEMENT OF RESULTS REPORTING <strong>Page</strong> 17<br />
VII. CONCLUSION <strong>Page</strong> 19<br />
VIII. APPENDIX A – SAMPLE EXHIBIT MANAGEMENT REQUEST FOR PROPOSAL <strong>Page</strong> 20<br />
IX. APPENDIX B – SAMPLE REQUEST FOR PROPOSAL ANALYSIS <strong>Page</strong> 30<br />
X. APPENDIX C – SAMPLE TRADE SHOW BUDGET <strong>Page</strong> 31<br />
XI. APPENDIX D – SAMPLE POST SHOW REPORT <strong>Page</strong> 32<br />
XII. <strong>CTSM</strong> REFERENCES <strong>Page</strong> 36<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 2
After nearly disappearing from the apparel industry’s most important trade show in 2002 due to change in executive<br />
leadership, brand direction, post 9/11 economy shifts, and financial investment decreases, the Levi’s® Brand is now<br />
on the rise and quickly becoming one of the top exhibitors. It has been exciting to apply my learnings from the<br />
Certified Trade Show Marketer (<strong>CTSM</strong>) curriculum to facilitate this reemergence. This portfolio will overview the<br />
background, history, strategies, and tactics used to get the Levi’s® Brand to demonstrate its rightful prominence in<br />
the industry via the trade show floor.<br />
It will begin in Section II with an overview of my professional experience and special achievements as an event and<br />
trade show manager for Levi Strauss & Co., (LS&Co.). As the largest apparel company in the world, LS&Co. is<br />
faced with great challenges to protect and grow its market share. The second part of Section II will outline the<br />
company’s history, brand portfolio, strategic growth initiatives, distribution channels, and the competition. All of<br />
which will also provide a solid backdrop for which the important application of my learnings from the <strong>CTSM</strong><br />
curriculum will be demonstrated.<br />
While LS&Co. has been exhibiting at various trade shows around the world for decades, the remainder of this<br />
portfolio will focus on the world’s most important men’s apparel event: called M.A.G.I.C. (Men’s Apparel Guild in<br />
California). Section III will begin with a review of show objectives for the Levi’s® Brand at MAGIC and will include<br />
qualitative and quantitative targets followed by an overview of all US trade events that the brand has participated in<br />
regularly.<br />
Section IV will provide a brief history of exhibit management, a demonstration of the Request for Proposal<br />
processes, and finally a review of the award winning approach taken to establish and implement growth objectives<br />
for the Levi’s® Brand at MAGIC geared to streamline, economize, and most importantly upgrade participation. This<br />
section will also illustrate how an exhibit can be brought to life from concept to creation in a relatively short<br />
timeframe while beating industry cost per square foot averages. All accomplished through collaborative and<br />
organizational leadership.<br />
Because trade show exhibits are essentially 3-dimensional marketing tools, Section V will review the strategic<br />
approach to integrate marketing across all platforms to deliver a consistent and deliberate brand message. This<br />
includes pre, at, and post show activities such as direct mail, customer events, exhibit graphics, celebrity<br />
appearances, and post show consumer marketing – all demonstrating the importance of focus in this area.<br />
Section VI will highlight post show reporting used to justify, grow, and improve decision making participation at<br />
MAGIC along with an in depth look at the approach used to gather and report qualitative and quantitative<br />
information as it relates to the show objectives.<br />
Finally, Section VII will summarize key learnings from the <strong>CTSM</strong> certification process and provide an overview on<br />
how they have positively affected Levi Strauss & Co.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 3
CANDIDATE PROFILE<br />
I am a Certified Meeting Professional (CMP) and a 2006 Exhibitor Show All Star Award winner. I have nearly 10<br />
years of demonstrated success in event and exhibit management. I am consistently recognized by top<br />
management for leading the growth and evolution of events and tradeshows through effective project management,<br />
precise financial planning, and resource procurement. My key strengths are stakeholder relationships, event and<br />
exhibit objective development, budget administration, resource procurement and management, policy compliance,<br />
integrated event communication and marketing, logistics planning, and measurement reporting.<br />
Professional Experience<br />
Levi Strauss & Co.<br />
Event Manager, Levi’s® Brand (2003 to Present)<br />
Currently lead event team and resources to develop efficient solutions for 25+ key annual events including<br />
customer events, sales meetings, and trade shows. Build and manage stakeholder relationships at all levels<br />
through partnership with cross-functional groups and external resources and present new ideas to top<br />
management. Manage finance planning, budgeting, and reporting of multi-million dollar budgets and resource<br />
allocation. Develop and implement event procurement policies including writing Request for Proposals (RFPs) and<br />
standardized contracts. Ensure service and quality standards for event suppliers including meeting/exhibit space,<br />
lodging, catering, audiovisual production, and exhibit management. Mentor and develop talent to execute efficient<br />
event logistics, manage customer challenges or issues, and leverage success across divisions.<br />
Notable Achievements:<br />
• Instrumental in complying with Sarbanes Oxley and transition organization to accrual accounting for events.<br />
• Led efforts to reduce event spend from $6.7 million to $2.6 million in annual spend with increased focus on event<br />
objectives and return on investment.<br />
• Grew trade show presence from 3500 sq. ft. to 7000 sq. ft. with no increased spend through innovation and<br />
partnership allowing sales team to successfully achieve nearly $9.0 million in sales revenue at key trade event.<br />
• Negotiated hotel contracts at top tier hotels and secured partnership to pilot a first-ever international sales meeting<br />
in Vancouver, B.C. and successfully expedited 1100 unique products through customs.<br />
Levi Strauss & Co.<br />
Event Planning Assistant Manager, Levi’s® and Dockers® Brands (1999 – 2003)<br />
Provided leadership and management for event team and co-led the coordination of over 15 key events for the<br />
Levi’s® and Dockers® Brands ranging up to 500 attendees with an event spend of up to $1.5 million per. Managed<br />
team roles, responsibilities and performance. Grew event scope and facilitated integration of new work flow into<br />
high-performing team.<br />
Notable Achievements:<br />
• Developed talent strength for event support functions such as housing, catering, exhibit management, and logistics<br />
by modeling excellence, continuing education, and team building activities.<br />
• Managed challenging transition to new exhibit management firm saving over $140K annually in labor and storage.<br />
• Grew team scope to support critical customer events in New York and manage U.S. trade show activities including<br />
the management of a 600,000 lb glass/steel exhibit with 5 decks and 11,000 sq. ft. of branded real estate.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 4
• Managed procurement and service standards for site selection, housing, event marketing, audiovisual production,<br />
catering, shipping, and transportation. Avoided over $200K in cancellation penalties post 9/11 by partnering with<br />
hotels to convert group block contracts to individual corporate travel credits.<br />
• Designed, resourced and led training for custom built website to automate event registration and communication.<br />
Managed real time appointment bookings for up to 20 showrooms for the Levi’s® and Dockers® Brands. Enabled<br />
transition away from two event contractors saving the organization over $100K annually.<br />
Levi Strauss & Co.<br />
Event Planning Contractor, Levi’s® and Dockers® Brands (1998 – 1999)<br />
Collaborated with Operations Team to plan and execute event logistics for Dockers® key sales events of up to 300<br />
attendees that met or exceeded financial targets.<br />
Notable Achievements:<br />
• Executed all event logistics including travel, event registration, rooming lists, and food and beverage coordination<br />
for up to 300 attendees. Managed audiovisual sets, promotional materials, and the transportation of over 2000<br />
products to/from the event.<br />
• Navigated the department reorg through partnership and begin event support for Dockers® and Levi’s® Brand<br />
events. Managed sales organization database and sales tool and sample line distribution and finance. Helped<br />
transition from imputed income processes to sample return re-sell strategies.<br />
Education and Credentials<br />
Bachelor of Science, Communication (1998) • University of Utah, Salt Lake City, Utah<br />
Phi Kappa Phi Honor Society, Golden Key Honor Society, Dean’s List<br />
Certified Meeting Professional (2004) • Convention Industry Council<br />
Professional Development and Awards:<br />
Exhibitor Show All Star Award Winner (2006)<br />
Retail Planning and Finance (2006)<br />
Non-Discrimination and Sexual Harassment Training (2006)<br />
Professional Associations:<br />
Certified Trade Show Marketer Candidate Mentor (2007)<br />
Meeting Professionals International (MPI) (since 1999)<br />
Trade Show Exhibitor Association (since 2003)<br />
Exhibitor Show Advisory Committee (2006)<br />
Northern California Chapter MPI Annual Fundraising Gala Committee (2004)<br />
Convention Industry Council APEX Discussion Group (2003)<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 5
COMPANY BACKGROUND<br />
After 150+ years in the industry, Levi Strauss & Co. (LS&Co.) has rightfully earned a place in history as the inventor<br />
of original and authentic blue jeans. Today, LS&Co. owns the Levi’s®, Dockers®, and Levi Strauss Signature®<br />
Brands, and their sub brand properties, and operates in 110 countries all over the world making it the largest global<br />
apparel market share holder. The company is privately held and managed with nearly $4.2 Billion in annual net<br />
sales for the total company.<br />
Levis® Jeans are the most successful, widely recognized and most often imitated clothing product in the history of<br />
apparel. The Levi's® brand continues to define Jeanswear with widest range of products available from<br />
quintessential classics, such as the famous Levi's® 501® Original jean, to favorite fits and styles in their Red Tab<br />
and premium brand collections. Levis® has truly captured the attention, imagination and loyalty of generations of<br />
diverse individuals.<br />
The Levi’s® Brand participates in multiple 3-dimensional marketing apparel events and tradeshows all over the<br />
world, the largest of which will be the focus of this portfolio: MAGIC (Men’s Apparel Guild in California - now held in<br />
Las Vegas semi-annually, NV due to size). In the business of fashion, MAGIC is one of the most important<br />
tradeshows in the world, with 100,000 plus attendees and over 20,000 products lines from 3,200 companies.<br />
U.S. Levi’s® Brand <strong>Portfolio</strong><br />
LS&Co. owns and manages a broad brand and sub-brand portfolio. For the purposes of this portfolio, the US<br />
Brands and Sub-brands are of concern as follows:<br />
Brand / Sub-Brand<br />
Commercial Brands<br />
Brand / Characteristics / MSRP<br />
Levi’s® Red Tab<br />
- category defining and original, $40-$54<br />
Levi’s® SILVERTAB®<br />
- contemporary/fashionable, $48-$54<br />
Levi’s® Tab Twills<br />
- commercial non-denim, $44<br />
Premium Brands<br />
Levi’s® Red<br />
- stylish and innovative, $68 - $78<br />
Levi’s® Capital E<br />
- luxurious, handcrafted jeans, made in the US, $110 - $375<br />
Levi’s® Vintage Clothing<br />
- celebration of heritage, $154 - $501<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 6
These brands and sub-brands comprise the entire portfolio for the Levi’s® Brand Business U.S. Unit. LS&Co.<br />
offers additional brands in the US (Dockers®, Dockers® Golf & Resort, and Levi Strauss Signature - which is sold<br />
in MASS Channel retailers such as Target and Wal-Mart) but they will not be a focus of this portfolio. Likewise,<br />
similar brands are managed in the LS&Co. Europe and Asian Business Units – which creates the corporate triad of<br />
business units.<br />
U.S. Levi’s® Brand Growth Initiatives<br />
The US Levi’s® Brand is all inclusive for consumers from stylish urban trend setters looking for premium fits and<br />
finishes to rural farm and ranch consumers looking for quality and durability. The company is inherently masculine<br />
with a strong tie to Western Heritage culture. However, the current growth initiative is in the more premium market<br />
segments ($60-$78/pair) with a strong focus on becoming the choice for Women as well as Men age 15-25.<br />
Additionally, the company is focusing on growing beyond jeans by increasing market share in tops for Men and<br />
Women as well as fashion for Kids, shoes, accessories, and home goods.<br />
U.S. Levi’s® Brand Competition<br />
Competition in the apparel market has recently intensified, particularly in the denim market segment as jeans are<br />
becoming fashionable for diverse wearing occasions. In the US, the Brand competes both as a Wholesaler (selling<br />
goods through retailers such as Macy’s, JCPenney, and Kohl’s) and as a Retailer (selling goods through owned and<br />
operated Levi’s® Stores) in the vertical channel.<br />
Refer to the chart below for an overview of sample competitors by channel and distribution:<br />
Channel Sample Distribution Sample Competitors<br />
Wholesale:<br />
Department Stores<br />
Chains<br />
Multi-Brand Specialty Stores<br />
Macy’s, Dillard’s<br />
JCPenney, Kohl’s, Sears, Mervyn’s<br />
Pac Sun, Urban Outfitters<br />
Private Label, Lucky, Guess, DKNY, CK<br />
Private Label, Vanity Fair<br />
Lucky, AG, Union Bay, Diesel<br />
Retail:<br />
Levi’s® Owned and Operated Stores selling<br />
premium, classic, and iconic goods<br />
Gap, Lucky, Guess, Abercrombie &<br />
Fitch, Diesel<br />
It is fair to say that Vanity Fair - who owns Lee, Wrangler, Earl Jeans, and now 7 For All Mankind - is the second<br />
largest share holder and our strongest competitor in wholesale. Additionally, “private label” jeans, or jeans brands<br />
developed and marketed by our customers (i.e., Macy’s, JCPenney’s), are quickly becoming large market share<br />
holders in the denim segment. While the brand works to protect its market share in wholesale, the retail business<br />
continues to grow rapidly and the organization intends to get from 40 stores to at least 250 in the next 20 years.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 7
As I learned from Seminar 10806 – How to Measure the Value of Trade Shows, the starting point for any trade<br />
show activity is the development of clear, measurable objectives as they drive the entire decision making and can<br />
help justify or grow investment. Likewise, in the business of fashion there is an emphasis on “what’s in style” so<br />
brand perception is as important to a show’s success as retrieving leads and revenue. I applied skills learned from<br />
Seminar 31106 - How to Grow Your Brand: Incorporating Brand Marketing in your Exhibit Programs to develop both<br />
qualitative and quantitative objectives as listed below - each of which are tied to a Levi’s® Brand “profitable growth<br />
strategy”:<br />
QUANTITATIVE<br />
“Grow Beyond Jeans”<br />
- Create an efficient buying opportunity for existing customers to order licensed products.<br />
- Meet with 6 top / key customers to present the seasonal offering and secure orders for licensed products.<br />
- Retrieve at least 50 viable new leads for new customers interested in tops and accessories.<br />
“Maximize current Levi’s® Franchise”<br />
- Meet with top 6 top commercial customers to align and discuss new opportunities from orders placed as January<br />
NY Market Week Meetings.<br />
- Meet with 200 Sales Center customers to sell in the seasonal offering efficiently capturing at least $6 million in<br />
total revenue.<br />
“Grow Premium Franchise”<br />
- Meet with 25 existing retailers to sell in the seasonal offering effectively capturing orders for at least 25,000 units.<br />
- Retrieve at least 25 new leads for premium and super premium retailers<br />
“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 year old Men”<br />
- Retrieve 10,000 ++ impressions that articulate Fit Range for Women’ and Men age 15-25<br />
- Retrieve at least 50 new leads for leading / hip hop retailers<br />
- Increase women’s small customer appointment list by 10% per show<br />
- Option meetings with top 6 top commercial customers to discuss new opportunities<br />
QUALITATIVE<br />
“Grow Beyond Jeans”<br />
- Demonstrate that we are a “lifestyle” brand by full integration of licensed products (tops, shoes, accessories) in<br />
all displays, graphics, presentations and special events (lobby fashion show).<br />
“Maximize current Levi’s® Franchise”<br />
- Build brand equity and perception for current customers by creating a meaningful brand experience inside and<br />
outside the booth.<br />
- Economize the appointment process to make it easy for customers to shop.<br />
“Grow Premium Franchise”<br />
- Build brand equity and interest by locating the premium brands in a super premium environment.<br />
- Create a premium environment that enhances the buyer experience for current customers.<br />
“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 yr old Men”<br />
- Fully integrated fit range presentation in displays, fashion show, grand lobby, and special events. Focus on<br />
positioning the brand to reach more women’s and younger guy’s customers/retailers.<br />
The employment of these specific goals and objectives has not only justified but also grown the Levi’s® Brand<br />
presence at MAGIC. An overview of this growth process will be covered in Section IV.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 8
Show Schedule<br />
The US Levi’s® Brand Wholesale division participates, or has participated in, the following industry shows:<br />
Seasons Shows by Channel Location My Involvement<br />
Fall<br />
Jan – Mar<br />
Holiday*<br />
March<br />
Spring<br />
June – Sept<br />
Summer*<br />
November<br />
*related shows<br />
Commercial<br />
*NY Market Week<br />
ASR<br />
WESA<br />
Mid-States<br />
Wheat Belt<br />
World Shoe Show<br />
MAGIC<br />
Tractor Supply<br />
AAFES (Military)<br />
Veterans<br />
Premium<br />
*LA Market Week<br />
Project Show NY<br />
Project Show LV<br />
Coterie<br />
*Children’s Club<br />
New York City<br />
San Diego<br />
Denver<br />
Minneapolis<br />
St. Louis<br />
Las Vegas<br />
Las Vegas<br />
Kansas City<br />
Dallas<br />
Varied<br />
Los Angeles<br />
New York City<br />
Las Vegas<br />
New York City<br />
New York City<br />
Coordinate set up of 6 Custom Branded Showrooms<br />
Coordinate a 20X20 custom exhibit and sponsorship event<br />
Oversee 10X10 in-line display<br />
Manage 20X20 custom exhibit and sponsorship event<br />
Oversee 10X10 in-line display<br />
Leverage exhibit/display work to Licensee partner<br />
Manage 30X100 custom/double-deck exhibit, 14 showrooms<br />
Oversee 10X10 in-line display<br />
Oversee 10X10 in-line display<br />
Coordinate incremental needs, oversee spend<br />
Coordinate incremental needs for existing showroom<br />
Manage 10X30 in-line exhibit<br />
Manage 20X20 in-line exhibit<br />
Managed 10X20 in-line exhibit<br />
Managed 10X20 in-line exhibit<br />
Note that there are two key selling apparel selling seasons: Spring and Fall. As such, all trade shows listed above<br />
are semi-annual and some occur four (4) times per year (for Holiday and Summer seasons). MAGIC, which is<br />
twice a year for Spring and Fall, has included the following key deliverables:<br />
Commercial<br />
- 30 X 100 custom exhibit with 12 showrooms, 2 lounges, 3 staff areas, 4 upper decks totaling as much as 4210 square<br />
feet<br />
- 30 X 100 custom branded sponsorship lounge<br />
- Customer Appreciation Events for up to 250 guests<br />
- Manage event sponsorships including marketing and special events<br />
Premium<br />
- 30 X 50 custom exhibit with 5 showrooms, 1 lounge, and 1 staff area<br />
- Sponsorship in Evening Event for product launch for nearly 200 guests<br />
The trade show schedule for the Levi’s® Brand is a challenging one. Seminar 20206 – Basic Project Management<br />
and Reporting Skills helped me create a better process to initiate, plan, execute, control, and close each trade show<br />
through organization leadership. Likewise, the application of the 9 knowledge areas for Project Management has<br />
helped me economize work processes while protecting the business (i.e., risk aversion, cost avoidance, resource<br />
management). The next section will demonstrate these skills as applied to exhibit production, management, and<br />
design.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 9
When I became responsible for the company’s trade show activities in 2000, I inherited a newly built custom exhibit<br />
and vendor relationship. As such, this section will address my experience in exhibit management followed by<br />
exhibit design and production for newer exhibit solutions.<br />
Exhibit Management<br />
In the beginning, my first objective was<br />
to familiarize myself with an existing<br />
exhibit enough to get through the first<br />
few shows. The exhibit (shown right)<br />
was a 600,000 lb glass & solid steel<br />
frame exhibit with 6 decks, 4<br />
staircases, 18 showrooms for all<br />
LS&Co. Brands including Dockers,<br />
and required nearly 3700 labor hours<br />
to install and dismantle. The exhibit -<br />
which became known as the “mother<br />
ship”- effectively represented Lev<br />
Strauss & Co.’s place in the apparel<br />
industry as the #1 market share<br />
holder. I developed a line item budget<br />
and project plan for pre/at/post show<br />
activities that an event team of six (6)<br />
utilized to execute this magnificent<br />
exhibit twice in 2001 and twice 2002.<br />
Request for Proposal (RFP) and Selection Process<br />
Once I made it successfully through 2 shows with this complex custom exhibit, it became apparent that our vendor<br />
relationship of 25 years had grown complacent and lacked competitive advantage. I was charged with putting<br />
exhibit management out to bid. I partnered with the procurement department to develop and extensive RFP, which<br />
can be found in Appendix A (pages 20-29) and four (4) companies were invited to submit proposals. Our first focus<br />
was to evaluate vendors quantitatively to ensure cost competitiveness. The cost analysis can be found in Appendix<br />
B (page 30). Our second aim was to evaluate customer service and quality standards. Toward this end, all<br />
companies were invited for in person capabilities presentation and interview.<br />
In the end, we were happy to select a new and competitive vendor (Derse, Las Vegas) with values not unlike our<br />
own including an open book policy, 100+ years of experience, sustainable growth initiatives, and personnel who<br />
demonstrated integrity while being passionate about their work. We have now been partnering with Derse for<br />
nearly 6 years and are quite pleased with their partnership in terms of cost, customer service, creativity, and overall<br />
capabilities.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 10
Shortly after this vendor transition,<br />
the Levi’s® Brand Retail<br />
Development team sourced a new<br />
and innovative custom exhibit for<br />
the premium brands to utilize on the<br />
show floor in a separate 30 X 50<br />
footprint. The idea was to get away<br />
from the commercial “mother ship”<br />
to effectively represent the<br />
exclusivity and sexiness of the<br />
premium brands. The exhibit (left),<br />
which was made of stackable sea /<br />
cargo “containers”, was value<br />
engineered and fabricated by Derse<br />
in 2001.<br />
Exhibit Design and Production<br />
The company’s emphasis on flexing<br />
its muscle on the trade show floor<br />
dwindled after 9/11 and a new focus on cost containment and economical exhibiting took priority. By mid-2003, the<br />
show budget went from $1.3 million per show for a 9000 sq ft custom exhibit at to a mere $380,000 per show for a<br />
2000 square foot meeting room (commercial) and 1500 square foot exhibit (premium). Moreover, the company’s<br />
event planning team was downsized to myself only and I was given charge as the Levi’s® Brand US Event<br />
Manager. It was then that I challenged myself to re-build the brand’s presence at one of the world’s most important<br />
trade show events!<br />
Toward this end, I wanted to get the<br />
commercial brand out of the meeting rooms<br />
and back onto the show floor. I also wanted to<br />
better position the premium brands. Because<br />
the premium sales team was reduced from six<br />
to two, I recommended revamping the<br />
“container” exhibit to be used for the<br />
commercial brands while sourcing a new, more<br />
premium and economical exhibit, for the<br />
premium team. Top management agreed, and<br />
I promptly began sourcing the solution.<br />
By transitioning the “container” exhibit for the<br />
commercial brands, it meant we needed to<br />
solicit new designs and a more cost effective<br />
custom solution for the premium brands. Because money was tight, and time was of the essence, I submitted a<br />
recommendation to revive and retrofit an older premium property that we already owned. Why buy new when<br />
making old fresh is half the price<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 11
I funded the new premium exhibit by finding a vendor to remove the “mother ship” exhibit from our inventory thus<br />
avoiding the cost to dispose of it – quarter inch glass and solid steel is not easy to store and is certainly not easy to<br />
off load. It was reclaimed for a more appropriate (permanent) installation in Las Vegas. Part of it now stands as a<br />
Motley Crew recording studio and part of it can be found as a permanent installation for the Las Vegas Choppers. I<br />
then used money saved to fund the new solution for the premium brands.<br />
By applying my learnings from Seminar 61904 - Exhibit Design From Concept to Creation, Derse and I partnered<br />
with Levi’s® Merchandising, Operations, and Creative Services teams to design a new custom exhibit made of<br />
owned and unused materials. This approach minimized capital expenditures as well as show-to-show costs. The<br />
final design (below) was premium, substantive, and modular. The budget came in around $100/square foot, which I<br />
learned from Seminar 20304 – The Nuts and Bolts of Budget was about 45% less than the industry average for<br />
custom island exhibits.<br />
Original Exhibit, 40X30 peninsula<br />
Old Property<br />
Original Exhibit, 40X30 peninsula<br />
New Exhibit, 30X30 peninsula<br />
Old Property<br />
New Exhibit, 30X50 peninsula<br />
Old Property<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 12
Now that the premium brands had a new exhibit and the commercial brand was back on the show floor, the next<br />
aim was to grow the commercial brand to appropriately represent itself as the largest market share holder once<br />
again.<br />
First, as the company licensed Levi’s®<br />
branded products for women’s tops,<br />
men’s tops, kids 0-7, socks, shoes,<br />
and finally loungewear/underwear, I<br />
partnered with licensees to manage an<br />
exhibit at MAGIC on their behalf.<br />
Using additional learnings from<br />
Seminar 20304 – The Nuts and Bolts<br />
of Budget about show averages, I subleased<br />
showrooms within our exhibit at<br />
2.5 times the actual cost of the real<br />
estate. This rate included all show<br />
services, transportation, etc. and<br />
enabled licensees to pay a flat fee and<br />
then simply show up with their product<br />
and sell in a Levi’s® Branded exhibit.<br />
At its peak, I increased the collective<br />
spend to $550,000 and booth size to<br />
3000 sq ft. Alas - the Levi’s® Brand<br />
was again one of the top exhibitors at the show!<br />
To continue the momentum, I used skills learned in Seminar 521 – Negotiating Skills to Win to negotiate with show<br />
management securing 3000 square feet of complimentary Booth Expansion real estate to create a “show enhancing” Levi’s®<br />
Branded Lounge adjacent to our booth. I worked Old Property with our creative services team to invent and produce a brand<br />
immersion experience and the concept was repeated twice creating three unique brand experiences as follows:<br />
• “Big Sur” Hospitality Lounge – comfortable and invigorating furniture, music, and images<br />
• “Silver Mine” Time Capsule Lounge – applying my learning from Seminar 312 - Realizing Your Public<br />
Relations Potential this lounge included presentations by LS&Co.’s own Historian showcasing some of the<br />
world’s oldest jeans, many of which were found in Nevada mines.<br />
• “Dry Goods” Educational Lounge – which educated guests on the history and current uses of the core<br />
ingredients that make our jeans (i.e., origins of indigo dye, cotton, metals) and also included education on<br />
our terms of engagement with factories around the world.<br />
Big Sur<br />
Silver Mine<br />
Dry Goods<br />
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With the booth expansion and sponsored lounge, the Levi’s brand reemerged as one of the top 10 exhibitors at<br />
MAGIC, as reported by the apparel industry periodical DNR. All was accomplished by creatively and strategically<br />
leveraging licensing and show management partnerships. The total spend remained unchanged but the brands’<br />
total foot square footage grew from 1500 sq ft on the show floor to over 7000 sq ft. A sample budget management<br />
template can be found in Appendix C (page 32).<br />
The exhibit has evolved and we have added more containers and stair cases to create a consistent look. We have<br />
reorganized the set up several times and now leverage work done by our creative services teams for owned and<br />
operated Levi’s® Stores for the aesthetics thus creating rich, premium atmospheres for the commercial brand<br />
properties as show below.<br />
Front Left – “Fit Range” Men’s and Misses Story<br />
Front Right – current print campaign<br />
Front Desk – “legends wall” graphics<br />
Back Right – “Men’s 501® Finish Range” mannequins<br />
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Admittedly, total marketing integration has not been a core competency brand wide until more recently. With a<br />
brand as old and big as the Levi’s® brand, there is a long history of imagery and brand positioning to draw from.<br />
Also, with Consumer, Customer, Mass, Internet, and Retail Marketing Teams working autonomously - a lack of<br />
complete integration has been evident. Thankfully, all forms of marketing have more recently become integrated<br />
and consistent.<br />
Marketing Strategies<br />
After attending Seminar 31504 – Integrated Promotional Programs, I took the challenge to fully integrate pre/at/post<br />
show marketing activities and the overall brand experience at key shows to drive the right traffic thus increasing<br />
viable new leads, and elevate buyer and competitor perceptions of the brand. Below is a comprehensive summary<br />
of strategies and their respective benefits and results that either are or have been used at key shows like MAGIC.<br />
MEDIA SELECTION<br />
Pre-Show Direct Mailer<br />
Show Program / Newsletter<br />
Large Exterior Graphics<br />
Video Messaging<br />
Event Sponsorship<br />
STRATEGY & VALUE<br />
Impressions: first impression /teaser, single impressions to 400 ct.<br />
Net Target: strategic customers, potential customers<br />
Format: large, color, double sided postcard<br />
Content: brand lifestyle image on the front, invite info on back<br />
Desired Action: excite buyers to visit our exhibit and attend exclusive event<br />
Impressions: up to 96,000 ct.<br />
Gross Target: all show attendees<br />
Net Target: existing and potential buyers<br />
Format: single page, color ad<br />
Content: brand lifestyle image, key product message, booth location<br />
Desired Action: create product awareness to generate exhibit traffic<br />
Impressions: up to 22,230 ct. based on traffic density estimation<br />
Gross Target: all show attendees who pass the exhibit<br />
Net Target: existing and potential buyers<br />
Format: currently [4 ct. 10’X3’] but have been [10 ct . 6’X6’] and [4 ct. 20’X20’]<br />
Content: brand lifestyle image, product image<br />
Desired Action: create engaging brand recognition<br />
Impressions: up to 11,115 ct. based on traffic density estimation<br />
Gross Target: all show attendees who pass the exhibit<br />
Net Target: existing and potential buyers<br />
Format: DVD loop on booth interior or exterior flat screen TV monitors<br />
Content: either current commercials or brand heritage messaging<br />
Desired Action: create product appeal with conversions to show<br />
Impressions: up to 4,000 ct. based on level of sponsorship and location<br />
Gross Target: all event attendees and venue traffic<br />
Net Target: existing and potential buyers<br />
Format: large format event signage up to 6’ X 10’<br />
Content: brand lifestyle imaging<br />
Desired Action: create brand recognition and loyalty<br />
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Showroom Graphics<br />
Collateral<br />
Impressions: up to 1,000 ct. based on actual appointments<br />
Net Target: buyers<br />
Format: signage up to 20” X 28”<br />
Content: brand lifestyle imaging, product message call outs, heritage art<br />
Desired Action: brand and product education and awareness<br />
Impressions: up to 1,000 ct. based on actual appointments<br />
Net Target: buyers<br />
Format: website, sales kit handouts, line lists, pricelists<br />
Content: detailed product information incl. sku, size range, pricing, ship dates<br />
Desired Action: product order placement<br />
Creative content is leveraged from Levi’s® Marketing and Creative Services teams. I partnered with these teams<br />
and applied my learnings from Seminars 31404 - Creating Winning Direct Mail Promotions for Improved Results<br />
and 61705 - Essential Graphic Basics to Wow! to develop each strategy and source each marketing solution.<br />
Visual Examples and Results<br />
The format and content changes for each show based on seasonal materials, marketing opportunities, and overall<br />
budget but message integration remains constant. Below is one of many successful examples and related result for<br />
each.<br />
Postcard Invite: Buyer appointments up 10%,<br />
entertained up to 200 guests at customer event.<br />
Program Guide: Exhibit traffic<br />
increased, new account<br />
inquires up 67%.<br />
Exhibit Graphics: Consistent brand<br />
recognition with product message<br />
delivered elevated perception and<br />
education for key customers,<br />
potential buyers, and competitors.<br />
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LS&Co. brands have been exhibiting at MAGIC since the mid 1900s and partnership with this key show has<br />
become important to our success operationally. It provides a great opportunity to demonstrate brand prominence in<br />
the marketplace while efficiently meeting with a multitude of buyers.<br />
However, due in part to a post 9/11 economy shift, and an emphasis on cost containment, this partnership now<br />
requires a documented return on investment analysis in order to justify an annual spend of $760,000. Toward this<br />
end, I developed and implemented an annual Return on Investment (ROI) and Return on Objectives (ROO) process<br />
in early 2006 to measure and report the qualitative and quantitative benefits of exhibiting at MAGIC.<br />
Methodology<br />
I learned from Seminar 212V – Justify Your Program With Post Show Reporting - that all results are measured<br />
against clearly defined goals and objectives. This required a comprehensive understanding of the US Levi’s®<br />
Brand objectives. The chart below lists shows objectives at MAGIC, each of which are tied to a larger brand growth<br />
strategy and include alignment from top-management.<br />
Brand<br />
Goal / Objective<br />
Red Tab<br />
1. Upgrade the Red Tab exhibit and overall brand experience<br />
2. Create conducive and inspiring meeting environments for management meetings with Top Levi’s® Wholesale Customers<br />
Red Tab / Sales Center<br />
3. Continue to make it easy for Sales Center Customers to buy Levi’s® Jeans<br />
4. Grow new account inquiries<br />
Red Tab / Licensing<br />
5. Continue to make it easy for Wholesale Customers to buy Levi’s® licensed products at MAGIC<br />
6. Continue to integrate licensed product offering into customer experience<br />
Levi’s Capital E®<br />
7. Make it easy for premium/specialty customers to buy Levi’s® Cap E, Levi’s® Vintage Clothing, & Little Levi’s® Vintage.<br />
Sponsorships<br />
8. Drive brand equity and consumption by optimizing brand exposure at the show<br />
9. Build relationships with Sales Center Customers via exclusive reception<br />
I also learned from Seminar 10806 – How To Measure The Value of Trade Shows that I needed to identify and<br />
quantify the main sources of value. including: 1. Revenue by division, 2. Cost avoidance - or expenses displaced<br />
should we not exhibit, and 3. Promotional value. Each of these sources comprehensively represent the total value<br />
for presenting at a key show like MAGIC.<br />
After rolling up the total show costs, including other team and licensee affiliate travel expenses, post show statistical<br />
information was gathered and input into the report.<br />
Results<br />
The good news is that we net a return of $13 to $19 for every $1 spent on participating in MAGIC. With the<br />
strategic goals and objectives in place, the Levi’s® Brand was rebuilt to a larger literal and perceptual size at<br />
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MAGIC than when exhibiting in the “mother ship.” Moreover, the brand demonstrates show over show increases in<br />
new account inquiries and customer meetings. Also, the exhibit now drives traffic that delivers against the brand’s<br />
target consumer base (leading retailers in the more premium, hip hop, and urban segments). Also, customer<br />
meetings continues to grow for small/independent segment as well as the top 6 commercial retailers (i.e., Macy’s,<br />
JCP, Kohl’s, Mervyn’s, Sears, and Goody’s).<br />
It is evident that, through the application of learnings from Seminar 31106 - How to Grow Your Brand: Incorporating<br />
Brand Marketing in your Exhibit Programs, and through the partnership with licensees and Creative Services teams,<br />
I have strengthened the overall perception of the Levi’s® Brand at MAGIC.<br />
By defining measurable goals and objectives, our strategies and tactics are easily employed and executed to<br />
deliver desired results with impact! See Appendix D (page 33-36) for the Sample Post Show Report Analysis<br />
comprehensively illustrating the results for each objective. Post Show Reporting is now done after each February<br />
MAGIC followed by a publication to key stakeholders (i.e., Brand President, VPs, and Sales Directors) within 45<br />
days of the show. This is a critical step I learned from Seminar 10806 – How to Measure the Value of Trade<br />
Shows.<br />
Summary<br />
Due to the nature of the show and overall return on investment, surveys, whether they be pre/at/post show, have<br />
not been imperative in the decision making process to justify or grow participation, a key message from Seminar<br />
20505 - Using Surveys in the Trade Show and Event Decisions Making Process. However, they have been<br />
considered for the future in terms of ensuring overall exhibit efficiency for the commercial brands at MAGIC.<br />
However, the premium brands’ participation in various trade shows has varied over the last 4 years and continues<br />
to evolve as the shows and buying activities evolve. After a survey of information from current buyers and statistics<br />
from show management, a trick I learned from Seminar 20105 - Selecting the Right Shows: The Critical Decision, a<br />
recent decision caused us to move from Premium Category at MAGIC to a new show called Project Global<br />
Tradeshow, which competes with MAGIC and has driven encouraging increases in new account inquires and<br />
current meetings.<br />
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Next steps for the commercial brands at MAGIC is to continue to build upon current successes but continually<br />
improve overall functionality and aesthetics. In an ongoing effort to remain an important player at MAGIC, I am<br />
sponsoring the recommendation to move from the more moderate Casual Category to a more leading Category.<br />
My hypothesis is that such a location would generate more “leading” (i.e., premium, urban, hip-hop retailer) traffic to<br />
our exhibit as well as enhance the overall perception of the brands position in the industry. This effort also delivers<br />
on a core brand strategy to be youthful, sexy, and innovative. I am however tempering my recommendation with<br />
new initiatives and merchandising shifts currently happening within each category. After three years of relentlessly<br />
position our brand on the show floor with our top tier competitors, I have finally succeeded and the February 2008<br />
show will have us in the Designer/Contemporary category, next to Lucky, Calvin Kelin, etc.<br />
Licensees partnerships at MAGIC have evolved significantly over the last few years. While the brand develops<br />
itself as a lifestyle brand with new licensed branded products ranging from home décor to luggage or iHome<br />
electronics, the exhibit needs to drive the right traffic accordingly. As such, I am evolving from dedicated licensing<br />
showrooms to a more integrated approach, where affiliates pay the same amount but rather get air time in the key<br />
men’s, women’s, and kids rooms. This streamlines the buying process for customers.<br />
The brands are now aligned at the right shows and in the right categories. Next, the company has authorized a<br />
capital expenditure for a new premium brand exhibit. Provided all stakeholders and resources align, we will launch<br />
a new exhibit at the February 2008 Project Show. Toward this end, I expect to partner with our Creative Services<br />
teams to create and then source a simple, organic, and elegant concept that will economically upgrade the premium<br />
brand exhibit displays and enhance overall functionality.<br />
EXHIBITOR Learnings<br />
As mentioned throughout this portfolio, I have applied learnings from the <strong>CTSM</strong> curriculum at every level in my dayto-day<br />
management of events and tradeshows for the Levi’s® Brand. In turn, the organization has benefited in<br />
many ways, including:<br />
<br />
<br />
<br />
<br />
<br />
<br />
Budgeting – strategic financial planning competitive with industry averages by line item<br />
Space Planning – efficient use of costly trade show real estate<br />
Risk Management and Legal Protection – contract management and insurance<br />
Event Planning – customer event management integrated with trade show marketing activities<br />
Brand Management – integrated marketing to reposition the brand as the apparel market share leader<br />
Return on Investment Analysis – rigorous analysis to justify and grow investment<br />
I appreciate the industry education, experience, and networking that pursuing my <strong>CTSM</strong> brings. I have benefited<br />
from the elective learnings and believe they have made me a better communicator, leader, and trade show<br />
marketer. I have used learnings from Seminar 82304 – Communicating with Others: Essential for Success to<br />
facility the right dialogue with internal stakeholders and vendors alike. Finally, my learnings from Seminar 82405 -<br />
Preparing, Developing and Submitting a Quality <strong>CTSM</strong> <strong>Portfolio</strong> have indeed been useful in preparing this portfolio.<br />
The Levi’s® Brand has benefited qualitatively and quantitatively from my education and I would recommend that all<br />
trade show managers engage in and apply the curriculum to its fullest extent in an effort to justify and grow trade<br />
show participation with improved decision making.<br />
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NOTICE:<br />
CONFIDENTIAL UNPUBLISHED PROPERTY OF LEVI STRAUSS & Co.<br />
USE AND DISTRIBUTION LIMITED SOLELY TO AUTHORIZED PERSONNEL<br />
******************************************************************************************************************<br />
The use, disclosure, reproduction, modification, transfer, or transmittal of this work for any purpose in any<br />
form or by any means without the written permission of Buyer is strictly prohibited.<br />
TABLE OF CONTENTS<br />
SECTION DESCRIPTION<br />
0.0 Introduction<br />
1.0 Background Objective<br />
2.0 Purpose<br />
3.0 Definitions<br />
4.0 References<br />
5.0 Product/Service Overview<br />
6.0 General Selection Criteria<br />
7.0 Summary<br />
8.0 Terms And Conditions<br />
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0.0 INTRODUCTION<br />
This Request for Proposal (RFP) provides an explanation of the project, as well as defining the specific<br />
requirements and obligations of the successful bidder chosen to perform the<br />
manufacturing/distribution/service activities described herein. This document also includes a standard<br />
response format and an explanation of how each bidder and their respective proposal will be evaluated.<br />
Levi Strauss & Co. (hereinafter referred to as “Buyer”) hereby requests that all vendors acknowledge the<br />
receipt of this RFP package and advise Buyer of their intention to bid, or not to bid. Vendors choosing not to<br />
bid in response to this RFP, are required to communicate their decision by returning the RFP package, with a<br />
letter of explanation, to Buyer within five (5) working days of the receipt of this package.<br />
This RFP and all Confidential Information related thereto is considered proprietary to Buyer, is submitted only<br />
for the purpose of soliciting a response from potential vendors, and is subject to the Confidential Information<br />
Non-Disclosure Agreement previously executed by the parties.<br />
Buyer assumes no contractual obligation, nor is any intended, by issuing of this RFP.<br />
This RFP does not commit Buyer to reimburse respondent or any of its subsidiaries or agents for any costs<br />
incurred in the submission of a proposal or in making necessary studies or designs for the preparations<br />
thereof, nor does it commit Buyer to procure or contract for the services or material provided therein.<br />
Prospective vendor response to this RFP should be prepared simply and economically, providing a straightforward,<br />
concise description of vendor's capabilities to satisfy the requirements of this request. Emphasis<br />
should be placed on completeness and clarity of content.<br />
Buyer reserves the right to reject any and all proposal responses, or to make multiple or partial awards<br />
pursuant to this request. Award of a contract, if any, will be in accordance with the Terms and Conditions of a<br />
contract executed between the parties. This RFP, and response to this RFP, may, at Buyer's option, become<br />
part of the executed contract.<br />
News releases or announcements regarding this RFP, or possible resulting contract, are not permitted and<br />
may not be announced by a vendor without the express written consent of Buyer.<br />
Vendors may not use the Buyer name, or any of its trademarks in any advertisement or press release without<br />
the prior written consent of Buyer.<br />
1.0 BACKGROUND/OBJECTIVE<br />
Levi Strauss & Co. (LS&CO.) manufactures and markets branded jeans and casual sportswear under the<br />
Levi's ® , Dockers ® and Slates ® brands. The company employs a staff of approximately 1,300 people at its San<br />
Francisco headquarters, and approximately 17,000 people worldwide. It currently has 21 production facilities<br />
and 25 customer service centers throughout the world. The company generally manufactures goods in the<br />
regions in which they are sold.<br />
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LS&Co.'s objective is to utilize trade shows to communicate the strength and leadership of LS&Co. within the<br />
apparel industry and demonstrate our commitment and investment to our customers.<br />
2.0 PURPOSE<br />
Levi Strauss & Co. is accepting proposals from custom exhibit houses to manage all retail and commercial<br />
exhibit properties and associated services including, but not limited to: storage, exhibit design and fabrication,<br />
graphics design and fabrication, refurbishment, installation and dismantle, traffic management, show services<br />
coordination and additional marketing services such as theme development, video production, live marketing<br />
etc. Qualified applicants must respond in writing by 5:00 p.m. May 1, 2001 for consideration.<br />
Proposals will be considered based on capabilities, costs and a thorough description of services offered<br />
which satisfy the requirements of the RFP. A minimum of 2 companies will be selected for final oral<br />
presentation to an LS & Co. selection committee. You will be notified by Debra Henriquez, Event Planning<br />
Manager, or Mike <strong>Mecham</strong>, Event Planning Assistant Manager, if your company is chosen for a presentation.<br />
3.0 DEFINITIONS<br />
"Buyer", a term used to identify Levi Strauss & Co. (LS&CO.)<br />
"Confidential Information" means any and all unpublished information owned or controlled by Buyer that<br />
relates to the technical, manufacturing, marketing, sales or financial operations of Buyer and that is not<br />
generally disclosed by Buyer to the public, including, without limitation, proprietary processes and designs,<br />
trade secrets, know-how, inventions (whether or not patentable), formulas, technical drawings and data,<br />
research subjects, methods and results, proprietary computer software, unpublished product specifications<br />
and characteristics, manufacturing processes, production techniques, plans for future products, business and<br />
marketing plans and strategy, product development plans, pricing policies, cost and profit information,<br />
customer lists, vendor identities and the like, whether disclosed orally, in writing, or by inspection.<br />
"Documentation" means manuals, plans, drawings, specifications, parts lists, and other material related to<br />
the Product or Service, in hard copy, magnetic media or other form.<br />
"Product", as used herein, shall mean all goods and services provided by EAC as defined by the<br />
specifications/statement of work contained herein.<br />
"Seller" is a term hereinafter used to identify the vendor awarded an order as a result of their response to<br />
this RFP and subsequent purchase agreement negotiations with Buyer.<br />
4.0 REFERENCES<br />
Provide a comprehensive and current client list, including but not limited to, the following information for each:<br />
1. Contact names and phone numbers of at least 3 major clients as references.<br />
2. Size of clients' exhibit.<br />
3. Number of clients' exhibits housed with your company.<br />
4. Length of relationship.<br />
5. Experience with MAGIC or similar Trade Shows.<br />
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6. Sample Timelines / Production schedules.<br />
7. Project Management contact names and titles.<br />
8. Planning process and execution (if possible, provide work order examples)<br />
9. Photographs of the final result (product, goods and services)<br />
10. How would your customers describe your company and performance<br />
5.0 PRODUCT/SERVICE OVERVIEW - STATEMENT OF WORK<br />
This section addresses the specific tasks, controls, and management procedures required to provide the<br />
Product/Service to Buyer's standards.<br />
5.1 Design<br />
Provide a description of your creative services department's structure and staffing, and the design<br />
process for creating a new exhibit or exhibit components, graphic elements, etc. List production<br />
facilities and locations as well as staffing at each location. Indicate where refurbishment and new<br />
booth graphic production will occur and who will oversee the projects. If work will be conducted by<br />
subcontractors, list those companies, capabilities and explain how work will be coordinated.<br />
A. Booth Design<br />
Include examples of exhibits comparable in size to LS&CO. exhibits designed by your company,<br />
and if possible, indicate the team members that would service the LS&CO. account. Include<br />
specific objectives that were achieved by using these designs. Provide a description that<br />
addresses the following relating to booth design:<br />
1. The technology and type of equipment currently used.<br />
2. Computer programs used.<br />
3. Methods of production.<br />
4. Type of work done in-house vs. through outside vendors.<br />
B. Graphics Design/Production Capabilities<br />
In an overview of your company's graphics department, provide a description that addresses the<br />
following:<br />
1. 1. The technology and type of equipment currently used.<br />
2. Computer programs used.<br />
3. Describe your email and Internet applications, functions and usage<br />
4. Methods of production.<br />
5. Type of work done in-house vs. through outside vendors.<br />
A. Graphics Costs<br />
Using the following design specifications, estimate the cost of (1) 8' x 7' inkjet print and (1) 2.56m<br />
x 1m emax Duratrans, and (1) 10' x 20' billboard graphic, including graphic design time.<br />
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5.2 Storage<br />
List all storage facilities and locations. Include the following:<br />
5.3 Installation and Dismantle<br />
1. 1. Square footage of storage space at each location.<br />
2. Description of your inventory system and inventory management system.<br />
3. Whether your company owns the space or contracts with other companies.<br />
4. If the space is contracted, a list of companies you sub-contract with, locations and length<br />
of relationship.<br />
5. Where the LS&Co. exhibits would be housed and the rational for that location.<br />
6. Whether or not you have access to international storage facilities.<br />
7. Explain insurance coverage in the event of fire or act of God.<br />
Provide an overview of your company's installation and dismantling services. Address the following:<br />
5.4 Traffic Management<br />
1. Do you have internal I&D staff, including all participants and laborers<br />
2. If you sub-contract I&D list companies, please list whom you sub-contract, their locations<br />
and the length of the business relationship.<br />
3. Do you guarantee a fixed cost for specific I&D projects and if so, what are the terms of<br />
that commitment<br />
4. Describe your On-Site Management Structure and labor procedures / protocol.<br />
Describe your traffic department and staff. Explain how freight carriers are contracted (for example,<br />
how many bids do you get) and the system for estimating cost. Respond to the following in your<br />
explanation:<br />
5.5 Audiovisual<br />
1. Do you have national freight contracts Who are they with<br />
2. If so, do you bill customers the published rate or the discount rate<br />
3. If you have national contracts or in-house services, do you still request bids from other<br />
carriers for each project<br />
Provide an overview of your company's audiovisual services. Address the following:<br />
1. Do you have internal AV staff, including all participants and laborers<br />
2. If you sub-contract AV list companies, please list whom you sub-contract, their locations<br />
and the length of the business relationship.<br />
3. Do you guarantee a fixed cost for specific AV projects and if so, what are the terms of<br />
that commitment<br />
4. Describe your On-Site Management Structure and labor procedures / protocol.<br />
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5.6 Destination Management<br />
If you have an internal Destination Management staff, provide an overview of your company's<br />
Destination Management Services and Staff. Address the following:<br />
1. What in-house Destination Services can you provide<br />
2. Do you guarantee a fixed cost for specific Destination Management projects and if so,<br />
what are the terms of that commitment<br />
3. Describe your On-Site Management Structure and labor procedures / protocol.<br />
5.7 Rates - Request for Quotations<br />
Please list your billing rates for the following services:<br />
6.0 GENERAL SELECTION CRITERIA<br />
1. Account Service - hourly rates and service charges<br />
2. Booth Designs - hourly rates and cost of final designs<br />
3. Graphic Design - include design and fabrication (refer to section 5.1.c.)<br />
4. Creative Services - hourly rates for engineering, production, etc.<br />
5. Project Management - hourly rates or per project rates<br />
6. Labor - hourly rates for supervisors, project leads, laborers, etc.<br />
7. Traffic Management - including transportation between storage and shows.<br />
8. Overtime/Penalty - include fees, late changes, finance or service charges, etc.<br />
9. Storage - include incoming and outgoing drayage rates and price per 100 cwt.<br />
10. Install & Dismantle - provide an estimate for the installation and dismantle of both<br />
LS&Co. exhibits for the August 2001 show, including the ordering and management of<br />
General Contractor Services such as drayage, forklift labor, scissor lift labor and crew,<br />
and electrical (see Labor Schedule).<br />
11. Audiovisual - Include Rentals, Services, and Labor Rates.<br />
12. List any other sub-contractors or business affiliates not already listed in the RFP.<br />
The following is a summary of the criteria used to evaluate the responses to this RFP, and select a<br />
vendor:<br />
1. Seller's background and experience with articles of similar detail and complexity to the<br />
Product/Service noted in this RFP.<br />
2. Seller's total quality system, particularly with respect to quality processes.<br />
3. Seller's financial stability and resource base.<br />
4. Seller's overall management structure and capabilities, particularly the resources<br />
necessary to perform and successfully adhere to the terms of the resultant purchase<br />
agreement.<br />
5. Seller's cost, and its ability to maintain and/or lower those costs.<br />
6. Please provide a general summary of your company's history, experience and<br />
capabilities including the following information:<br />
7. Company name<br />
8. Primary and secondary contact person<br />
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9. Address<br />
10. Years in business<br />
11. Number of company locations<br />
12. Number of staff at each location<br />
13. Indicate subsidiary/private company, parent company<br />
14. Union status and date contracts expire<br />
15. Labor management relationship<br />
16. Trade Show industry associations<br />
17. Strategic intent of the company<br />
6.1 CONTRACT MANAGEMENT<br />
Buyer will manage this project through one Project Administrator: Debra Henriquez, Manager of<br />
Event Planning. The Project Administrator has sole authority over technical and contractual issues.<br />
Seller shall designate a specific individual as a Project Manager to this position with appropriate<br />
authority to legally bind Seller.<br />
Explain your philosophy of account service and the type of assistance that can be expected from the<br />
Named Project Manager. Address at least the following in your narrative:<br />
1. Does the account rep travel to each show<br />
2. Are travel expenses passed on to the client If so, how<br />
3. What is the role of the account rep at the show, prior to the show, following the show and<br />
in non-show periods.<br />
4. What follow-up is provided to the client subsequent to a show<br />
5. Will sub-contracted offices be managing refurbishment or new construction<br />
6. Anticipated method and frequency of compunction with LS&Co. representatives.<br />
6.2 PRODUCTION/SERVICE PLAN AND STATUS REPORTS<br />
A. Production Plan<br />
Seller shall submit a Production/Service Plan with the proposal.<br />
B. Quality Control Plan<br />
Seller shall submit a Quality Control Plan with the Product/Service quote. Seller shall submit a<br />
written summary description of the system for controlling all significant characteristics and actions<br />
required to ensure process outputs meet Buyer requirements. All Seller specified processes, within<br />
the Control Plan, shall be characterized with a Process Flow Chart representing process operations,<br />
transportation, inspection, product/service process delays and product storage throughout the<br />
process.<br />
C. Vendor Management<br />
Seller shall provide Buyer access to vendor selection criteria, vendor survey results and historical<br />
performance data upon Buyers request.<br />
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* Buyer retains the right to perform source inspection, at Seller facilities, prior to product shipment or<br />
performance of service.<br />
* Seller agrees to grant Buyer access to their facilities at any time, in support of such source<br />
inspection requirements or audit review of Buyer owned materials.<br />
D. Workmanship Standards:<br />
Seller shall have established and verified workmanship standards that match buyer standards,<br />
accomplished in part through the references section of this RFP.<br />
E. Corrective Action:<br />
Seller shall have a documented and verified closed-loop corrective action system.<br />
F. Certificate of Conformance<br />
Seller shall provide written certification that the product/service delivered is compliant with Buyer<br />
specific requirements, drawings and/or specifications. The delivered certificate shall be traceable to<br />
objective evidence on file and available for audit upon Buyer's request.<br />
G. Source Inspection<br />
Seller shall provide the option for Buyer's facility inspection.<br />
6.3 CONFIGURATION MANAGEMENT REQUIREMENTS<br />
Please list the contact names and credentials, including experience, for the following individuals<br />
within your company and relevant sub-contract companies:<br />
1. Sales Managers<br />
2. Project Managers<br />
3. Floor Managers<br />
4. Design Managers<br />
5. Engineering/Production Managers<br />
6. Field Supervisors<br />
7. Any other service managers<br />
6.4 BUYER SUPPLIED MATERIAL<br />
All material supplied by Buyer shall be stored by Seller in a bonded warehouse location<br />
until required for product manufacture/service. All unused material shall be returned to<br />
Buyer with the last product/service shipment, and shall be identified as excess material.<br />
6.5 DELIVERY/QUANTITY REQUIREMENTS<br />
A. Describe your work order and billing system.<br />
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7.0 SUMMARY<br />
C. Provide samples of invoices, estimates and work orders.<br />
D. Describe any extraordinary or particularly effective billing systems used by your company. The<br />
description should address the following:<br />
1. Do all estimates indicate time and material costs for client review<br />
2. Do you prepare estimates for all projects or only at client request<br />
3. Do you bill by the project, monthly or quarterly<br />
4. Do all of your statements break out time and materials<br />
5. When do overtime charges incur<br />
6. How long after a show do you typically invoice<br />
7. Can your company provide art analysis of estimate vs. actual costs after the show<br />
8. What are your terms and conditions<br />
9. What software do you use for billing<br />
10. Do you have an open book policy that will show the Buyer the Seller's profit margins<br />
again actual expenses<br />
E. Describe additional services your company provides including, but not limited to, the following:<br />
1. Custom rentals. Indicate the ability to provide custom rentals, rental fees, process for<br />
constructing, storing, extended use, etc.<br />
2. International exhibit management. Indicate the ability to provide this service, fees,<br />
process for coordinating service, sub-contractors and length of relationships.<br />
3. Show Services. Indicate the ability to provide this coordination and your show services<br />
charge or mark up.<br />
A. What skills and capabilities differentiate your company from competitors<br />
B. What is the basis of your company's competitive advantage<br />
C. Can you site examples of how your company has invented cost effective solutions to customer<br />
challenges<br />
D. Why, briefly, are you qualified to handle the Levi Strauss & Co. account<br />
8.0 TERMS AND CONDITIONS<br />
8.1 General<br />
A) For the convenience of Buyer and Seller, Levi Strauss & Co., hereinafter referred to as Buyer,<br />
transmits this document, whether as an offer to buy or as a confirmation of an oral contract, under the<br />
express condition that any resulting contract is subject to the Uniform Commercial Code. The general<br />
provisions of the code are modified only by any different explicit terms or specifications set forth<br />
herein.<br />
B) Acceptance by Seller is expressly limited to the terms of this document. Notice is hereby given of<br />
Buyer’s objection to and refusal to be bound by any additional or different Terms contained in any<br />
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<strong>Page</strong> 28
acceptance or written confirmation or other communication from Seller. This order includes an<br />
arbitration clause, below.<br />
8.2 Purchase<br />
This Purchase Order will be Interpreted and performance determined in accordance with the laws of<br />
California.<br />
A) Any controversy or claim arising out of or relating to this contract, or the breach thereof,<br />
including (but not by way of limitation) the quality or acceptability of goods delivered,<br />
payments, failure to meet specifications, or the question of whether any such controversy or<br />
claim is properly arbitratable, shall be settled by arbitration in San Francisco County,<br />
California, in accordance with the Commercial Arbitration rules of the American Arbitration<br />
Association, and the judgment upon the award rendered by the arbitrator(s) may be entered<br />
in any court having competent jurisdiction thereof.<br />
B) Time Is Of The Essence Of This Order. The Buyer may cancel all or any part of this order if<br />
the merchandise is not shipped per the date specified or such other date as may be agreed<br />
to in writing by Buyer and Seller. Shipments arriving at Buyer’s facilities more than ten (10)<br />
working days prior to the agreed upon delivery date may be returned at Seller’s expense for<br />
reshipment per the established schedule.<br />
C) The Buyer reserves the right to cancel all or any part of this order in the event of the<br />
happening of any of the following, but not limited to: Insolvency of Seller; Filing of a voluntary<br />
petition in bankruptcy; Filing of an involuntary petition to have the Seller declared bankrupt,<br />
provided it is not vacated within thirty (30) days from the date of filing; The appointment of a<br />
receiver or trustee for Seller; The execution by Seller of an assignment for the benefit of it’s<br />
creditors.<br />
D) The Seller shall not assign this purchase order or any interest therein or any monies due to<br />
become payable under this order without the prior written consent of Buyer.<br />
E) Items shipped in excess of Buyer’s order will be returned at Seller’s expense. not be<br />
responsible for any items without a written Purchase Order, or written amendment of same,<br />
approved by the Buyer.<br />
F) Goods made in accordance with Buyer’s specifications and/or drawings shall not be quoted<br />
to any other person or concern without expressed written approval from Buyer.<br />
G) The Seller will show this Purchase Order Number on all shipments and papers pertaining to<br />
this order.<br />
H) Costs for tooling, setup charges and/or transportation charges to be borne by Buyer will be<br />
separately stated on the invoice.<br />
I) All shipments are to be sent Prepaid. Buyer does not accept C.O.D. shipments.<br />
J) The Seller hereby warrants the merchandise and workmanship of the materials delivered on<br />
this order to me in accordance with specifications, drawings, or samples in all respects and<br />
agrees that this warranty shall survive acceptance by Buyer. All material and workmanship<br />
entering into the performance of this order shall be subject to Buyer’s inspection and<br />
approval before acceptance. In case the articles are found to be defective in material or<br />
workmanship, or otherwise not in conformity with the requirements of this order, Buyer shall<br />
have the right to reject same and/or require their correction or prompt replacement with<br />
satisfactory materials or workmanship.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
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GES - EGG CZARNOWSKI DERSE MC(2)<br />
Graphics Total Per Sq. Ft Total Per Sq. Ft Total Per Sq. Ft Total Per Sq. Ft<br />
8X7 $850 $15 $1,064 $19 $1,669 $30 $1,568 $28<br />
DuraTrans $1,500 - $441 - $630 - $1,024 -<br />
10X20 $2,500 $13 $3,800 $19 $3,000 $15 $5,700 $29<br />
Storage Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere<br />
Space 150,000 1,621,793 200,000 672,000 45,000 536,000 300,000 725,000<br />
Rates Overtime Overtime Overtime Overtime<br />
Account Service $65 Not Charged Not Charged $75<br />
Booth Designs $115 in SF $95 in LV $100 $90 $110 $125<br />
Graphic Design $115 in SF $75 in LV $75 $63 $110 $125<br />
Graphic Production $72 $75<br />
Creative Services $115 $75 $72 $75<br />
Project Management $110 in SF $75 in LV $60 $72 $75<br />
Labor $56 $97 $60 $96 $72 $92 $75 $97<br />
Storage / cwt. $4 $5 $7 Handling .11 per cubic ft. $4 $5<br />
Traffic 25% Markup $65.00 / hour $70 $90<br />
In-booth Equip Overtime Overtime Overtime Overtime<br />
Forklift w/Operator $80 $125 $94 $148<br />
Scissor Lift $125 $125 $138 $207<br />
Scissor Lift Crew $56 $100 $65 $118<br />
Install &<br />
Dismantle<br />
Their Figures $38,195 $38,832<br />
Their<br />
Figures A = A Their Figures A = A Their Figures A = A<br />
Their<br />
Figures<br />
Labor Estimate $328,363 $328,363 $407,100 $329,236 $321,600 $331,340 $265,550 $348,409<br />
A = A<br />
OTHER Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere<br />
Number of Staff 100 1793 60 437 25 344 95 862<br />
Mark-up on Travel Not<br />
Exps Charged Not Charged 10% 10%<br />
Year in Business 70 54 52 22<br />
Union Contract Exp 3-Jun-03<br />
Need Exp<br />
Date<br />
No LV<br />
Contracts 30-Jun-01<br />
Invoicing Period 41 Days 4-6 Weeks 3-4 Weeks 3 Weeks<br />
Showservcies Markup 30% 25% 20%<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
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MAGIC Marketplace Sample Budget<br />
Budget Actual Fav / Unfav<br />
Travel & Entertainment<br />
Staff Travel (sales staff = separate budget) $18,700 $18,667 $33<br />
Show Catering $7,000 $6,327 $673<br />
Customer Reception $25,000 $23,895 $1,105<br />
Labor<br />
Models (rates and expenses w/o lodging) $19,000 $16,654 $2,346<br />
Henderson Volunteers $4,000 $4,000 $0<br />
Cor-O-Van Labor $1,500 $1,500 $0<br />
Freight<br />
Product Shipping $6,000 $5,414 $586<br />
FedEx $150 $0 $150<br />
Drayage $68,500 $68,428 $72<br />
Permits $500 $134 $366<br />
Materials / Supplies<br />
Other Misc (Tips/Supplies) $500 $1,909 ($1,409)<br />
Party Invites - Layout $600 $553 $47<br />
Party Invites - Printing $700 $644 $56<br />
Show Services<br />
Telecommunications $3,200 $3,189 $11<br />
LA Showroom High-Speed $400 $375 $25<br />
Booth Cleaning $2,000 $1,324 $676<br />
Security $2,000 $1,900 $100<br />
Photographer $1,000 $780 $220<br />
All Décor $9,000 $11,500 ($2,500)<br />
MAGIC Floor Space Fee $115,000 $115,000 $0<br />
Exhibit Management<br />
post production $6,900 $6,900 $0<br />
pull prep load $20,100 $20,100 $0<br />
transportation $25,200 $25,200 $0<br />
install $66,600 $66,600 $0<br />
show maintenance $4,900 $4,900 $0<br />
dismantle $42,000 $42,000 $0<br />
logistics $2,200 $2,200 $0<br />
project mgmt $1,800 $1,800 $0<br />
receive / check $6,100 $6,100 $0<br />
audiovisual $1,600 $1,600 $0<br />
ac rental $3,000 $3,000 $0<br />
rental walls $25,000 $24,398 $602<br />
change orders $20,000 $18,500 $1,500<br />
Storage - 1 Quarter $14,000 $14,834 ($834)<br />
Storage - 1 Quarter $14,000 $14,834 ($834)<br />
Funding Aids<br />
Tools Funding ($15,000) ($15,000)<br />
Dockers Contribution ($26,000) ($26,000)<br />
Licensee Funding ($117,000) ($117,000)<br />
Budget Actual Fav / Unfav<br />
TOTAL $380,150 $377,160 $2,990<br />
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<strong>Page</strong> 31
SHOW HIGHLIGHTS<br />
<br />
Sales Center customer presentations increased to 219 retailers, a 5% vs. Fall ’06 MAGIC and 23% vs. Spring<br />
’07 MAGIC<br />
Received 125 new customer inquiries for Red Tab, a 67% increase over prior show giving potential to 70-80<br />
new doors<br />
<br />
<br />
<br />
<br />
Received 72 new customer inquiries for Capital E<br />
Held 10 men’s/boys’ management meetings for Red Tab, 6 of which were with majors<br />
Efficiently enabled Sales Center to capture roughly $6 million of their Fall ‘07 AFP<br />
Realized a payback ratio of $13.84/$1 for the February 2007 Show.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
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RETURN ON OBJECTIVES SUMMARY<br />
Objectives<br />
Red Tab<br />
10. Premiumize the Red Tab exhibit and overall brand<br />
experience<br />
11. Create conducive and inspiring meeting environments<br />
for management meetings with Top Levi’s® Wholesale<br />
Customers<br />
Results<br />
1. Enhanced exhibit location to contemporary neighborhood<br />
incorporating elements from our retail environments<br />
2. Consolidated Red Tab Corp Conference Rm into the enhanced<br />
Red Tab exhibit, managed via 1 desk<br />
Red Tab / Sales Center<br />
12. Continue to make it easy for Sales Center Customers<br />
to buy Levi’s® Jeans<br />
13. Grow new account inquiries<br />
Red Tab / Licensing<br />
14. Continue to make it easy for Wholesale Customers to<br />
buy Levi’s® licensed products at MAGIC<br />
15. Continue to integrate licensed product offering into<br />
customer experience<br />
Levi’s Capital E®<br />
16. Make it easy for premium/specialty customers to buy<br />
Levi’s® Cap E, LVC, & LLV.<br />
3. Sales Center presented Men’s/Boys’ 266 times, and Women’s<br />
103 times to 208 retailers and 58 new customers, a 5% increase<br />
of prior show.<br />
4. Received 125 new account inquiries that could result in as many<br />
as 70-80 new doors, a 67% increase<br />
5. Managed exhibit for Socks, Shoes, Men’s Tops, Kids, and<br />
Underclothes/loungewear<br />
6. Integrated tops and sweaters into men’s and women’s<br />
showrooms and presented all products in 1 room for Carol Haney<br />
to present to customers<br />
7. Relocated exhibit to Project, presented to 45 customers, and<br />
received 72 new account inquiries<br />
Sponsorships<br />
17. Drive brand equity and consumption by optimizing<br />
brand exposure at the show<br />
18. Build relationships with Sales Center Customers via<br />
exclusive reception<br />
8. The Grand Lobby MAGIC Style Fashion Show featured Men’s &<br />
Boys’ Red Tab, and Men’s & Women’s Red<br />
9. Held a private Sales Center Customer Reception at Tao in<br />
Venetian enhanced with open bar and hosted nearly 216<br />
attendees<br />
Budget<br />
10. Deliver flat or under budget. 11. Flat to plan plus 2.6% increase in overtime labor due to<br />
weekend set up.<br />
Summary: Executed a result driven show that met or exceeded objectives.<br />
RETURN ON INVESTMENT<br />
VALUE: POTENTIAL POSITIVE IMPACT FOR FALL ’07 (as a result of attend MAGIC only).<br />
1. Potential / Estimated Sales Revenue<br />
Customer Type Qty Est. Potential Value<br />
Total Value<br />
w/Licensees<br />
Capital E (Fall ’07 estimate) 25 $250,000 $250,000<br />
Viable New Cap E Customers 20 $200,000 $200,000<br />
Sales Ctr (25% of Fall '07) Conf Appts 11 $1,379,000 $1,379,000<br />
Sales Ctr (25% of Fall '07) All Others 208 $3,542,092 $3,542,092<br />
New Sales Center Doors (Avg./Season) 80 $600,000 $600,000<br />
Licensees Meetings 200 $2,000,000<br />
Sub Total 488 $5,971,092 $7,971,092<br />
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<strong>Page</strong> 33
2. Cost Avoidance<br />
Average Field<br />
Total Value<br />
Customer Meetings Qty Visit Cost Total Value<br />
w/Licensees<br />
Capital E 45 $500 $22,500 $22,500<br />
Sales Center 208 $500 $104,000 $104,000<br />
Red Tab 10 $500 $5,000 $5,000<br />
Licensing 200 $500 $100,000<br />
Subtotal 463 $131,500 $231,500<br />
3. Promotional Value<br />
Value Per Impression (VPI) averages are conservatively benchmarked from the Center for Exhibit Industry Research.<br />
Average<br />
Targeted/Active Impressions Qty VPI Total Value Total Value<br />
Exhibit (traffic density estimation) 22,230 $10 $222,300 $222,300<br />
Cap E Customer Meetings 45 $65 $2,925 $2,925<br />
Top Red Tab Customer Meetings 10 $1,500 $15,000 $15,000<br />
Sales Center Customer Reception 250 $65 $16,250 $16,250<br />
Licensing Meetings 200 $65 $13,000<br />
Subtotal 23,245 $256,475 $256,475<br />
Gross/Passive Impressions Qty Total Value Total Value<br />
Exhibit (show attendance estimation) 129200 $1 $129,200 $129,200<br />
Fashion Show Placement 32000 $1 $32,000 $32,000<br />
Subtotal 171200 $161,200 $161,200<br />
TOTAL Revenue & Value in Kind Including Promotion $6,643,017 $8,743,017<br />
EXPENSES: LEVI’S® CBU INVESTMENT<br />
Exhibiting Expenses<br />
Exhibit Services (inclusive of show services and labor) $350,721 $350,721<br />
Licensee Exhibit Expenses (co-pay) $117,723<br />
Travel and Entertainment<br />
Catering and Customer Reception $26,000 $26,000<br />
Sales Center T&E $24,678 $24,678<br />
Sales T&E (avg. $1000/person X 23 attendees) $23,000 $23,000<br />
Cap E Team T&E (avg. $1000/person X 6 attendees) $6,000 $6,000<br />
Sales Ops T&E (w/models) $17,311 $17,311<br />
Licensing T&E (avg. $1000/person X 20 attendees) $20,000<br />
TOTAL Expenses $447,710 $585,433<br />
TOTAL IMPACT (Overall Value less Total Expenses) $6,195,307 $8,157,584<br />
Payback Ratio per $1 $13.84 $13.93<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 34
August 2007 Show Objectives<br />
Following are the August 2007 Show Objectives respective to brand priorities/strategies.<br />
“Grow Beyond Jeans”<br />
Continue to integrate licenses products in displays, graphics, showrooms, presentations and special events.<br />
“Maximize current Levi’s® Franchise”<br />
Provide conducive meeting room arrangements and an inspiring and meaningful brand experience for all current wholesale<br />
customers that leverages our Retail environments and integrates licensed products.<br />
“Grow Premium Franchise”<br />
Position Levi’s® Red Tab exhibit in contemporary neighborhood at MAGIC to align with contemporary Red Tab<br />
competitors. Position Levi’s® Cap E exhibit in super premium denim neighborhood at Project Show to align with Cap E<br />
competitors.<br />
“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 year old Men”<br />
Fully integrated fit range presentation in displays, fashion show, grand lobby, and special events.<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 35
Required Courses Completed Referenced<br />
108 How to Measure the Value of Trade Show Participation 3/06 yes<br />
201 Selecting the Right Shows: The Critical Decision 3/05 yes<br />
202 Basic Project Management and Organizational Skills 3/06 yes<br />
203 The Nuts and Bolts of Budgeting for Results 3/04 yes<br />
204 Don't Skip the Warm-Up! Conducting Effective Pre-Show Meetings 3/04<br />
205 Using Surveys in the Trade Show and Event Decisions Making Process 3/05 yes<br />
206 Show Operation Basics - Part I 3/05 yes<br />
207 Exhibiting and the Law - What You Need to Know 3/05<br />
209 Show Ops Basic - Part II 3/06<br />
308 Business Marketing Strategies and Trade Shows** 3/04<br />
311 How to Grow Your Brand: Incorp. Brand Marketing in your Exhibit Programs 3/06 yes<br />
312 Realizing Your Public Relations Potential 3/06 yes<br />
213 Beyond the basics of booth selling 3/05<br />
315 Integrated Marketing Communications 3/04 yes<br />
416 The Basics of Event Planning and Management 3/05<br />
417 The Basics of Event Logistics and Implementation 3/05<br />
418 How to Measure the Value of Events 3/06<br />
521 Negotiating Skills to Winn 3/06 yes<br />
523 Communicating With Others: Essentials for Success 3/06<br />
617 Essential Grahpics Basics to Wow!! 3/05 yes<br />
619 Exhibit Design - From Concept to Creation 3/04 yes<br />
720 Introductory Overview to Global Exhibiting 3/06<br />
721 Introductory Overview to Global Exhibiting (continued) 3/06<br />
Elective Courses Completed Referenced<br />
212 Justify Your Show Program with Post Show Reporting 3/05 yes<br />
314 Creating Winning Direct Mail Promotions for Improved Results 3/04 yes<br />
315 Speaking of Branding - It's more than just a look 3/04 yes<br />
512 Leadership - How would I know if I've seen it 3/06<br />
517 Spontaneously Speaking 3/06<br />
823 Communicating With Others: Essentials for Success 3/04 yes<br />
824 Preparing, Developing and Submitting a Quality <strong>CTSM</strong> <strong>Portfolio</strong> 3/05 yes<br />
<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />
<strong>Page</strong> 36