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<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 1


I. OVERVIEW <strong>Page</strong> 3<br />

II. VITAL STATISTICS<br />

a. Candidate Profile <strong>Page</strong> 4<br />

b. Company Background <strong>Page</strong> 6<br />

III. SHOW OBJECTIVES / SHOW SCHEDULE <strong>Page</strong> 8<br />

IV. MANAGEMENT OF EXHIBIT DESIGN/PRODUCTION <strong>Page</strong> 10<br />

V. MANAGEMENT OF INTEGRATED MARKETING COMMUNICATIONS <strong>Page</strong> 15<br />

VI. MANAGEMENT OF RESULTS REPORTING <strong>Page</strong> 17<br />

VII. CONCLUSION <strong>Page</strong> 19<br />

VIII. APPENDIX A – SAMPLE EXHIBIT MANAGEMENT REQUEST FOR PROPOSAL <strong>Page</strong> 20<br />

IX. APPENDIX B – SAMPLE REQUEST FOR PROPOSAL ANALYSIS <strong>Page</strong> 30<br />

X. APPENDIX C – SAMPLE TRADE SHOW BUDGET <strong>Page</strong> 31<br />

XI. APPENDIX D – SAMPLE POST SHOW REPORT <strong>Page</strong> 32<br />

XII. <strong>CTSM</strong> REFERENCES <strong>Page</strong> 36<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 2


After nearly disappearing from the apparel industry’s most important trade show in 2002 due to change in executive<br />

leadership, brand direction, post 9/11 economy shifts, and financial investment decreases, the Levi’s® Brand is now<br />

on the rise and quickly becoming one of the top exhibitors. It has been exciting to apply my learnings from the<br />

Certified Trade Show Marketer (<strong>CTSM</strong>) curriculum to facilitate this reemergence. This portfolio will overview the<br />

background, history, strategies, and tactics used to get the Levi’s® Brand to demonstrate its rightful prominence in<br />

the industry via the trade show floor.<br />

It will begin in Section II with an overview of my professional experience and special achievements as an event and<br />

trade show manager for Levi Strauss & Co., (LS&Co.). As the largest apparel company in the world, LS&Co. is<br />

faced with great challenges to protect and grow its market share. The second part of Section II will outline the<br />

company’s history, brand portfolio, strategic growth initiatives, distribution channels, and the competition. All of<br />

which will also provide a solid backdrop for which the important application of my learnings from the <strong>CTSM</strong><br />

curriculum will be demonstrated.<br />

While LS&Co. has been exhibiting at various trade shows around the world for decades, the remainder of this<br />

portfolio will focus on the world’s most important men’s apparel event: called M.A.G.I.C. (Men’s Apparel Guild in<br />

California). Section III will begin with a review of show objectives for the Levi’s® Brand at MAGIC and will include<br />

qualitative and quantitative targets followed by an overview of all US trade events that the brand has participated in<br />

regularly.<br />

Section IV will provide a brief history of exhibit management, a demonstration of the Request for Proposal<br />

processes, and finally a review of the award winning approach taken to establish and implement growth objectives<br />

for the Levi’s® Brand at MAGIC geared to streamline, economize, and most importantly upgrade participation. This<br />

section will also illustrate how an exhibit can be brought to life from concept to creation in a relatively short<br />

timeframe while beating industry cost per square foot averages. All accomplished through collaborative and<br />

organizational leadership.<br />

Because trade show exhibits are essentially 3-dimensional marketing tools, Section V will review the strategic<br />

approach to integrate marketing across all platforms to deliver a consistent and deliberate brand message. This<br />

includes pre, at, and post show activities such as direct mail, customer events, exhibit graphics, celebrity<br />

appearances, and post show consumer marketing – all demonstrating the importance of focus in this area.<br />

Section VI will highlight post show reporting used to justify, grow, and improve decision making participation at<br />

MAGIC along with an in depth look at the approach used to gather and report qualitative and quantitative<br />

information as it relates to the show objectives.<br />

Finally, Section VII will summarize key learnings from the <strong>CTSM</strong> certification process and provide an overview on<br />

how they have positively affected Levi Strauss & Co.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 3


CANDIDATE PROFILE<br />

I am a Certified Meeting Professional (CMP) and a 2006 Exhibitor Show All Star Award winner. I have nearly 10<br />

years of demonstrated success in event and exhibit management. I am consistently recognized by top<br />

management for leading the growth and evolution of events and tradeshows through effective project management,<br />

precise financial planning, and resource procurement. My key strengths are stakeholder relationships, event and<br />

exhibit objective development, budget administration, resource procurement and management, policy compliance,<br />

integrated event communication and marketing, logistics planning, and measurement reporting.<br />

Professional Experience<br />

Levi Strauss & Co.<br />

Event Manager, Levi’s® Brand (2003 to Present)<br />

Currently lead event team and resources to develop efficient solutions for 25+ key annual events including<br />

customer events, sales meetings, and trade shows. Build and manage stakeholder relationships at all levels<br />

through partnership with cross-functional groups and external resources and present new ideas to top<br />

management. Manage finance planning, budgeting, and reporting of multi-million dollar budgets and resource<br />

allocation. Develop and implement event procurement policies including writing Request for Proposals (RFPs) and<br />

standardized contracts. Ensure service and quality standards for event suppliers including meeting/exhibit space,<br />

lodging, catering, audiovisual production, and exhibit management. Mentor and develop talent to execute efficient<br />

event logistics, manage customer challenges or issues, and leverage success across divisions.<br />

Notable Achievements:<br />

• Instrumental in complying with Sarbanes Oxley and transition organization to accrual accounting for events.<br />

• Led efforts to reduce event spend from $6.7 million to $2.6 million in annual spend with increased focus on event<br />

objectives and return on investment.<br />

• Grew trade show presence from 3500 sq. ft. to 7000 sq. ft. with no increased spend through innovation and<br />

partnership allowing sales team to successfully achieve nearly $9.0 million in sales revenue at key trade event.<br />

• Negotiated hotel contracts at top tier hotels and secured partnership to pilot a first-ever international sales meeting<br />

in Vancouver, B.C. and successfully expedited 1100 unique products through customs.<br />

Levi Strauss & Co.<br />

Event Planning Assistant Manager, Levi’s® and Dockers® Brands (1999 – 2003)<br />

Provided leadership and management for event team and co-led the coordination of over 15 key events for the<br />

Levi’s® and Dockers® Brands ranging up to 500 attendees with an event spend of up to $1.5 million per. Managed<br />

team roles, responsibilities and performance. Grew event scope and facilitated integration of new work flow into<br />

high-performing team.<br />

Notable Achievements:<br />

• Developed talent strength for event support functions such as housing, catering, exhibit management, and logistics<br />

by modeling excellence, continuing education, and team building activities.<br />

• Managed challenging transition to new exhibit management firm saving over $140K annually in labor and storage.<br />

• Grew team scope to support critical customer events in New York and manage U.S. trade show activities including<br />

the management of a 600,000 lb glass/steel exhibit with 5 decks and 11,000 sq. ft. of branded real estate.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 4


• Managed procurement and service standards for site selection, housing, event marketing, audiovisual production,<br />

catering, shipping, and transportation. Avoided over $200K in cancellation penalties post 9/11 by partnering with<br />

hotels to convert group block contracts to individual corporate travel credits.<br />

• Designed, resourced and led training for custom built website to automate event registration and communication.<br />

Managed real time appointment bookings for up to 20 showrooms for the Levi’s® and Dockers® Brands. Enabled<br />

transition away from two event contractors saving the organization over $100K annually.<br />

Levi Strauss & Co.<br />

Event Planning Contractor, Levi’s® and Dockers® Brands (1998 – 1999)<br />

Collaborated with Operations Team to plan and execute event logistics for Dockers® key sales events of up to 300<br />

attendees that met or exceeded financial targets.<br />

Notable Achievements:<br />

• Executed all event logistics including travel, event registration, rooming lists, and food and beverage coordination<br />

for up to 300 attendees. Managed audiovisual sets, promotional materials, and the transportation of over 2000<br />

products to/from the event.<br />

• Navigated the department reorg through partnership and begin event support for Dockers® and Levi’s® Brand<br />

events. Managed sales organization database and sales tool and sample line distribution and finance. Helped<br />

transition from imputed income processes to sample return re-sell strategies.<br />

Education and Credentials<br />

Bachelor of Science, Communication (1998) • University of Utah, Salt Lake City, Utah<br />

Phi Kappa Phi Honor Society, Golden Key Honor Society, Dean’s List<br />

Certified Meeting Professional (2004) • Convention Industry Council<br />

Professional Development and Awards:<br />

Exhibitor Show All Star Award Winner (2006)<br />

Retail Planning and Finance (2006)<br />

Non-Discrimination and Sexual Harassment Training (2006)<br />

Professional Associations:<br />

Certified Trade Show Marketer Candidate Mentor (2007)<br />

Meeting Professionals International (MPI) (since 1999)<br />

Trade Show Exhibitor Association (since 2003)<br />

Exhibitor Show Advisory Committee (2006)<br />

Northern California Chapter MPI Annual Fundraising Gala Committee (2004)<br />

Convention Industry Council APEX Discussion Group (2003)<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 5


COMPANY BACKGROUND<br />

After 150+ years in the industry, Levi Strauss & Co. (LS&Co.) has rightfully earned a place in history as the inventor<br />

of original and authentic blue jeans. Today, LS&Co. owns the Levi’s®, Dockers®, and Levi Strauss Signature®<br />

Brands, and their sub brand properties, and operates in 110 countries all over the world making it the largest global<br />

apparel market share holder. The company is privately held and managed with nearly $4.2 Billion in annual net<br />

sales for the total company.<br />

Levis® Jeans are the most successful, widely recognized and most often imitated clothing product in the history of<br />

apparel. The Levi's® brand continues to define Jeanswear with widest range of products available from<br />

quintessential classics, such as the famous Levi's® 501® Original jean, to favorite fits and styles in their Red Tab<br />

and premium brand collections. Levis® has truly captured the attention, imagination and loyalty of generations of<br />

diverse individuals.<br />

The Levi’s® Brand participates in multiple 3-dimensional marketing apparel events and tradeshows all over the<br />

world, the largest of which will be the focus of this portfolio: MAGIC (Men’s Apparel Guild in California - now held in<br />

Las Vegas semi-annually, NV due to size). In the business of fashion, MAGIC is one of the most important<br />

tradeshows in the world, with 100,000 plus attendees and over 20,000 products lines from 3,200 companies.<br />

U.S. Levi’s® Brand <strong>Portfolio</strong><br />

LS&Co. owns and manages a broad brand and sub-brand portfolio. For the purposes of this portfolio, the US<br />

Brands and Sub-brands are of concern as follows:<br />

Brand / Sub-Brand<br />

Commercial Brands<br />

Brand / Characteristics / MSRP<br />

Levi’s® Red Tab<br />

- category defining and original, $40-$54<br />

Levi’s® SILVERTAB®<br />

- contemporary/fashionable, $48-$54<br />

Levi’s® Tab Twills<br />

- commercial non-denim, $44<br />

Premium Brands<br />

Levi’s® Red<br />

- stylish and innovative, $68 - $78<br />

Levi’s® Capital E<br />

- luxurious, handcrafted jeans, made in the US, $110 - $375<br />

Levi’s® Vintage Clothing<br />

- celebration of heritage, $154 - $501<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 6


These brands and sub-brands comprise the entire portfolio for the Levi’s® Brand Business U.S. Unit. LS&Co.<br />

offers additional brands in the US (Dockers®, Dockers® Golf & Resort, and Levi Strauss Signature - which is sold<br />

in MASS Channel retailers such as Target and Wal-Mart) but they will not be a focus of this portfolio. Likewise,<br />

similar brands are managed in the LS&Co. Europe and Asian Business Units – which creates the corporate triad of<br />

business units.<br />

U.S. Levi’s® Brand Growth Initiatives<br />

The US Levi’s® Brand is all inclusive for consumers from stylish urban trend setters looking for premium fits and<br />

finishes to rural farm and ranch consumers looking for quality and durability. The company is inherently masculine<br />

with a strong tie to Western Heritage culture. However, the current growth initiative is in the more premium market<br />

segments ($60-$78/pair) with a strong focus on becoming the choice for Women as well as Men age 15-25.<br />

Additionally, the company is focusing on growing beyond jeans by increasing market share in tops for Men and<br />

Women as well as fashion for Kids, shoes, accessories, and home goods.<br />

U.S. Levi’s® Brand Competition<br />

Competition in the apparel market has recently intensified, particularly in the denim market segment as jeans are<br />

becoming fashionable for diverse wearing occasions. In the US, the Brand competes both as a Wholesaler (selling<br />

goods through retailers such as Macy’s, JCPenney, and Kohl’s) and as a Retailer (selling goods through owned and<br />

operated Levi’s® Stores) in the vertical channel.<br />

Refer to the chart below for an overview of sample competitors by channel and distribution:<br />

Channel Sample Distribution Sample Competitors<br />

Wholesale:<br />

Department Stores<br />

Chains<br />

Multi-Brand Specialty Stores<br />

Macy’s, Dillard’s<br />

JCPenney, Kohl’s, Sears, Mervyn’s<br />

Pac Sun, Urban Outfitters<br />

Private Label, Lucky, Guess, DKNY, CK<br />

Private Label, Vanity Fair<br />

Lucky, AG, Union Bay, Diesel<br />

Retail:<br />

Levi’s® Owned and Operated Stores selling<br />

premium, classic, and iconic goods<br />

Gap, Lucky, Guess, Abercrombie &<br />

Fitch, Diesel<br />

It is fair to say that Vanity Fair - who owns Lee, Wrangler, Earl Jeans, and now 7 For All Mankind - is the second<br />

largest share holder and our strongest competitor in wholesale. Additionally, “private label” jeans, or jeans brands<br />

developed and marketed by our customers (i.e., Macy’s, JCPenney’s), are quickly becoming large market share<br />

holders in the denim segment. While the brand works to protect its market share in wholesale, the retail business<br />

continues to grow rapidly and the organization intends to get from 40 stores to at least 250 in the next 20 years.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 7


As I learned from Seminar 10806 – How to Measure the Value of Trade Shows, the starting point for any trade<br />

show activity is the development of clear, measurable objectives as they drive the entire decision making and can<br />

help justify or grow investment. Likewise, in the business of fashion there is an emphasis on “what’s in style” so<br />

brand perception is as important to a show’s success as retrieving leads and revenue. I applied skills learned from<br />

Seminar 31106 - How to Grow Your Brand: Incorporating Brand Marketing in your Exhibit Programs to develop both<br />

qualitative and quantitative objectives as listed below - each of which are tied to a Levi’s® Brand “profitable growth<br />

strategy”:<br />

QUANTITATIVE<br />

“Grow Beyond Jeans”<br />

- Create an efficient buying opportunity for existing customers to order licensed products.<br />

- Meet with 6 top / key customers to present the seasonal offering and secure orders for licensed products.<br />

- Retrieve at least 50 viable new leads for new customers interested in tops and accessories.<br />

“Maximize current Levi’s® Franchise”<br />

- Meet with top 6 top commercial customers to align and discuss new opportunities from orders placed as January<br />

NY Market Week Meetings.<br />

- Meet with 200 Sales Center customers to sell in the seasonal offering efficiently capturing at least $6 million in<br />

total revenue.<br />

“Grow Premium Franchise”<br />

- Meet with 25 existing retailers to sell in the seasonal offering effectively capturing orders for at least 25,000 units.<br />

- Retrieve at least 25 new leads for premium and super premium retailers<br />

“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 year old Men”<br />

- Retrieve 10,000 ++ impressions that articulate Fit Range for Women’ and Men age 15-25<br />

- Retrieve at least 50 new leads for leading / hip hop retailers<br />

- Increase women’s small customer appointment list by 10% per show<br />

- Option meetings with top 6 top commercial customers to discuss new opportunities<br />

QUALITATIVE<br />

“Grow Beyond Jeans”<br />

- Demonstrate that we are a “lifestyle” brand by full integration of licensed products (tops, shoes, accessories) in<br />

all displays, graphics, presentations and special events (lobby fashion show).<br />

“Maximize current Levi’s® Franchise”<br />

- Build brand equity and perception for current customers by creating a meaningful brand experience inside and<br />

outside the booth.<br />

- Economize the appointment process to make it easy for customers to shop.<br />

“Grow Premium Franchise”<br />

- Build brand equity and interest by locating the premium brands in a super premium environment.<br />

- Create a premium environment that enhances the buyer experience for current customers.<br />

“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 yr old Men”<br />

- Fully integrated fit range presentation in displays, fashion show, grand lobby, and special events. Focus on<br />

positioning the brand to reach more women’s and younger guy’s customers/retailers.<br />

The employment of these specific goals and objectives has not only justified but also grown the Levi’s® Brand<br />

presence at MAGIC. An overview of this growth process will be covered in Section IV.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 8


Show Schedule<br />

The US Levi’s® Brand Wholesale division participates, or has participated in, the following industry shows:<br />

Seasons Shows by Channel Location My Involvement<br />

Fall<br />

Jan – Mar<br />

Holiday*<br />

March<br />

Spring<br />

June – Sept<br />

Summer*<br />

November<br />

*related shows<br />

Commercial<br />

*NY Market Week<br />

ASR<br />

WESA<br />

Mid-States<br />

Wheat Belt<br />

World Shoe Show<br />

MAGIC<br />

Tractor Supply<br />

AAFES (Military)<br />

Veterans<br />

Premium<br />

*LA Market Week<br />

Project Show NY<br />

Project Show LV<br />

Coterie<br />

*Children’s Club<br />

New York City<br />

San Diego<br />

Denver<br />

Minneapolis<br />

St. Louis<br />

Las Vegas<br />

Las Vegas<br />

Kansas City<br />

Dallas<br />

Varied<br />

Los Angeles<br />

New York City<br />

Las Vegas<br />

New York City<br />

New York City<br />

Coordinate set up of 6 Custom Branded Showrooms<br />

Coordinate a 20X20 custom exhibit and sponsorship event<br />

Oversee 10X10 in-line display<br />

Manage 20X20 custom exhibit and sponsorship event<br />

Oversee 10X10 in-line display<br />

Leverage exhibit/display work to Licensee partner<br />

Manage 30X100 custom/double-deck exhibit, 14 showrooms<br />

Oversee 10X10 in-line display<br />

Oversee 10X10 in-line display<br />

Coordinate incremental needs, oversee spend<br />

Coordinate incremental needs for existing showroom<br />

Manage 10X30 in-line exhibit<br />

Manage 20X20 in-line exhibit<br />

Managed 10X20 in-line exhibit<br />

Managed 10X20 in-line exhibit<br />

Note that there are two key selling apparel selling seasons: Spring and Fall. As such, all trade shows listed above<br />

are semi-annual and some occur four (4) times per year (for Holiday and Summer seasons). MAGIC, which is<br />

twice a year for Spring and Fall, has included the following key deliverables:<br />

Commercial<br />

- 30 X 100 custom exhibit with 12 showrooms, 2 lounges, 3 staff areas, 4 upper decks totaling as much as 4210 square<br />

feet<br />

- 30 X 100 custom branded sponsorship lounge<br />

- Customer Appreciation Events for up to 250 guests<br />

- Manage event sponsorships including marketing and special events<br />

Premium<br />

- 30 X 50 custom exhibit with 5 showrooms, 1 lounge, and 1 staff area<br />

- Sponsorship in Evening Event for product launch for nearly 200 guests<br />

The trade show schedule for the Levi’s® Brand is a challenging one. Seminar 20206 – Basic Project Management<br />

and Reporting Skills helped me create a better process to initiate, plan, execute, control, and close each trade show<br />

through organization leadership. Likewise, the application of the 9 knowledge areas for Project Management has<br />

helped me economize work processes while protecting the business (i.e., risk aversion, cost avoidance, resource<br />

management). The next section will demonstrate these skills as applied to exhibit production, management, and<br />

design.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 9


When I became responsible for the company’s trade show activities in 2000, I inherited a newly built custom exhibit<br />

and vendor relationship. As such, this section will address my experience in exhibit management followed by<br />

exhibit design and production for newer exhibit solutions.<br />

Exhibit Management<br />

In the beginning, my first objective was<br />

to familiarize myself with an existing<br />

exhibit enough to get through the first<br />

few shows. The exhibit (shown right)<br />

was a 600,000 lb glass & solid steel<br />

frame exhibit with 6 decks, 4<br />

staircases, 18 showrooms for all<br />

LS&Co. Brands including Dockers,<br />

and required nearly 3700 labor hours<br />

to install and dismantle. The exhibit -<br />

which became known as the “mother<br />

ship”- effectively represented Lev<br />

Strauss & Co.’s place in the apparel<br />

industry as the #1 market share<br />

holder. I developed a line item budget<br />

and project plan for pre/at/post show<br />

activities that an event team of six (6)<br />

utilized to execute this magnificent<br />

exhibit twice in 2001 and twice 2002.<br />

Request for Proposal (RFP) and Selection Process<br />

Once I made it successfully through 2 shows with this complex custom exhibit, it became apparent that our vendor<br />

relationship of 25 years had grown complacent and lacked competitive advantage. I was charged with putting<br />

exhibit management out to bid. I partnered with the procurement department to develop and extensive RFP, which<br />

can be found in Appendix A (pages 20-29) and four (4) companies were invited to submit proposals. Our first focus<br />

was to evaluate vendors quantitatively to ensure cost competitiveness. The cost analysis can be found in Appendix<br />

B (page 30). Our second aim was to evaluate customer service and quality standards. Toward this end, all<br />

companies were invited for in person capabilities presentation and interview.<br />

In the end, we were happy to select a new and competitive vendor (Derse, Las Vegas) with values not unlike our<br />

own including an open book policy, 100+ years of experience, sustainable growth initiatives, and personnel who<br />

demonstrated integrity while being passionate about their work. We have now been partnering with Derse for<br />

nearly 6 years and are quite pleased with their partnership in terms of cost, customer service, creativity, and overall<br />

capabilities.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 10


Shortly after this vendor transition,<br />

the Levi’s® Brand Retail<br />

Development team sourced a new<br />

and innovative custom exhibit for<br />

the premium brands to utilize on the<br />

show floor in a separate 30 X 50<br />

footprint. The idea was to get away<br />

from the commercial “mother ship”<br />

to effectively represent the<br />

exclusivity and sexiness of the<br />

premium brands. The exhibit (left),<br />

which was made of stackable sea /<br />

cargo “containers”, was value<br />

engineered and fabricated by Derse<br />

in 2001.<br />

Exhibit Design and Production<br />

The company’s emphasis on flexing<br />

its muscle on the trade show floor<br />

dwindled after 9/11 and a new focus on cost containment and economical exhibiting took priority. By mid-2003, the<br />

show budget went from $1.3 million per show for a 9000 sq ft custom exhibit at to a mere $380,000 per show for a<br />

2000 square foot meeting room (commercial) and 1500 square foot exhibit (premium). Moreover, the company’s<br />

event planning team was downsized to myself only and I was given charge as the Levi’s® Brand US Event<br />

Manager. It was then that I challenged myself to re-build the brand’s presence at one of the world’s most important<br />

trade show events!<br />

Toward this end, I wanted to get the<br />

commercial brand out of the meeting rooms<br />

and back onto the show floor. I also wanted to<br />

better position the premium brands. Because<br />

the premium sales team was reduced from six<br />

to two, I recommended revamping the<br />

“container” exhibit to be used for the<br />

commercial brands while sourcing a new, more<br />

premium and economical exhibit, for the<br />

premium team. Top management agreed, and<br />

I promptly began sourcing the solution.<br />

By transitioning the “container” exhibit for the<br />

commercial brands, it meant we needed to<br />

solicit new designs and a more cost effective<br />

custom solution for the premium brands. Because money was tight, and time was of the essence, I submitted a<br />

recommendation to revive and retrofit an older premium property that we already owned. Why buy new when<br />

making old fresh is half the price<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 11


I funded the new premium exhibit by finding a vendor to remove the “mother ship” exhibit from our inventory thus<br />

avoiding the cost to dispose of it – quarter inch glass and solid steel is not easy to store and is certainly not easy to<br />

off load. It was reclaimed for a more appropriate (permanent) installation in Las Vegas. Part of it now stands as a<br />

Motley Crew recording studio and part of it can be found as a permanent installation for the Las Vegas Choppers. I<br />

then used money saved to fund the new solution for the premium brands.<br />

By applying my learnings from Seminar 61904 - Exhibit Design From Concept to Creation, Derse and I partnered<br />

with Levi’s® Merchandising, Operations, and Creative Services teams to design a new custom exhibit made of<br />

owned and unused materials. This approach minimized capital expenditures as well as show-to-show costs. The<br />

final design (below) was premium, substantive, and modular. The budget came in around $100/square foot, which I<br />

learned from Seminar 20304 – The Nuts and Bolts of Budget was about 45% less than the industry average for<br />

custom island exhibits.<br />

Original Exhibit, 40X30 peninsula<br />

Old Property<br />

Original Exhibit, 40X30 peninsula<br />

New Exhibit, 30X30 peninsula<br />

Old Property<br />

New Exhibit, 30X50 peninsula<br />

Old Property<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 12


Now that the premium brands had a new exhibit and the commercial brand was back on the show floor, the next<br />

aim was to grow the commercial brand to appropriately represent itself as the largest market share holder once<br />

again.<br />

First, as the company licensed Levi’s®<br />

branded products for women’s tops,<br />

men’s tops, kids 0-7, socks, shoes,<br />

and finally loungewear/underwear, I<br />

partnered with licensees to manage an<br />

exhibit at MAGIC on their behalf.<br />

Using additional learnings from<br />

Seminar 20304 – The Nuts and Bolts<br />

of Budget about show averages, I subleased<br />

showrooms within our exhibit at<br />

2.5 times the actual cost of the real<br />

estate. This rate included all show<br />

services, transportation, etc. and<br />

enabled licensees to pay a flat fee and<br />

then simply show up with their product<br />

and sell in a Levi’s® Branded exhibit.<br />

At its peak, I increased the collective<br />

spend to $550,000 and booth size to<br />

3000 sq ft. Alas - the Levi’s® Brand<br />

was again one of the top exhibitors at the show!<br />

To continue the momentum, I used skills learned in Seminar 521 – Negotiating Skills to Win to negotiate with show<br />

management securing 3000 square feet of complimentary Booth Expansion real estate to create a “show enhancing” Levi’s®<br />

Branded Lounge adjacent to our booth. I worked Old Property with our creative services team to invent and produce a brand<br />

immersion experience and the concept was repeated twice creating three unique brand experiences as follows:<br />

• “Big Sur” Hospitality Lounge – comfortable and invigorating furniture, music, and images<br />

• “Silver Mine” Time Capsule Lounge – applying my learning from Seminar 312 - Realizing Your Public<br />

Relations Potential this lounge included presentations by LS&Co.’s own Historian showcasing some of the<br />

world’s oldest jeans, many of which were found in Nevada mines.<br />

• “Dry Goods” Educational Lounge – which educated guests on the history and current uses of the core<br />

ingredients that make our jeans (i.e., origins of indigo dye, cotton, metals) and also included education on<br />

our terms of engagement with factories around the world.<br />

Big Sur<br />

Silver Mine<br />

Dry Goods<br />

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With the booth expansion and sponsored lounge, the Levi’s brand reemerged as one of the top 10 exhibitors at<br />

MAGIC, as reported by the apparel industry periodical DNR. All was accomplished by creatively and strategically<br />

leveraging licensing and show management partnerships. The total spend remained unchanged but the brands’<br />

total foot square footage grew from 1500 sq ft on the show floor to over 7000 sq ft. A sample budget management<br />

template can be found in Appendix C (page 32).<br />

The exhibit has evolved and we have added more containers and stair cases to create a consistent look. We have<br />

reorganized the set up several times and now leverage work done by our creative services teams for owned and<br />

operated Levi’s® Stores for the aesthetics thus creating rich, premium atmospheres for the commercial brand<br />

properties as show below.<br />

Front Left – “Fit Range” Men’s and Misses Story<br />

Front Right – current print campaign<br />

Front Desk – “legends wall” graphics<br />

Back Right – “Men’s 501® Finish Range” mannequins<br />

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Admittedly, total marketing integration has not been a core competency brand wide until more recently. With a<br />

brand as old and big as the Levi’s® brand, there is a long history of imagery and brand positioning to draw from.<br />

Also, with Consumer, Customer, Mass, Internet, and Retail Marketing Teams working autonomously - a lack of<br />

complete integration has been evident. Thankfully, all forms of marketing have more recently become integrated<br />

and consistent.<br />

Marketing Strategies<br />

After attending Seminar 31504 – Integrated Promotional Programs, I took the challenge to fully integrate pre/at/post<br />

show marketing activities and the overall brand experience at key shows to drive the right traffic thus increasing<br />

viable new leads, and elevate buyer and competitor perceptions of the brand. Below is a comprehensive summary<br />

of strategies and their respective benefits and results that either are or have been used at key shows like MAGIC.<br />

MEDIA SELECTION<br />

Pre-Show Direct Mailer<br />

Show Program / Newsletter<br />

Large Exterior Graphics<br />

Video Messaging<br />

Event Sponsorship<br />

STRATEGY & VALUE<br />

Impressions: first impression /teaser, single impressions to 400 ct.<br />

Net Target: strategic customers, potential customers<br />

Format: large, color, double sided postcard<br />

Content: brand lifestyle image on the front, invite info on back<br />

Desired Action: excite buyers to visit our exhibit and attend exclusive event<br />

Impressions: up to 96,000 ct.<br />

Gross Target: all show attendees<br />

Net Target: existing and potential buyers<br />

Format: single page, color ad<br />

Content: brand lifestyle image, key product message, booth location<br />

Desired Action: create product awareness to generate exhibit traffic<br />

Impressions: up to 22,230 ct. based on traffic density estimation<br />

Gross Target: all show attendees who pass the exhibit<br />

Net Target: existing and potential buyers<br />

Format: currently [4 ct. 10’X3’] but have been [10 ct . 6’X6’] and [4 ct. 20’X20’]<br />

Content: brand lifestyle image, product image<br />

Desired Action: create engaging brand recognition<br />

Impressions: up to 11,115 ct. based on traffic density estimation<br />

Gross Target: all show attendees who pass the exhibit<br />

Net Target: existing and potential buyers<br />

Format: DVD loop on booth interior or exterior flat screen TV monitors<br />

Content: either current commercials or brand heritage messaging<br />

Desired Action: create product appeal with conversions to show<br />

Impressions: up to 4,000 ct. based on level of sponsorship and location<br />

Gross Target: all event attendees and venue traffic<br />

Net Target: existing and potential buyers<br />

Format: large format event signage up to 6’ X 10’<br />

Content: brand lifestyle imaging<br />

Desired Action: create brand recognition and loyalty<br />

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Showroom Graphics<br />

Collateral<br />

Impressions: up to 1,000 ct. based on actual appointments<br />

Net Target: buyers<br />

Format: signage up to 20” X 28”<br />

Content: brand lifestyle imaging, product message call outs, heritage art<br />

Desired Action: brand and product education and awareness<br />

Impressions: up to 1,000 ct. based on actual appointments<br />

Net Target: buyers<br />

Format: website, sales kit handouts, line lists, pricelists<br />

Content: detailed product information incl. sku, size range, pricing, ship dates<br />

Desired Action: product order placement<br />

Creative content is leveraged from Levi’s® Marketing and Creative Services teams. I partnered with these teams<br />

and applied my learnings from Seminars 31404 - Creating Winning Direct Mail Promotions for Improved Results<br />

and 61705 - Essential Graphic Basics to Wow! to develop each strategy and source each marketing solution.<br />

Visual Examples and Results<br />

The format and content changes for each show based on seasonal materials, marketing opportunities, and overall<br />

budget but message integration remains constant. Below is one of many successful examples and related result for<br />

each.<br />

Postcard Invite: Buyer appointments up 10%,<br />

entertained up to 200 guests at customer event.<br />

Program Guide: Exhibit traffic<br />

increased, new account<br />

inquires up 67%.<br />

Exhibit Graphics: Consistent brand<br />

recognition with product message<br />

delivered elevated perception and<br />

education for key customers,<br />

potential buyers, and competitors.<br />

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LS&Co. brands have been exhibiting at MAGIC since the mid 1900s and partnership with this key show has<br />

become important to our success operationally. It provides a great opportunity to demonstrate brand prominence in<br />

the marketplace while efficiently meeting with a multitude of buyers.<br />

However, due in part to a post 9/11 economy shift, and an emphasis on cost containment, this partnership now<br />

requires a documented return on investment analysis in order to justify an annual spend of $760,000. Toward this<br />

end, I developed and implemented an annual Return on Investment (ROI) and Return on Objectives (ROO) process<br />

in early 2006 to measure and report the qualitative and quantitative benefits of exhibiting at MAGIC.<br />

Methodology<br />

I learned from Seminar 212V – Justify Your Program With Post Show Reporting - that all results are measured<br />

against clearly defined goals and objectives. This required a comprehensive understanding of the US Levi’s®<br />

Brand objectives. The chart below lists shows objectives at MAGIC, each of which are tied to a larger brand growth<br />

strategy and include alignment from top-management.<br />

Brand<br />

Goal / Objective<br />

Red Tab<br />

1. Upgrade the Red Tab exhibit and overall brand experience<br />

2. Create conducive and inspiring meeting environments for management meetings with Top Levi’s® Wholesale Customers<br />

Red Tab / Sales Center<br />

3. Continue to make it easy for Sales Center Customers to buy Levi’s® Jeans<br />

4. Grow new account inquiries<br />

Red Tab / Licensing<br />

5. Continue to make it easy for Wholesale Customers to buy Levi’s® licensed products at MAGIC<br />

6. Continue to integrate licensed product offering into customer experience<br />

Levi’s Capital E®<br />

7. Make it easy for premium/specialty customers to buy Levi’s® Cap E, Levi’s® Vintage Clothing, & Little Levi’s® Vintage.<br />

Sponsorships<br />

8. Drive brand equity and consumption by optimizing brand exposure at the show<br />

9. Build relationships with Sales Center Customers via exclusive reception<br />

I also learned from Seminar 10806 – How To Measure The Value of Trade Shows that I needed to identify and<br />

quantify the main sources of value. including: 1. Revenue by division, 2. Cost avoidance - or expenses displaced<br />

should we not exhibit, and 3. Promotional value. Each of these sources comprehensively represent the total value<br />

for presenting at a key show like MAGIC.<br />

After rolling up the total show costs, including other team and licensee affiliate travel expenses, post show statistical<br />

information was gathered and input into the report.<br />

Results<br />

The good news is that we net a return of $13 to $19 for every $1 spent on participating in MAGIC. With the<br />

strategic goals and objectives in place, the Levi’s® Brand was rebuilt to a larger literal and perceptual size at<br />

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MAGIC than when exhibiting in the “mother ship.” Moreover, the brand demonstrates show over show increases in<br />

new account inquiries and customer meetings. Also, the exhibit now drives traffic that delivers against the brand’s<br />

target consumer base (leading retailers in the more premium, hip hop, and urban segments). Also, customer<br />

meetings continues to grow for small/independent segment as well as the top 6 commercial retailers (i.e., Macy’s,<br />

JCP, Kohl’s, Mervyn’s, Sears, and Goody’s).<br />

It is evident that, through the application of learnings from Seminar 31106 - How to Grow Your Brand: Incorporating<br />

Brand Marketing in your Exhibit Programs, and through the partnership with licensees and Creative Services teams,<br />

I have strengthened the overall perception of the Levi’s® Brand at MAGIC.<br />

By defining measurable goals and objectives, our strategies and tactics are easily employed and executed to<br />

deliver desired results with impact! See Appendix D (page 33-36) for the Sample Post Show Report Analysis<br />

comprehensively illustrating the results for each objective. Post Show Reporting is now done after each February<br />

MAGIC followed by a publication to key stakeholders (i.e., Brand President, VPs, and Sales Directors) within 45<br />

days of the show. This is a critical step I learned from Seminar 10806 – How to Measure the Value of Trade<br />

Shows.<br />

Summary<br />

Due to the nature of the show and overall return on investment, surveys, whether they be pre/at/post show, have<br />

not been imperative in the decision making process to justify or grow participation, a key message from Seminar<br />

20505 - Using Surveys in the Trade Show and Event Decisions Making Process. However, they have been<br />

considered for the future in terms of ensuring overall exhibit efficiency for the commercial brands at MAGIC.<br />

However, the premium brands’ participation in various trade shows has varied over the last 4 years and continues<br />

to evolve as the shows and buying activities evolve. After a survey of information from current buyers and statistics<br />

from show management, a trick I learned from Seminar 20105 - Selecting the Right Shows: The Critical Decision, a<br />

recent decision caused us to move from Premium Category at MAGIC to a new show called Project Global<br />

Tradeshow, which competes with MAGIC and has driven encouraging increases in new account inquires and<br />

current meetings.<br />

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Next steps for the commercial brands at MAGIC is to continue to build upon current successes but continually<br />

improve overall functionality and aesthetics. In an ongoing effort to remain an important player at MAGIC, I am<br />

sponsoring the recommendation to move from the more moderate Casual Category to a more leading Category.<br />

My hypothesis is that such a location would generate more “leading” (i.e., premium, urban, hip-hop retailer) traffic to<br />

our exhibit as well as enhance the overall perception of the brands position in the industry. This effort also delivers<br />

on a core brand strategy to be youthful, sexy, and innovative. I am however tempering my recommendation with<br />

new initiatives and merchandising shifts currently happening within each category. After three years of relentlessly<br />

position our brand on the show floor with our top tier competitors, I have finally succeeded and the February 2008<br />

show will have us in the Designer/Contemporary category, next to Lucky, Calvin Kelin, etc.<br />

Licensees partnerships at MAGIC have evolved significantly over the last few years. While the brand develops<br />

itself as a lifestyle brand with new licensed branded products ranging from home décor to luggage or iHome<br />

electronics, the exhibit needs to drive the right traffic accordingly. As such, I am evolving from dedicated licensing<br />

showrooms to a more integrated approach, where affiliates pay the same amount but rather get air time in the key<br />

men’s, women’s, and kids rooms. This streamlines the buying process for customers.<br />

The brands are now aligned at the right shows and in the right categories. Next, the company has authorized a<br />

capital expenditure for a new premium brand exhibit. Provided all stakeholders and resources align, we will launch<br />

a new exhibit at the February 2008 Project Show. Toward this end, I expect to partner with our Creative Services<br />

teams to create and then source a simple, organic, and elegant concept that will economically upgrade the premium<br />

brand exhibit displays and enhance overall functionality.<br />

EXHIBITOR Learnings<br />

As mentioned throughout this portfolio, I have applied learnings from the <strong>CTSM</strong> curriculum at every level in my dayto-day<br />

management of events and tradeshows for the Levi’s® Brand. In turn, the organization has benefited in<br />

many ways, including:<br />

<br />

<br />

<br />

<br />

<br />

<br />

Budgeting – strategic financial planning competitive with industry averages by line item<br />

Space Planning – efficient use of costly trade show real estate<br />

Risk Management and Legal Protection – contract management and insurance<br />

Event Planning – customer event management integrated with trade show marketing activities<br />

Brand Management – integrated marketing to reposition the brand as the apparel market share leader<br />

Return on Investment Analysis – rigorous analysis to justify and grow investment<br />

I appreciate the industry education, experience, and networking that pursuing my <strong>CTSM</strong> brings. I have benefited<br />

from the elective learnings and believe they have made me a better communicator, leader, and trade show<br />

marketer. I have used learnings from Seminar 82304 – Communicating with Others: Essential for Success to<br />

facility the right dialogue with internal stakeholders and vendors alike. Finally, my learnings from Seminar 82405 -<br />

Preparing, Developing and Submitting a Quality <strong>CTSM</strong> <strong>Portfolio</strong> have indeed been useful in preparing this portfolio.<br />

The Levi’s® Brand has benefited qualitatively and quantitatively from my education and I would recommend that all<br />

trade show managers engage in and apply the curriculum to its fullest extent in an effort to justify and grow trade<br />

show participation with improved decision making.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

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NOTICE:<br />

CONFIDENTIAL UNPUBLISHED PROPERTY OF LEVI STRAUSS & Co.<br />

USE AND DISTRIBUTION LIMITED SOLELY TO AUTHORIZED PERSONNEL<br />

******************************************************************************************************************<br />

The use, disclosure, reproduction, modification, transfer, or transmittal of this work for any purpose in any<br />

form or by any means without the written permission of Buyer is strictly prohibited.<br />

TABLE OF CONTENTS<br />

SECTION DESCRIPTION<br />

0.0 Introduction<br />

1.0 Background Objective<br />

2.0 Purpose<br />

3.0 Definitions<br />

4.0 References<br />

5.0 Product/Service Overview<br />

6.0 General Selection Criteria<br />

7.0 Summary<br />

8.0 Terms And Conditions<br />

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0.0 INTRODUCTION<br />

This Request for Proposal (RFP) provides an explanation of the project, as well as defining the specific<br />

requirements and obligations of the successful bidder chosen to perform the<br />

manufacturing/distribution/service activities described herein. This document also includes a standard<br />

response format and an explanation of how each bidder and their respective proposal will be evaluated.<br />

Levi Strauss & Co. (hereinafter referred to as “Buyer”) hereby requests that all vendors acknowledge the<br />

receipt of this RFP package and advise Buyer of their intention to bid, or not to bid. Vendors choosing not to<br />

bid in response to this RFP, are required to communicate their decision by returning the RFP package, with a<br />

letter of explanation, to Buyer within five (5) working days of the receipt of this package.<br />

This RFP and all Confidential Information related thereto is considered proprietary to Buyer, is submitted only<br />

for the purpose of soliciting a response from potential vendors, and is subject to the Confidential Information<br />

Non-Disclosure Agreement previously executed by the parties.<br />

Buyer assumes no contractual obligation, nor is any intended, by issuing of this RFP.<br />

This RFP does not commit Buyer to reimburse respondent or any of its subsidiaries or agents for any costs<br />

incurred in the submission of a proposal or in making necessary studies or designs for the preparations<br />

thereof, nor does it commit Buyer to procure or contract for the services or material provided therein.<br />

Prospective vendor response to this RFP should be prepared simply and economically, providing a straightforward,<br />

concise description of vendor's capabilities to satisfy the requirements of this request. Emphasis<br />

should be placed on completeness and clarity of content.<br />

Buyer reserves the right to reject any and all proposal responses, or to make multiple or partial awards<br />

pursuant to this request. Award of a contract, if any, will be in accordance with the Terms and Conditions of a<br />

contract executed between the parties. This RFP, and response to this RFP, may, at Buyer's option, become<br />

part of the executed contract.<br />

News releases or announcements regarding this RFP, or possible resulting contract, are not permitted and<br />

may not be announced by a vendor without the express written consent of Buyer.<br />

Vendors may not use the Buyer name, or any of its trademarks in any advertisement or press release without<br />

the prior written consent of Buyer.<br />

1.0 BACKGROUND/OBJECTIVE<br />

Levi Strauss & Co. (LS&CO.) manufactures and markets branded jeans and casual sportswear under the<br />

Levi's ® , Dockers ® and Slates ® brands. The company employs a staff of approximately 1,300 people at its San<br />

Francisco headquarters, and approximately 17,000 people worldwide. It currently has 21 production facilities<br />

and 25 customer service centers throughout the world. The company generally manufactures goods in the<br />

regions in which they are sold.<br />

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LS&Co.'s objective is to utilize trade shows to communicate the strength and leadership of LS&Co. within the<br />

apparel industry and demonstrate our commitment and investment to our customers.<br />

2.0 PURPOSE<br />

Levi Strauss & Co. is accepting proposals from custom exhibit houses to manage all retail and commercial<br />

exhibit properties and associated services including, but not limited to: storage, exhibit design and fabrication,<br />

graphics design and fabrication, refurbishment, installation and dismantle, traffic management, show services<br />

coordination and additional marketing services such as theme development, video production, live marketing<br />

etc. Qualified applicants must respond in writing by 5:00 p.m. May 1, 2001 for consideration.<br />

Proposals will be considered based on capabilities, costs and a thorough description of services offered<br />

which satisfy the requirements of the RFP. A minimum of 2 companies will be selected for final oral<br />

presentation to an LS & Co. selection committee. You will be notified by Debra Henriquez, Event Planning<br />

Manager, or Mike <strong>Mecham</strong>, Event Planning Assistant Manager, if your company is chosen for a presentation.<br />

3.0 DEFINITIONS<br />

"Buyer", a term used to identify Levi Strauss & Co. (LS&CO.)<br />

"Confidential Information" means any and all unpublished information owned or controlled by Buyer that<br />

relates to the technical, manufacturing, marketing, sales or financial operations of Buyer and that is not<br />

generally disclosed by Buyer to the public, including, without limitation, proprietary processes and designs,<br />

trade secrets, know-how, inventions (whether or not patentable), formulas, technical drawings and data,<br />

research subjects, methods and results, proprietary computer software, unpublished product specifications<br />

and characteristics, manufacturing processes, production techniques, plans for future products, business and<br />

marketing plans and strategy, product development plans, pricing policies, cost and profit information,<br />

customer lists, vendor identities and the like, whether disclosed orally, in writing, or by inspection.<br />

"Documentation" means manuals, plans, drawings, specifications, parts lists, and other material related to<br />

the Product or Service, in hard copy, magnetic media or other form.<br />

"Product", as used herein, shall mean all goods and services provided by EAC as defined by the<br />

specifications/statement of work contained herein.<br />

"Seller" is a term hereinafter used to identify the vendor awarded an order as a result of their response to<br />

this RFP and subsequent purchase agreement negotiations with Buyer.<br />

4.0 REFERENCES<br />

Provide a comprehensive and current client list, including but not limited to, the following information for each:<br />

1. Contact names and phone numbers of at least 3 major clients as references.<br />

2. Size of clients' exhibit.<br />

3. Number of clients' exhibits housed with your company.<br />

4. Length of relationship.<br />

5. Experience with MAGIC or similar Trade Shows.<br />

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6. Sample Timelines / Production schedules.<br />

7. Project Management contact names and titles.<br />

8. Planning process and execution (if possible, provide work order examples)<br />

9. Photographs of the final result (product, goods and services)<br />

10. How would your customers describe your company and performance<br />

5.0 PRODUCT/SERVICE OVERVIEW - STATEMENT OF WORK<br />

This section addresses the specific tasks, controls, and management procedures required to provide the<br />

Product/Service to Buyer's standards.<br />

5.1 Design<br />

Provide a description of your creative services department's structure and staffing, and the design<br />

process for creating a new exhibit or exhibit components, graphic elements, etc. List production<br />

facilities and locations as well as staffing at each location. Indicate where refurbishment and new<br />

booth graphic production will occur and who will oversee the projects. If work will be conducted by<br />

subcontractors, list those companies, capabilities and explain how work will be coordinated.<br />

A. Booth Design<br />

Include examples of exhibits comparable in size to LS&CO. exhibits designed by your company,<br />

and if possible, indicate the team members that would service the LS&CO. account. Include<br />

specific objectives that were achieved by using these designs. Provide a description that<br />

addresses the following relating to booth design:<br />

1. The technology and type of equipment currently used.<br />

2. Computer programs used.<br />

3. Methods of production.<br />

4. Type of work done in-house vs. through outside vendors.<br />

B. Graphics Design/Production Capabilities<br />

In an overview of your company's graphics department, provide a description that addresses the<br />

following:<br />

1. 1. The technology and type of equipment currently used.<br />

2. Computer programs used.<br />

3. Describe your email and Internet applications, functions and usage<br />

4. Methods of production.<br />

5. Type of work done in-house vs. through outside vendors.<br />

A. Graphics Costs<br />

Using the following design specifications, estimate the cost of (1) 8' x 7' inkjet print and (1) 2.56m<br />

x 1m emax Duratrans, and (1) 10' x 20' billboard graphic, including graphic design time.<br />

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5.2 Storage<br />

List all storage facilities and locations. Include the following:<br />

5.3 Installation and Dismantle<br />

1. 1. Square footage of storage space at each location.<br />

2. Description of your inventory system and inventory management system.<br />

3. Whether your company owns the space or contracts with other companies.<br />

4. If the space is contracted, a list of companies you sub-contract with, locations and length<br />

of relationship.<br />

5. Where the LS&Co. exhibits would be housed and the rational for that location.<br />

6. Whether or not you have access to international storage facilities.<br />

7. Explain insurance coverage in the event of fire or act of God.<br />

Provide an overview of your company's installation and dismantling services. Address the following:<br />

5.4 Traffic Management<br />

1. Do you have internal I&D staff, including all participants and laborers<br />

2. If you sub-contract I&D list companies, please list whom you sub-contract, their locations<br />

and the length of the business relationship.<br />

3. Do you guarantee a fixed cost for specific I&D projects and if so, what are the terms of<br />

that commitment<br />

4. Describe your On-Site Management Structure and labor procedures / protocol.<br />

Describe your traffic department and staff. Explain how freight carriers are contracted (for example,<br />

how many bids do you get) and the system for estimating cost. Respond to the following in your<br />

explanation:<br />

5.5 Audiovisual<br />

1. Do you have national freight contracts Who are they with<br />

2. If so, do you bill customers the published rate or the discount rate<br />

3. If you have national contracts or in-house services, do you still request bids from other<br />

carriers for each project<br />

Provide an overview of your company's audiovisual services. Address the following:<br />

1. Do you have internal AV staff, including all participants and laborers<br />

2. If you sub-contract AV list companies, please list whom you sub-contract, their locations<br />

and the length of the business relationship.<br />

3. Do you guarantee a fixed cost for specific AV projects and if so, what are the terms of<br />

that commitment<br />

4. Describe your On-Site Management Structure and labor procedures / protocol.<br />

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5.6 Destination Management<br />

If you have an internal Destination Management staff, provide an overview of your company's<br />

Destination Management Services and Staff. Address the following:<br />

1. What in-house Destination Services can you provide<br />

2. Do you guarantee a fixed cost for specific Destination Management projects and if so,<br />

what are the terms of that commitment<br />

3. Describe your On-Site Management Structure and labor procedures / protocol.<br />

5.7 Rates - Request for Quotations<br />

Please list your billing rates for the following services:<br />

6.0 GENERAL SELECTION CRITERIA<br />

1. Account Service - hourly rates and service charges<br />

2. Booth Designs - hourly rates and cost of final designs<br />

3. Graphic Design - include design and fabrication (refer to section 5.1.c.)<br />

4. Creative Services - hourly rates for engineering, production, etc.<br />

5. Project Management - hourly rates or per project rates<br />

6. Labor - hourly rates for supervisors, project leads, laborers, etc.<br />

7. Traffic Management - including transportation between storage and shows.<br />

8. Overtime/Penalty - include fees, late changes, finance or service charges, etc.<br />

9. Storage - include incoming and outgoing drayage rates and price per 100 cwt.<br />

10. Install & Dismantle - provide an estimate for the installation and dismantle of both<br />

LS&Co. exhibits for the August 2001 show, including the ordering and management of<br />

General Contractor Services such as drayage, forklift labor, scissor lift labor and crew,<br />

and electrical (see Labor Schedule).<br />

11. Audiovisual - Include Rentals, Services, and Labor Rates.<br />

12. List any other sub-contractors or business affiliates not already listed in the RFP.<br />

The following is a summary of the criteria used to evaluate the responses to this RFP, and select a<br />

vendor:<br />

1. Seller's background and experience with articles of similar detail and complexity to the<br />

Product/Service noted in this RFP.<br />

2. Seller's total quality system, particularly with respect to quality processes.<br />

3. Seller's financial stability and resource base.<br />

4. Seller's overall management structure and capabilities, particularly the resources<br />

necessary to perform and successfully adhere to the terms of the resultant purchase<br />

agreement.<br />

5. Seller's cost, and its ability to maintain and/or lower those costs.<br />

6. Please provide a general summary of your company's history, experience and<br />

capabilities including the following information:<br />

7. Company name<br />

8. Primary and secondary contact person<br />

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9. Address<br />

10. Years in business<br />

11. Number of company locations<br />

12. Number of staff at each location<br />

13. Indicate subsidiary/private company, parent company<br />

14. Union status and date contracts expire<br />

15. Labor management relationship<br />

16. Trade Show industry associations<br />

17. Strategic intent of the company<br />

6.1 CONTRACT MANAGEMENT<br />

Buyer will manage this project through one Project Administrator: Debra Henriquez, Manager of<br />

Event Planning. The Project Administrator has sole authority over technical and contractual issues.<br />

Seller shall designate a specific individual as a Project Manager to this position with appropriate<br />

authority to legally bind Seller.<br />

Explain your philosophy of account service and the type of assistance that can be expected from the<br />

Named Project Manager. Address at least the following in your narrative:<br />

1. Does the account rep travel to each show<br />

2. Are travel expenses passed on to the client If so, how<br />

3. What is the role of the account rep at the show, prior to the show, following the show and<br />

in non-show periods.<br />

4. What follow-up is provided to the client subsequent to a show<br />

5. Will sub-contracted offices be managing refurbishment or new construction<br />

6. Anticipated method and frequency of compunction with LS&Co. representatives.<br />

6.2 PRODUCTION/SERVICE PLAN AND STATUS REPORTS<br />

A. Production Plan<br />

Seller shall submit a Production/Service Plan with the proposal.<br />

B. Quality Control Plan<br />

Seller shall submit a Quality Control Plan with the Product/Service quote. Seller shall submit a<br />

written summary description of the system for controlling all significant characteristics and actions<br />

required to ensure process outputs meet Buyer requirements. All Seller specified processes, within<br />

the Control Plan, shall be characterized with a Process Flow Chart representing process operations,<br />

transportation, inspection, product/service process delays and product storage throughout the<br />

process.<br />

C. Vendor Management<br />

Seller shall provide Buyer access to vendor selection criteria, vendor survey results and historical<br />

performance data upon Buyers request.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 26


* Buyer retains the right to perform source inspection, at Seller facilities, prior to product shipment or<br />

performance of service.<br />

* Seller agrees to grant Buyer access to their facilities at any time, in support of such source<br />

inspection requirements or audit review of Buyer owned materials.<br />

D. Workmanship Standards:<br />

Seller shall have established and verified workmanship standards that match buyer standards,<br />

accomplished in part through the references section of this RFP.<br />

E. Corrective Action:<br />

Seller shall have a documented and verified closed-loop corrective action system.<br />

F. Certificate of Conformance<br />

Seller shall provide written certification that the product/service delivered is compliant with Buyer<br />

specific requirements, drawings and/or specifications. The delivered certificate shall be traceable to<br />

objective evidence on file and available for audit upon Buyer's request.<br />

G. Source Inspection<br />

Seller shall provide the option for Buyer's facility inspection.<br />

6.3 CONFIGURATION MANAGEMENT REQUIREMENTS<br />

Please list the contact names and credentials, including experience, for the following individuals<br />

within your company and relevant sub-contract companies:<br />

1. Sales Managers<br />

2. Project Managers<br />

3. Floor Managers<br />

4. Design Managers<br />

5. Engineering/Production Managers<br />

6. Field Supervisors<br />

7. Any other service managers<br />

6.4 BUYER SUPPLIED MATERIAL<br />

All material supplied by Buyer shall be stored by Seller in a bonded warehouse location<br />

until required for product manufacture/service. All unused material shall be returned to<br />

Buyer with the last product/service shipment, and shall be identified as excess material.<br />

6.5 DELIVERY/QUANTITY REQUIREMENTS<br />

A. Describe your work order and billing system.<br />

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7.0 SUMMARY<br />

C. Provide samples of invoices, estimates and work orders.<br />

D. Describe any extraordinary or particularly effective billing systems used by your company. The<br />

description should address the following:<br />

1. Do all estimates indicate time and material costs for client review<br />

2. Do you prepare estimates for all projects or only at client request<br />

3. Do you bill by the project, monthly or quarterly<br />

4. Do all of your statements break out time and materials<br />

5. When do overtime charges incur<br />

6. How long after a show do you typically invoice<br />

7. Can your company provide art analysis of estimate vs. actual costs after the show<br />

8. What are your terms and conditions<br />

9. What software do you use for billing<br />

10. Do you have an open book policy that will show the Buyer the Seller's profit margins<br />

again actual expenses<br />

E. Describe additional services your company provides including, but not limited to, the following:<br />

1. Custom rentals. Indicate the ability to provide custom rentals, rental fees, process for<br />

constructing, storing, extended use, etc.<br />

2. International exhibit management. Indicate the ability to provide this service, fees,<br />

process for coordinating service, sub-contractors and length of relationships.<br />

3. Show Services. Indicate the ability to provide this coordination and your show services<br />

charge or mark up.<br />

A. What skills and capabilities differentiate your company from competitors<br />

B. What is the basis of your company's competitive advantage<br />

C. Can you site examples of how your company has invented cost effective solutions to customer<br />

challenges<br />

D. Why, briefly, are you qualified to handle the Levi Strauss & Co. account<br />

8.0 TERMS AND CONDITIONS<br />

8.1 General<br />

A) For the convenience of Buyer and Seller, Levi Strauss & Co., hereinafter referred to as Buyer,<br />

transmits this document, whether as an offer to buy or as a confirmation of an oral contract, under the<br />

express condition that any resulting contract is subject to the Uniform Commercial Code. The general<br />

provisions of the code are modified only by any different explicit terms or specifications set forth<br />

herein.<br />

B) Acceptance by Seller is expressly limited to the terms of this document. Notice is hereby given of<br />

Buyer’s objection to and refusal to be bound by any additional or different Terms contained in any<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 28


acceptance or written confirmation or other communication from Seller. This order includes an<br />

arbitration clause, below.<br />

8.2 Purchase<br />

This Purchase Order will be Interpreted and performance determined in accordance with the laws of<br />

California.<br />

A) Any controversy or claim arising out of or relating to this contract, or the breach thereof,<br />

including (but not by way of limitation) the quality or acceptability of goods delivered,<br />

payments, failure to meet specifications, or the question of whether any such controversy or<br />

claim is properly arbitratable, shall be settled by arbitration in San Francisco County,<br />

California, in accordance with the Commercial Arbitration rules of the American Arbitration<br />

Association, and the judgment upon the award rendered by the arbitrator(s) may be entered<br />

in any court having competent jurisdiction thereof.<br />

B) Time Is Of The Essence Of This Order. The Buyer may cancel all or any part of this order if<br />

the merchandise is not shipped per the date specified or such other date as may be agreed<br />

to in writing by Buyer and Seller. Shipments arriving at Buyer’s facilities more than ten (10)<br />

working days prior to the agreed upon delivery date may be returned at Seller’s expense for<br />

reshipment per the established schedule.<br />

C) The Buyer reserves the right to cancel all or any part of this order in the event of the<br />

happening of any of the following, but not limited to: Insolvency of Seller; Filing of a voluntary<br />

petition in bankruptcy; Filing of an involuntary petition to have the Seller declared bankrupt,<br />

provided it is not vacated within thirty (30) days from the date of filing; The appointment of a<br />

receiver or trustee for Seller; The execution by Seller of an assignment for the benefit of it’s<br />

creditors.<br />

D) The Seller shall not assign this purchase order or any interest therein or any monies due to<br />

become payable under this order without the prior written consent of Buyer.<br />

E) Items shipped in excess of Buyer’s order will be returned at Seller’s expense. not be<br />

responsible for any items without a written Purchase Order, or written amendment of same,<br />

approved by the Buyer.<br />

F) Goods made in accordance with Buyer’s specifications and/or drawings shall not be quoted<br />

to any other person or concern without expressed written approval from Buyer.<br />

G) The Seller will show this Purchase Order Number on all shipments and papers pertaining to<br />

this order.<br />

H) Costs for tooling, setup charges and/or transportation charges to be borne by Buyer will be<br />

separately stated on the invoice.<br />

I) All shipments are to be sent Prepaid. Buyer does not accept C.O.D. shipments.<br />

J) The Seller hereby warrants the merchandise and workmanship of the materials delivered on<br />

this order to me in accordance with specifications, drawings, or samples in all respects and<br />

agrees that this warranty shall survive acceptance by Buyer. All material and workmanship<br />

entering into the performance of this order shall be subject to Buyer’s inspection and<br />

approval before acceptance. In case the articles are found to be defective in material or<br />

workmanship, or otherwise not in conformity with the requirements of this order, Buyer shall<br />

have the right to reject same and/or require their correction or prompt replacement with<br />

satisfactory materials or workmanship.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 29


GES - EGG CZARNOWSKI DERSE MC(2)<br />

Graphics Total Per Sq. Ft Total Per Sq. Ft Total Per Sq. Ft Total Per Sq. Ft<br />

8X7 $850 $15 $1,064 $19 $1,669 $30 $1,568 $28<br />

DuraTrans $1,500 - $441 - $630 - $1,024 -<br />

10X20 $2,500 $13 $3,800 $19 $3,000 $15 $5,700 $29<br />

Storage Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere<br />

Space 150,000 1,621,793 200,000 672,000 45,000 536,000 300,000 725,000<br />

Rates Overtime Overtime Overtime Overtime<br />

Account Service $65 Not Charged Not Charged $75<br />

Booth Designs $115 in SF $95 in LV $100 $90 $110 $125<br />

Graphic Design $115 in SF $75 in LV $75 $63 $110 $125<br />

Graphic Production $72 $75<br />

Creative Services $115 $75 $72 $75<br />

Project Management $110 in SF $75 in LV $60 $72 $75<br />

Labor $56 $97 $60 $96 $72 $92 $75 $97<br />

Storage / cwt. $4 $5 $7 Handling .11 per cubic ft. $4 $5<br />

Traffic 25% Markup $65.00 / hour $70 $90<br />

In-booth Equip Overtime Overtime Overtime Overtime<br />

Forklift w/Operator $80 $125 $94 $148<br />

Scissor Lift $125 $125 $138 $207<br />

Scissor Lift Crew $56 $100 $65 $118<br />

Install &<br />

Dismantle<br />

Their Figures $38,195 $38,832<br />

Their<br />

Figures A = A Their Figures A = A Their Figures A = A<br />

Their<br />

Figures<br />

Labor Estimate $328,363 $328,363 $407,100 $329,236 $321,600 $331,340 $265,550 $348,409<br />

A = A<br />

OTHER Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere Las Vegas Elsewhere<br />

Number of Staff 100 1793 60 437 25 344 95 862<br />

Mark-up on Travel Not<br />

Exps Charged Not Charged 10% 10%<br />

Year in Business 70 54 52 22<br />

Union Contract Exp 3-Jun-03<br />

Need Exp<br />

Date<br />

No LV<br />

Contracts 30-Jun-01<br />

Invoicing Period 41 Days 4-6 Weeks 3-4 Weeks 3 Weeks<br />

Showservcies Markup 30% 25% 20%<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 30


MAGIC Marketplace Sample Budget<br />

Budget Actual Fav / Unfav<br />

Travel & Entertainment<br />

Staff Travel (sales staff = separate budget) $18,700 $18,667 $33<br />

Show Catering $7,000 $6,327 $673<br />

Customer Reception $25,000 $23,895 $1,105<br />

Labor<br />

Models (rates and expenses w/o lodging) $19,000 $16,654 $2,346<br />

Henderson Volunteers $4,000 $4,000 $0<br />

Cor-O-Van Labor $1,500 $1,500 $0<br />

Freight<br />

Product Shipping $6,000 $5,414 $586<br />

FedEx $150 $0 $150<br />

Drayage $68,500 $68,428 $72<br />

Permits $500 $134 $366<br />

Materials / Supplies<br />

Other Misc (Tips/Supplies) $500 $1,909 ($1,409)<br />

Party Invites - Layout $600 $553 $47<br />

Party Invites - Printing $700 $644 $56<br />

Show Services<br />

Telecommunications $3,200 $3,189 $11<br />

LA Showroom High-Speed $400 $375 $25<br />

Booth Cleaning $2,000 $1,324 $676<br />

Security $2,000 $1,900 $100<br />

Photographer $1,000 $780 $220<br />

All Décor $9,000 $11,500 ($2,500)<br />

MAGIC Floor Space Fee $115,000 $115,000 $0<br />

Exhibit Management<br />

post production $6,900 $6,900 $0<br />

pull prep load $20,100 $20,100 $0<br />

transportation $25,200 $25,200 $0<br />

install $66,600 $66,600 $0<br />

show maintenance $4,900 $4,900 $0<br />

dismantle $42,000 $42,000 $0<br />

logistics $2,200 $2,200 $0<br />

project mgmt $1,800 $1,800 $0<br />

receive / check $6,100 $6,100 $0<br />

audiovisual $1,600 $1,600 $0<br />

ac rental $3,000 $3,000 $0<br />

rental walls $25,000 $24,398 $602<br />

change orders $20,000 $18,500 $1,500<br />

Storage - 1 Quarter $14,000 $14,834 ($834)<br />

Storage - 1 Quarter $14,000 $14,834 ($834)<br />

Funding Aids<br />

Tools Funding ($15,000) ($15,000)<br />

Dockers Contribution ($26,000) ($26,000)<br />

Licensee Funding ($117,000) ($117,000)<br />

Budget Actual Fav / Unfav<br />

TOTAL $380,150 $377,160 $2,990<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 31


SHOW HIGHLIGHTS<br />

<br />

Sales Center customer presentations increased to 219 retailers, a 5% vs. Fall ’06 MAGIC and 23% vs. Spring<br />

’07 MAGIC<br />

Received 125 new customer inquiries for Red Tab, a 67% increase over prior show giving potential to 70-80<br />

new doors<br />

<br />

<br />

<br />

<br />

Received 72 new customer inquiries for Capital E<br />

Held 10 men’s/boys’ management meetings for Red Tab, 6 of which were with majors<br />

Efficiently enabled Sales Center to capture roughly $6 million of their Fall ‘07 AFP<br />

Realized a payback ratio of $13.84/$1 for the February 2007 Show.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 32


RETURN ON OBJECTIVES SUMMARY<br />

Objectives<br />

Red Tab<br />

10. Premiumize the Red Tab exhibit and overall brand<br />

experience<br />

11. Create conducive and inspiring meeting environments<br />

for management meetings with Top Levi’s® Wholesale<br />

Customers<br />

Results<br />

1. Enhanced exhibit location to contemporary neighborhood<br />

incorporating elements from our retail environments<br />

2. Consolidated Red Tab Corp Conference Rm into the enhanced<br />

Red Tab exhibit, managed via 1 desk<br />

Red Tab / Sales Center<br />

12. Continue to make it easy for Sales Center Customers<br />

to buy Levi’s® Jeans<br />

13. Grow new account inquiries<br />

Red Tab / Licensing<br />

14. Continue to make it easy for Wholesale Customers to<br />

buy Levi’s® licensed products at MAGIC<br />

15. Continue to integrate licensed product offering into<br />

customer experience<br />

Levi’s Capital E®<br />

16. Make it easy for premium/specialty customers to buy<br />

Levi’s® Cap E, LVC, & LLV.<br />

3. Sales Center presented Men’s/Boys’ 266 times, and Women’s<br />

103 times to 208 retailers and 58 new customers, a 5% increase<br />

of prior show.<br />

4. Received 125 new account inquiries that could result in as many<br />

as 70-80 new doors, a 67% increase<br />

5. Managed exhibit for Socks, Shoes, Men’s Tops, Kids, and<br />

Underclothes/loungewear<br />

6. Integrated tops and sweaters into men’s and women’s<br />

showrooms and presented all products in 1 room for Carol Haney<br />

to present to customers<br />

7. Relocated exhibit to Project, presented to 45 customers, and<br />

received 72 new account inquiries<br />

Sponsorships<br />

17. Drive brand equity and consumption by optimizing<br />

brand exposure at the show<br />

18. Build relationships with Sales Center Customers via<br />

exclusive reception<br />

8. The Grand Lobby MAGIC Style Fashion Show featured Men’s &<br />

Boys’ Red Tab, and Men’s & Women’s Red<br />

9. Held a private Sales Center Customer Reception at Tao in<br />

Venetian enhanced with open bar and hosted nearly 216<br />

attendees<br />

Budget<br />

10. Deliver flat or under budget. 11. Flat to plan plus 2.6% increase in overtime labor due to<br />

weekend set up.<br />

Summary: Executed a result driven show that met or exceeded objectives.<br />

RETURN ON INVESTMENT<br />

VALUE: POTENTIAL POSITIVE IMPACT FOR FALL ’07 (as a result of attend MAGIC only).<br />

1. Potential / Estimated Sales Revenue<br />

Customer Type Qty Est. Potential Value<br />

Total Value<br />

w/Licensees<br />

Capital E (Fall ’07 estimate) 25 $250,000 $250,000<br />

Viable New Cap E Customers 20 $200,000 $200,000<br />

Sales Ctr (25% of Fall '07) Conf Appts 11 $1,379,000 $1,379,000<br />

Sales Ctr (25% of Fall '07) All Others 208 $3,542,092 $3,542,092<br />

New Sales Center Doors (Avg./Season) 80 $600,000 $600,000<br />

Licensees Meetings 200 $2,000,000<br />

Sub Total 488 $5,971,092 $7,971,092<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 33


2. Cost Avoidance<br />

Average Field<br />

Total Value<br />

Customer Meetings Qty Visit Cost Total Value<br />

w/Licensees<br />

Capital E 45 $500 $22,500 $22,500<br />

Sales Center 208 $500 $104,000 $104,000<br />

Red Tab 10 $500 $5,000 $5,000<br />

Licensing 200 $500 $100,000<br />

Subtotal 463 $131,500 $231,500<br />

3. Promotional Value<br />

Value Per Impression (VPI) averages are conservatively benchmarked from the Center for Exhibit Industry Research.<br />

Average<br />

Targeted/Active Impressions Qty VPI Total Value Total Value<br />

Exhibit (traffic density estimation) 22,230 $10 $222,300 $222,300<br />

Cap E Customer Meetings 45 $65 $2,925 $2,925<br />

Top Red Tab Customer Meetings 10 $1,500 $15,000 $15,000<br />

Sales Center Customer Reception 250 $65 $16,250 $16,250<br />

Licensing Meetings 200 $65 $13,000<br />

Subtotal 23,245 $256,475 $256,475<br />

Gross/Passive Impressions Qty Total Value Total Value<br />

Exhibit (show attendance estimation) 129200 $1 $129,200 $129,200<br />

Fashion Show Placement 32000 $1 $32,000 $32,000<br />

Subtotal 171200 $161,200 $161,200<br />

TOTAL Revenue & Value in Kind Including Promotion $6,643,017 $8,743,017<br />

EXPENSES: LEVI’S® CBU INVESTMENT<br />

Exhibiting Expenses<br />

Exhibit Services (inclusive of show services and labor) $350,721 $350,721<br />

Licensee Exhibit Expenses (co-pay) $117,723<br />

Travel and Entertainment<br />

Catering and Customer Reception $26,000 $26,000<br />

Sales Center T&E $24,678 $24,678<br />

Sales T&E (avg. $1000/person X 23 attendees) $23,000 $23,000<br />

Cap E Team T&E (avg. $1000/person X 6 attendees) $6,000 $6,000<br />

Sales Ops T&E (w/models) $17,311 $17,311<br />

Licensing T&E (avg. $1000/person X 20 attendees) $20,000<br />

TOTAL Expenses $447,710 $585,433<br />

TOTAL IMPACT (Overall Value less Total Expenses) $6,195,307 $8,157,584<br />

Payback Ratio per $1 $13.84 $13.93<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 34


August 2007 Show Objectives<br />

Following are the August 2007 Show Objectives respective to brand priorities/strategies.<br />

“Grow Beyond Jeans”<br />

Continue to integrate licenses products in displays, graphics, showrooms, presentations and special events.<br />

“Maximize current Levi’s® Franchise”<br />

Provide conducive meeting room arrangements and an inspiring and meaningful brand experience for all current wholesale<br />

customers that leverages our Retail environments and integrates licensed products.<br />

“Grow Premium Franchise”<br />

Position Levi’s® Red Tab exhibit in contemporary neighborhood at MAGIC to align with contemporary Red Tab<br />

competitors. Position Levi’s® Cap E exhibit in super premium denim neighborhood at Project Show to align with Cap E<br />

competitors.<br />

“Be Famous for Fit and be the Jeanswear lifestyle for Women and 15-25 year old Men”<br />

Fully integrated fit range presentation in displays, fashion show, grand lobby, and special events.<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 35


Required Courses Completed Referenced<br />

108 How to Measure the Value of Trade Show Participation 3/06 yes<br />

201 Selecting the Right Shows: The Critical Decision 3/05 yes<br />

202 Basic Project Management and Organizational Skills 3/06 yes<br />

203 The Nuts and Bolts of Budgeting for Results 3/04 yes<br />

204 Don't Skip the Warm-Up! Conducting Effective Pre-Show Meetings 3/04<br />

205 Using Surveys in the Trade Show and Event Decisions Making Process 3/05 yes<br />

206 Show Operation Basics - Part I 3/05 yes<br />

207 Exhibiting and the Law - What You Need to Know 3/05<br />

209 Show Ops Basic - Part II 3/06<br />

308 Business Marketing Strategies and Trade Shows** 3/04<br />

311 How to Grow Your Brand: Incorp. Brand Marketing in your Exhibit Programs 3/06 yes<br />

312 Realizing Your Public Relations Potential 3/06 yes<br />

213 Beyond the basics of booth selling 3/05<br />

315 Integrated Marketing Communications 3/04 yes<br />

416 The Basics of Event Planning and Management 3/05<br />

417 The Basics of Event Logistics and Implementation 3/05<br />

418 How to Measure the Value of Events 3/06<br />

521 Negotiating Skills to Winn 3/06 yes<br />

523 Communicating With Others: Essentials for Success 3/06<br />

617 Essential Grahpics Basics to Wow!! 3/05 yes<br />

619 Exhibit Design - From Concept to Creation 3/04 yes<br />

720 Introductory Overview to Global Exhibiting 3/06<br />

721 Introductory Overview to Global Exhibiting (continued) 3/06<br />

Elective Courses Completed Referenced<br />

212 Justify Your Show Program with Post Show Reporting 3/05 yes<br />

314 Creating Winning Direct Mail Promotions for Improved Results 3/04 yes<br />

315 Speaking of Branding - It's more than just a look 3/04 yes<br />

512 Leadership - How would I know if I've seen it 3/06<br />

517 Spontaneously Speaking 3/06<br />

823 Communicating With Others: Essentials for Success 3/04 yes<br />

824 Preparing, Developing and Submitting a Quality <strong>CTSM</strong> <strong>Portfolio</strong> 3/05 yes<br />

<strong>CTSM</strong> <strong>Portfolio</strong> / <strong>Michael</strong> <strong>Mecham</strong><br />

<strong>Page</strong> 36

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