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Visual Language Magazine Contemporary Fine Art Vol 3 no 9

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL Lelija Roy<br />

http://www.lelija.net<br />

http://aspenspaces.com<br />

Denver-based artist Lelija Roy offers landscapes: observed, remembered and imagined. Lelija’s current work<br />

speaks to her intense need to be one with the natural world and to celebrate the beauty of earth’s biodiversity.<br />

Her creative process is essentially terra-forming. Her multi-layered canvases start with earth, water and sky.<br />

Later she grows rocks and trees and plants.<br />

Although her inspiration starts in nature, rarely does she reproduce a specific scene. You recognize mountains,<br />

shore lines, forests but her intend is to place you in this space. So what you see is less important<br />

than how you feel. She wants you to feel surrounded and embraced by these organic forms. Hence, her<br />

mixed-media paintings are about the “space” created by the trees in a grove, the wind and water carved<br />

shape of a canyon, the quiet intersection of woodland and meadow or the ever-changing line between wet<br />

and dry sand on a beach.<br />

As an only child, my best friends were a box of crayons. My spirit poured on to countless pieces of paper.<br />

Her formal art trained began in the 1970s at the <strong>Art</strong> Students League in New York City and a BFA from the<br />

University of Bridgeport, Connecticut. Her early career in graphic design morphed into publishing, educational<br />

research and teaching; avoidably completing the circle as a full-time artist since 2005. Her work is held in<br />

both public and private collections throughout the U.S. and in several foreign countries. Lelija’s artwork can<br />

be found in galleries in Sedona, AZ as well as Denver, Breckenridge and Vail, CO.<br />

Break Free 18x24<br />

Primal Woodlands-12x18 diptych<br />

22 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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