Visual Language Magazine Contemporary Fine Art Vol 3 no 9
Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
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Advice to anyone interested in equine photography. Get inspired! You’ll try harder and do<br />
better if you are. Shoot in every kind of light and every setting but don’t get so technical<br />
that you miss out on the art of it. Don’t be afraid to try something u<strong>no</strong>rthodox. If you are<br />
photographing animals, be spontaneous. The moment you stop to think that’s when you<br />
miss that awesome shot! Toss out your tripod! Look out for those special moments. They<br />
can<strong>no</strong>t be planned or calculated, they are spontaneous, precarious, and more often than<br />
<strong>no</strong>t surprising. I am experienced e<strong>no</strong>ugh <strong>no</strong>w to size up a situation and be able to gage<br />
when the shot I am looking for is coming. Observe your subjects. Learn when to go to the<br />
shot and when to wait for it.<br />
Simon and the Storm<br />
http://fran-j-scott.artistwebsites.com<br />
<strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com - VL <strong>Magazine</strong> | 167
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