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Visual Language Magazine Contemporary Fine Art Vol 3 no 9

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Studio Visit Carol Jo Smidt<br />

Participating in regional art shows and festivals is<br />

one of the ways that I promote my art and to develop<br />

relationships with collectors and potential collectors.<br />

I belong to a number of local and national<br />

art organizations. Painting is a solitary pursuit, and<br />

I can easily become a hermit. In addition to getting<br />

out of my painting world, it is necessary to have the<br />

support from other artists. My contacts with other<br />

artists become great learning tools to see their art<br />

up close and personal and to get to k<strong>no</strong>w the artist<br />

behind the painting.<br />

For me, the journey of a painting is part ability, part<br />

technique, part intuition, part sweat, and hours of<br />

learning from past paintings. The reward and joy<br />

of this journey is the painting process and continues<br />

to the person who emotionally connects to one<br />

of my paintings. Pet paintings of animals that have<br />

passed have provided me with some of my most<br />

powerful emotional connections. One owner of a<br />

loving pet, Savannah, who recently passed shared<br />

this: “my sister and brother-in-law had this painting<br />

done for us (by me) and it captures her just perfectly!”<br />

This is one of the big reasons I paint!<br />

carol@caroljosmidt.com<br />

A White Horse 9 x 12 Oil<br />

www.caroljosmidt.com<br />

116 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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