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Visual Language Magazine Contemporary Fine Art Vol 3 no 9

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Studio Visit Carol Jo Smidt<br />

My fascination with the beauty and grace of horses<br />

greatly influenced my artistic path. Drawing horses as<br />

a 4 year old is my first recollection of my passion for art.<br />

My bedroom walls were covered with my pencil drawings<br />

of my beloved horses. Hours were spent drawing<br />

horses and other animals. It was in kindergarten that I<br />

realized others would want my art. Dissatisfied with my<br />

work, I took a horse drawing and threw it in the trash<br />

can. A classmate reached into the trash and took the<br />

drawing because he liked it! Even at that young age, I<br />

was amazed that people would want my work!<br />

After high school, I attended the St. Paul School of <strong>Art</strong>.<br />

Fast-forward with me through marriage, a son, 21 addresses<br />

in 26 years during my husband’s Navy career,<br />

and a BA in Advertising Design from Iowa State University.<br />

We finally settled in an equine community outside<br />

of Woodbine, a small town in southeast Georgia. I finally<br />

could have my beloved horses on our small farm,<br />

but although my passion for art was there it still resided<br />

deep within and struggled to come fully alive.<br />

After a dozen years as a self-employed graphic designer<br />

and periodic dabbling with a paint brush, I learned<br />

that my passion for art was to call me back via yet a<strong>no</strong>ther<br />

path. Enrolling in Savannah College of <strong>Art</strong> and<br />

Design and taking a number of graphic design graduate<br />

courses, I was finally brought back to my first love.<br />

It was on this part of my journey that I realized my need<br />

to leave the work and world of graphic design to get<br />

back to my first love – the visual arts and my painting!<br />

What is my painting world like today I recently moved<br />

from a small loft on the third floor in our house to my<br />

new studio, which is the entire first floor of our house.<br />

I set myself on a fairly structured schedule, and I focus<br />

on some aspect of my new artist’s life on Monday<br />

through Friday, 9 to 5. Many mornings are spent with<br />

paperwork and research. Without a schedule, my<br />

painting time would vanish, and I would have a lot of<br />

blank canvas! My work is best done with some breaks.<br />

I take small vacations, but after a few days, I hear the<br />

call of my paints, brushes, and canvases, and I eagerly<br />

get back to my easel and pour myself into my paintings.<br />

For me, painting is like working on a puzzle, without the<br />

picture on the box to guide me. Most times the answers<br />

do <strong>no</strong>t come particularly fast. But by experimenting,<br />

nudging here and there, my ideas begin to take form<br />

and a new painting comes to life. I <strong>no</strong>rmally paint by<br />

adding layers over layers. When the paint becomes too<br />

wet or my eyes too fatigued by looking at the colors being<br />

used, I move on to a<strong>no</strong>ther painting. I have between<br />

4 to 12 paintings in different stages of completion.<br />

I’ve heard it said that there is “beauty in the everyday”.<br />

I agree. I enjoy painting ordinary subjects with extraordinary<br />

colors. My painting subjects are usually animals,<br />

but I like the challenge of painting other subjects.<br />

Through my painting experiences, I have branched out<br />

by creating landscapes, still life, and figurative art.<br />

Wanting to expand beyond oils, I started painting with<br />

pastels and gouache. I have grown to love these two<br />

new media. Changing my media and changing the<br />

size of canvases from ultra-mini to very large helps me<br />

move into a new creative arena.<br />

Not wanting to become too comfortable with my art,<br />

I strive to continue to learn by trying anything new;<br />

subjects, color combinations, techniques, and media.<br />

K<strong>no</strong>wing that you need to discover by doing, I have<br />

learned that my “best teacher is my canvas”. I have<br />

come to believe that “to learn is to paint” and “to paint<br />

is to learn”.<br />

www.caroljosmidt.com<br />

114 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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