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Visual Language Magazine Contemporary Fine Art Vol 2 No 4 April 2013

Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

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Barry Scharf<br />

I have been an artist all my life and have like every other artist<br />

made many works that I wish I never made. This is because<br />

in my early years I was unskilled, unclear about direction and<br />

meaning and without experience in life itself. Youth is filled with<br />

energy, passion and devoid of life lessons, Expression often lacks<br />

meaning and a clear vision. At the time I believed that the sheer<br />

volume of work would eventually define the value and justify it’s<br />

existence.<br />

But now that I have lived long, and in retrospect see that there<br />

have been many works that have made others pale, I am glad for<br />

all those smaller ideas that lead nowhere and produced nothing.<br />

Without them I would not have the clarity of vision I do today.<br />

Age is wisdom only if one pays attention. Energy levels change with each year that passes, and I think<br />

of what time I have remaining. What do I want to create in the limited number of paintings and<br />

sculptures I have left in my life I think about subjects of importance in my life and seek to express<br />

those topics in a way that encapsulates the depth and breath of my skill. I look to painting or sculpting<br />

or digitally manipulating images by orchestrating symphonic compositions instead of some small<br />

91<br />

Spring Buck by Barry Scharf

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