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Classics, Medieval & Renaissance 2012 - University of Toronto ...

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FEATURED TITLES<br />

NEW<br />

The Taymouth Hours<br />

Stories and the Construction <strong>of</strong> the Self in Late <strong>Medieval</strong> England<br />

Kathryn A. Smith<br />

The Taymouth Hours is one <strong>of</strong> the most fascinating<br />

illuminated manuscripts <strong>of</strong> late medieval England,<br />

but the circumstances <strong>of</strong> its commission have<br />

remained elusive for more than a century. In this<br />

first comprehensive study <strong>of</strong> the Taymouth Hours,<br />

Kathryn A. Smith traces the manuscript’s origin to<br />

Philippa <strong>of</strong> Hainault, queen <strong>of</strong> Edward III, and Edward’s<br />

sister, the thirteen-year-old Eleanor <strong>of</strong> Woodstock.<br />

Smith provides a detailed analysis <strong>of</strong> the<br />

manuscript’s program, particularly the relationships<br />

between its marginal imagery and the devotional<br />

texts these images border, and embeds the Taymouth<br />

Hours within the historical, political, religious, and<br />

artistic contexts <strong>of</strong> early fourteenth-century England<br />

and northern Europe. Generously illustrated, the<br />

book also comes with a digitized edition <strong>of</strong> the<br />

entire manuscript. This feature allows readers to<br />

examine high-quality images <strong>of</strong> each folio while<br />

following along with Smith’s text.<br />

Kathryn A. Smith is an associate pr<strong>of</strong>essor and<br />

chair in the Department <strong>of</strong> Art History at New York<br />

<strong>University</strong>.<br />

Approx. 256 pp / 120 illustrations / 6 x 9 / May <strong>2012</strong><br />

Cloth 978-1-4426-4436-6 $65.00<br />

North American rights only.<br />

Other rights held by the British Library.<br />

NEW<br />

How the Page Matters<br />

Bonnie Mak<br />

From handwritten texts to online books, the page<br />

has been a standard interface for transmitting<br />

knowledge for over two millennia. It is also a dynamic<br />

device, readily transformed to suit the needs <strong>of</strong><br />

contemporary readers. In How the Page Matters,<br />

Bonnie Mak explores how changing technology has<br />

affected the reception <strong>of</strong> visual and written information.<br />

Mak examines the fifteenth-century Latin text<br />

Controversia de nobilitate in three forms – as a<br />

manuscript, a printed work, and a digital edition.<br />

Mak’s elegant analysis proves both the timeliness <strong>of</strong><br />

studying interface design and the persistence <strong>of</strong> the<br />

page as a mechanism for communication.<br />

Bonnie Mak is an assistant pr<strong>of</strong>essor in the Graduate<br />

School <strong>of</strong> Library and Information Science and the<br />

Program for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />

Illinois.<br />

‘How the Page Matters represents a new and<br />

refreshing approach to the various interactions<br />

between medieval manuscript versions <strong>of</strong> a particular<br />

text and its early modern and contemporary editions.’<br />

William Schipper, Memorial <strong>University</strong><br />

(Studies in Book and Print Culture)<br />

304 pp / 16 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9760-6 $55.00 (£38.99)<br />

NEW<br />

Atlas <strong>of</strong> the Irish Rural Landscape<br />

Second Edition<br />

Edited by F.H.A. Aalen, Kevin Whelan, and<br />

Matthew Stout<br />

The second edition <strong>of</strong> the award-winning Atlas <strong>of</strong> the<br />

Irish Rural Landscape is a magnificently illustrated,<br />

beautifully written and thoroughly updated introduction<br />

to the hidden riches <strong>of</strong> the Irish landscape. The<br />

Atlas combines superbly chosen illustrations and<br />

cartography with a text amenable to a general reader.<br />

Hundreds <strong>of</strong> maps, diagrams, photographs, and<br />

paintings present accessible information suitable for<br />

any school, college, or home. New content in the contemporary<br />

section takes into account the Celtic Tiger<br />

and explores six fresh case studies. The Atlas <strong>of</strong> the<br />

Irish Rural Landscape continues to increase the visibility<br />

<strong>of</strong> the landscape within national heritage while establishing<br />

a proper basis for conservation and planning.<br />

F.H.A. Aalen is a pr<strong>of</strong>essor emeritus <strong>of</strong> Geography<br />

in the School <strong>of</strong> Natural Sciences at Trinity College<br />

Dublin. Kevin Whelan is the director <strong>of</strong> the Keough<br />

Naughton Notre Dame Centre in Dublin. Matthew<br />

Stout is a lecturer in the Department <strong>of</strong> History, St<br />

Patrick’s College, Drumcondra.<br />

‘Anyone interested in Ireland, especially the Irish<br />

countryside, will find this attractive volume anything<br />

from engaging to indispensable.’<br />

The Globe and Mail<br />

360 pp / 800+ illustrations / 9 x 11¾ / 2011<br />

Cloth ISBN 978-1-4426-4291-1 $75.00<br />

North American rights only.<br />

Other rights held by Cork <strong>University</strong> Press.<br />

4 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press

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