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MEDIEVAL ACADEMY REPRINTS FOR TEACHING The Art of the Byzantine Empire 312–1453 Sources and Documents Cyril Mango An anthology of translated histories, chronicles, saints’ lives, theological treatises, and accounts present an in-depth analysis of Byzantine art focusing on Constantinople. First published in 1972. ‘The prevailing view of Byzantine authors is that their art was highly true to nature. A perusal of the texts collected here will confirm this statement … To us, such views appear rather perplexing, for we regard Byzantine art as being abstract rather than naturalistic, and we expect to find in the written sources some reflection of our judgment.’ From the Introduction (MART 16) 272 pp / 6 x 9 / 1986 Paper 978-0-8020-6627-5 $23.95 (£16.99) Early Medieval Art 300–1150 Sources and Documents Caecilia Davis-Weyer This anthology of medieval texts on art includes descriptions of lost monuments, theoretical and technical texts that reveal intentions of artists and patrons, liturgical texts which describe the use of medieval artifacts, and others that reflect the tastes of the literate public. First published in 1971. (MART 17) 182 pp / 6 x 9 / 1986 Paper 978-0-8020-6628-2 $21.95 (£15.99) Byzantium The Imperial Centuries AD 610–1071 Romilly Jenkins A student and general reader guide to the middle period, or the most imperial era, of Byzantium’s history. Jenkins provides a connected account of what actually went on in the East Roman Empire between the accession of Heraclius and the Battle of Manzikert. First published in 1966. (MART 18) 400 pp / 6 x 9 / 1987 Paper 978-0-8020-6667-1 $29.95 (£20.99) The Discovery of the Individual 1050–1200 Colin Morris Morris traces the origin of the concept of the individual, not to the Renaissance where it is popularly assumed to have been invented, but farther back, to the spirituality and intellectually dynamic world of Europe in the twelfth century. First published in 1972. (MART 19) 188 pp / 6 x 9 / 1987 Paper 978-0-8020-6665-7 $18.95 (£13.99) Gothic Art 1140–c 1450 Sources and Documents Teresa G. Frisch Gothic Art 1140–c 1450 is a chronologically arranged collection of both secular and more pious original texts, selected from a wide variety of sources. These records include the personal observations of professional artisans and contemporary observers, as well as the less personal records left in legal contracts, agreements, inscriptions, and other sorts of documentation. Introductory notes and headings help to place the texts in their original contexts. First published in 1971. (MART 20) 181 pp / 6 x 9 / 1987 Paper 978-0-8020-6679-4 $18.95 (£13.99) 40 University of Toronto Press
MEDIEVAL ACADEMY REPRINTS FOR TEACHING The Crisis of Church and State 1050–1300 Brian Tierney A clear narrative that presents and interprets the major documents of the centuries-long struggle between kings and popes of medieval Europe over the separation of church and state. Few controversies have so indelibly influenced the course of western civilization. A reprint of the 1980 edition first published in 1964. (MART 21) 210 pp / 6 x 9 / 1988 Paper 978-0-8020-6701-2 $21.95 (£15.99) Change in Medieval Society Europe North of the Alps 1050–1500 Sylvia L. Thrupp The nineteen essays in this collection reflect the importance of change as an aspect of medieval society. They are arranged in six subject areas: Communities; Reformers; Careers, Rank, and Power; The Communication of Ideas; Money; and Views of Society. A reprint of the 1964 edition. (MART 22) 324 pp / 6 x 9 / 1988 Paper 978-0-8020-6699-2 $19.95 (£13.99) The Medieval Experience Francis Oakley A far-ranging study examines five critical areas in which medieval civilization departed from earlier civilizations, and thereby contributed to the development of a unique European culture. A reprint of the 1974 edition. (MART 23) 228 pp / 6 x 9 / 1988 Paper 978-0-8020-6707-4 $21.95 (£15.99) Modern Perspectives in Western Art History An Anthology of Twentieth-Century Writings on the Visual Arts Edited by W. Eugene Kleinbauer A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. A reprint of the edition first published in 1971. (MART 25) 528 pp / 6 x 9 / 1989 Paper 978-0-8020-6708-1 $36.00 (£25.99) The Medieval Book Illustrated from the Beinecke Rare Book and Manuscript Library Barbara A. Shailor A beautifully illustrated study of medieval manuscript books that details how they were made and their place in society. Shailor first examines the manuscript book as an archaeological artifact, then groups books by genre – both religious and secular – to show how their contents and function influenced their physical appearance and manufacture. 106 examples, most with illustration, many in colour. ‘A worthwhile resource that anyone interested in the history of the book in the Middle Ages will want to have nearby.’ Richard W. Clement, Épilogue (MART 28) 115 pp / 8 x 11 / 1991 Cloth 978-0-8020-5910-9 $78.00 (£54.99) Paper 978-0-8020-6853-8 $36.95 (£25.99) utppublishing.com 41
Page 1 and 2: 2012 Classics, Medieval & Renaissan
Page 3 and 4: FEATURED TITLES The Pleasant Nights
Page 5 and 6: FEATURED TITLES Armour and Masculin
Page 7 and 8: COURSE BOOKS The Civilization of th
Page 9 and 10: Readings in Medieval Civilizations
Page 11 and 12: Rethinking the Middle Ages COURSE B
Page 13 and 14: THEATRE AND MUSIC Middleton and Row
Page 15 and 16: ERASMUS The Correspondence of Erasm
Page 17 and 18: ERASMUS Erasmus in the Footsteps of
Page 19 and 20: HISTORY The Body Legal in Barbarian
Page 21 and 22: HISTORY Cataloguing Discrepancies T
Page 23 and 24: LITERATURE Old English Literature a
Page 25 and 26: MEDIEVAL The Ends of the Body Ident
Page 27 and 28: LITERATURE Looking into Providences
Page 29 and 30: LITERATURE Reading, Desire, and the
Page 31 and 32: LITERATURE They Need Nothing Hispan
Page 33 and 34: LITERATURE The Persistence of Prese
Page 35 and 36: LITERATURE Textual Cultures of Medi
Page 37 and 38: LITERATURE The Poetics of Dante’s
Page 39 and 40: CLASSICS Apuleius and Antonine Rome
Page 41: MEDIEVAL ACADEMY REPRINTS FOR TEACH
Page 45 and 46: Nature, Man, and Society in the Twe
Page 47 and 48: MEDIEVAL ACADEMY BOOKS Las Mocedade
Page 49 and 50: RENAISSANCE SOCIETY OF AMERICA REPR
Page 51 and 52: Tudor Historical Thought RENAISSANC
Page 53 and 54: BACKLIST ART AND ARCHITECTURE The A
Page 55 and 56: BACKLIST Medieval Manuscripts for M
Page 57 and 58: BACKLIST Romanesque Architecture an
Page 59 and 60: BACKLIST The Laughter of the Saints
Page 61 and 62: BACKLIST CLASSICS Aristotle’s The
Page 63 and 64: INDEX de Armas Don Quixote among th
Page 65 and 66: INDEX Pulsiano Old English Glossed
Page 67 and 68: Orders and Customer Service HEAD OF

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