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Classics, Medieval & Renaissance 2012 - University of Toronto ...

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LITERATURE<br />

NEW<br />

The Biblical Dante<br />

V. Stanley Benfell<br />

The Biblical Dante explores Dante’s understanding<br />

<strong>of</strong> biblical truth and its significance for the poet and<br />

his readers. In this work, V. Stanley Benfell presents<br />

a series <strong>of</strong> close readings <strong>of</strong> passages where Dante<br />

not only cites the Bible extensively, but also explicitly<br />

considers its status as scripture and as a true text.<br />

In the first part <strong>of</strong> the study, Benfell examines<br />

some <strong>of</strong> Dante’s minor works and the Paradiso to<br />

show how his notion <strong>of</strong> textual truth differs markedly<br />

from our present-day conceptions. In the second<br />

part, Benfell turns to the Commedia’s first two canticles,<br />

where Dante’s vision for a just society is put forth more<br />

overtly, and his use <strong>of</strong> the Bible is key to revealing that<br />

vision.<br />

V. Stanley Benfell is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Humanities, <strong>Classics</strong>, and Comparative<br />

Literature at Brigham Young <strong>University</strong>.<br />

‘I learned a great deal from The Biblical Dante, a<br />

major contribution to the field <strong>of</strong> Dante studies.<br />

Each <strong>of</strong> the chapters in this book is strong, combining<br />

thoughtful analysis with insightful close reading.’<br />

William Stephany, <strong>University</strong> <strong>of</strong> Vermont<br />

(<strong>Toronto</strong> Italian Studies)<br />

336 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4274-4 $75.00 (£52.99)<br />

NEW<br />

Dante and Augustine<br />

Linguistics, Poetics, Hermeneutics<br />

Simone Marchesi<br />

At several junctures in his career, Dante paused to<br />

consider the process <strong>of</strong> writing and what it means<br />

to be a writer: How does language, in particular<br />

‘poetic language,’ work Can poetry be translated<br />

What is the relationship between a text and its commentary<br />

Who controls the meaning <strong>of</strong> a literary<br />

work In Dante and Augustine, Simone Marchesi<br />

re-examines these questions in light <strong>of</strong> the influence<br />

that Augustine’s reflections on similar issues exerted<br />

on Dante’s sense <strong>of</strong> his task as a poet. Marchesi<br />

goes beyond traditional inquiries, allowing Dante to<br />

emerge as a versatile thinker, committed to a radical<br />

defence <strong>of</strong> poetry and yet always ready to reconsider,<br />

revise, and rewrite his own positions on matters <strong>of</strong><br />

linguistics, poetics, and hermeneutics.<br />

Simone Marchesi is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at Princeton <strong>University</strong>.<br />

‘Dante and Augustine delights as a well-constructed,<br />

elegantly argued, and intellectually coherent study<br />

<strong>of</strong> Dantean ideas through the lens <strong>of</strong> Augustinian<br />

theory.’<br />

Teodolinda Barolini, Columbia <strong>University</strong><br />

(<strong>Toronto</strong> Italian Studies)<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4210-2 $70.00 (£48.99)<br />

NEW<br />

Dante’s Tenzone with Forese Donati<br />

The Reprehension <strong>of</strong> Vice<br />

Fabian Alfie<br />

Dante’s poetic correspondence (or tenzone) with<br />

Forese Donati, a relative <strong>of</strong> his wife’s, was rife with<br />

crude insults: the two men derided one another<br />

on matters ranging from sexual dysfunction and<br />

cowardice to poverty and thievery. Rather than disregarding<br />

this correspondence, in his Commedia<br />

Dante repeatedly acknowledged and evoked the<br />

memory <strong>of</strong> his youthful put-downs.<br />

Dante’s Tenzone with Forese Donati explores<br />

the lasting impact <strong>of</strong> these early sonnets on Dante’s<br />

writings and Italian literary culture, notably in the work<br />

<strong>of</strong> Boccaccio. Fabian Alfie examines derision as an<br />

ethical dimension <strong>of</strong> literature that both facilitated<br />

the reprehension <strong>of</strong> vice and encouraged ongoing<br />

debate about the true nature <strong>of</strong> nobility.<br />

Fabian Alfie is a pr<strong>of</strong>essor <strong>of</strong> Italian in the Department<br />

<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Arizona.<br />

‘This is first-class philological scholarship – substantial,<br />

erudite, and enduringly valuable.’<br />

Steven Botterill, <strong>University</strong> <strong>of</strong> California at Berkeley<br />

(<strong>Toronto</strong> Italian Studies)<br />

240 pp / 2 illustrations; 14 charts / 6 x 9 / 2011<br />

Cloth 978-1-4426-4223-2 $55.00 (£38.99)<br />

34 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press

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