27.01.2015 Views

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

LITERATURE<br />

Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy<br />

NEW<br />

Edited by William Robins<br />

<strong>Medieval</strong> Italy presented a rich array <strong>of</strong> discrete<br />

textual cultures, many <strong>of</strong> them specific to particular<br />

regions, pr<strong>of</strong>essions, or groups <strong>of</strong> writers and<br />

readers. The essays in this collection consider how<br />

distinct habits <strong>of</strong> writing took root among specific<br />

communities in Italy between the early Middle<br />

Ages and the eve <strong>of</strong> the <strong>Renaissance</strong>.<br />

As a whole, the collection makes the case for<br />

combining abstract analyses such as textual theory<br />

and intellectual history with more technical specialties<br />

such as editing and codicology. Rather than<br />

approaching pre-modern Italian textuality as<br />

something uniform, Textual Cultures <strong>of</strong> <strong>Medieval</strong><br />

Italy engages with its fascinating plurality.<br />

William Robins is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘A stimulating collection [that] includes useful surveys<br />

and innovative articles.’<br />

Brian Richardson, <strong>University</strong> <strong>of</strong> Leeds<br />

(Essays from the 41st Conference on Editorial Problems)<br />

320 pp / 8 colour plates / 6 x 9 / 2011<br />

Cloth 978-1-4426-4272-0 $70.00 (£48.99)<br />

Beasts and Beauties<br />

Animals, Gender, and Domestication in the Italian <strong>Renaissance</strong><br />

Juliana Schiesari<br />

Beasts and Beauties traces the role <strong>of</strong> animals in Italian<br />

conceptions <strong>of</strong> humanity in a number <strong>of</strong> key texts<br />

from the fifteenth through the seventeenth century.<br />

The book delineates the co-development <strong>of</strong> two different<br />

forms <strong>of</strong> domestication since the <strong>Renaissance</strong>,<br />

specifically the new culture <strong>of</strong> domesticated animals<br />

that emerged in the modern phenomenon <strong>of</strong> the<br />

‘pet,’ and the contemporaneous delineation <strong>of</strong> the<br />

home as a private domain, where the pater familias<br />

presided over his domesticated wife, children, servants<br />

– and animals. Using a methodology that is both<br />

feminist and psychoanalytic, Beasts and Beauties<br />

demonstrates how the figure <strong>of</strong> the animal resituates<br />

canonical works and authors in the Italian <strong>Renaissance</strong><br />

in ways that help us rethink the notion <strong>of</strong> what it<br />

means to be human.<br />

Juliana Schiesari is a pr<strong>of</strong>essor <strong>of</strong> Italian and<br />

Comparative Literature at the <strong>University</strong> <strong>of</strong> California,<br />

Davis.<br />

‘Beasts and Beauties <strong>of</strong>fers compelling, energetically<br />

conveyed readings <strong>of</strong> otherness in texts and images<br />

<strong>of</strong> early modern Europe … it demonstrates effectively<br />

how an animal-centered approach to the cultural<br />

production <strong>of</strong> early modern Europe can help in understanding<br />

the construction <strong>of</strong> categories and<br />

hierarchies <strong>of</strong> humanness.’<br />

Nathalie Hester, <strong>Renaissance</strong> Quarterly<br />

(<strong>Toronto</strong> Italian Studies)<br />

176 pp / 9 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9922-8 $45.00 (£31.99)<br />

‘My Muse will have a story to paint’<br />

dennis looney is an associate pr<strong>of</strong>essor in the<br />

Selected Prose <strong>of</strong> Ludovico Ariosto<br />

Translated with an Introduction by<br />

Dennis Looney<br />

Ludovico Ariosto (1474–1533), best known for his<br />

1516 epic poem Orlando furioso, was one <strong>of</strong> the great<br />

Italian poets <strong>of</strong> the <strong>Renaissance</strong>. In this collection,<br />

Dennis Looney presents a compendium <strong>of</strong> Ariosto’s<br />

prose, including his 214 Letters and a satirical piece,<br />

Herbal Doctor. While some letters shed light on his<br />

day-to-day life, including his work as a provincial<br />

commissioner for the ruling Este family <strong>of</strong> Ferrara,<br />

others <strong>of</strong>fer insight on the composition and production<br />

<strong>of</strong> his poems and plays, allowing a glimpse <strong>of</strong> the man<br />

in his creative workshop. With his elegant, faithful<br />

translation, Looney enriches our understanding <strong>of</strong><br />

the Italian <strong>Renaissance</strong> and one <strong>of</strong> its greatest writers.<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

The lorenzo Da Ponte Italian Library<br />

‘We have no Empire, such as did the Romans, so powerful that<br />

subject cities spontaneously sought to emulate their rulers’ speech ...<br />

Nonetheless it can clearly be seen how, in our present times, many<br />

diverse people <strong>of</strong> intelligence and refinement, outside Italy no less<br />

than within Italy, devote much effort and study to learning and<br />

Dennis Looney is associate pr<strong>of</strong>essor in the<br />

speaking our language for no other reason than love.’<br />

– Giovan Batista Gelli, Ragionamento sulla lingua, 1551<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

‘This is the first time such a wide selection <strong>of</strong> Ariosto’s<br />

prose has been published in a language other than<br />

Italian. Both the <strong>Renaissance</strong> scholar and the reader<br />

interested in Cinquecento<br />

‘This volume,<br />

life<br />

containing<br />

will<br />

the largest<br />

gain<br />

selection<br />

great<br />

<strong>of</strong> Ariosto’s prose<br />

benefit<br />

translated into any language, is truly commendable.<br />

from it.’<br />

Dennis Looney’s precise, elegant interpretation is enhanced by a<br />

rich historical foreword and a well-assembled bibliography.<br />

Both general readers and scholars will appreciate this valuable<br />

Gian Paolo Giudicetti, <strong>Renaissance</strong><br />

resource for defining Ariosto’s<br />

Quarterly<br />

life and time.’<br />

Jacket illustrations: (front) Portrait <strong>of</strong> a Man, c.1512 (oil on canvas), Titian<br />

(Tiziano Vecellio) (c.1488–1576), National Gallery, London, UK / The<br />

Bridgeman Art Library International; (back) Letter 5, Archivio di Stato,<br />

Modena, Archivio Segreto Estense, Cancelleria Estero, Serie: Ambasciatori,<br />

agenti e corrispondenti all’estero, Italia, Roma, 131, Ludovico Ariosto,<br />

Dispaccio, 1509, 25 dic. Busta 20. Thanks to Director Euride Fregni for<br />

permission to reproduce the image (Prot. 1420/28.01.02/1.2).<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Jacket printed in Canada<br />

ISBN 978-1-4426-4087-0<br />

Roberto Fedi, Università per Stranieri di Perugia<br />

(The Lorenzo Da Ponte Italian Library)<br />

ISBN 978-1-4426-4087-0<br />

320 pp / 2 photos; 1 map ,!7IB4E2-geaiha! / 6 x 9 / 2010<br />

Cloth 978-1-4426-4087-0 $65.00 (£45.99)<br />

unIversITy oF ToronTo Press<br />

www.utppublishing.com<br />

lorenzo<br />

da ponte<br />

italian<br />

library<br />

Looney<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

‘My<br />

T<br />

Ludovi<br />

1516 ep<br />

Italian<br />

Dennis<br />

prose, i<br />

Herbal<br />

Ario<br />

<strong>of</strong> the w<br />

letters<br />

his wor<br />

ing Este<br />

compos<br />

allowin<br />

shop. H<br />

and Ne<br />

a defen<br />

philolo<br />

differen<br />

With<br />

provide<br />

Ariosto<br />

Italian R<br />

(The Lo<br />

utppublishing.com 33

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!