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Classics, Medieval & Renaissance 2012 - University of Toronto ...

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LITERATURE<br />

The Persistence <strong>of</strong> Presence<br />

Emblem and Ritual in Baroque Spain<br />

Bradley J. Nelson<br />

The Persistence <strong>of</strong> Presence analyses the relationship<br />

between emblem books, containing combinations<br />

<strong>of</strong> pictures and texts, and Spanish literature in the<br />

early modern period.<br />

Bradley J. Nelson argues that the emblem was a<br />

primary indicator <strong>of</strong> the social and political functions<br />

<strong>of</strong> diverse literary practices in early modern Spain,<br />

from theatre to epic prose. In this detailed examination<br />

<strong>of</strong> emblem books, sacred and secular theatre, and<br />

Cervantes’ critique <strong>of</strong> baroque allegory in Los trabajos<br />

de Persiles y Sigismunda, Nelson connects the early<br />

history <strong>of</strong> emblematics with the drive towards cultural<br />

and political hegemony in Counter-Reformation Spain.<br />

Bradley J. Nelson is an associate pr<strong>of</strong>essor and chair<br />

in the Department <strong>of</strong> <strong>Classics</strong>, Modern Languages<br />

and Linguistics at Concordia <strong>University</strong>.<br />

‘Nelson’s approach constitutes an original contribution<br />

to Spanish emblematics with its careful analysis and<br />

thorough consideration <strong>of</strong> relevant theories.’<br />

Claudia Mesa, <strong>Renaissance</strong> Quarterly<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

272 pp / 16 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9977-8 $55.00 (£38.99)<br />

Celestina and the Ends <strong>of</strong> Desire<br />

NEW<br />

E. Michael Gerli<br />

One <strong>of</strong> the most widely read and translated Spanish<br />

works in sixteenth-century Europe was Fernando de<br />

Rojas’s Celestina, a 1499 novel in dialogue about a<br />

couple that faces heartbreak and tragedy after being<br />

united by the titular brothel madam. In Celestina<br />

and the Ends <strong>of</strong> Desire, E. Michael Gerli illustrates<br />

how this work straddles the medieval and the modern<br />

in its exploration <strong>of</strong> changing categories <strong>of</strong> human<br />

desire – from the European courtly love tradition to<br />

the interpretation <strong>of</strong> want as an insatiable, destructive<br />

force. Gerli’s analysis draws on a wide range <strong>of</strong> Celestina<br />

scholarship but is unique in its use <strong>of</strong> modern literary<br />

and psychoanalytic theory to confront the problematic<br />

links between literature and life.<br />

E. Michael Gerli is Commonwealth Pr<strong>of</strong>essor <strong>of</strong><br />

Hispanic and Early Modern Studies at the <strong>University</strong><br />

<strong>of</strong> Virginia.<br />

‘Celestina and the Ends <strong>of</strong> Desire is a fascinating book,<br />

bringing a completely fresh approach to Fernando de<br />

Rojas’s canonical work. E. Michael Gerli’s rich and<br />

enriching theoretical approach provides a brilliant<br />

new understanding <strong>of</strong> the language and rhetoric <strong>of</strong><br />

desire.’<br />

Jesús Rodríguez-Velasco, Columbia <strong>University</strong><br />

248 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4255-3 $55.00 (£38.99)<br />

The Poetry <strong>of</strong> Place<br />

Lyric, Landscape, and Ideology in <strong>Renaissance</strong> France<br />

FRENCH<br />

Louisa Mackenzie<br />

The sixteenth century in France was marked by<br />

religious warfare and shifting political and physical<br />

landscapes. In the face <strong>of</strong> destructive environmental<br />

change, lyric poets in <strong>Renaissance</strong> France <strong>of</strong>ten<br />

wrote about idealized physical spaces, reclaiming<br />

the altered landscape to counteract the violence<br />

and loss <strong>of</strong> the period. In The Poetry <strong>of</strong> Place, Louisa<br />

Mackenzie reveals and analyses the cultural history<br />

<strong>of</strong> French paysage through her study <strong>of</strong> lyric poetry<br />

and its connections with landscape painting,<br />

cartography, and land-use history. This unique<br />

alliance <strong>of</strong> French <strong>Renaissance</strong> studies with cultural<br />

geography and eco-criticism demonstrates that sixteenth-century<br />

poetry created a powerful sense <strong>of</strong><br />

place which continues to inform national and regional<br />

sentiment today.<br />

Louisa Mackenzie is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Washington.<br />

‘The Poetry <strong>of</strong> Place is a stunning – and stunningly<br />

original – book that makes an enormous contribution<br />

to a number <strong>of</strong> related disciplines while opening up an<br />

entirely new field <strong>of</strong> inquiry.’<br />

Jeffrey N. Peters, <strong>University</strong> <strong>of</strong> Kentucky<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4239-3 $65.00 (£45.99)<br />

utppublishing.com 31

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