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Classics, Medieval & Renaissance 2012 - University of Toronto ...

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LITERATURE<br />

Reading, Desire, and the Eucharist<br />

in Early Modern Religious Poetry<br />

NEW<br />

Ryan Netzley<br />

The courtly love tradition had a great influence on<br />

the themes <strong>of</strong> religious poetry: just as an absent<br />

beloved could be longed for passionately, so too<br />

could a distant God be the subject <strong>of</strong> desire. But<br />

when authors began to perceive God as immanently<br />

available, did the nature and interpretation <strong>of</strong><br />

devotional verse change Ryan Netzley argues that<br />

early modern religious lyrics presented both desire<br />

and reading as free, loving activities, rather than as<br />

endless struggles or dramatic quests.<br />

Challenging fundamental assumptions <strong>of</strong> literary<br />

criticism, Reading, Desire, and the Eucharist shows<br />

how poetry can encourage love for its own sake,<br />

rather than in the hopes <strong>of</strong> salvation.<br />

Ryan Netzley is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Southern Illinois <strong>University</strong>,<br />

Carbondale.<br />

‘Speaking to central questions about sacramental<br />

and Eucharistic poetry in the Early Modern period,<br />

this high-quality study advances a fresh theoretical<br />

understanding <strong>of</strong> how reading and desire work.’<br />

David Ainsworth, <strong>University</strong> <strong>of</strong> Alabama<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4281-2 $70.00 (£48.99)<br />

Strangers in Blood<br />

Relocating Race in the <strong>Renaissance</strong><br />

Jean E. Feerick<br />

Strangers in Blood explores, in a range <strong>of</strong> early<br />

modern literature, the association between migration<br />

to foreign lands and the moral and physical degeneration<br />

<strong>of</strong> individuals. Arguing that in early modern<br />

discourse the concept <strong>of</strong> race was primarily linked<br />

with notions <strong>of</strong> bloodline, lineage, and genealogy<br />

rather than with skin colour and ethnicity, Jean E.<br />

Feerick establishes that the characterization <strong>of</strong> settler<br />

communities as subject to degenerative decline<br />

constituted a massive challenge to the fixed system<br />

<strong>of</strong> blood that had hitherto underpinned the English<br />

social hierarchy. In emphasizing the decline <strong>of</strong> blood<br />

as found at the centre <strong>of</strong> colonial narratives, Feerick<br />

illustrates the unwitting disassembling <strong>of</strong> one racial<br />

system and the creation <strong>of</strong> another.<br />

Jean E. Feerick is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Brown <strong>University</strong>.<br />

‘Rich in its attention to language, and to a wellchosen<br />

range <strong>of</strong> historical and literary representations,<br />

Feerick’s remarkably well-written, persuasive, and<br />

original book emphasizes the perceived instability<br />

<strong>of</strong> early modern racial identities, their vulnerability<br />

especially to the conditions <strong>of</strong> transplantation, culture,<br />

time, and space.’<br />

Emily C. Bartels, Rutgers <strong>University</strong><br />

264 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4140-2 $60.00 (£41.99)<br />

Northrop Frye’s Writings on Shakespeare<br />

and the <strong>Renaissance</strong><br />

Edited by Troni Y. Grande and Garry Sherbert<br />

This collection <strong>of</strong> writings brings together Northrop<br />

Frye’s large body <strong>of</strong> work on Shakespeare and other<br />

<strong>Renaissance</strong> writers (with the exception <strong>of</strong> Milton,<br />

who is featured in other volumes), and includes major<br />

articles, introductions, public lectures, and four<br />

previously published books. Spanning forty years <strong>of</strong><br />

Frye’s career as a university pr<strong>of</strong>essor and literary<br />

critic, these insightful analyses not only reveal the<br />

author’s formidable intellect but also <strong>of</strong>fer the reader<br />

a transformative experience <strong>of</strong> creative imagination.<br />

With extensive annotation and an in-depth critical<br />

introduction, the volume demonstrates Frye’s<br />

wide-ranging knowledge <strong>of</strong> <strong>Renaissance</strong> culture<br />

and its pivotal significance in his work, his impact<br />

on <strong>Renaissance</strong> criticism and the Stratford Shakespeare<br />

Festival, and his continuing importance as a<br />

literary theorist.<br />

Troni Y. Grande is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

Garry Sherbert is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

(Collected Works <strong>of</strong> Northrop Frye 28)<br />

968 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4168-6 $195.00 (£136.99)<br />

utppublishing.com 27

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