27.01.2015 Views

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

LITERATURE<br />

Looking into Providences<br />

Designs and Trials in Paradise Lost<br />

NEW<br />

Raymond B. Waddington<br />

What is the role <strong>of</strong> providence in Paradise Lost In<br />

Looking into Providences, Raymond B. Waddington<br />

provides the first examination <strong>of</strong> this engaging<br />

subject. He explores the variety <strong>of</strong> implicit organizational<br />

structures or ‘designs’ that govern Paradise<br />

Lost, and looks in-depth at the ‘trials,’ or testing<br />

situations, which require interpretation, choice, and<br />

action from its characters.<br />

Waddington situates the poem within the context<br />

<strong>of</strong> providentialism’s centrality to seventeenth-century<br />

thought and life, arguing that Milton’s own conception<br />

<strong>of</strong> providence was deeply influenced by the theology<br />

<strong>of</strong> Jacob Arminius. Using Milton’s Arminian conception<br />

<strong>of</strong> free will, he then looks at the providential trials<br />

experienced by angels and humans. Finally, the<br />

work explores the ways in which providentialism<br />

infiltrates various kinds <strong>of</strong> discourse, ranging from<br />

military to medical, and from political to philosophical.<br />

Raymond B. Waddington is a pr<strong>of</strong>essor emeritus<br />

in the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

California, Davis.<br />

Approx. 312 pp / 10 illustrations / 6 x 9 / September <strong>2012</strong><br />

Cloth 978-1-4426-4342-0 $65.00 (£45.99)<br />

Milton and Questions <strong>of</strong> History<br />

Essays by Canadians Past and Present<br />

NEW<br />

Edited by Feisal G. Mohamed and Mary Nyquist<br />

Milton and Questions <strong>of</strong> History considers the contribution<br />

<strong>of</strong> several classic studies <strong>of</strong> Milton written by<br />

Canadians in the twentieth century. It contemplates<br />

whether these might be termed a coherent ‘school’<br />

<strong>of</strong> Milton studies in Canada and it explores how<br />

these concerns might intervene in current critical and<br />

scholarly debates on Milton and, more broadly, on<br />

historicist criticism in its relationship to renewed<br />

interest in literary form.<br />

The volume opens with a selection <strong>of</strong> seminal<br />

articles by noted scholars including Northrop Frye,<br />

Hugh McCallum, Douglas Bush, Ernest Sirluck, and<br />

A.S.P. Woodhouse. Subsequent essays engage and<br />

contextualize these works while incorporating fresh<br />

intellectual concerns. The Introduction and Afterword<br />

frame the contents so that they constitute a<br />

dialogue between past and present critical studies<br />

<strong>of</strong> Milton by Canadian scholars.<br />

Feisal G. Mohamed is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Illinois.<br />

Mary Nyquist is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 424 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4392-5 $75.00 (£50.99)<br />

Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

NEW<br />

Rebeca Helfer<br />

What is the art <strong>of</strong> memory Rebeca Helfer’s intertextual<br />

study Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

<strong>of</strong>fers a fresh perspective on the significance <strong>of</strong> this<br />

ancient mnemonic technique to Edmund Spenser’s<br />

writing and, through this lens, explores the art’s<br />

complex historical and literary reception.<br />

Beginning with the origins <strong>of</strong> mnemonic strategies<br />

in epic tales, Helfer examines how the art <strong>of</strong> memory<br />

speaks to debates about poetry and its place in<br />

culture from Plato to Spenser’s present day. As Helfer<br />

argues, ruins provide memorial spaces for an ongoing<br />

dialogue about how story relates to history, and<br />

how both relate to edification and empire-building.<br />

Through detailed, intertextual readings <strong>of</strong> The<br />

Shepheardes Calender, The Faerie Queene, the<br />

Complaints, and other Spenserian works, Helfer<br />

demonstrates how the art <strong>of</strong> memory shapes<br />

Spenser’s theory and practice <strong>of</strong> poetry as well as<br />

his political view, throughout his career. More<br />

broadly, Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

points to new ways <strong>of</strong> understanding the importance<br />

<strong>of</strong> this art within literary studies.<br />

Rebeca Helfer is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />

Irvine.<br />

Approx. 360 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-0-8020-9067-6 $85.00 (£57.99)<br />

utppublishing.com 25

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!