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Classics, Medieval & Renaissance 2012 - University of Toronto ...

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LITERATURE<br />

The Legacy <strong>of</strong> Apollo<br />

Antiquity, Authority, and Chaucerian Poetics<br />

Jamie C. Fumo<br />

Apollo, the classical god <strong>of</strong> poetry, truth, light, and<br />

the healing arts, held a special fascination for poets<br />

and scholars in the late-medieval period. In The<br />

Legacy <strong>of</strong> Apollo, Jamie C. Fumo presents a series <strong>of</strong><br />

connected readings <strong>of</strong> classical and medieval texts<br />

that shape the god’s pre-modern legacy.<br />

Fumo innovatively brings the fruits <strong>of</strong> current<br />

scholarly practices <strong>of</strong> intertextuality to a body <strong>of</strong><br />

medieval subject matter. This wide-ranging work<br />

traces the resonances <strong>of</strong> Apollo up to the cusp <strong>of</strong><br />

the early modern period and reveals the medieval<br />

development <strong>of</strong> a newly self-conscious poetics <strong>of</strong><br />

inspiration in England.<br />

Jamie C. Fumo is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at McGill <strong>University</strong>.<br />

‘The wonderful breadth <strong>of</strong> Jamie Fumo’s engaging<br />

examination <strong>of</strong> classical forms in the Middle Ages<br />

<strong>of</strong>fers valuable new interpretations <strong>of</strong> Chaucer’s<br />

work and rare insight into medieval tropes <strong>of</strong> narrative<br />

authority.’<br />

Suzanne Yeager, Fordham <strong>University</strong><br />

360 pp / 8 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4170-9 $70.00 (£48.99)<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

Matthew Bailey<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

explores the composition <strong>of</strong> manuscript texts in<br />

thirteenth-century Spain. By analysing expressive<br />

traits found in these three poems, Matthew Bailey<br />

links them to the cognitive processes that take place<br />

in the minds <strong>of</strong> speakers as narration unfolds.<br />

Bailey incorporates the methodologies and concepts<br />

<strong>of</strong> discourse analysis in an examination <strong>of</strong> expression<br />

in the Spanish epic and points convincingly to oral<br />

composition as the initial step in text creation for<br />

the period.<br />

Matthew Bailey is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Romance Languages at Washington and Lee<br />

<strong>University</strong>.<br />

‘Bailey presents a cogent, concise, well-constructed<br />

argument for the importance <strong>of</strong> oral composition in<br />

the medieval Spanish epic … Highly recommended.’<br />

E.H. Friedman, CHOICE<br />

200 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4156-3 $45.00 (£31.99)<br />

RENAISSANCE<br />

NEW<br />

Dire Straits<br />

The Perils <strong>of</strong> Writing the English Coastline from Leland to Milton<br />

Elizabeth Jane Bellamy<br />

England became a centrally important maritime<br />

power in the early modern period, and its writers<br />

– acutely aware <strong>of</strong> their inhabiting an island –<br />

<strong>of</strong>ten depicted the coastline as a major topic <strong>of</strong> their<br />

works. However, early modern English versifiers had<br />

to reconcile this reality with the classical tradition, in<br />

which the British Isles were seen as culturally remote<br />

compared to the centrally important Mediterranean<br />

<strong>of</strong> antiquity. This was a struggle for writers not only<br />

because they used the classical tradition to legitimate<br />

their authority, but also because this image dominated<br />

cognitive maps <strong>of</strong> the oceanic world.<br />

As the first study <strong>of</strong> coastlines and early modern<br />

English literature, Dire Straits investigates the tensions<br />

<strong>of</strong> the classical tradition’s isolation <strong>of</strong> the British Isles<br />

from the domain <strong>of</strong> poetry. By illustrating how early<br />

modern English writers created their works in the<br />

context <strong>of</strong> a longstanding cultural inheritance from<br />

antiquity, Elizabeth Jane Bellamy <strong>of</strong>fers a new approach<br />

to the history <strong>of</strong> early modern cartography and its<br />

influences on literature.<br />

Elizabeth Jane Bellamy is a pr<strong>of</strong>essor and John<br />

C. Hodges Chair <strong>of</strong> Excellence in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> Tennessee.<br />

Approx. 224 pp / 2 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4501-1 $55.00 (£38.99)<br />

24 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press

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