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<strong>2012</strong><br />

<strong>Classics</strong>, <strong>Medieval</strong><br />

& <strong>Renaissance</strong> Books


Contents<br />

Featured Titles ...........................1<br />

Course Books ............................5<br />

Theatre and Music .......................10<br />

Erasmus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16<br />

Literature ..............................20<br />

<strong>Classics</strong>. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

<strong>Medieval</strong> Academy<br />

Reprints for Teaching (MART) . . . . . . . . . . . . . . 38<br />

<strong>Medieval</strong> Academy Books .................44<br />

<strong>Renaissance</strong> Society <strong>of</strong><br />

America Reprint Texts (RSART) .............46<br />

Lexicons <strong>of</strong> Early Modern English (LEME). . . . . 50<br />

Backlist ................................51<br />

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60<br />

Orders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64<br />

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FEATURED TITLES<br />

The Pleasant Nights<br />

Volumes 1 and 2<br />

Giovan Francesco Straparola<br />

Edited with an Introduction by<br />

Donald Beecher<br />

Renowned today for his contribution to the rise <strong>of</strong><br />

the modern European fairy tale, Giovan Francesco<br />

Straparola (c. 1480–c. 1557) is particularly known<br />

for his dazzling anthology The Pleasant Nights.<br />

Originally published in Venice in 1550 and 1553, this<br />

collection features seventy-three folk stories, fables,<br />

jests, and pseudo-histories, including nine tales we<br />

might now designate for ‘mature readers’ and seventeen<br />

proto-fairy tales. Nearly all <strong>of</strong> these stories,<br />

including classics such as ‘Puss in Boots,’ made their<br />

first ever appearance in this collection; together, the<br />

tales comprise one <strong>of</strong> the most varied and engaging<br />

<strong>Renaissance</strong> miscellanies ever produced. Its appeal<br />

sustained it through twenty-six editions in the first<br />

sixty years.<br />

This full critical edition <strong>of</strong> The Pleasant Nights<br />

presents these stories in English for the first time<br />

in over a century. The text takes its inspiration from<br />

the celebrated Waters translation, which is entirely<br />

revised here to render it both more faithful to the<br />

original and more sparkishly idiomatic than ever<br />

before. The stories are accompanied by a rich sampling<br />

<strong>of</strong> illustrations, including originals from nineteenthcentury<br />

English and French versions <strong>of</strong> the text.<br />

As a comprehensive critical and historical edition,<br />

these volumes contain far more information on the<br />

stories than can be found in any existing studies,<br />

literary histories, or Italian editions <strong>of</strong> the work.<br />

Donald Beecher provides a lengthy introduction discussing<br />

Straparola as an author, the nature <strong>of</strong> fairy<br />

tales and their passage through oral culture, and<br />

how this phenomenon provides a new reservoir <strong>of</strong><br />

stories for literary adaptation. Moreover, the stories<br />

all feature extensive commentaries analysing not<br />

only their themes but also their fascinating provenances,<br />

drawing on thousands <strong>of</strong> analogue tales<br />

going back to ancient Sanskrit, Persian, and Arabic<br />

stories.<br />

Immensely entertaining and readable, The Pleasant<br />

Nights will appeal to anyone interested in fairy tales,<br />

ancient stories, and folk creations. Such readers will<br />

also enjoy Beecher’s academically solid and erudite<br />

commentaries, which unfold<br />

The Lorenzo<br />

in a<br />

Da PonTe<br />

manner<br />

ITaLIan LIbrary<br />

as light<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

and amusing as the stories themselves.<br />

Donald Beecher is Chancellor’s Pr<strong>of</strong>essor and a<br />

By Giovan Francesco Straparola<br />

pr<strong>of</strong>essor in the Department Edited with <strong>of</strong> an Introduction English by Donald at Carleton<br />

Beecher<br />

<strong>University</strong>.<br />

(The Lorenzo Da Ponte Italian Library)<br />

Volume 1: Approx. 792 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4426-7 $110.00 (£76.99)<br />

Volume 2: Approx. 688 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4427-4 $95.00 (£66.99)<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

By Giovan Francesco Straparola<br />

Edited with an Introduction by Donald Beecher<br />

VOLUME 1<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

By Giovan Francesco Straparola<br />

Edited with an Introduction by Donald Beecher<br />

NEW<br />

VOLUME 1<br />

VOLUME 2<br />

On the Causes <strong>of</strong> the Greatness<br />

and Magnificence <strong>of</strong> Cities<br />

NEW<br />

Giovanni Botero<br />

Translated and with an introduction by<br />

Ge<strong>of</strong>frey W. Symcox<br />

The first treatise ever written on the sociology <strong>of</strong> cities,<br />

On the Causes <strong>of</strong> the Greatness and Magnificence<br />

<strong>of</strong> Cities (1588) marked a radical departure from<br />

previous literature on urban centres. It provided a<br />

revolutionary analysis <strong>of</strong> how cities function, and <strong>of</strong><br />

the political, economic, demographic, and geographic<br />

factors that cause their growth and decline. Noteworthy<br />

too is Botero’s strikingly original use <strong>of</strong><br />

sources in his analysis: moving beyond familiar<br />

classical and biblical references, he drew groundbreaking<br />

insights from reports by travelers and<br />

missionaries about cities in the non-European<br />

world, especially in China.<br />

Though seminally important to the history <strong>of</strong> urban<br />

studies, On the Causes <strong>of</strong> the Greatness and<br />

Magnificence <strong>of</strong> Cities has not been available in a<br />

modern translation until now. This edition <strong>of</strong> the<br />

treatise – which includes an introduction by Ge<strong>of</strong>frey<br />

W. Symcox on the intellectual context within which<br />

it was conceived – is a must-read for anyone<br />

interested in the life <strong>of</strong> cities both historical and<br />

contemporary.<br />

Ge<strong>of</strong>frey W. Symcox is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> California<br />

at Los Angeles.<br />

(The Lorenzo Da Ponte Italian Library)<br />

Approx. 112 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4507-3 $45.00 (£31.99)<br />

utppublishing.com 1


FEATURED TITLES<br />

Jews and Magic in Medici Florence<br />

The Secret World <strong>of</strong> Benedetto Blanis<br />

Edward Goldberg<br />

In the seventeenth century, Florence was the wealthy<br />

capital <strong>of</strong> the Medici Grand Dukedom <strong>of</strong> Tuscany. But<br />

amid all the affluence and splendour, the Jews in its<br />

tiny Ghetto struggled to earn a living by any possible<br />

means, including loan-sharking, rag-picking, and<br />

second-hand dealing.<br />

From their ranks arose Benedetto Blanis, a businessman<br />

and aspiring scholar from a distinguished<br />

Ghetto dynasty who sought to parlay his alleged<br />

mastery <strong>of</strong> astrology, alchemy, and Kabbalah into a<br />

grand position at the Medici Court. He won the<br />

patronage <strong>of</strong> Don Giovanni dei Medici, a scion <strong>of</strong><br />

the ruling family, and for six tumultuous years their<br />

lives were inextricably linked.<br />

Drawing on thousands <strong>of</strong> newly uncovered<br />

documents from the Medici Granducal Archive,<br />

Edward Goldberg reveals the dramas <strong>of</strong> daily life<br />

behind the scenes in the Pitti Palace and in the<br />

narrow byways <strong>of</strong> the Florentine Ghetto.<br />

Edward Goldberg is an art historian and a longtime<br />

resident <strong>of</strong> Florence. He has worked for more<br />

than thirty years in the Medici Granducal Archive.<br />

‘Suspenseful and compelling.’<br />

Lucia Frattarelli Fischer, <strong>University</strong> <strong>of</strong> Pisa<br />

(<strong>Toronto</strong> Italian Studies)<br />

384 pp / 20 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4225-6 $70.00 (£48.99)<br />

Paper 978-1-4426-1333-1 $32.95 (£23.99)<br />

A Jew at the Medici Court<br />

The Letters <strong>of</strong> Benedetto Blanis Hebreo (1615–1621)<br />

Edward Goldberg<br />

Benedetto Blanis sent nearly 200 letters to Don<br />

Giovanni dei Medici that depict in vivid detail his<br />

daily life in the local Ghetto and his machinations<br />

behind the scenes at the Medici Court. Edward<br />

Goldberg shares these recently discovered letters –<br />

the largest body <strong>of</strong> surviving correspondence from<br />

any Jew in Early Modern Europe – in this definitive<br />

critical edition, complete with transcriptions in the<br />

original Italian, English-language summaries, and<br />

full explanatory notes.<br />

The letters describe Blanis’s fraught relations<br />

with his Jewish and Christian associates, his desperate<br />

(and <strong>of</strong>ten illegal) business schemes, his disastrous<br />

strategies for advancement at the Medici Court,<br />

and the general pervasiveness <strong>of</strong> occult practices,<br />

especially alchemy, astrology, and Kabbalah. He<br />

also <strong>of</strong>fers remarkable insights into the everyday<br />

realities <strong>of</strong> Florentine life – as viewed through the<br />

eyes <strong>of</strong> a Jewish outsider who penetrated the inner<br />

circles <strong>of</strong> the Medici regime.<br />

‘Readers will be deeply grateful to Edward Goldberg<br />

for the enormously valuable information he provides<br />

in this volume.’<br />

Robert Bonfil, Hebrew <strong>University</strong> <strong>of</strong> Jerusalem<br />

(<strong>Toronto</strong> Italian Studies)<br />

448 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4383-3 $85.00 (£59.99)<br />

The Opera <strong>of</strong> Bartolomeo Scappi (1570)<br />

L’arte et prudenza d’un maestro cuoco / The Art and Craft <strong>of</strong> a Master Cook<br />

Translated with Commentary by Terence Scully<br />

Arguably the most famous chef <strong>of</strong> the Italian<br />

<strong>Renaissance</strong>, Bartolomeo Scappi oversaw the preparation<br />

<strong>of</strong> meals for several Cardinals and was the<br />

personal cook for two popes. At the culmination <strong>of</strong><br />

his prolific career he compiled the largest cookery<br />

treatise <strong>of</strong> the period. Scappi’s Opera presents more<br />

than one thousand recipes along with menus that<br />

comprise up to a hundred dishes.<br />

In this first English translation <strong>of</strong> the work, Terence<br />

Scully makes the recipes and the broad experience<br />

<strong>of</strong> this sophisticated papal cook accessible to a<br />

modern English audience interested in the culinary<br />

expertise and gastronomic refinement within the<br />

most civilized niche <strong>of</strong> <strong>Renaissance</strong> society.<br />

Terence Scully is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> Languages and Literatures at Wilfrid<br />

Laurier <strong>University</strong>.<br />

‘Highly readable … many fans <strong>of</strong> cooking will enjoy<br />

sifting through its voluminous entries.’<br />

Robert Appelbaum, Times Higher Education (Book<br />

<strong>of</strong> the Week, April 2009)<br />

(The Lorenzo Da Ponte Italian Library)<br />

800 pp / 27 illustrations / 6 x 9 / 2011<br />

Paper 978-1-4426-1148-1 $45.00 (£31.99)<br />

2 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


FEATURED TITLES<br />

Armour and Masculinity in the Italian <strong>Renaissance</strong><br />

Carolyn Springer<br />

During the Italian Wars <strong>of</strong> 1494–1559, with innovations<br />

in military technology and tactics, armour began to<br />

disappear from the battlefield. Yet as field armour<br />

was retired, recycled, and discarded, parade and<br />

ceremonial armour took on greater importance and<br />

grew increasingly flamboyant.<br />

Drawing on theoretical perspectives from anthropology,<br />

literary studies, art history, and gender<br />

studies, Armour and Masculinity in the Italian<br />

<strong>Renaissance</strong> explores the significance <strong>of</strong> armour in<br />

early modern Italy as a cultural artifact and symbolic<br />

form.<br />

Carolyn Springer demonstrates that <strong>Renaissance</strong><br />

armour is not just a background to literary texts but<br />

a vibrant representational practice in its own right.<br />

Carolyn Springer is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at Stanford <strong>University</strong>.<br />

‘Springer deserves much credit for crafting an insightful,<br />

learned, and richly detailed analysis <strong>of</strong> an<br />

elusive aspect <strong>of</strong> the material culture <strong>of</strong> <strong>Renaissance</strong><br />

Italy.’<br />

William Caferro, Journal <strong>of</strong> Interdisciplinary History<br />

(<strong>Toronto</strong> Italian Studies)<br />

272 pp / 38 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4055-9 $55.00 (£38.99)<br />

<strong>Medieval</strong> Military Technology<br />

Second Edition<br />

NEW<br />

Kelly DeVries and Robert Douglas Smith<br />

First published in 1992, <strong>Medieval</strong> Military Technology<br />

has become the definitive book in its field, garnering<br />

much praise and a large readership. This thorough<br />

update <strong>of</strong> a classic book, regarded as both an excellent<br />

overview and an important piece <strong>of</strong> scholarship,<br />

includes fully revised content.<br />

The four key organizing sections <strong>of</strong> the book still<br />

remain: arms and armor, artillery, fortifications, and<br />

warships. Throughout, the authors connect these<br />

technologies to broader themes and developments<br />

in medieval society as well as to current scholarly<br />

and curatorial controversies.<br />

Kelly DeVries is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

History at Loyola <strong>University</strong> Maryland. Robert Douglas<br />

Smith is an independent museum consultant.<br />

‘Students <strong>of</strong> the Middle Ages and military enthusiasts<br />

alike will find <strong>Medieval</strong> Military Technology a valuable<br />

and unique work.’<br />

Richard Abels, United States Naval Academy<br />

(UTP Higher Education)<br />

Approx. 352 pp / 6 x 9 / April <strong>2012</strong><br />

Paper 978-1-4426-0497-1 $34.95 (£22.99)<br />

SECOND EDITION<br />

ME DIEVAL<br />

MILI@ARY<br />

TECHNOLOGY<br />

Kelly DeVries<br />

and<br />

Robert Douglas Smith<br />

The Alphabet <strong>of</strong> Galen<br />

Pharmacy from Antiquity to the Middle Ages<br />

NEW<br />

A Critical Edition <strong>of</strong> the Latin Text<br />

with English Translation and Commentary<br />

by Nicholas Everett<br />

The Alphabet <strong>of</strong> Galen is a critical edition and<br />

English translation <strong>of</strong> a text describing, in alphabetical<br />

order, nearly three hundred natural products – including<br />

metals, aromatics, animal materials, and<br />

herbs – and their medicinal uses. A Latin translation<br />

<strong>of</strong> earlier Greek writings on pharmacy that have not<br />

survived, it circulated among collections <strong>of</strong><br />

‘authorities’ on medicine, including Hippocrates,<br />

Galen <strong>of</strong> Pergamun, Soranus, and Ps. Apuleius.<br />

This work presents interesting linguistic features,<br />

including otherwise unattested Greek and Latin<br />

technical terms and unique pharmacological<br />

descriptions. Nicholas Everett provides a window<br />

onto the medieval translation <strong>of</strong> ancient science and<br />

medieval conceptions <strong>of</strong> pharmacy. With a<br />

comprehensive scholarly apparatus and a contextual<br />

introduction, The Alphabet <strong>of</strong> Galen is a major<br />

resource for understanding the richness and<br />

diversity <strong>of</strong> medical history.<br />

Nicholas Everett is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 480 pp / 8 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9812-2 $95.00 (£60.00)<br />

Paper 978-0-8020-9550-3 $39.95 (£25.00)<br />

utppublishing.com 3


FEATURED TITLES<br />

NEW<br />

The Taymouth Hours<br />

Stories and the Construction <strong>of</strong> the Self in Late <strong>Medieval</strong> England<br />

Kathryn A. Smith<br />

The Taymouth Hours is one <strong>of</strong> the most fascinating<br />

illuminated manuscripts <strong>of</strong> late medieval England,<br />

but the circumstances <strong>of</strong> its commission have<br />

remained elusive for more than a century. In this<br />

first comprehensive study <strong>of</strong> the Taymouth Hours,<br />

Kathryn A. Smith traces the manuscript’s origin to<br />

Philippa <strong>of</strong> Hainault, queen <strong>of</strong> Edward III, and Edward’s<br />

sister, the thirteen-year-old Eleanor <strong>of</strong> Woodstock.<br />

Smith provides a detailed analysis <strong>of</strong> the<br />

manuscript’s program, particularly the relationships<br />

between its marginal imagery and the devotional<br />

texts these images border, and embeds the Taymouth<br />

Hours within the historical, political, religious, and<br />

artistic contexts <strong>of</strong> early fourteenth-century England<br />

and northern Europe. Generously illustrated, the<br />

book also comes with a digitized edition <strong>of</strong> the<br />

entire manuscript. This feature allows readers to<br />

examine high-quality images <strong>of</strong> each folio while<br />

following along with Smith’s text.<br />

Kathryn A. Smith is an associate pr<strong>of</strong>essor and<br />

chair in the Department <strong>of</strong> Art History at New York<br />

<strong>University</strong>.<br />

Approx. 256 pp / 120 illustrations / 6 x 9 / May <strong>2012</strong><br />

Cloth 978-1-4426-4436-6 $65.00<br />

North American rights only.<br />

Other rights held by the British Library.<br />

NEW<br />

How the Page Matters<br />

Bonnie Mak<br />

From handwritten texts to online books, the page<br />

has been a standard interface for transmitting<br />

knowledge for over two millennia. It is also a dynamic<br />

device, readily transformed to suit the needs <strong>of</strong><br />

contemporary readers. In How the Page Matters,<br />

Bonnie Mak explores how changing technology has<br />

affected the reception <strong>of</strong> visual and written information.<br />

Mak examines the fifteenth-century Latin text<br />

Controversia de nobilitate in three forms – as a<br />

manuscript, a printed work, and a digital edition.<br />

Mak’s elegant analysis proves both the timeliness <strong>of</strong><br />

studying interface design and the persistence <strong>of</strong> the<br />

page as a mechanism for communication.<br />

Bonnie Mak is an assistant pr<strong>of</strong>essor in the Graduate<br />

School <strong>of</strong> Library and Information Science and the<br />

Program for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />

Illinois.<br />

‘How the Page Matters represents a new and<br />

refreshing approach to the various interactions<br />

between medieval manuscript versions <strong>of</strong> a particular<br />

text and its early modern and contemporary editions.’<br />

William Schipper, Memorial <strong>University</strong><br />

(Studies in Book and Print Culture)<br />

304 pp / 16 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9760-6 $55.00 (£38.99)<br />

NEW<br />

Atlas <strong>of</strong> the Irish Rural Landscape<br />

Second Edition<br />

Edited by F.H.A. Aalen, Kevin Whelan, and<br />

Matthew Stout<br />

The second edition <strong>of</strong> the award-winning Atlas <strong>of</strong> the<br />

Irish Rural Landscape is a magnificently illustrated,<br />

beautifully written and thoroughly updated introduction<br />

to the hidden riches <strong>of</strong> the Irish landscape. The<br />

Atlas combines superbly chosen illustrations and<br />

cartography with a text amenable to a general reader.<br />

Hundreds <strong>of</strong> maps, diagrams, photographs, and<br />

paintings present accessible information suitable for<br />

any school, college, or home. New content in the contemporary<br />

section takes into account the Celtic Tiger<br />

and explores six fresh case studies. The Atlas <strong>of</strong> the<br />

Irish Rural Landscape continues to increase the visibility<br />

<strong>of</strong> the landscape within national heritage while establishing<br />

a proper basis for conservation and planning.<br />

F.H.A. Aalen is a pr<strong>of</strong>essor emeritus <strong>of</strong> Geography<br />

in the School <strong>of</strong> Natural Sciences at Trinity College<br />

Dublin. Kevin Whelan is the director <strong>of</strong> the Keough<br />

Naughton Notre Dame Centre in Dublin. Matthew<br />

Stout is a lecturer in the Department <strong>of</strong> History, St<br />

Patrick’s College, Drumcondra.<br />

‘Anyone interested in Ireland, especially the Irish<br />

countryside, will find this attractive volume anything<br />

from engaging to indispensable.’<br />

The Globe and Mail<br />

360 pp / 800+ illustrations / 9 x 11¾ / 2011<br />

Cloth ISBN 978-1-4426-4291-1 $75.00<br />

North American rights only.<br />

Other rights held by Cork <strong>University</strong> Press.<br />

4 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


COURSE BOOKS<br />

The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong><br />

A Sourcebook, Second Edition<br />

the Civilization <strong>of</strong> the<br />

italian RenaissanCe<br />

a souRCebook<br />

Edited by Kenneth R. Bartlett<br />

Beginning with medieval Italy in the late thirteenth<br />

century and ending in the sixteenth century, The<br />

Civilization <strong>of</strong> the Italian <strong>Renaissance</strong> is designed to<br />

introduce students to the richness and complexity<br />

<strong>of</strong> the period. The book is divided into chapters that<br />

focus on different aspects <strong>of</strong> life in <strong>Renaissance</strong> Italy.<br />

Throughout, sources and individuals are discussed<br />

in introductory or biographical paragraphs to help<br />

students engage with the material.<br />

This edition includes a new chapter on Dante<br />

and medieval Italy, new selections on warfare,<br />

and additional readings on education, Florence,<br />

humanism, the Church, and the later <strong>Renaissance</strong>.<br />

The introductions to the readings are fully revised,<br />

and an essay on reading historical documents is<br />

now appended.<br />

Kenneth R. Bartlett is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘Kenneth Bartlett’s The Civilization <strong>of</strong> the Italian<br />

<strong>Renaissance</strong> has long been my favorite sourcebook<br />

for undergraduate teaching.’<br />

Lisa Regan, <strong>University</strong> <strong>of</strong> California Berkeley<br />

(UTP Higher Education)<br />

320 pp / 7 ¾ x 9 ¼ / 2011<br />

Paper 978-1-4426-0485-8 $59.95 (£38.99)<br />

S E C O N D E D I T I O N • K E N N E T H R . B A R T L E T T<br />

The Middle Ages in Texts and Texture<br />

Reflections on <strong>Medieval</strong> Sources<br />

Edited by Jason Glenn<br />

The Middle Ages in Texts and Texture is a collection<br />

<strong>of</strong> unique essays that teaches students <strong>of</strong> medieval<br />

history how to work with primary sources. The goal<br />

<strong>of</strong> the collection is to provide students with a sense<br />

<strong>of</strong> the ‘texture’ <strong>of</strong> the Middle Ages by having them<br />

engage and struggle with some <strong>of</strong> the most notable<br />

texts produced during this period.<br />

The texts discussed in the essays, most <strong>of</strong> which<br />

are well known classics, are arranged in chronological<br />

order and span the period from the fourth<br />

century to the turn <strong>of</strong> the fifteenth century. They<br />

come from a wide range <strong>of</strong> genres, and each essay<br />

begins with basic information about the texts, their<br />

authors, and the larger settings in which they were<br />

written.<br />

Jason Glenn is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Southern<br />

California.<br />

‘In this volume, experienced scholar-teachers<br />

address the greatest primary-source hits <strong>of</strong> the<br />

medieval studies syllabus. Anyone who teaches<br />

such a course will find here fresh readings <strong>of</strong><br />

familiar texts, as well as reasons to start working<br />

with some unfamiliar ones.’<br />

Adam J. Kosto, Columbia <strong>University</strong><br />

(UTP Higher Education)<br />

368 pp / 6 x 9 / 2011<br />

Paper 978-1-4426-0490-2 $32.95 (£21.99)<br />

Sacred Violence<br />

The European Crusades to the Middle East, 1095–1396<br />

Jill N. Claster<br />

In Sacred Violence, renowned medieval historian<br />

Jill N. Claster examines warfare between Christians<br />

and Muslims for control <strong>of</strong> the embattled city <strong>of</strong><br />

Jerusalem. Beyond the battlefield, however, Claster<br />

explains the relationship <strong>of</strong> Jews, Christians, and<br />

Muslims to the Holy City and how that relationship<br />

still resonates today.<br />

The book encompasses the history <strong>of</strong> the kingdom<br />

founded by the crusaders that lasted, against all odds,<br />

for over two hundred years, and details the richness<br />

that emerged from the interplay <strong>of</strong> its many cultural<br />

groups. It also tells the story <strong>of</strong> how and why the<br />

crusades came about, their impact <strong>of</strong> the Middle East<br />

and Europe, and their legacy to subsequent<br />

generations.<br />

Jill N. Claster is pr<strong>of</strong>essor emerita <strong>of</strong> <strong>Medieval</strong><br />

History at New York <strong>University</strong>. She is a past<br />

Director <strong>of</strong> the Hagop Kevorkian Center for Near<br />

Eastern Studies and the former Dean <strong>of</strong> the College<br />

<strong>of</strong> Arts and Science at New York <strong>University</strong>.<br />

‘[Jill N. Claster] deftly integrates the social and<br />

political history <strong>of</strong> the crusades, its battles and<br />

institutions, with the history <strong>of</strong> religion. Sacred<br />

Violence represents a new and important resource<br />

for students <strong>of</strong> the crusades.’<br />

Ross Brann, Cornell <strong>University</strong><br />

(UTP Higher Education)<br />

356 pp / 6 x 9 / 2009<br />

Paper 978-1-4426-0060-7 $32.95 (£18.99)<br />

utppublishing.com 5


COURSE BOOKS<br />

Pilgrimage in the Middle Ages<br />

A Reader<br />

Edited by Brett Edward Whalen<br />

Pilgrimage in the Middle Ages is a rich collection <strong>of</strong><br />

primary sources for the history <strong>of</strong> Christian pilgrimage<br />

in Europe and the Mediterranean world from<br />

the fourth through the sixteenth centuries. The<br />

collection illustrates the far-reaching significance<br />

and consequences <strong>of</strong> pilgrimage for the culture,<br />

society, economics, politics, and spirituality <strong>of</strong> the<br />

Middle Ages.<br />

Brett Edward Whalen focuses on sites within Europe<br />

and beyond its borders, including the holy<br />

places <strong>of</strong> Jerusalem, and provides documents that<br />

shed light upon Eastern Christian, Jewish, and Islamic<br />

pilgrimages. The result is an innovative sourcebook<br />

that <strong>of</strong>fers a window into broader trends,<br />

shifts, and transformations in the Middle Ages.<br />

Brett Edward Whalen is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />

North Carolina at Chapel Hill.<br />

‘A rich treasury <strong>of</strong> primary sources vividly bringing<br />

to life the background, practice, and significance <strong>of</strong><br />

medieval pilgrimage. An invaluable resource for students<br />

and specialists alike.’<br />

Dee Dyas, <strong>University</strong> <strong>of</strong> York<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

400 pp / 6 x 9 / 2011<br />

Paper 978-1-4426-0199-4 $42.95 (£27.99)<br />

<strong>Medieval</strong> Medicine<br />

A Reader<br />

Edited by Faith Wallis<br />

Medicine in the medieval world is <strong>of</strong>ten treated in<br />

a static manner, as if a single picture <strong>of</strong> the body, a<br />

unitary understanding <strong>of</strong> disease, and unvarying<br />

practices <strong>of</strong> healing held sway for a millennium.<br />

<strong>Medieval</strong> Medicine challenges this view by documenting<br />

changes and complexities in medieval<br />

medical thinking and practice. In this collection <strong>of</strong><br />

over 100 primary sources, many translated for the<br />

first time, Faith Wallis reveals the dynamic world <strong>of</strong><br />

medicine in the Middle Ages that has been largely<br />

unavailable to students and scholars.<br />

Faith Wallis is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History and the Department <strong>of</strong> Social<br />

Studies <strong>of</strong> Medicine at McGill <strong>University</strong>.<br />

‘An excellent and comprehensive overview both for<br />

students and scholars that shows vividly what medicine<br />

was for medieval actors and what it is today for<br />

historians <strong>of</strong> medieval medicine.’<br />

Social History <strong>of</strong> Medicine<br />

‘A truly rewarding work, worth acquiring not only<br />

by scholars and teachers <strong>of</strong> medieval medicine in<br />

particular but more broadly by anyone teaching in<br />

the field <strong>of</strong> medieval European history and society.’<br />

The <strong>Medieval</strong> Review<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

563 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-0103-1 $44.95 (£24.99)<br />

The Viking Age<br />

A Reader<br />

Edited by Angus A. Somerville<br />

and R. Andrew McDonald<br />

Angus A. Somerville is an associate pr<strong>of</strong>essor in<br />

the Department <strong>of</strong> English Language and Literature<br />

at Brock <strong>University</strong>. R. Andrew McDonald is<br />

an associate pr<strong>of</strong>essor in the Department <strong>of</strong> History<br />

at Brock <strong>University</strong> and former Director <strong>of</strong> the<br />

Centre for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at<br />

Brock <strong>University</strong>.<br />

Tracing the astonishing development <strong>of</strong> the Viking<br />

Age from the first foreign raids to the rise and fall<br />

<strong>of</strong> Viking empires, this comprehensive reader is essential<br />

to an understanding <strong>of</strong> Viking history.<br />

The diversity <strong>of</strong> the Viking world is mirrored by the<br />

range and variety <strong>of</strong> over 100 primary documents<br />

‘The Viking Age is a most enjoyable and informative<br />

chosen for inclusion. The Norse translations, many <strong>of</strong><br />

volume for dipping into.’<br />

them new, are straightforward and easily accessible<br />

for students. The introductions contextualize the The <strong>Medieval</strong> Review<br />

readings while allowing the sources to speak for themselves.<br />

All unfamiliar terms are explained unobtrusively<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

in the body <strong>of</strong> the text. Thirteen black-and-white<br />

503 pp / 13 illustrations / 6 x 9 / 2010<br />

illustrations and one map provide visual context. Combined,<br />

these features make this book an extremely<br />

Paper 978-1-4426-0148-2 $44.95 (£24.99)<br />

readable and user-friendly introduction to the Viking Age.<br />

6 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Readings in <strong>Medieval</strong> Civilizations and Cultures<br />

Series Editor: Paul Edward Dutton<br />

‘Readings in <strong>Medieval</strong> Civilizations and Cultures is in my opinion the most useful series being published today.’<br />

William C. Jordan, Princeton <strong>University</strong><br />

COURSE BOOKS<br />

I. Carolingian Civilization<br />

A Reader, Second Edition<br />

Edited by Paul Edward Dutton<br />

Paper 978-1-5511-1492-7<br />

$42.95 (£24.99) 2004<br />

IX. The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919–966<br />

Translated and Edited by<br />

Steven Fanning and Bernard S. Bachrach<br />

Paper 978-1-4426-0001-0<br />

$27.95 (£13.99) 2004<br />

II. <strong>Medieval</strong> Popular Religion, 1000–1500<br />

A Reader, Second Edition<br />

Edited by John Shinners<br />

Paper 978-1-4426-0106-2<br />

$44.95 (£24.99) 2006<br />

III. Charlemagne’s Courtier<br />

The Complete Einhard<br />

Edited by Paul Edward Dutton<br />

Paper 978-1-4426-0112-3<br />

$24.95 (£12.99) 1998<br />

IV. <strong>Medieval</strong> Saints<br />

A Reader<br />

Edited by Mary-Ann Stouck<br />

Paper 978-1-4426-0101-7<br />

$44.95 (£24.99) 1998<br />

X. Gregory <strong>of</strong> Tours<br />

The Merovingians<br />

Translated and Edited by<br />

Alexander Callander Murray<br />

Paper 978-1-5511-1523-8<br />

$27.95 (£14.99) 2005<br />

XI. <strong>Medieval</strong> Towns<br />

A Reader<br />

Edited by Maryanne Kowaleski<br />

Paper 978-1-4426-0091-1<br />

$43.95 (£24.99) 2006<br />

XII. A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints<br />

Edited by Mary-Ann Stouck<br />

Paper 978-1-4426-0094-2<br />

$26.95 (£14.99) 2009<br />

V. From Roman to Merovingian Gaul<br />

A Reader<br />

Translated and Edited by<br />

Alexander Callander Murray<br />

Paper 978-1-4426-0095-9<br />

$44.95 (£24.99) 1999<br />

XIII. Vengeance in <strong>Medieval</strong> Europe<br />

A Reader<br />

Edited by Daniel Lord Smail<br />

and Kelly Gibson<br />

Paper 978-1-4426-0126-0<br />

$44.95 (£25.99) 2009<br />

VI. <strong>Medieval</strong> England, 1000–1500<br />

A Reader<br />

Edited by Emilie Amt<br />

Paper 978-1-4426-0006-5<br />

$44.95 (£22.99) 2000<br />

VII. Love, Marriage, and Family<br />

in the Middle Ages<br />

A Reader<br />

Edited by Jacqueline Murray<br />

Paper 978-1-5511-1104-9<br />

$42.95 (£24.99) 2001<br />

XIV. The Viking Age<br />

A Reader<br />

Edited by Angus A. Somerville<br />

and R. Andrew McDonald<br />

Paper 978-1-4426-0148-2<br />

$44.95 (£24.99) 2010<br />

XV. <strong>Medieval</strong> Medicine<br />

A Reader<br />

Edited by Faith Wallis<br />

Paper 978-1-4426-0103-1<br />

$44.95 (£24.99) 2010<br />

VIII. The Crusades<br />

A Reader<br />

Edited by S.J. Allen and Emilie Amt<br />

Paper 978-1-4426-0002-7<br />

$43.95 (£21.99) 2003<br />

XVI. Pilgrimage in the Middle Ages<br />

A Reader<br />

Edited by Brett Edward Whalen<br />

Paper 978-1-4426-0199-4<br />

$42.95 (£27.99) 2011<br />

utppublishing.com 7


COURSE BOOKS<br />

Readings in <strong>Medieval</strong> History<br />

Fourth Edition<br />

Edited by Patrick J. Geary<br />

In this new edition <strong>of</strong> his enormously popular<br />

collection <strong>of</strong> medieval documents, Patrick J. Geary<br />

has incorporated more bibliographical information<br />

into the introductions to the readings. Five texts<br />

have been added to better reflect legal, religious,<br />

Polish, and women’s history. A glossary is provided<br />

to help with unfamiliar terms, and secondary<br />

readings about the primary sources are listed.<br />

As before, four principles guide the selection <strong>of</strong><br />

primary sources: entire documents are provided rather<br />

than snippets; texts are grouped so that individual<br />

documents relate to one another; documents chosen<br />

have been the subject <strong>of</strong> significant scholarship; and<br />

raw material for many types <strong>of</strong> historical investigations<br />

(political, social, cultural) is provided.<br />

Patrick J. Geary is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

History at the <strong>University</strong> <strong>of</strong> California, Los Angeles.<br />

‘Readings in <strong>Medieval</strong> History is probably the best<br />

collection <strong>of</strong> primary source readings available.’<br />

Jonathan Conant, Brown <strong>University</strong><br />

(UTP Higher Education)<br />

811 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0120-8 $61.95 (£39.99)<br />

Also available in a two-volume format:<br />

Volume I: The Early Middle Ages / 352 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0116-1 $38.95 (£20.99)<br />

Volume II: The Later Middle Ages / 504 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0117-8 $38.95 (£20.99)<br />

A Short History <strong>of</strong> the Middle Ages<br />

Third Edition<br />

Barbara H. Rosenwein<br />

Beautifully written and exquisitely illustrated, A<br />

Short History <strong>of</strong> the Middle Ages provides an ideal<br />

introduction to medieval history. Famous for its<br />

integration <strong>of</strong> culture, politics, art, economics, and<br />

social issues throughout its lively narrative, this textbook<br />

is also unique for its survey <strong>of</strong> European<br />

history both on its own terms and in the context <strong>of</strong><br />

the Islamic world and the Byzantine, Mongol, and<br />

Ottoman empires. The third edition takes into<br />

account recent historical and archaeological findings<br />

and interpretations.<br />

Barbara H. Rosenwein is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at Loyola <strong>University</strong> Chicago.<br />

‘Elegantly written and beautifully produced,<br />

Rosenwein’s A Short History <strong>of</strong> the Middle Ages is a<br />

treat for teachers and students alike.’<br />

Fiona Griffiths, New York <strong>University</strong><br />

(UTP Higher Education)<br />

399 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0104-8 $48.95 (£25.99)<br />

Also available in a two-volume format:<br />

Volume I: From c.300 to c.1150<br />

255 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0122-2 $37.95 (£17.99)<br />

Volume II: From c.900 to c.1500<br />

389 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0123-9 $37.95 (£17.99)<br />

Reading the Middle Ages<br />

Sources from Europe, Byzantium, and the Islamic World<br />

Edited by Barbara H. Rosenwein<br />

Following her highly acclaimed A Short History <strong>of</strong><br />

the Middle Ages, Barbara H. Rosenwein presents a<br />

unique edited collection <strong>of</strong> documents and readings.<br />

Spanning the period from c.300 to c.1500, the<br />

ambitious Reading the Middle Ages incorporates in<br />

a systematic fashion Islamic and Byzantine materials<br />

alongside Western readings.<br />

‘This collection reveals the dazzling richness <strong>of</strong> the<br />

medieval evidence and provides many points <strong>of</strong><br />

entry for future inquiry.’<br />

Daniel Lord Smail, Harvard <strong>University</strong><br />

(UTP Higher Education)<br />

594 pp / 7 ¾ x 9 ¼ / 2006<br />

Paper 978-1-5511-1693-8 $55.95 (£26.99)<br />

Also available in a two-volume format:<br />

Volume I: From c.300 to c.1150<br />

354 pp / 7 ¾ x 9 ¼ / 2007<br />

Paper 978-1-5511-1695-2 $35.95 (£16.99)<br />

Volume II: From c.900 to c.1500<br />

387 pp / 7 ¾ x 9 ¼ / 2007<br />

Paper 978-1-5511-1696-9 $35.95 (£16.99)<br />

SPECIAL COMBINED PRICE!<br />

Purchase both A Short History <strong>of</strong> the Middle<br />

Ages and Reading the Middle Ages for just<br />

$85.00 by ordering ISBN 978-1-4426-0351-6.<br />

See utppublishing.com for more great deals<br />

on titles by Barbara H. Rosenwein.<br />

8 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Rethinking the Middle Ages<br />

COURSE BOOKS<br />

Series Editors: Paul Edward Dutton and John Shinners<br />

Rethinking the Middle Ages is a series committed to re-examining the Middle Ages – its themes, institutions, people, and<br />

events – with short studies that invite readers to think about that era in new and unusual ways.<br />

I. Seeing <strong>Medieval</strong> Art<br />

Herbert L. Kessler<br />

How did medieval people see art How<br />

was it made, paid for, and used Why<br />

was it necessary to social activities<br />

With 12 color plates and 54 plates in all,<br />

this book looks at art’s functions and<br />

traces many crucial developments,<br />

including the development <strong>of</strong> secular art<br />

and historical narrative and the emergence<br />

<strong>of</strong> individual portraiture.<br />

‘Herbert Kessler’s newest work shows<br />

us better than any other book I know why medieval art matters – and<br />

how our own seeing <strong>of</strong> it has grown evermore interesting. I urge<br />

experts and general enthusiasts alike to read this book now.’<br />

Peter Low, Williams College<br />

Paper 978-1-5511-1535-1 $32.95 (£17.99) 2004<br />

II. The Story <strong>of</strong> a Great<br />

<strong>Medieval</strong> Book<br />

Peter Lombard’s Sentences<br />

Philipp W. Rosemann<br />

Twelfth-century theologian Peter Lombard’s<br />

Book <strong>of</strong> Sentences, one <strong>of</strong> the first<br />

Western textbooks <strong>of</strong> theology, received<br />

the largest number <strong>of</strong> commentaries<br />

among all works <strong>of</strong> Christian literature<br />

except for Scripture itself. In this book,<br />

notable Lombard scholar Philipp W.<br />

Rosemann examines the text as a guiding<br />

thread to studying Christian thought throughout the later Middle Ages<br />

and into early modern times.<br />

‘The Story <strong>of</strong> a Great <strong>Medieval</strong> Book provides an excellent introduction<br />

not only to the history and textual traditions <strong>of</strong> commentaries on Peter<br />

Lombard’s Sentences, but also to how such texts were used by<br />

university students and teachers <strong>of</strong> the late Middle Ages.’<br />

Donna Trembinski, Queen’s <strong>University</strong><br />

Paper 978-1-5511-1718-8 $29.95 (£17.99) 2007<br />

III. Rethinking the<br />

School <strong>of</strong> Chartres<br />

Édouard Jeauneau<br />

Translated by Claude Paul Desmarais<br />

In this brief essay, esteemed medieval<br />

historian Édouard Jeauneau examines a<br />

much debated question in medieval<br />

intellectual history: did the famous<br />

School <strong>of</strong> Chartres actually exist Deftly<br />

translated by Claude Paul Desmarais,<br />

Rethinking the School <strong>of</strong> Chartres<br />

provides a narrative that is critical,<br />

passionate, and witty.<br />

‘No one has done more to reveal the riches <strong>of</strong> twelfth-century<br />

Platonism than Father Édouard Jeauneau. It is a great pleasure to read<br />

this wonderful scholar’s reflections on his long association and deep<br />

affinity with Chartres and its teachers.’<br />

Winthrop Wetherbee III, Cornell <strong>University</strong><br />

Paper 978-1-4426-0007-2 $26.95 (£15.99)<br />

Old English Metre<br />

An Introduction<br />

Jun Terasawa<br />

Old English Metre <strong>of</strong>fers an essential framework for<br />

the critical analysis <strong>of</strong> metrical structures and interpretations<br />

in Old English literature. Jun Terasawa’s<br />

comprehensive introductory text covers the basics <strong>of</strong><br />

Old English metre and reviews the current research in<br />

the field, emphasizing the interaction between Old<br />

English metre and components such as wordformation,<br />

word-choice, and grammar.<br />

Each chapter includes exercises and suggestions<br />

for further reading. Appendices provide possible<br />

answers to the exercises, tips for scanning half-lines,<br />

and brief definitions <strong>of</strong> metrical terms used. Examples<br />

in Old English are provided with literal<br />

modern English translations, with glosses added in<br />

the first three chapters to help beginners.<br />

Jun Terasawa is a pr<strong>of</strong>essor in the Graduate School<br />

<strong>of</strong> Arts and Sciences at the <strong>University</strong> <strong>of</strong> Tokyo.<br />

‘A serious advance in state-<strong>of</strong>-the-art research, Old<br />

English Metre is ideally suited to help the largest<br />

possible audience interested in Old English poetry<br />

develop the skills necessary to critically edit and<br />

interpret these works.’<br />

Ge<strong>of</strong>frey Russom, Brown <strong>University</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

176 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4238-6 $45.00 (£31.99)<br />

Paper 978-1-4426-1129-0 $19.95 (£13.99)<br />

utppublishing.com 9


THEATRE AND MUSIC<br />

NEW<br />

EDITED BY IRENA R. MAKARYK<br />

AND MARISSA McHUGH<br />

Shakespeare and the Second World War<br />

Theatre, Culture, Identity<br />

SHAKESPEARE AND THE<br />

SECOND WORLD WAR<br />

THEATRE CULTURE IDENTITY<br />

Edited by Irena R. Makaryk and Marissa McHugh<br />

Shakespeare’s works occupy a prismatic and<br />

complex position in world culture: they straddle<br />

both the high and the low, the national and the<br />

foreign, literature and theatre. The Second World<br />

War presents a fascinating case study <strong>of</strong> this<br />

phenomenon: most, if not all, <strong>of</strong> its combatants<br />

have laid claim to Shakespeare and have called upon<br />

his work to convey their society’s self-image.<br />

In wartime, such claims frequently brought to<br />

the fore a crisis <strong>of</strong> cultural identity and <strong>of</strong> competing<br />

ownership <strong>of</strong> this ‘universal’ author. Despite this,<br />

the role <strong>of</strong> Shakespeare during the Second World<br />

War has not yet been examined or documented in<br />

any depth. Shakespeare and the Second World War<br />

provides the first sustained international, collaborative<br />

incursion into this terrain. The essays demonstrate<br />

how the wide variety <strong>of</strong> ways in which Shakespeare<br />

has been recycled, reviewed, and reinterpreted<br />

from 1939–1945 are both illuminated by and<br />

continue to illuminate the war today.<br />

Irena R. Makaryk is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa. Marissa<br />

McHugh is an doctoral candidate in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa.<br />

Approx. 296 pp / 34 illustrations / 6 x 9 / September <strong>2012</strong><br />

Cloth 978-1-4426-4402-1 $65.00 (£45.99)<br />

NEW<br />

NEW<br />

SHakESpEarE<br />

adaptation<br />

ModErn draMa<br />

Essays in Honour <strong>of</strong> Jill L. Levenson<br />

Edited by Randall MaRtin and KathERinE SchEil<br />

Shakespeare/Adaptation/Modern Drama<br />

Essays in Honour <strong>of</strong> Jill L. Levenson<br />

Edited by Randall Martin and Katherine Scheil<br />

Shakespeare/Adaptation/Modern Drama is the first<br />

book-length international study to examine the<br />

critical and theatrical connections among these<br />

fields, including the motivations, methods, and limits<br />

<strong>of</strong> adaptation in modern performance media.<br />

Top scholars including Peter Holland, Alexander<br />

Leggatt, Brian Parker, and Stanley Wells examine<br />

such topics as the relationship between Shakespeare<br />

and modern drama in the context <strong>of</strong> current literary<br />

theories, and historical accounts <strong>of</strong> adaptive and<br />

appropriative practices. Among the diverse and<br />

intriguing examples studied are the authorial selfadaptations<br />

<strong>of</strong> Tom Stoppard and Tennessee<br />

Williams, and the generic and political appropriations<br />

<strong>of</strong> Shakespeare’s texts in television, musical theatre,<br />

and memoir.<br />

Seeing Things<br />

From Shakespeare to Pixar<br />

Randall Martin is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> New Brunswick.<br />

Katherine Scheil is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

Minnesota, Twin Cities.<br />

‘Reading these theoretically astute essays, I found<br />

myself constantly intrigued, informed, challenged,<br />

entertained, and stretched – and imagining my<br />

students devouring this book and gaining<br />

enormously from it.’<br />

Carol Chillington Rutter, Warwick <strong>University</strong><br />

288 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4174-7 $65.00 (£45.99)<br />

Alan Ackerman<br />

How do the acts <strong>of</strong> seeing and believing remain<br />

linked Alan Ackerman charts the dynamic history<br />

<strong>of</strong> interactions between showing and knowing in<br />

Seeing Things, a richly interdisciplinary study which<br />

illuminates changing modes <strong>of</strong> perception and<br />

modern representational media.<br />

Seeing Things demonstrates that the airy<br />

nothings <strong>of</strong> A Midsummer Night’s Dream, the Ghost<br />

in Hamlet, and soulless bodies in Beckett’s media<br />

experiments, alongside Toy Story’s digitally<br />

animated toys, all serve to illustrate the modern<br />

problem <strong>of</strong> visualizing, as Hamlet put it, ‘that within<br />

which passes show.’<br />

Alan Ackerman is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘In these elegant essays, at once theatrical and<br />

philosophical, Alan Ackerman <strong>of</strong>fers a probing<br />

meditation on sight and on the lingering mysteries<br />

<strong>of</strong> the invisible.’<br />

Martin Puchner, Harvard <strong>University</strong><br />

160 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4364-2 $50.00 (£34.99)<br />

Paper 978-1-4426-1210-5 $21.95 (£15.99)<br />

10 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


THEATRE AND MUSIC<br />

Middleton and Rowley<br />

Forms <strong>of</strong> Collaboration in the Jacobean Playhouse<br />

NEW<br />

David Nicol<br />

Can the inadvertent clashes between collaborators<br />

produce more powerful effects than their concordances<br />

For Thomas Middleton and William<br />

Rowley, the playwriting team best known for their<br />

tragedy The Changeling, disagreements and friction<br />

proved quite beneficial for their work.<br />

This first full-length study <strong>of</strong> Middleton and<br />

Rowley uses their plays to propose a new model for<br />

the study <strong>of</strong> collaborative authorship in early<br />

modern English drama. David Nicol highlights the<br />

diverse forms <strong>of</strong> collaborative relationships that<br />

factor into a play’s meaning, including playwrights,<br />

actors, companies, playhouses, and patrons. This<br />

kaleidoscopic approach, which views the plays from<br />

all these perspectives, throws new light on the<br />

Middleton-Rowley oeuvre and on early modern<br />

dramatic collaboration as a whole.<br />

David Nicol is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Theatre at Dalhousie <strong>University</strong>.<br />

Approx. 224 pp / 6 x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4370-3 $50.00 (£33.99)<br />

Fathers and Sons in Shakespeare<br />

The Debt Never Promised<br />

Fred B. Tromly<br />

Some <strong>of</strong> Shakespeare’s most memorable male<br />

characters, such as Hamlet, Prince Hal, and Edgar,<br />

are defined by their relationships with their fathers.<br />

In Fathers and Sons in Shakespeare, Fred B. Tromly<br />

demonstrates that these relationships are far more<br />

complicated than most critics have assumed.<br />

Tromly’s introductory chapters draw on both<br />

Freudian psychology and Elizabethan family history<br />

to frame the issue <strong>of</strong> filial ambivalence in<br />

Shakespeare. The following analytical chapters<br />

mine the father-son relationships in plays that span<br />

Shakespeare’s entire career. The conclusion explores<br />

Shakespeare’s relationship with his own father and<br />

its effect on his fictional depictions <strong>of</strong> life as a son.<br />

Fred B. Tromly is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at Trent <strong>University</strong>.<br />

‘This is a fine, important addition to contemporary<br />

Shakespearean criticism.’<br />

Murray Schwartz, Emerson College<br />

400 pp / 6 x 9 / 2010<br />

Cloth 978-0-8020-9961-7 $65.00 (£45.99)<br />

Subject Stages<br />

Marriage, Theatre and the Law in Early Modern Spain<br />

María M. Carrión<br />

In early modern Spain, the strict definition <strong>of</strong><br />

marriage as the union <strong>of</strong> a man and a woman <strong>of</strong><br />

Catholic faith for the sole purpose <strong>of</strong> procreation<br />

became a key strategy in the production <strong>of</strong> Spain’s<br />

version <strong>of</strong> empire. However, theatre audiences in<br />

Spain saw different representations <strong>of</strong> marriage:<br />

women arguing in court against marital violence,<br />

queens and noblewomen delaying or refusing<br />

imposed marriages, and queer subjects articulating<br />

radical critiques <strong>of</strong> sex and gender policing.<br />

Subject Stages argues that the discourses and<br />

practices <strong>of</strong> marital legislation, litigation, and<br />

theatrics informed each other during this period in<br />

ways that still have a critical bearing on contemporary<br />

events in Spain.<br />

María M. Carrión is Pr<strong>of</strong>essor <strong>of</strong> Spanish, Religion,<br />

and Women’s Studies at Emory <strong>University</strong>.<br />

‘Carrión’s compelling examination <strong>of</strong> theatrical<br />

productions, canonical literary works, and other<br />

cultural texts, is an original and important analysis<br />

<strong>of</strong> the interrelation <strong>of</strong> law, theatre, and the<br />

institution <strong>of</strong> marriage.’<br />

Sherry Velasco, <strong>University</strong> <strong>of</strong> Southern California<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

240 pp / 9 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4108-2 $55.00 (£38.99)<br />

utppublishing.com 11


ERASMUS<br />

The Collected Works <strong>of</strong> Erasmus<br />

The aim <strong>of</strong> the Collected Works <strong>of</strong> Erasmus is to make available an accurate, readable English text <strong>of</strong> Desiderius Erasmus’ (d. 1536) principal<br />

writings. Erasmus was one <strong>of</strong> the leading architects <strong>of</strong> modern thought, whose influence over the intellectual life <strong>of</strong> his day was immense.<br />

The series, 89 volumes in length, was launched in 1968.<br />

‘Academic publishing does not get any better than this: durably bound, expertly annotated, beautifully translated editions <strong>of</strong> the works <strong>of</strong><br />

one <strong>of</strong> the finest scholars in the illustrious history <strong>of</strong> the Christian Church. English readers will long continue to be in the debt <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong> Press for its courage and foresight in undertaking the publication <strong>of</strong> the extensive Erasmian corpus.’<br />

Michael Bauman, Journal <strong>of</strong> the Evangelical Theological Society<br />

‘The Collected Works <strong>of</strong> Erasmus project has long since established a new standard for scholarly translation series to emulate. Not only<br />

have the English versions represented Erasmus’ writings in crisp and accessible language, but meticulous editorial scholarship has placed<br />

the author’s thought and work in their proper intellectual contexts.’<br />

Jerry H. Bentley, <strong>Renaissance</strong> Quarterly<br />

Complete List <strong>of</strong> Published Volumes<br />

(CWE 1): Letters 1-141<br />

Cloth 978-0-8020-1981-3 $117.00 (£81.99)<br />

(CWE 2): Letters 142-297<br />

Cloth 978-0-8020-1983-7 $101.00 (£70.99)<br />

(CWE 3): Letters 298-445<br />

Cloth 978-0-8020-2202-8 $101.00 (£70.99)<br />

(CWE 4): Letters 446-593<br />

Cloth 978-0-8020-5366-4 $101.00 (£70.99)<br />

(CWE 5): Letters 594-841<br />

Cloth 978-0-8020-5429-6 $101.00 (£70.99)<br />

(CWE 6): Letters 842-992<br />

Cloth 978-0-8020-5500-2 $101.00 (£70.99)<br />

(CWE 7): Letters 993-1121<br />

Cloth 978-0-8020-5607-8 $101.00 (£70.99)<br />

(CWE 8): Letters 1122-1251<br />

Cloth 978-0-8020-2607-1 $101.00 (£70.99)<br />

(CWE 9): Letters 1252-1355<br />

Cloth 978-0-8020-2604-0 $107.00 (£74.99)<br />

(CWE 10): Letters 1356-1534<br />

Cloth 978-0-8020-5976-5 $117.00 (£81.99)<br />

(CWE 11): Letters 1535-1657<br />

Cloth 978-0-8020-0536-6 $132.00 (£92.99)<br />

(CWE 12): Letters 1658-1801<br />

Cloth 978-0-8020-4831-8 $203.00 (£142.99)<br />

(CWE 13): Letters 1802-1925<br />

Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />

(CWE 14): Letters 1926-2081<br />

Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />

(CWE 23-24): Lit/Ed Writings 1,2<br />

Cloth 978-0-8020-5395-4 $130.00 (£90.99)<br />

(CWE 25-26): Lit/Ed Writings 3,4<br />

Cloth 978-0-8020-5521-7 $130.00 (£90.99)<br />

(CWE 27-28): Lit/Ed Writings 5,6<br />

Cloth 978-0-8020-5602-3 $130.00 (£90.99)<br />

(CWE 29): Lit/Ed Writings 7<br />

Cloth 978-0-8020-5818-8 $130.00 (£90.99)<br />

(CWE 31): Adages Ii1 - Iv100<br />

Cloth 978-0-8020-2373-5 $95.00 (£66.99)<br />

(CWE 32): Adages Ivi1 - Ix100<br />

Cloth 978-0-8020-2412-1 $95.00 (£66.99)<br />

(CWE 33): Adages IIi1 -IIvi100<br />

Cloth 978-0-8020-5954-3 $117.00 (£81.99)<br />

(CWE 34): Adages IIvii1-IIIiii100<br />

Cloth 978-0-8020-2831-0 $112.00 (£78.99)<br />

(CWE 35): Adages IIIiv1-IVii100<br />

Cloth 978-0-8020-3643-8 $172.00 (£120.99)<br />

(CWE 36): Adages Iviii1-Vii51<br />

Cloth 978-0-8020-8832-1 $172.00 (£120.99)<br />

(CWE 39-40): Colloquies<br />

Cloth 978-0-8020-5819-5 $375.00 (£262.99)<br />

(CWE 42): Paraphrases on Romans<br />

Cloth 978-0-8020-2510-4 $62.00 (£43.99)<br />

(CWE 43): Paraphrases on Epistles<br />

Cloth 978-0-8020-9296-0 $175.00 (£122.99)<br />

(CWE 44): Paraphrases on Letters<br />

Cloth 978-0-8020-0541-0 $143.00 (£100.99)<br />

(CWE 45): Paraphrases on Matthew<br />

Cloth 978-0-8020-9299-1 $129.00 (£90.99)<br />

(CWE 46): Paraphrases on John<br />

Cloth 978-0-8020-5859-1 $101.00 (£70.99)<br />

(CWE 48): Paraphrases on Luke<br />

Cloth 978-0-8020-3653-7 $149.00 (£104.99)<br />

(CWE 49): Paraphrases on Mark<br />

Cloth 978-0-8020-2631-6 $72.00 (£50.99)<br />

(CWE 50): New Testament Scholarship<br />

Cloth 978-0-8020-0664-6 $112.00 (£78.99)<br />

(CWE 56): Annotations On Romans<br />

Cloth 978-0-8020-2803-7 $130.00 (£90.99)<br />

(CWE 61): Patristic Scholarship<br />

Cloth 978-0-8020-2760-3 $101.00 (£70.99)<br />

(CWE 63): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-4308-5 $103.00 (£72.99)<br />

(CWE 64): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-3584-4 $172.00 (£120.99)<br />

(CWE 65): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />

(CWE 66): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-2656-9 $95.00 (£66.99)<br />

(CWE 69): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-4382-5 $146.00 (£102.99)<br />

(CWE 70): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-4309-2 $146.00 (£102.99)<br />

(CWE 71): Controversies<br />

Cloth 978-0-8020-2869-3 $101.00 (£70.99)<br />

(CWE 72): Controversies<br />

Cloth 978-0-8020-3836-4 $172.00 (£120.99)<br />

(CWE 76): Controversies<br />

Cloth 978-0-8020-4317-7 $146.00 (£102.99)<br />

(CWE 77): Controversies<br />

Cloth 978-0-8020-4756-4 $146.00 (£102.99)<br />

(CWE 78): Controversies<br />

Cloth 978-0-8020-9866-5 $165.00 (£115.99)<br />

(CWE 82): Controversies<br />

Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />

(CWE 83): Controversies<br />

Cloth 978-0-8020-4310-8 $112.00 (£78.99)<br />

(CWE 84): Controversies<br />

Cloth 978-0-8020-4397-9 $200.00 (£139.99)<br />

(CWE 85-86): Poems<br />

Cloth 978-0-8020-2867-9 $140.00 (£97.99)<br />

In Preparation<br />

Correspondence 16–22; Adages 30, Apophthegmata 37–38; New Testament Scholarship 41, 47, 51–55, 57–60; Patristic Scholarship 62;<br />

Spiritualia and Pastoralia 67–68; Controversies 73–75, 79–81<br />

12 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


ERASMUS<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 2082–2203<br />

NEW<br />

Edited by James M. Estes<br />

Translated by Alexander Dalzell<br />

This volume contains the surviving correspondence<br />

<strong>of</strong> Erasmus for the first seven months <strong>of</strong> 1529. For<br />

nearly eight years he had lived happily and<br />

productively in Basel. In the winter <strong>of</strong> 1528-9, however,<br />

the Swiss version <strong>of</strong> the Lutheran Reformation<br />

triumphed in the city, destroying the liberalreformist<br />

atmosphere Erasmus had found so<br />

congenial. Unwilling to live in a place where Catholic<br />

doctrine and practice were <strong>of</strong>ficially proscribed,<br />

Erasmus resettled in the quiet, reliably Catholic<br />

university town <strong>of</strong> Freiburg im Breisgau,<br />

Despite the turmoil <strong>of</strong> moving, Erasmus managed<br />

to complete the new Froben editions <strong>of</strong> Seneca and<br />

St Augustine, both monumental projects that had<br />

been underway for years. He also found time to<br />

engage in controversy with his conservative Catholic<br />

critics, as well as to write a long letter lamenting the<br />

execution for heresy <strong>of</strong> his friend Louis de Berquin<br />

at Paris.<br />

James M. Estes is pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Alexander Dalzell is pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> <strong>Classics</strong> at Trinity College, <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong>.<br />

(Collected Works <strong>of</strong> Erasmus 15)<br />

Approx. 528 pp / 6 ¾ x 9 ¾ / April <strong>2012</strong><br />

Cloth 978-1-4426-4203-4 $175.00 (£122.99)<br />

Controversies<br />

Clarifications Concerning the Censures Published in Paris<br />

in the Name <strong>of</strong> the Parisian Faculty <strong>of</strong> Theology<br />

NEW<br />

Edited and translated by Clarence H. Miller<br />

Introduction by Clarence H. Miller<br />

and James K. Farge<br />

Erasmus’ humanistic approach to theology and<br />

biblical exegesis presented a shocking challenge to<br />

the theologians at the <strong>University</strong> <strong>of</strong> Paris, which had<br />

been dominated by scholastic theology for centuries.<br />

Erasmus engaged in a decade-long controversy over<br />

his theological, exegetical, and ethical positions<br />

with the Theological Faculty, and especially with<br />

their director, Noël Béda.<br />

This volume – which translates this crucial quarrel<br />

from Latin for the first time – details the formal,<br />

wide-ranging attack on Erasmus’ theories printed<br />

by the faculty in 1531, along with his two replies.<br />

Erasmus published his first rebuttal in the spring <strong>of</strong><br />

1532, and that fall issued a second edition with substantial<br />

revisions and lengthy additions to his original<br />

text. With an extensive introduction and detailed<br />

commentary, this volume highlights the differences<br />

between the humanist and scholastic views <strong>of</strong> genuine<br />

theology more fully and extensively than most <strong>of</strong><br />

Erasmus’ other polemical works.<br />

Clarence H. Miller is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at St. Louis <strong>University</strong>. James<br />

K. Farge is a senior fellow and librarian at the<br />

Pontifical Institute <strong>of</strong> <strong>Medieval</strong> Studies at the<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

(Collected Works <strong>of</strong> Erasmus 82)<br />

Approx. 560 pp / 6 ¾ x 9 ¾ / May <strong>2012</strong><br />

Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 1802–1925<br />

Translated by Charles Fantazzi<br />

Annotated by James K. Farge<br />

The 129 letters in this volume <strong>of</strong> the Collected<br />

Works centre primarily on Erasmus’ continuing<br />

struggle with his Catholic critics, especially those in<br />

Spain and France, and on his growing criticism <strong>of</strong><br />

the Protestant reform movement. The correspondence<br />

from this period documents Erasmus attempts to<br />

justify his position and to win favour with powerful<br />

institutions, rulers, and other men <strong>of</strong> influence in<br />

both secular and religious spheres.<br />

Although the Spanish Inquisition’s investigation<br />

<strong>of</strong> his activities did not bring about charges against<br />

him, the Paris Faculty <strong>of</strong> Theology in December<br />

1527 formally condemned 112 propositions drawn<br />

from Erasmus’ works. The letters in this volume,<br />

written by and to Erasmus at a critical time in his<br />

career, represent his political views on a Europe torn<br />

apart by war and religious separatism, as well as his<br />

enduring commitment to principles <strong>of</strong> Christian<br />

humanism and scholarship.<br />

Charles Fantazzi is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Foreign Languages and Literatures at East<br />

Carolina <strong>University</strong> and a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> <strong>Classics</strong> at the <strong>University</strong> <strong>of</strong> Windsor.<br />

(Collected Works <strong>of</strong> Erasmus 13)<br />

624 pp / 19 illustrations / 6 ¾ x 9 ¾ / 2010<br />

Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />

utppublishing.com 13


ERASMUS<br />

NEW<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 1926–2081<br />

Translated by Charles Fantazzi<br />

Annotated by James M. Estes<br />

The predominant theme <strong>of</strong> the letters <strong>of</strong> 1528 is<br />

Erasmus’ controversies with a variety <strong>of</strong> critics and<br />

opponents. The publication in March <strong>of</strong> the dialogue<br />

Ciceronianus, for example, provoked a huge uproar<br />

in France because it included an ironic jest that was<br />

considered insulting; more serious were the<br />

continuing efforts <strong>of</strong> conservative Catholics in<br />

France, Italy, and to prove not only that Erasmus was<br />

a secret Lutheran but also that humanist scholarship<br />

was the source <strong>of</strong> the Lutheran heresy.<br />

In response to these charges, Erasmus wrote<br />

letters and books in which he vigorously defended<br />

his orthodoxy and assiduously cultivated the support<br />

<strong>of</strong> his many admirers among the princes and prelates<br />

<strong>of</strong> Europe. The letters also record Erasmus’ growing<br />

anxiety over the progress <strong>of</strong> the Reformation in<br />

Basel, his diligent attention to his financial affairs,<br />

and his progress on the great editions <strong>of</strong> Augustine<br />

and Seneca that would be published in 1529.<br />

(Collected Works <strong>of</strong> Erasmus 14)<br />

624 pp / 25 illustrations / 6 ¾ x 9 ¾ / 2011<br />

Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />

Expositions <strong>of</strong> the Psalms<br />

Edited by Dominic Baker -Smith<br />

This third and final volume <strong>of</strong> the Expositions <strong>of</strong> the<br />

Psalms comprises Erasmus’ commentary on Psalms<br />

14, 38, and 83. Dating from the final years <strong>of</strong> Erasmus’<br />

life, the commentaries reflect his later thoughts on<br />

the great crisis facing western Christendom.<br />

These three expositions, written during the early<br />

1530s, address a number <strong>of</strong> contentious issues<br />

within the Church and attempt to reconcile the<br />

warring factions <strong>of</strong> the Reformation. Erasmus’<br />

characteristic emphasis on the inner experience <strong>of</strong><br />

faith, rather than rigid outward conformity to religious<br />

dogma, allowed him to be receptive to the insights<br />

<strong>of</strong> reform while refusing to compromise on the<br />

essentials <strong>of</strong> Christian doctrine. By stressing the<br />

subjective experience at the heart <strong>of</strong> spiritual practice,<br />

he sought to reduce the tension <strong>of</strong> institutional<br />

conflict. The volume includes the first published<br />

English translation <strong>of</strong> the exposition <strong>of</strong> Psalm 38<br />

and, since 1537, <strong>of</strong> Psalm 14.<br />

Dominic Baker-Smith is pr<strong>of</strong>essor emeritus <strong>of</strong><br />

English Literature at the <strong>University</strong> <strong>of</strong> Amsterdam.<br />

(Collected Works <strong>of</strong> Erasmus 65)<br />

352 pp / 3 illustrations / 6 ¾ x 9 ¾ / 2010<br />

Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />

NEW<br />

The Unfolding <strong>of</strong> Words<br />

Commentary in the Age <strong>of</strong> Erasmus<br />

Edited by Judith Rice Henderson<br />

Leading sixteenth-century scholars such as Martin<br />

Luther and Desiderius Erasmus used print technology<br />

to engage in dialogue and debate with authoritative<br />

contemporary texts. By what Juan Luis Vives termed<br />

‘the unfolding <strong>of</strong> words,’ these humanists gave old<br />

works new meanings in brief notes and extensive<br />

commentaries, full paraphrases, or translations. This<br />

critique challenged the Middle Ages deference to<br />

authors and authorship and resulted in some <strong>of</strong> the<br />

most original thought – and most violent controversy<br />

– <strong>of</strong> the <strong>Renaissance</strong> and Reformation.<br />

The Unfolding <strong>of</strong> Words brings together international<br />

scholarship to explore crucial changes in writers’<br />

interactions with religious and classical texts. This<br />

collection focuses particularly on commentaries by<br />

Erasmus, contextualizing his Annotations and<br />

Paraphrases on the New Testament against broader<br />

currents and works by such contemporaries as<br />

François Rabelais and Jodocus Badius. The Unfolding<br />

<strong>of</strong> Words tracks humanist explorations <strong>of</strong> the<br />

possibilities <strong>of</strong> the page that led to the modern<br />

dictionary, encyclopedia, and scholarly edition.<br />

Judith Rice Henderson is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English and is active in the Classical,<br />

<strong>Medieval</strong>, and <strong>Renaissance</strong> Studies Program at the<br />

<strong>University</strong> <strong>of</strong> Saskatchewan.<br />

(Erasmus Studies)<br />

Approx. 272 pp / 16 illustrations / 5 ¾ x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4337-6 $65.00 (£42.99)<br />

14 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


ERASMUS<br />

Erasmus in the Footsteps <strong>of</strong> Paul<br />

NEW<br />

Greta Grace Kroeker<br />

Erasmus’ religious beliefs continued to evolve in<br />

response to the theological debates <strong>of</strong> the Reformation.<br />

In 1524 he gave in to pressure to respond to<br />

Martin Luther’s position on free will, and by 1527 he<br />

had begun to develop a theology <strong>of</strong> grace remarkably<br />

similar to that <strong>of</strong> the key Protestant leaders.<br />

Evidence <strong>of</strong> Erasmus’ changing theological views<br />

can be found in his interpretations <strong>of</strong> Saint Paul’s<br />

teachings, particularly his Epistle to the Romans.<br />

Erasmus in the Footsteps <strong>of</strong> Paul is the first major<br />

study to investigate Erasmus’ Pauline theology in<br />

the context <strong>of</strong> the Reformation world. Greta Grace<br />

Kroeker shows that although Erasmus never left<br />

the Catholic Church, his struggles with the Reformation’s<br />

central issues were instrumental to his<br />

growth as a theologian.<br />

Greta Grace Kroeker is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Waterloo.<br />

‘[Kroeker’s] findings challenge our received notions<br />

<strong>of</strong> the boundaries and patterns <strong>of</strong> influence that<br />

were at work in Erasmus’ day and throw new light<br />

on Erasmus himself as well as on the history <strong>of</strong> what<br />

we know as “the Reformation.”’<br />

James M. Estes, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />

(Erasmus Studies)<br />

256 pp / 5 ¾ x 9 / 2011<br />

Cloth 978-0-8020-9266-3 $60.00 (£41.99)<br />

Erasmus and Voltaire<br />

Why They Still Matter<br />

Ricardo J. Quinones<br />

Erasmus and Voltaire have maintained a permanent<br />

hold on our interest by virtue <strong>of</strong> the singular roles<br />

each played at turning points in the development <strong>of</strong><br />

Western culture. Yet until now, there has not been a<br />

full-length study to discuss these two pre-eminent<br />

figures together in terms <strong>of</strong> their careers, their works,<br />

and their historic afterlives.<br />

In Erasmus and Voltaire, Ricardo J. Quinones<br />

demonstrates how both writers were forces for<br />

change in their time and why they rank among the<br />

masters <strong>of</strong> modern liberalism. Drawing attention to<br />

the continuities between the <strong>Renaissance</strong> and the<br />

Enlightenment, Quinones characterizes Erasmus<br />

and Voltaire as voices <strong>of</strong> moderation and reason<br />

that remain capable <strong>of</strong> addressing the philosophical<br />

crises <strong>of</strong> today.<br />

Ricardo J. Quinones is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at Claremont McKenna College.<br />

‘Quinones’s book is a superb piece <strong>of</strong> work that will<br />

appeal not only to scholars but also to the learned<br />

general reader.’<br />

Erika Rummel, <strong>Renaissance</strong> Quarterly<br />

(Erasmus Studies)<br />

240 pp / 5 ¾ x 9 / 2010<br />

Cloth 978-1-4426-4054-2 $55.00 (£38.99)<br />

Contemporaries <strong>of</strong> Erasmus<br />

A Biographical Register <strong>of</strong> the <strong>Renaissance</strong> and Reformation<br />

Edited by Peter G. Bietenholz and<br />

Thomas B. Deutscher<br />

Contemporaries <strong>of</strong> Erasmus is a general dictionary<br />

<strong>of</strong> humanists containing 1900 biographies from the<br />

period roughly between 1450 and 1550. Differing<br />

substantially from the national biographical dictionaries<br />

that restrict themselves to major figures,<br />

Contemporaries <strong>of</strong> Erasmus combines the famous<br />

with the obscure – popes and politicians, artists and<br />

poets, knights and theologians. Well-known figures<br />

include Martin Luther, King Henry VIII, Machiavelli,<br />

Popes Nicholas V and Paul IV, and Emperor Charles V.<br />

Dipping into the pages <strong>of</strong> this fully illustrated<br />

volume will intrigue and delight the casual reader,<br />

but the combined volume will also be an indispensible<br />

tool for those who wish to relate Erasmus to other<br />

people in the history <strong>of</strong> the <strong>Renaissance</strong> and the<br />

Reformation.<br />

‘Erasmus himself would have thoroughly enjoyed it.’<br />

Alastair Hamilton, Times Literary Supplement<br />

Volume 1 (A–E): 480 pp / 6 ¾ x 9 ¾ / 1985<br />

Cloth 978-0-8020-2507-4 $117.00 (£81.99)<br />

Volume 2 (F–M): 488 pp / 6 ¾ x 9 ¾ / 1985<br />

Cloth 978-0-8020-2571-5 $117.00 (£81.99)<br />

Volume 3 (N–Z): 503 pp / 6 ¾ x 9 ¾ / 1986<br />

Cloth 978-0-8020-2575-3 $117.00 (£81.99)<br />

Three volume set (A–Z): 1475 pp / 6 ¾ x 9 ¾ / 2003<br />

Cloth 978-0-8020-2648-4 $317.00 (£221.99)<br />

Paper 978-0-8020-8577-1 $114.00 (£79.99)<br />

utppublishing.com 15


HISTORY<br />

NEW<br />

Marsilius <strong>of</strong> Padua at the Intersection <strong>of</strong> Ancient<br />

and <strong>Medieval</strong> Traditions <strong>of</strong> Political Thought<br />

Vasileios Syros<br />

This book focuses on the reception and transmission<br />

<strong>of</strong> classical political ideas in the thought <strong>of</strong> fourteenthcentury<br />

Italian scholar Marsilius <strong>of</strong> Padua. Vasileios<br />

Syros investigates many facets <strong>of</strong> Marsilius’ work,<br />

including his use <strong>of</strong> efficient cause in his discussion<br />

<strong>of</strong> political phenomena, and the causes <strong>of</strong> civil strife<br />

in the Italian city-states <strong>of</strong> his day.<br />

Syros demonstrates that Marsilius was committed<br />

to the idea <strong>of</strong> a sharp demarcation between ethics<br />

and politics, thereby foreshadowing the writings <strong>of</strong><br />

Machiavelli and a number <strong>of</strong> other early modern<br />

writers. He also elucidates Marsilius’ use <strong>of</strong> examples<br />

from Greek mythology in his work on the emergence<br />

and political dimension <strong>of</strong> pagan religions. Finally,<br />

this study highlights linkages between Marsilius’<br />

thought and the ideas <strong>of</strong> his medieval Muslim and<br />

Jewish predecessors and contemporaries.<br />

Vasileios Syros is a docent in the Centre <strong>of</strong> Excellence<br />

in Political Thought and Conceptual Change at the Academy<br />

<strong>of</strong> Finland and the <strong>University</strong> <strong>of</strong> Helsinki.<br />

Approx. 304 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4144-0 $65.00 (£45.99)<br />

NEW<br />

The Christ Child in <strong>Medieval</strong> Culture<br />

Alpha es et O!<br />

Edited by Mary Dzon and Theresa M. Kenney<br />

The cult <strong>of</strong> the Christ Child flourished in late medieval<br />

Europe across lay and religious, as well as geographic<br />

and cultural boundaries. Depictions <strong>of</strong> Christ’s boyhood<br />

are found throughout popular culture, visual<br />

art, and literature. The Christ Child in <strong>Medieval</strong> Culture<br />

is the first interdisciplinary investigation <strong>of</strong> how<br />

representations <strong>of</strong> the Christ Child were conceptualized<br />

and employed in this period.<br />

The contributors to this unique volume analyse<br />

depictions <strong>of</strong> the Christ Child through a variety <strong>of</strong><br />

frameworks, including the interplay <strong>of</strong> mortality<br />

and divinity, the medieval conceit <strong>of</strong> a suffering<br />

Christ Child, and the interrelationships between<br />

Christ and other figures, including saints and ordinary<br />

children. The Christ Child in <strong>Medieval</strong> Culture synthesizes<br />

various approaches to interpreting the cultural<br />

meaning <strong>of</strong> medieval religious imagery and illuminates<br />

the significance <strong>of</strong> its most central figure.<br />

Mary Dzon is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Tennessee. Theresa<br />

M. Kenney is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Dallas.<br />

Approx. 360 pp / 47 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9894-8 $80.00 (£50.99)<br />

The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Italy<br />

Edited by Lawrin Armstrong and Julius Kirshner<br />

Foreword by Lauro Martines<br />

The Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />

Italy features original contributions by international<br />

scholars on the fortieth anniversary <strong>of</strong> the publication<br />

<strong>of</strong> Lauro Martines’s Lawyers and Statecraft in <strong>Renaissance</strong><br />

Florence, which is recognized as a groundbreaking<br />

study challenging traditional approaches to both<br />

Florentine and legal history.<br />

Essays by leading historians examine the pr<strong>of</strong>essional,<br />

social, and political functions <strong>of</strong> Italian jurists from<br />

the thirteenth to the late fifteenth centuries. The<br />

volume also examines the use <strong>of</strong> emergency powers,<br />

the critical role played by jurists in mediating the<br />

rule <strong>of</strong> law, and the adjudication <strong>of</strong> political crimes.<br />

Lawrin Armstrong is an associate pr<strong>of</strong>essor in the<br />

Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Julius Kirshner is a pr<strong>of</strong>essor emeritus in the Department<br />

<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Chicago.<br />

‘Scholars <strong>of</strong> legal history will be grateful for The<br />

Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />

Italy, a fitting introductory volume to the <strong>Toronto</strong><br />

Studies in <strong>Medieval</strong> Law series.’<br />

William J. Connell, Seton Hall <strong>University</strong><br />

(<strong>Toronto</strong> Studies in <strong>Medieval</strong> Law)<br />

240 pp / 1 illustration / 6 x 9 / 2011<br />

Cloth 978-1-4426-4075-7 $55.00 (£38.99)<br />

16 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


HISTORY<br />

The Body Legal in Barbarian Law<br />

Lisi Oliver<br />

The sixth to ninth centuries saw a flowering <strong>of</strong> written<br />

laws among the early Germanic tribes. These laws<br />

include tables <strong>of</strong> fines for personal injury, designed<br />

to <strong>of</strong>fer a legal, non-violent alternative to blood<br />

feud. Using these personal injury tariffs, The Body<br />

Legal in Barbarian Law examines a variety <strong>of</strong> issues,<br />

including the interrelationships between victims,<br />

perpetrators, and their families; the causes and results<br />

<strong>of</strong> wounds inflicted in daily life; and the processes <strong>of</strong><br />

individual redress and public litigation.<br />

Lisi Oliver has produced a remarkable study that<br />

sheds new light on early Germanic conceptions <strong>of</strong><br />

the body in terms <strong>of</strong> medical value, physiological<br />

function, psychological worth, and social significance.<br />

Lisi Oliver is Greater Houston Alumni Chapter<br />

Endowed Alumni Pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at Louisiana State <strong>University</strong>.<br />

‘A fascinating book, Lisi Oliver’s The Body Legal in<br />

Barbarian Law is a true labour <strong>of</strong> love by an<br />

unabashed and impassioned expert in the field.’<br />

Andy Orchard, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

320 pp / 43 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9706-4 $65.00 (£45.99)<br />

Punishment and Penance<br />

Two Phases in the History <strong>of</strong> the Bishop’s Tribunal <strong>of</strong> Novara<br />

NEW<br />

PUNISHMENT AND PENANCE<br />

TWO PHASES IN THE HISTORY OF THE BISHOP’S TRIBUNAL OF NOVARA<br />

Thomas B. Deutscher<br />

Punishment and Penance provides the first comprehensive<br />

study <strong>of</strong> an Italian bishop’s tribunal in<br />

criminal matters, such as violence, forbidden sexual<br />

activity, and <strong>of</strong>fenses against the faith. Through<br />

numerous case studies, Thomas B. Deutscher<br />

investigates the scope and effectiveness <strong>of</strong> the early<br />

modern ecclesiastical legal system.<br />

Deutscher examines the records <strong>of</strong> the bishop’s<br />

tribunal <strong>of</strong> the northern Italian diocese <strong>of</strong> Novara<br />

during two distinct periods: the ambitious decades<br />

following the Council <strong>of</strong> Trent (1563–1615), and the<br />

half-century leading up to the French invasions <strong>of</strong><br />

1790s. As the state’s power continued to rise during<br />

this second time span, the Church was <strong>of</strong>ten humbled<br />

and the tribunal’s activity was much reduced. Enriched<br />

by stories drawn from the files, which <strong>of</strong>ten<br />

allowed the accused to speak in their own voices,<br />

Punishment and Penance provides a window into<br />

the workings <strong>of</strong> a tribunal in this period.<br />

Thomas B. Deutscher is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at St Thomas More College, <strong>University</strong> <strong>of</strong><br />

Saskatchewan.<br />

(<strong>Toronto</strong> Italian Studies)<br />

Approx. 272 pp / 1 illustration / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4442-7 $60.00 (£40.99)<br />

THOMAS B. DEUTSCHER<br />

Rituals <strong>of</strong> Prosecution<br />

The Roman Inquisition and the Prosecution <strong>of</strong><br />

Philo-Protestants in Sixteenth-Century Italy<br />

NEW<br />

Jane K. Wickersham<br />

During the Counter-Reformation, inquisition manual<br />

authors working in Italian lands adapted the Catholic<br />

Church’s traditional tactics <strong>of</strong> inquisitorial procedure,<br />

which had been formulated in the medieval period,<br />

to the prosecution <strong>of</strong> philo-Protestants. Through a<br />

comparison <strong>of</strong> the texts <strong>of</strong> four such authors to contemporary<br />

inquisition processes, Jane K. Wickersham<br />

situates the Roman inquisition’s prosecution <strong>of</strong> philo-<br />

Protestants within the larger framework <strong>of</strong> the complex<br />

religious upheavals <strong>of</strong> the sixteenth century.<br />

Identifying the critical role played by ritual practice<br />

in discovering and prosecuting heretical subjects,<br />

Wickersham uncovers two core reasons for its use:<br />

first, as a practical means <strong>of</strong> prosecuting a variety <strong>of</strong><br />

philo-Protestant beliefs, and second, as an approach<br />

firmly grounded within the Catholic Church’s history<br />

<strong>of</strong> prosecuting heresy. Finally, Rituals <strong>of</strong> Prosecution<br />

provides an in-depth examination <strong>of</strong> the inquisitorial<br />

processes <strong>of</strong> urban residents from humble socioeconomic<br />

backgrounds, providing new insight into<br />

how the prosecution <strong>of</strong> ordinary people was conducted<br />

in the early modern era.<br />

Jane K. Wickersham is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Oklahoma.<br />

(<strong>Toronto</strong> Italian Studies)<br />

Approx. 384 pp / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4500-4 $80.00 (£55.99)<br />

THE ROMAN INqUISITION ANd THE PROSECUTION OF<br />

PHILO-PROTESTANTS IN SIxTEENTH-CENTURy ITALy<br />

JANE K. WICKERSHAM<br />

utppublishing.com 17


HISTORY<br />

NEW<br />

The Mystical Science <strong>of</strong> the Soul<br />

<strong>Medieval</strong> Cognition in Bernardino de Laredo’s Recollection Method<br />

Jessica A. Boon<br />

The Mystical Science <strong>of</strong> the Soul explores the unexamined<br />

influence <strong>of</strong> medieval discourses <strong>of</strong> science and<br />

spiritua lity on recogimiento, the unique Spanish genre<br />

<strong>of</strong> recollection mysticism that served as the driving<br />

force behind the principal developments in Golden<br />

Age mysticism. Building on recent research in medieval<br />

optics, physiology, and memory in relation to the devotional<br />

practices <strong>of</strong> the late Middle Ages, Jessica A.<br />

Boon probes the implications <strong>of</strong> an ‘embodied soul’<br />

for the intellectual history <strong>of</strong> Spanish mysticism.<br />

Boon proposes a fundamental rereading <strong>of</strong> the<br />

key recogimiento text Subida del Monte Sión<br />

(1535/1538), which melds the traditionally distinct<br />

spiritual techniques <strong>of</strong> moral self-examination, Passion<br />

meditation, and negative theology into one cognitively<br />

adept path towards mystical union. She is also the<br />

first English-language scholar to treat the author <strong>of</strong><br />

this influential work – the <strong>Renaissance</strong> physician<br />

Bernardino de Laredo, a pivotal figure in the transition<br />

from medieval to early modern spirituality on the<br />

Iberian peninsula and a source for Teresa <strong>of</strong> Avila’s<br />

mystical language.<br />

Jessica A. Boon is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Religious Studies at the <strong>University</strong> <strong>of</strong> North<br />

Carolina at Chapel Hill.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 320 pp / 7 illustrations / 6 x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4428-1 $65.00 (£45.99)<br />

NEW<br />

Redrawing the Map <strong>of</strong> Early Modern<br />

English Catholicism<br />

Edited by Lowell Gallagher<br />

The tumultuous climate <strong>of</strong> early modern England<br />

had a pr<strong>of</strong>ound effect on its Catholic population’s<br />

domestic life, social customs, literary inventions,<br />

and political arguments. Redrawing the Map <strong>of</strong><br />

Early Modern English Catholicism explores the broad<br />

spectrum <strong>of</strong> the early modern English Catholic<br />

experience, presenting fresh and <strong>of</strong>ten startling<br />

assessments <strong>of</strong> the most problematic topics in post-<br />

Reformation English Catholicism.<br />

The contributors to this volume – all leading and<br />

rising scholars <strong>of</strong> early modern studies – conceptualize<br />

English Catholicism as a hazardous series <strong>of</strong> contested<br />

territories divided by shifting boundaries, requiring<br />

Catholics to navigate with vigilance and diplomacy<br />

their status as ‘insiders’ or ‘outsiders.’ This collection<br />

also presents new ways to understand the connections<br />

between reformist and Catholic inflections in the<br />

emerging canon <strong>of</strong> English poetry, despite the<br />

eventual marginalization <strong>of</strong> Catholic poets in English<br />

literary history.<br />

Lowell Gallagher is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />

Los Angeles.<br />

(UCLA Clark Library Series 17)<br />

Approx. 360 pp / 7 illustrations / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4312-3 $75.00 (£48.00)<br />

The Calling <strong>of</strong> the Nations<br />

Exegesis, Ethnography, and Empire in a Biblical-Historic Present<br />

Edited by Mark Vessey, Sharon V. Betcher,<br />

Robert A. Daum, and Harry O. Maier<br />

Interweaving elements <strong>of</strong> history, theology, literary<br />

criticism, and cultural theory, the essays in this volume<br />

discuss the ways in which biblical understandings<br />

have shaped Western – and particularly European<br />

and North American – assumptions about the nature<br />

and meaning <strong>of</strong> the nation. This collection moves<br />

from the earliest Pauline and rabbinic exegesis<br />

through Christian imperial and missionary narratives<br />

<strong>of</strong> the late Roman, medieval, and early modern periods<br />

to the entangled identity politics <strong>of</strong> ‘mainstream’<br />

nineteenth- and twentieth-century North America.<br />

Mark Vessey is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English and Canada Research Chair in Literature /<br />

Christianity and Culture at the <strong>University</strong> <strong>of</strong> British<br />

Columbia. Sharon V. Betcher is an associate pr<strong>of</strong>essor<br />

<strong>of</strong> Theology at Vancouver School <strong>of</strong> Theology. Robert<br />

A. Daum is an associate pr<strong>of</strong>essor <strong>of</strong> Rabbinic<br />

Literature and Jewish Thought and Director <strong>of</strong> Iona<br />

Pacific Inter-Religious Centre at Vancouver School<br />

<strong>of</strong> Theology. Harry O. Maier is a pr<strong>of</strong>essor <strong>of</strong> New<br />

Testament and Early Christian Studies at Vancouver<br />

School <strong>of</strong> Theology.<br />

‘No other volume provides such a wide range <strong>of</strong><br />

perspectives on post-colonial readings <strong>of</strong> the Bible,<br />

nor a self-critical reflection on the method itself.’<br />

Richard Ascough, Queen’s <strong>University</strong><br />

(Green College Thematic Lecture Series)<br />

384 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9241-0 $75.00 (£52.99)<br />

18 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


HISTORY<br />

Cataloguing Discrepancies<br />

The Printed York Breviary <strong>of</strong> 1493<br />

NEW<br />

Andrew Hughes in collaboration with<br />

Matthew Cheung Salisbury and Heather Robbins<br />

Cataloguing Discrepancies reviews the description<br />

and cataloguing, from the early eighteenth century<br />

to the present day, <strong>of</strong> an early English Breviary,<br />

printed in 1493. With a critical eye, Andrew Hughes<br />

summarizes the work that has been done on this<br />

liturgical book.<br />

Based on the discrepancies and errors in the existing<br />

catalogues <strong>of</strong> medieval liturgical books, many <strong>of</strong><br />

which repeat erroneous information for generations,<br />

the authors illustrate the defects, problems, and<br />

opportunities encountered when technologies <strong>of</strong> the<br />

fifteenth and the twenty-first centuries converge.<br />

Andrew Hughes is <strong>University</strong> Pr<strong>of</strong>essor Emeritus in<br />

the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />

<strong>Toronto</strong>.<br />

‘A remarkable work, covering an impressive range<br />

<strong>of</strong> scholarship old and new on the York Breviary.<br />

The authors set forth a new codicological ground<br />

for this liturgical book’s 1493 edition, with broad<br />

implications for the study <strong>of</strong> incunabula that are<br />

both exciting and pertinent.’<br />

Graeme M. Boone, The Ohio State <strong>University</strong><br />

244 pp / 46 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4197-6 $55.00 (£38.99)<br />

A <strong>Renaissance</strong> Education<br />

Schooling in Bergamo 1500–1650<br />

Christopher Carlsmith<br />

Deeply rooted in archival sources, Christopher<br />

Carlsmith’s A <strong>Renaissance</strong> Education uses a case<br />

study approach to examine educational practices<br />

in the north-eastern Italian city <strong>of</strong> Bergamo from<br />

1500 to 1650.<br />

His close analysis <strong>of</strong> civic, ecclesiastical, confraternal,<br />

and family records not only paints a vivid portrait <strong>of</strong><br />

how schooling functioned in one city but also explores<br />

this small city’s dynamic interconnections with other<br />

locales and with larger regional processes.<br />

Christopher Carlsmith is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />

Massachusetts-Lowell.<br />

‘No scholar <strong>of</strong> <strong>Renaissance</strong> and Catholic Reformation<br />

education can afford to miss this important work.’<br />

Paul F. Grendler, Quaderni D’Italianistica<br />

416 pp / 10 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9254-0 $75.00 (£52.99)<br />

The Matter <strong>of</strong> Mind<br />

Reason and Experience in the Age <strong>of</strong> Descartes<br />

NEW<br />

Christopher Braider<br />

What influence did René Descartes’ concept <strong>of</strong> mindbody<br />

dualism have on early modern conceptions<br />

<strong>of</strong> the self In The Matter <strong>of</strong> Mind, Christopher Braider<br />

challenges the presumed centrality <strong>of</strong> Descartes’<br />

groundbreaking theory to seventeenth-century<br />

French culture. He details the broad opposition to<br />

rational self-government among Descartes’ contemporaries,<br />

and attributes conventional links between<br />

Descartes and the myth <strong>of</strong> the ‘modern subject’ to<br />

post-structuralist assessments.<br />

Forceful and provocative, The Matter <strong>of</strong> Mind will<br />

encourage lively debate on the norms and discourses<br />

<strong>of</strong> seventeenth-century philosophy.<br />

Christopher Braider is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Colorado at<br />

Boulder.<br />

‘The Matter <strong>of</strong> Mind will immediately become essential<br />

reading among specialists <strong>of</strong> French early modern<br />

literature and an important book for all those<br />

interested in early modern history, cognitive and<br />

aesthetic philosophy, and art history.’<br />

Larry Norman, <strong>University</strong> <strong>of</strong> Chicago<br />

Approx. 296 pp / 18 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4348-2 $75.00 (£48.00)<br />

utppublishing.com 19


LITERATURE<br />

NEW<br />

Land and Book<br />

Literature and Land Tenure in Anglo-Saxon England<br />

TORONTO ANGLO-SAXON SERIES<br />

Scott T. Smith<br />

In this original and innovative study, Scott T. Smith<br />

traces the intersections between land tenure and<br />

literature in Anglo-Saxon England. Smith aptly<br />

demonstrates that as land became property through<br />

the operations <strong>of</strong> writing, it came to assume a complex<br />

range <strong>of</strong> conceptual values that Anglo-Saxons could<br />

use to engage a number <strong>of</strong> vital cultural concerns<br />

beyond just the legal and practical – such as political<br />

dominion, salvation, sanctity, status, and social and<br />

spiritual obligations.<br />

Land and Book places a variety <strong>of</strong> texts – including<br />

charters, dispute records, heroic poetry, homilies,<br />

and the Anglo-Saxon Chronicle – in a dynamic<br />

conversation with the procedures and documents<br />

<strong>of</strong> land tenure, showing how its social practice led<br />

to innovation across written genres in both Latin<br />

and Old English. Through this, Smith provides an<br />

interdisciplinary synthesis <strong>of</strong> literary, legal, and<br />

historical interests.<br />

Scott T. Smith is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at Pennsylvania State<br />

<strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 288 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4486-1 $65.00 (£45.99)<br />

NEW<br />

Traditional Subjectivities<br />

The Old English Poetics <strong>of</strong> Mentality<br />

Britt Mize<br />

Why is Old English poetry so preoccupied with<br />

mental actions and perspectives, giving readers<br />

access to minds <strong>of</strong> antagonists as freely as to those<br />

<strong>of</strong> protagonists Why are characters sometimes<br />

called into being for no apparent reason other than<br />

to embody a psychological state Britt Mize provides<br />

the first systematic investigation into these salient<br />

questions in Traditional Subjectivities.<br />

Through close analysis <strong>of</strong> vernacular poems<br />

alongside the most informative analogues in Latin,<br />

Old English prose, and Old Saxon, this work<br />

establishes an evidence-based foundation for new<br />

thinking about the nature <strong>of</strong> Old English poetic<br />

composition, including the ‘poetics <strong>of</strong> mentality’<br />

that it exhibits. Mize synthesizes two previously disconnected<br />

bodies <strong>of</strong> theory – the oral-traditional<br />

theory <strong>of</strong> poetic composition, and current linguistic<br />

work on conventional language – to advance our<br />

understanding <strong>of</strong> how traditional phraseology<br />

makes meaning, as well as illuminate the political<br />

and social dimensions <strong>of</strong> surviving texts, through<br />

attention to Old English poets’ impulse to explore<br />

subjective perspectives.<br />

Britt Mize is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Texas A&M <strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 312 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4468-7 $90.00 (£62.99)<br />

NEW<br />

Stealing Obedience<br />

Narratives <strong>of</strong> Agency and Identity in Later Anglo-Saxon England<br />

Katherine O’Brien O’Keeffe<br />

Narratives <strong>of</strong> monastic life in Anglo-Saxon England<br />

depict individuals as responsible agents in the<br />

assumption and performance <strong>of</strong> religious identities.<br />

To modern eyes, however, many <strong>of</strong> the ‘choices’<br />

they make would actually appear to be compulsory.<br />

Stealing Obedience explores how a Christian notion<br />

<strong>of</strong> agent action – where freedom incurs responsibility<br />

– was a component <strong>of</strong> identity in the last hundred<br />

years <strong>of</strong> Anglo-Saxon England, and investigates<br />

where agency (in the modern sense) might be<br />

sought in these narratives.<br />

Katherine O’Brien O’Keeffe looks at Benedictine<br />

monasticism through the writings <strong>of</strong> Ælfric, Anselm,<br />

Osbern <strong>of</strong> Canterbury, and Goscelin <strong>of</strong> Saint-Bertin,<br />

as well as liturgy, canon and civil law, chronicle,<br />

dialogue, and hagiography, to analyse the practice<br />

<strong>of</strong> obedience in the monastic context. Stealing<br />

Obedience brings a highly original approach to the<br />

study <strong>of</strong> Anglo-Saxon narratives <strong>of</strong> obedience in the<br />

adoption <strong>of</strong> religious identity.<br />

Katherine O’Brien O’Keeffe is a pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the director <strong>of</strong> the<br />

<strong>Medieval</strong> Studies Program at the <strong>University</strong> <strong>of</strong><br />

California, Berkeley.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 296 pp / 1 illustration / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9707-1 $60.00 (£41.99)<br />

20 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Old English Literature and the Old Testament<br />

NEW<br />

Edited by Michael Fox and Manish Sharma<br />

It would be difficult to overestimate the importance<br />

<strong>of</strong> the Bible in the medieval world. For the Anglo-<br />

Saxons, literary culture emerged from sustained<br />

and intensive biblical study. Though the Old<br />

Testament was only partially translated into Old<br />

English, recent studies have shown how completely<br />

interconnected the Anglo-Latin and Old English<br />

literary traditions are.<br />

Old English Literature and the Old Testament<br />

considers the importance <strong>of</strong> the Old Testament<br />

from a variety <strong>of</strong> disciplinary perspectives, from<br />

comparative to intertextual and historical. Though<br />

the essays focus on individual works, authors, or<br />

trends, including the Interrogationes Sigewulfi,<br />

Genesis A, and Daniel, each ultimately speaks to the<br />

vernacular corpus as a whole, suggesting approaches<br />

and methodologies for further study.<br />

Michael Fox is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Alberta. Manish<br />

Sharma is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Concordia <strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 400 pp / 3 illustrations / 6 x 9 / February <strong>2012</strong><br />

Cloth 978-0-8020-9854-2 $80.00 (£50.00)<br />

Anglo-Saxon Psychologies in the Vernacular<br />

and Latin Traditions<br />

Leslie Lockett<br />

Old English verse and prose depict the human mind<br />

as a corporeal entity located in the chest cavity,<br />

susceptible to spatial and thermal changes corresponding<br />

to psychological states. While readers<br />

usually assume the metaphorical nature <strong>of</strong> such<br />

literary images, Leslie Lockett argues in this book that<br />

these depictions usually served as literal representations<br />

<strong>of</strong> Anglo-Saxon folk psychology. Lockett<br />

demonstrates that the Platonist-Christian theory <strong>of</strong><br />

the incorporeal mind was known to very few Anglo-<br />

Saxons throughout most <strong>of</strong> the period, while the<br />

concept <strong>of</strong> the mind-in-the-heart remained widespread.<br />

Leslie Lockett is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at The Ohio State <strong>University</strong>.<br />

‘Sure to become a standard work in the field, Anglo-<br />

Saxon Psychologies in the Vernacular and Latin<br />

Traditions is one <strong>of</strong> the most original and learned<br />

discussions <strong>of</strong> Anglo-Saxon literature <strong>of</strong> the past<br />

generation.’<br />

Michael Lapidge, Cambridge <strong>University</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

472 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4217-1 $85.00 (£59.99)<br />

On the Aesthetics <strong>of</strong> Beowulf<br />

and Other Old English Poems<br />

Edited by John M. Hill<br />

While there is an apparent consensus by scholars on<br />

a core <strong>of</strong> poems considered to be exceptional<br />

literary achievements – Beowulf, Judith, the Vercelli<br />

book – there has been little systematic investigation<br />

<strong>of</strong> the basis for these appraisals. With new essays<br />

on rhetoric, wordplay, metre, structure, irony, form,<br />

psychology, ethos, and reader response, this volume<br />

significantly advances our understanding not only<br />

<strong>of</strong> aesthetics and Old English poetry, but also <strong>of</strong> Old<br />

English attitudes towards literature as an art form.<br />

John M. Hill is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the U.S. Naval Academy.<br />

‘Drawing on a diverse range <strong>of</strong> theoretical and<br />

methodological approaches reflecting current<br />

trends in North American Old English scholarship,<br />

[this volume] raises important questions about<br />

authorship, provenance and poetic technique.’<br />

Francis Leneghan, The Review <strong>of</strong> English Studies<br />

320 pp / 7 figures; 5 tables / 6 x 9 / 2010<br />

Cloth 978-0-8020-9944-0 $65.00 (£45.99)<br />

utppublishing.com 21


LITERATURE<br />

NEW<br />

Myths, Legends, and Heroes<br />

Essays on Old Norse and Old English Literature<br />

OLD NORSE, OLD ICELANDIC, AND OLD ENGLISH<br />

Edited by Daniel Anlezark<br />

In Myths, Legends, and Heroes, editor Daniel Anlezark<br />

has brought together scholars <strong>of</strong> Old Norse-Icelandic<br />

and Old English literature to explore the translation<br />

and transmission <strong>of</strong> Norse myth, the use <strong>of</strong> literature<br />

in society and authorial self-reflection, the place <strong>of</strong><br />

myth in the expression <strong>of</strong> family relationships, and<br />

recurrent motifs in Northern literature.<br />

The essays in Myths, Legends, and Heroes <strong>of</strong>fer<br />

new insights in light <strong>of</strong> linguistic and archaeological<br />

evidence and a broad range <strong>of</strong> study with regard to<br />

both chronology and methodology.<br />

Daniel Anlezark is a senior lecturer in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Sydney.<br />

‘Scholars will find much to admire in this stimulating,<br />

highly original collection.’<br />

Kirsten Wolf, <strong>University</strong> <strong>of</strong> Wisconsin-Madison<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

312 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9947-1 $65.00 (£45.99)<br />

Klaeber’s Beowulf, Fourth Edition<br />

Edited by R.D. Fulk, Robert E. Bjork,<br />

and John D. Niles<br />

Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-<br />

Saxonists Best Edition Award<br />

Frederick Klaeber’s Beowulf has long been the standard<br />

edition for study by students and advanced scholars<br />

alike thanks to its wide-ranging coverage <strong>of</strong> scholarship,<br />

its comprehensive philological aids, and its<br />

exceptionally thorough notes and glossary.<br />

The fourth edition features a revised Introduction<br />

and Commentary detailing the vast store <strong>of</strong> scholarship<br />

on Beowulf that has appeared since 1950, and<br />

the lightly revised text incorporates the best textual<br />

criticism <strong>of</strong> the intervening years. Aids to pronunciation<br />

have been added to the text, and advances<br />

in the study <strong>of</strong> the poem’s language are addressed<br />

throughout.<br />

R.D. Fulk is Class <strong>of</strong> 1964 Chancellor’s Pr<strong>of</strong>essor<br />

<strong>of</strong> English at Indiana <strong>University</strong>. Robert E. Bjork<br />

is Pr<strong>of</strong>essor <strong>of</strong> English and director <strong>of</strong> the Arizona<br />

Center for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at Arizona<br />

State <strong>University</strong>. John D. Niles is Frederic G.<br />

Cassidy Pr<strong>of</strong>essor <strong>of</strong> Humanities in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Wisconsin-Madison.<br />

‘Every Beowulf scholar will want to have a copy <strong>of</strong> the<br />

new Klaeber at hand, so convenient are the superb<br />

summaries <strong>of</strong> scholarship throughout the book.’<br />

Fred C. Robinson, Speculum<br />

‘From now on Klaeber’s Beowulf will be the definitive<br />

scholarly edition <strong>of</strong> the poem and an essential resource<br />

for anyone participating in any aspect <strong>of</strong> Beowulf<br />

scholarship.’<br />

Hugh Magennis, English Studies<br />

(<strong>Toronto</strong> Old English Series)<br />

704 pp / 6 x 9 / 2008<br />

Cloth 978-0-8020-9843-6 $103.00 (£72.99)<br />

Paper 978-0-8020-9567-1 $40.95 (£28.99)<br />

The Narrative Pulse <strong>of</strong> Beowulf<br />

Arrivals and Departures<br />

John M. Hill<br />

One <strong>of</strong> the most consistent critiques levelled against<br />

Beowulf is that it lacks a steady narrative advance<br />

and that its numerous digressions tend to complicate<br />

if not halt the poem’s movement. The Narrative<br />

Pulse <strong>of</strong> Beowulf counters this assertion, examining<br />

Beowulf as a social drama with a strong, forwardmoving<br />

narrative momentum.<br />

John M. Hill discerns a distinctive ‘narrative pulse’<br />

arising out <strong>of</strong> the poem’s many scenes <strong>of</strong> arrival and<br />

departure. He argues that such scenes, far from being<br />

fixed or ‘type’ scenes, are socially dramatic and act<br />

as a key to understanding the structural density <strong>of</strong><br />

the poem, and bolsters his analysis with a strong<br />

understanding <strong>of</strong> the epic.<br />

John M. Hill is a pr<strong>of</strong>essor in the English Department<br />

at the U.S. Naval Academy.<br />

‘John Hill <strong>of</strong>fers an elegant reading <strong>of</strong> an ancient<br />

and difficult poem … This welcome book will be<br />

extraordinarily useful to students at all levels.’<br />

Stephen J. Harris, Speculum<br />

(<strong>Toronto</strong> Old English Studies)<br />

136 pp / 6 x 9 / 2009<br />

Cloth 978-0-8020-9329-5 $41.00 (£28.99)<br />

Paper 978-1-4426-1087-3 $21.95 (£15.99)<br />

22 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL<br />

The Ends <strong>of</strong> the Body<br />

Identity and Community in <strong>Medieval</strong> Culture<br />

LITERATURE<br />

NEW<br />

Edited by Suzanne Conklin Akbari and Jill Ross<br />

Drawing on Arabic, English, French, Irish, Latin and<br />

Spanish sources, the essays share a focus on the<br />

body’s productive capacity – whether expressed<br />

through the flesh’s materiality, or through its role in<br />

performing meaning.<br />

The collection is divided into four clusters.<br />

‘Foundations’ traces the use <strong>of</strong> physical remnants <strong>of</strong><br />

the body in the form <strong>of</strong> relics or memorial monuments<br />

that replicate the form <strong>of</strong> the body as foundational<br />

in communal structures; ‘Performing the Body’ focuses<br />

on the ways in which the individual body functions<br />

as the medium through which the social body is<br />

maintained; ‘Bodily Rhetoric’ explores the poetic<br />

linkage <strong>of</strong> body and meaning; and ‘Material Bodies’<br />

engages with the processes <strong>of</strong> corporeal being,<br />

ranging from the energetic flow <strong>of</strong> humoural liquids<br />

to the decay <strong>of</strong> the flesh.<br />

Together, the essays provide new perspectives<br />

on the centrality <strong>of</strong> the medieval body and underscore<br />

the vitality <strong>of</strong> this rich field <strong>of</strong> study.<br />

Suzanne Conklin Akbari is a pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>. Jill Ross is a<br />

pr<strong>of</strong>essor in the Centre for Comparative Literature<br />

and the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 312 pp / 12 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4470-0 $70.00 (£48.99)<br />

the ends <strong>of</strong> the body<br />

identity and community<br />

in medieval culture<br />

edited by suzanne conklin akbari and jill ross<br />

Author, Reader, Book<br />

<strong>Medieval</strong> Authorship in Theory and Practice<br />

NEW<br />

Edited by Stephen Partridge and Erik Kwakkel<br />

Bringing into conversation several kinds <strong>of</strong> scholarship<br />

on medieval authorship, the essays in Author,<br />

Reader, Book examine interrelated questions raised<br />

by the relationship between an author and a reader,<br />

the relationships between authors and their antecedents,<br />

and the ways in which authorship interacts with the<br />

physical presentation <strong>of</strong> texts in books.<br />

The broad chronological range within this volume<br />

reveals the persistence <strong>of</strong> literary concerns that remain<br />

consistent through different periods, languages,<br />

and cultural contexts. Theoretical reflections, case<br />

studies from a wide variety <strong>of</strong> languages, examinations<br />

<strong>of</strong> devotional literature, and analyses <strong>of</strong> works that<br />

are more secular in focus come together in this volume<br />

to transcend linguistic and disciplinary boundaries.<br />

Stephen Partridge is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> British<br />

Columbia. Erik Kwakkel is a lecturer in the Institute<br />

for Cultural Disciplines at Leiden <strong>University</strong>.<br />

‘Author, Reader, Book is a resource <strong>of</strong> significant value<br />

to medievalists interested in narrative, authorship,<br />

and manuscript culture.’<br />

Joan Grenier-Winther, Washington State <strong>University</strong><br />

Approx. 336 pp / 11 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9934-1 $75.00 (£48.00)<br />

Sacred and Pr<strong>of</strong>ane in Chaucer<br />

and Late <strong>Medieval</strong> Literature<br />

Essays in Honour <strong>of</strong> John V. Fleming<br />

Edited by Robert Epstein and William Robins<br />

Literary depictions <strong>of</strong> the sacred and the secular<br />

from the Middle Ages are representative <strong>of</strong> the<br />

era’s widely held cultural understandings related to<br />

religion and the nature <strong>of</strong> lived experience. Using<br />

late <strong>Medieval</strong> English literature, including some <strong>of</strong><br />

Chaucer’s writings, these essays do not try to define<br />

a secular realm distinct and separate from the divine<br />

or religious, but instead analyse intersections <strong>of</strong> the<br />

sacred and the pr<strong>of</strong>ane, suggesting that these two<br />

categories are mutually constitutive rather than<br />

antithetical. Taken together, the work suggests<br />

that the domain <strong>of</strong> the sacred, as perceived in the<br />

Middle Ages, can variously be seen as having a<br />

hierarchical or a complementary relationship to the<br />

things <strong>of</strong> this world.<br />

Robert Epstein is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at Fairfield <strong>University</strong>.<br />

William Robins is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

256 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4081-8 $60.00 (£41.99)<br />

utppublishing.com 23


LITERATURE<br />

The Legacy <strong>of</strong> Apollo<br />

Antiquity, Authority, and Chaucerian Poetics<br />

Jamie C. Fumo<br />

Apollo, the classical god <strong>of</strong> poetry, truth, light, and<br />

the healing arts, held a special fascination for poets<br />

and scholars in the late-medieval period. In The<br />

Legacy <strong>of</strong> Apollo, Jamie C. Fumo presents a series <strong>of</strong><br />

connected readings <strong>of</strong> classical and medieval texts<br />

that shape the god’s pre-modern legacy.<br />

Fumo innovatively brings the fruits <strong>of</strong> current<br />

scholarly practices <strong>of</strong> intertextuality to a body <strong>of</strong><br />

medieval subject matter. This wide-ranging work<br />

traces the resonances <strong>of</strong> Apollo up to the cusp <strong>of</strong><br />

the early modern period and reveals the medieval<br />

development <strong>of</strong> a newly self-conscious poetics <strong>of</strong><br />

inspiration in England.<br />

Jamie C. Fumo is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at McGill <strong>University</strong>.<br />

‘The wonderful breadth <strong>of</strong> Jamie Fumo’s engaging<br />

examination <strong>of</strong> classical forms in the Middle Ages<br />

<strong>of</strong>fers valuable new interpretations <strong>of</strong> Chaucer’s<br />

work and rare insight into medieval tropes <strong>of</strong> narrative<br />

authority.’<br />

Suzanne Yeager, Fordham <strong>University</strong><br />

360 pp / 8 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4170-9 $70.00 (£48.99)<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

Matthew Bailey<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

explores the composition <strong>of</strong> manuscript texts in<br />

thirteenth-century Spain. By analysing expressive<br />

traits found in these three poems, Matthew Bailey<br />

links them to the cognitive processes that take place<br />

in the minds <strong>of</strong> speakers as narration unfolds.<br />

Bailey incorporates the methodologies and concepts<br />

<strong>of</strong> discourse analysis in an examination <strong>of</strong> expression<br />

in the Spanish epic and points convincingly to oral<br />

composition as the initial step in text creation for<br />

the period.<br />

Matthew Bailey is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Romance Languages at Washington and Lee<br />

<strong>University</strong>.<br />

‘Bailey presents a cogent, concise, well-constructed<br />

argument for the importance <strong>of</strong> oral composition in<br />

the medieval Spanish epic … Highly recommended.’<br />

E.H. Friedman, CHOICE<br />

200 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4156-3 $45.00 (£31.99)<br />

RENAISSANCE<br />

NEW<br />

Dire Straits<br />

The Perils <strong>of</strong> Writing the English Coastline from Leland to Milton<br />

Elizabeth Jane Bellamy<br />

England became a centrally important maritime<br />

power in the early modern period, and its writers<br />

– acutely aware <strong>of</strong> their inhabiting an island –<br />

<strong>of</strong>ten depicted the coastline as a major topic <strong>of</strong> their<br />

works. However, early modern English versifiers had<br />

to reconcile this reality with the classical tradition, in<br />

which the British Isles were seen as culturally remote<br />

compared to the centrally important Mediterranean<br />

<strong>of</strong> antiquity. This was a struggle for writers not only<br />

because they used the classical tradition to legitimate<br />

their authority, but also because this image dominated<br />

cognitive maps <strong>of</strong> the oceanic world.<br />

As the first study <strong>of</strong> coastlines and early modern<br />

English literature, Dire Straits investigates the tensions<br />

<strong>of</strong> the classical tradition’s isolation <strong>of</strong> the British Isles<br />

from the domain <strong>of</strong> poetry. By illustrating how early<br />

modern English writers created their works in the<br />

context <strong>of</strong> a longstanding cultural inheritance from<br />

antiquity, Elizabeth Jane Bellamy <strong>of</strong>fers a new approach<br />

to the history <strong>of</strong> early modern cartography and its<br />

influences on literature.<br />

Elizabeth Jane Bellamy is a pr<strong>of</strong>essor and John<br />

C. Hodges Chair <strong>of</strong> Excellence in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> Tennessee.<br />

Approx. 224 pp / 2 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4501-1 $55.00 (£38.99)<br />

24 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Looking into Providences<br />

Designs and Trials in Paradise Lost<br />

NEW<br />

Raymond B. Waddington<br />

What is the role <strong>of</strong> providence in Paradise Lost In<br />

Looking into Providences, Raymond B. Waddington<br />

provides the first examination <strong>of</strong> this engaging<br />

subject. He explores the variety <strong>of</strong> implicit organizational<br />

structures or ‘designs’ that govern Paradise<br />

Lost, and looks in-depth at the ‘trials,’ or testing<br />

situations, which require interpretation, choice, and<br />

action from its characters.<br />

Waddington situates the poem within the context<br />

<strong>of</strong> providentialism’s centrality to seventeenth-century<br />

thought and life, arguing that Milton’s own conception<br />

<strong>of</strong> providence was deeply influenced by the theology<br />

<strong>of</strong> Jacob Arminius. Using Milton’s Arminian conception<br />

<strong>of</strong> free will, he then looks at the providential trials<br />

experienced by angels and humans. Finally, the<br />

work explores the ways in which providentialism<br />

infiltrates various kinds <strong>of</strong> discourse, ranging from<br />

military to medical, and from political to philosophical.<br />

Raymond B. Waddington is a pr<strong>of</strong>essor emeritus<br />

in the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

California, Davis.<br />

Approx. 312 pp / 10 illustrations / 6 x 9 / September <strong>2012</strong><br />

Cloth 978-1-4426-4342-0 $65.00 (£45.99)<br />

Milton and Questions <strong>of</strong> History<br />

Essays by Canadians Past and Present<br />

NEW<br />

Edited by Feisal G. Mohamed and Mary Nyquist<br />

Milton and Questions <strong>of</strong> History considers the contribution<br />

<strong>of</strong> several classic studies <strong>of</strong> Milton written by<br />

Canadians in the twentieth century. It contemplates<br />

whether these might be termed a coherent ‘school’<br />

<strong>of</strong> Milton studies in Canada and it explores how<br />

these concerns might intervene in current critical and<br />

scholarly debates on Milton and, more broadly, on<br />

historicist criticism in its relationship to renewed<br />

interest in literary form.<br />

The volume opens with a selection <strong>of</strong> seminal<br />

articles by noted scholars including Northrop Frye,<br />

Hugh McCallum, Douglas Bush, Ernest Sirluck, and<br />

A.S.P. Woodhouse. Subsequent essays engage and<br />

contextualize these works while incorporating fresh<br />

intellectual concerns. The Introduction and Afterword<br />

frame the contents so that they constitute a<br />

dialogue between past and present critical studies<br />

<strong>of</strong> Milton by Canadian scholars.<br />

Feisal G. Mohamed is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Illinois.<br />

Mary Nyquist is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 424 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4392-5 $75.00 (£50.99)<br />

Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

NEW<br />

Rebeca Helfer<br />

What is the art <strong>of</strong> memory Rebeca Helfer’s intertextual<br />

study Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

<strong>of</strong>fers a fresh perspective on the significance <strong>of</strong> this<br />

ancient mnemonic technique to Edmund Spenser’s<br />

writing and, through this lens, explores the art’s<br />

complex historical and literary reception.<br />

Beginning with the origins <strong>of</strong> mnemonic strategies<br />

in epic tales, Helfer examines how the art <strong>of</strong> memory<br />

speaks to debates about poetry and its place in<br />

culture from Plato to Spenser’s present day. As Helfer<br />

argues, ruins provide memorial spaces for an ongoing<br />

dialogue about how story relates to history, and<br />

how both relate to edification and empire-building.<br />

Through detailed, intertextual readings <strong>of</strong> The<br />

Shepheardes Calender, The Faerie Queene, the<br />

Complaints, and other Spenserian works, Helfer<br />

demonstrates how the art <strong>of</strong> memory shapes<br />

Spenser’s theory and practice <strong>of</strong> poetry as well as<br />

his political view, throughout his career. More<br />

broadly, Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

points to new ways <strong>of</strong> understanding the importance<br />

<strong>of</strong> this art within literary studies.<br />

Rebeca Helfer is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />

Irvine.<br />

Approx. 360 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-0-8020-9067-6 $85.00 (£57.99)<br />

utppublishing.com 25


LITERATURE<br />

NEW<br />

The Emblematics <strong>of</strong> the Self<br />

Ekphrasis and Identity in <strong>Renaissance</strong> Imitations <strong>of</strong> Greek Romance<br />

Elizabeth B. Bearden<br />

The ancient Greek romances <strong>of</strong> Achilles Tatius and<br />

Heliodorus were widely imitated by early modern<br />

writers such as Miguel de Cervantes, Philip Sidney,<br />

and Mary Wroth. Like their Greek models, <strong>Renaissance</strong><br />

romances used ekphrasis, or verbal descriptions <strong>of</strong><br />

visual representation, as a tool for characterization.<br />

The Emblematics <strong>of</strong> the Self shows how the women,<br />

foreigners, and non-Christians <strong>of</strong> these tales reveal<br />

their identities and desires in their responses to the<br />

‘verbal pictures’ <strong>of</strong> romance.<br />

Engaging and rigorous, The Emblematics <strong>of</strong> the<br />

Self breaks new ground in understanding hegemonic<br />

and cosmopolitan European conceptions <strong>of</strong> the<br />

‘other,’ as well as new possibilities for early modern<br />

identities, in an increasingly global <strong>Renaissance</strong>.<br />

Elizabeth B. Bearden is an assistant pr<strong>of</strong>essor in<br />

the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

Wisconsin-Madison.<br />

‘This rigorous comparative study <strong>of</strong> the “emblematics<br />

<strong>of</strong> the self” is poised to make a major contribution<br />

to the fields <strong>of</strong> <strong>Renaissance</strong> studies, rhetorical studies,<br />

gender studies, and postcolonial studies.’<br />

Bernadette Andrea, <strong>University</strong> <strong>of</strong> Texas at San Antonio<br />

272 pp / 8 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4346-8 $65.00 (£42.00)<br />

NEW<br />

Colonial Virtue<br />

The Mobility <strong>of</strong> Temperance in <strong>Renaissance</strong> England<br />

Kasey Evans<br />

Colonial Virtue is the first study to focus on the role<br />

played by the virtue <strong>of</strong> temperance in shaping ethical<br />

debates about early English colonialism. Kasey Evans<br />

tracks the migration <strong>of</strong> ideas surrounding temperance<br />

from classical and humanist writings through to sixteenth-<br />

and seventeenth-century applications,<br />

emphasizing the ways in which they have transcended<br />

the vocabularies <strong>of</strong> geography and time.<br />

Colonial Virtue <strong>of</strong>fers fresh insights into how<br />

English <strong>Renaissance</strong> writers used temperance as a<br />

privileged lens through which to view New World<br />

morality and politically to justify colonial practices in<br />

Virginia and the West Indies. Beautifully written and<br />

deeply engaging, Colonial Virtue also models an<br />

expansive methodology for literary studies through<br />

its close readings and rhetorical analyses.<br />

Kasey Evans is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Northwestern <strong>University</strong>.<br />

‘Colonial Virtue has changed the way that I read<br />

texts that focus on, or even invoke, the virtue <strong>of</strong><br />

temperance. Kasey Evans’s analyses are detailed<br />

and thoughtful, and her close readings are both<br />

deeply engaged and deeply engaging.’<br />

Valerie Forman, New York <strong>University</strong><br />

264 pp / 15 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4359-8 $60.00 (£40.00)<br />

NEW<br />

Magical Imaginations<br />

Instrumental Aesthetics in the English <strong>Renaissance</strong><br />

Genevieve Guenther<br />

In the English <strong>Renaissance</strong>, poetry was imagined to<br />

inspire moral behaviour in its readers, but the efficacy<br />

<strong>of</strong> poetry was also linked to ‘conjuration,’ the theologically<br />

dangerous practice <strong>of</strong> invoking spirits with<br />

words. Magical Imaginations explores how major<br />

writers <strong>of</strong> the period – including Spenser, Marlowe,<br />

and Shakespeare – negotiated this troubling link<br />

between poetry and magic in their attempts to<br />

transform readers and audiences with the power <strong>of</strong> art.<br />

Through analyses <strong>of</strong> texts ranging from sermons<br />

and theological treatises to medical tracts and legal<br />

documents, Genevieve Guenther sheds new light on<br />

magic as a cultural practice in early modern England.<br />

With this new understanding <strong>of</strong> early modern magic<br />

– a fresh context for compelling readings <strong>of</strong> classic<br />

literary works – Magical Imaginations reveals the<br />

central importance <strong>of</strong> magic to English literary history.<br />

Genevieve Guenther is an independent scholar with<br />

a PhD from the <strong>University</strong> <strong>of</strong> California at Berkeley.<br />

‘I recommend this book highly for its incisiveness<br />

and extraordinary scholarship.’<br />

John D. Cox, Hope College<br />

Approx. 184 pp / 6 x 9 / March <strong>2012</strong><br />

Cloth 978-1-4426-4241-6 $60.00 (£40.00)<br />

26 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Reading, Desire, and the Eucharist<br />

in Early Modern Religious Poetry<br />

NEW<br />

Ryan Netzley<br />

The courtly love tradition had a great influence on<br />

the themes <strong>of</strong> religious poetry: just as an absent<br />

beloved could be longed for passionately, so too<br />

could a distant God be the subject <strong>of</strong> desire. But<br />

when authors began to perceive God as immanently<br />

available, did the nature and interpretation <strong>of</strong><br />

devotional verse change Ryan Netzley argues that<br />

early modern religious lyrics presented both desire<br />

and reading as free, loving activities, rather than as<br />

endless struggles or dramatic quests.<br />

Challenging fundamental assumptions <strong>of</strong> literary<br />

criticism, Reading, Desire, and the Eucharist shows<br />

how poetry can encourage love for its own sake,<br />

rather than in the hopes <strong>of</strong> salvation.<br />

Ryan Netzley is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Southern Illinois <strong>University</strong>,<br />

Carbondale.<br />

‘Speaking to central questions about sacramental<br />

and Eucharistic poetry in the Early Modern period,<br />

this high-quality study advances a fresh theoretical<br />

understanding <strong>of</strong> how reading and desire work.’<br />

David Ainsworth, <strong>University</strong> <strong>of</strong> Alabama<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4281-2 $70.00 (£48.99)<br />

Strangers in Blood<br />

Relocating Race in the <strong>Renaissance</strong><br />

Jean E. Feerick<br />

Strangers in Blood explores, in a range <strong>of</strong> early<br />

modern literature, the association between migration<br />

to foreign lands and the moral and physical degeneration<br />

<strong>of</strong> individuals. Arguing that in early modern<br />

discourse the concept <strong>of</strong> race was primarily linked<br />

with notions <strong>of</strong> bloodline, lineage, and genealogy<br />

rather than with skin colour and ethnicity, Jean E.<br />

Feerick establishes that the characterization <strong>of</strong> settler<br />

communities as subject to degenerative decline<br />

constituted a massive challenge to the fixed system<br />

<strong>of</strong> blood that had hitherto underpinned the English<br />

social hierarchy. In emphasizing the decline <strong>of</strong> blood<br />

as found at the centre <strong>of</strong> colonial narratives, Feerick<br />

illustrates the unwitting disassembling <strong>of</strong> one racial<br />

system and the creation <strong>of</strong> another.<br />

Jean E. Feerick is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Brown <strong>University</strong>.<br />

‘Rich in its attention to language, and to a wellchosen<br />

range <strong>of</strong> historical and literary representations,<br />

Feerick’s remarkably well-written, persuasive, and<br />

original book emphasizes the perceived instability<br />

<strong>of</strong> early modern racial identities, their vulnerability<br />

especially to the conditions <strong>of</strong> transplantation, culture,<br />

time, and space.’<br />

Emily C. Bartels, Rutgers <strong>University</strong><br />

264 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4140-2 $60.00 (£41.99)<br />

Northrop Frye’s Writings on Shakespeare<br />

and the <strong>Renaissance</strong><br />

Edited by Troni Y. Grande and Garry Sherbert<br />

This collection <strong>of</strong> writings brings together Northrop<br />

Frye’s large body <strong>of</strong> work on Shakespeare and other<br />

<strong>Renaissance</strong> writers (with the exception <strong>of</strong> Milton,<br />

who is featured in other volumes), and includes major<br />

articles, introductions, public lectures, and four<br />

previously published books. Spanning forty years <strong>of</strong><br />

Frye’s career as a university pr<strong>of</strong>essor and literary<br />

critic, these insightful analyses not only reveal the<br />

author’s formidable intellect but also <strong>of</strong>fer the reader<br />

a transformative experience <strong>of</strong> creative imagination.<br />

With extensive annotation and an in-depth critical<br />

introduction, the volume demonstrates Frye’s<br />

wide-ranging knowledge <strong>of</strong> <strong>Renaissance</strong> culture<br />

and its pivotal significance in his work, his impact<br />

on <strong>Renaissance</strong> criticism and the Stratford Shakespeare<br />

Festival, and his continuing importance as a<br />

literary theorist.<br />

Troni Y. Grande is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

Garry Sherbert is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

(Collected Works <strong>of</strong> Northrop Frye 28)<br />

968 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4168-6 $195.00 (£136.99)<br />

utppublishing.com 27


LITERATURE<br />

Forgetful Muses<br />

Reading the Author in the Text<br />

Ian Lancashire<br />

With research featured in The New York Times<br />

Magazine’s Ninth Annual Year in Ideas<br />

How can we understand and analyse the primarily<br />

unconscious process <strong>of</strong> writing In this groundbreaking<br />

work <strong>of</strong> neuro-cognitive literary theory,<br />

Ian Lancashire maps the interplay <strong>of</strong> self-conscious<br />

critique and unconscious creativity.<br />

Drawing on author testimony, cybernetics, cognitive<br />

psychology, corpus linguistics, text analysis, the<br />

neurobiology <strong>of</strong> mental aging, and his own experiences,<br />

Lancashire’s close readings <strong>of</strong> twelve authors, including<br />

Caedmon, Chaucer, Coleridge, Joyce, Christie, and<br />

Atwood, serve to illuminate a mystery we all share.<br />

Ian Lancashire is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘Forgetful Muses is filled with a wealth <strong>of</strong> materials<br />

and exhibits an impressively high standard <strong>of</strong> scholarship<br />

– it’s a demanding read, but also highly rewarding.’<br />

Raine Koskimaa, <strong>University</strong> <strong>of</strong> Jyväskylä<br />

360 pp / 18 illustrations; 24 tables / 6 x 9 / 2010<br />

Cloth 978-1-4426-4093-1 $65.00 (£45.99)<br />

SPANISH<br />

NEW<br />

Objects <strong>of</strong> Culture<br />

in the Literature <strong>of</strong> Imperial Spain<br />

<br />

NEW<br />

edited by<br />

Mary E. Barnard and Frederick A. de Armas<br />

Objects <strong>of</strong> Culture in the Literature<br />

<strong>of</strong> Imperial Spain<br />

Edited by Mary E. Barnard and Frederick A. de Armas<br />

Collecting and displaying finely crafted objects was<br />

a mark <strong>of</strong> character among the royals and aristocrats<br />

in Early Modern Spain: it ranked with extravagant<br />

hospitality as a sign <strong>of</strong> nobility and with virtue as a<br />

token <strong>of</strong> princely power. Objects <strong>of</strong> Culture in the<br />

Literature <strong>of</strong> Imperial Spain explores how the writers<br />

<strong>of</strong> the period shared the same impulse to collect,<br />

arrange, and display objects, though in imagined<br />

settings, as literary artefacts.<br />

These essays examine a variety <strong>of</strong> cultural objects<br />

described or alluded to in books from the Golden<br />

Age <strong>of</strong> Spanish literature, including clothing, paintings,<br />

tapestries, playing cards, monuments, materials <strong>of</strong><br />

war, and even enchanted bronze heads. The contributors<br />

emphasize how literature preserved and transformed<br />

objects to endow them with new meaning<br />

for aesthetic, social, religious, and political purposes<br />

– whether to perpetuate certain habits <strong>of</strong> thought<br />

and belief, or to challenge accepted social and moral<br />

norms.<br />

Mary E. Barnard is associate pr<strong>of</strong>essor <strong>of</strong> Spanish<br />

and Comparative Literature at The Pennsylvania<br />

State <strong>University</strong>. Frederick A. de Armas is the Andrew<br />

W. Mellon Distinguished Service Pr<strong>of</strong>essor in the<br />

Humanities, Spanish Literature, and Comparative<br />

Literature at the <strong>University</strong> <strong>of</strong> Chicago.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 336 pp / 14 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4512-7 $75.00 (£52.99)<br />

Law and History in Cervantes’ Don Quixote<br />

Susan Byrne<br />

Law and History in Cervantes’ Don Quixote is a deep<br />

consideration <strong>of</strong> the intellectual environment that<br />

gave rise to Cervantes’ seminal work. Susan Byrne<br />

demonstrates how Cervantes synthesized the debates<br />

surrounding the two most authoritative discourses<br />

<strong>of</strong> his era – those <strong>of</strong> law and history – into a new<br />

aesthetic product, the modern novel.<br />

Byrne uncovers the empirical underpinnings <strong>of</strong><br />

Don Quixote through a close philological study <strong>of</strong><br />

Cervantes’ sly questioning <strong>of</strong> and commentary on<br />

these fields. As she skilfully demonstrates, while<br />

sixteenth-century historiographers and jurists across<br />

southern Europe sought the philosophical nexus <strong>of</strong><br />

their fields, Cervantes created one through the<br />

adventures <strong>of</strong> a protagonist whose history is all about<br />

justice. As such, Law and History in Cervantes’ Don<br />

Quixote illustrates how Cervantes’ art highlighted<br />

the inconsistencies <strong>of</strong> juridical-historical texts and<br />

practice, as well as anticipated the ultimate resolution<br />

<strong>of</strong> their paradoxes.<br />

Susan Byrne is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Spanish and Portuguese at Yale <strong>University</strong>.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 248 pp / 8 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4527-1 $55.00 (£38.99)<br />

28 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

They Need Nothing<br />

Hispanic-Asian Encounters <strong>of</strong> the Colonial Period<br />

NEW<br />

Robert Richmond Ellis<br />

The first comprehensive study <strong>of</strong> Spanish writings<br />

on East and Southeast Asia from the Spanish colonial<br />

period, They Need Nothing draws attention to many<br />

essential but understudied Spanish-language texts<br />

from this era. Robert Richmond Ellis provides an<br />

engaging, interdisciplinary examination <strong>of</strong> how<br />

these writings depict Asia and Asians as both similar<br />

to and different from Europe and Europeans, and<br />

details how East and Southeast Asians reacted to<br />

the Spanish presence in Asia.<br />

They Need Nothing highlights texts related to<br />

Japan, China, Cambodia, and the Philippines,<br />

beginning with Francis Xavier’s observations <strong>of</strong> Japan<br />

in the mid-sixteenth century and ending with José<br />

Rizal’s responses to the legacy <strong>of</strong> Spanish colonialism<br />

in the late nineteenth century. Ellis provides a groundbreaking<br />

expansion <strong>of</strong> the geographical and cultural<br />

contours <strong>of</strong> Hispanism that bridges the fields <strong>of</strong><br />

European, Latin American, and Asian Studies.<br />

Robert Richmond Ellis is Norman Bridge Distinguished<br />

Pr<strong>of</strong>essor <strong>of</strong> Spanish at Occidental College.<br />

Approx. 240 pp / 7 illustrations / 6 x 9 / August <strong>2012</strong><br />

Cloth 978-1-4426-4511-0 $55.00 (£38.99)<br />

Cervantes, Literature, and the Discourse <strong>of</strong> Politics<br />

NEW<br />

Anthony J. Cascardi<br />

What is the role <strong>of</strong> literature in the formation <strong>of</strong> the<br />

state Anthony J. Cascardi takes up this fundamental<br />

question in Cervantes, Literature, and the Discourse<br />

<strong>of</strong> Politics, a comprehensive analysis <strong>of</strong> the presence<br />

<strong>of</strong> politics in Don Quixote.<br />

Cascardi convincingly re-engages the ancient roots<br />

<strong>of</strong> political theory in modern literature by situating<br />

Cervantes within a long line <strong>of</strong> political thinkers. He<br />

also shows how Cervantes’ view <strong>of</strong> literature provided<br />

a compelling alternative to the modern, scientific<br />

politics <strong>of</strong> Machiavelli and Hobbes, highlighting the<br />

potential interplay <strong>of</strong> literature and politics in an<br />

ideal state.<br />

Anthony J. Cascardi is the Dean <strong>of</strong> Arts and Humanities,<br />

and Ancker Pr<strong>of</strong>essor <strong>of</strong> Comparative Literature,<br />

Rhetoric, and Spanish at the <strong>University</strong> <strong>of</strong> California,<br />

Berkeley.<br />

‘By exploring Cervantes’ literary production from the<br />

perspective <strong>of</strong> political philosophy, Cervantes, Literature,<br />

and the Discourse <strong>of</strong> Politics makes a fascinating,<br />

thought-provoking contribution to our understanding<br />

<strong>of</strong> the Spanish author and playwright.’<br />

David Castillo, State <strong>University</strong> <strong>of</strong> New York at Buffalo<br />

(<strong>Toronto</strong> Iberic)<br />

352 pp / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4371-0 $75.00 (£52.99)<br />

Paper 978-1-4426-1223-5 $32.95 (£23.99)<br />

Don Quixote among the Saracens<br />

A Clash <strong>of</strong> Civilizations and Literary Genres<br />

Honourable Mention in the<br />

American Publishers Awards<br />

for Pr<strong>of</strong>essional and<br />

Scholarly Excellence<br />

(Literature Category)<br />

NEW<br />

Frederick A. de Armas<br />

The fictional Don Quixote was constantly defeated<br />

in his knightly adventures. In writing Quixote’s story,<br />

however, Miguel Cervantes succeeded in a different<br />

kind <strong>of</strong> quest – the creation <strong>of</strong> a modern novel that<br />

‘conquers’ and assimilates countless literary genres.<br />

Don Quixote among the Saracens considers how<br />

Cervantes’ work reflects the clash <strong>of</strong> civilizations and<br />

anxieties towards cultural pluralism that permeated<br />

Golden Age Spain.<br />

Frederick A. de Armas unravels an essential mystery<br />

<strong>of</strong> one <strong>of</strong> world literature’s best known figures: why<br />

Quixote sets out to revive knight errantry, and why<br />

he comes to feel at home only among the Moorish<br />

‘Saracens,’ a people whom Quixote feared at the<br />

beginning <strong>of</strong> the novel.<br />

Frederick A. de Armas is the Andrew W. Mellon<br />

Distinguished Service Pr<strong>of</strong>essor in the Humanities,<br />

Spanish Literature, and Comparative Literature at<br />

the <strong>University</strong> <strong>of</strong> Chicago.<br />

‘A must-read for anyone interested in Cervantes’ work,<br />

Don Quixote among the Saracens exemplifies Frederick<br />

A. de Armas’s immense erudition, superb analytical<br />

skills, and attention to detail.’<br />

Enrique García Santo-Tomás, <strong>University</strong> <strong>of</strong> Michigan<br />

256 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4345-1 $60.00 (£41.99)<br />

utppublishing.com 29


LITERATURE<br />

Ovid in the Age <strong>of</strong> Cervantes<br />

Edited by Frederick A. de Armas<br />

The Roman poet Ovid, author <strong>of</strong> the famous Metamorphoses,<br />

is widely considered one <strong>of</strong> the canonical<br />

poets <strong>of</strong> Latin antiquity. Vastly popular in Europe<br />

during the <strong>Renaissance</strong> and Early Modern periods,<br />

Ovid’s writings influenced the literature, art, and<br />

culture <strong>of</strong> Spain’s Golden Age.<br />

The book begins with examinations <strong>of</strong> the<br />

translation and utilization <strong>of</strong> Ovid’s texts from the<br />

Middle Ages to the age <strong>of</strong> Cervantes. The work<br />

includes a section devoted to the influence <strong>of</strong> Ovid<br />

on Cervantes, arguing that Don Quixote is a deeply<br />

Ovidian text, drawing upon many classical myths<br />

and themes. The contributors then turn to specific<br />

myths in Ovid as they were absorbed and transformed<br />

by different writers, including that <strong>of</strong> Echo<br />

and Narcissus in Garcilaso de la Vega and Hermaphroditus<br />

in Covarrubias and Moya. The final section<br />

<strong>of</strong> the book centres on questions <strong>of</strong> poetic fame<br />

and self-fashioning. Ovid in the Age <strong>of</strong> Cervantes is<br />

an important and comprehensive re-evaluation <strong>of</strong><br />

Ovid’s impact on <strong>Renaissance</strong> and early modern<br />

Spain.<br />

‘This compilation is certainly a huge step forward<br />

in realizing the importance and richness <strong>of</strong> what<br />

still lies ahead in relation to the study <strong>of</strong> Ovid in<br />

Spanish literature before, during, and after the age<br />

<strong>of</strong> Cervantes.’<br />

María Morrás, <strong>Renaissance</strong> Quarterly<br />

320 pp / 5 ¾ x 9 / 2010<br />

Cloth 978-1-4426-4117-4 $65.00 (£45.99)<br />

NEW<br />

NEW<br />

Forms <strong>of</strong> Modernity<br />

Don Quixote and Modern Theories <strong>of</strong> the Novel<br />

Rachel Schmidt<br />

In Forms <strong>of</strong> Modernity, Rachel Schmidt examines<br />

how seminal theorists and philosophers have<br />

wrestled with the status <strong>of</strong> Cervantes’ masterpiece as<br />

an ‘exemplary novel,’ in turn contributing to the<br />

emergence <strong>of</strong> key concepts within genre theory.<br />

Schmidt’s discussion covers the views <strong>of</strong> wellknown<br />

thinkers such as Friedrich Schlegel, José<br />

Ortega y Gasset, and Mikhail Bakhtin, but also the<br />

pivotal contributions <strong>of</strong> philosophers such as Hermann<br />

Cohen and Miguel de Unamuno. These theorists’<br />

examinations <strong>of</strong> Cervantes’ fictional knight-errant<br />

character point to an ever-shifting boundary between<br />

the real and the virtual. Drawing from both<br />

intellectual and literary history, Forms <strong>of</strong> Modernity<br />

richly explores the development <strong>of</strong> the categories<br />

Dressed to Kill<br />

Death and Meaning in Zayas’s Desengaños<br />

and theories that we use today to analyse and<br />

understand novels.<br />

Rachel Schmidt is a full pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French, Italian and Spanish at the <strong>University</strong><br />

<strong>of</strong> Calgary.<br />

‘Each chapter <strong>of</strong>fers a lesson in synthesis, application,<br />

and intertexuality at the theoretical level. The author<br />

manages to simultaneously foreground Cervantes<br />

and the individual readers <strong>of</strong> Don Quixote and their<br />

(Ortega’s term) “self and circumstances” … Highly<br />

recommended.’<br />

E.H. Friedman, CHOICE<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

384 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4251-5 $75.00 (£52.99)<br />

Elizabeth Rhodes<br />

The noble wives in María de Zayas’s Desengaños<br />

suffer terrible fates: one is beheaded, another<br />

poisoned, one is cemented into a chimney, while yet<br />

another is locked into a tiny wall closet where she<br />

dies. The hallmark <strong>of</strong> Zayas’s aesthetics, these<br />

characters pose an apparent contradiction between<br />

the author’s pro-female rhetoric and her gusto for<br />

killing model women, then beautifying their<br />

mutilated cadavers.<br />

Dressed to Kill reconciles Zayas’s Desengaños<br />

with the age in which it was written, contextualizing<br />

the book in baroque poetics, the Spanish honour<br />

code, and fifteenth-century martyr saints’ lives.<br />

Elizabeth Rhodes is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Hispanic Studies at Boston College.<br />

‘Stimulating, erudite, and original, Dressed to Kill is<br />

the Zayas book we have been waiting for.’<br />

Alison Weber, <strong>University</strong> <strong>of</strong> Virginia<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

240 pp / 17 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4350-5 $55.00 (£38.99)<br />

30 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

The Persistence <strong>of</strong> Presence<br />

Emblem and Ritual in Baroque Spain<br />

Bradley J. Nelson<br />

The Persistence <strong>of</strong> Presence analyses the relationship<br />

between emblem books, containing combinations<br />

<strong>of</strong> pictures and texts, and Spanish literature in the<br />

early modern period.<br />

Bradley J. Nelson argues that the emblem was a<br />

primary indicator <strong>of</strong> the social and political functions<br />

<strong>of</strong> diverse literary practices in early modern Spain,<br />

from theatre to epic prose. In this detailed examination<br />

<strong>of</strong> emblem books, sacred and secular theatre, and<br />

Cervantes’ critique <strong>of</strong> baroque allegory in Los trabajos<br />

de Persiles y Sigismunda, Nelson connects the early<br />

history <strong>of</strong> emblematics with the drive towards cultural<br />

and political hegemony in Counter-Reformation Spain.<br />

Bradley J. Nelson is an associate pr<strong>of</strong>essor and chair<br />

in the Department <strong>of</strong> <strong>Classics</strong>, Modern Languages<br />

and Linguistics at Concordia <strong>University</strong>.<br />

‘Nelson’s approach constitutes an original contribution<br />

to Spanish emblematics with its careful analysis and<br />

thorough consideration <strong>of</strong> relevant theories.’<br />

Claudia Mesa, <strong>Renaissance</strong> Quarterly<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

272 pp / 16 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9977-8 $55.00 (£38.99)<br />

Celestina and the Ends <strong>of</strong> Desire<br />

NEW<br />

E. Michael Gerli<br />

One <strong>of</strong> the most widely read and translated Spanish<br />

works in sixteenth-century Europe was Fernando de<br />

Rojas’s Celestina, a 1499 novel in dialogue about a<br />

couple that faces heartbreak and tragedy after being<br />

united by the titular brothel madam. In Celestina<br />

and the Ends <strong>of</strong> Desire, E. Michael Gerli illustrates<br />

how this work straddles the medieval and the modern<br />

in its exploration <strong>of</strong> changing categories <strong>of</strong> human<br />

desire – from the European courtly love tradition to<br />

the interpretation <strong>of</strong> want as an insatiable, destructive<br />

force. Gerli’s analysis draws on a wide range <strong>of</strong> Celestina<br />

scholarship but is unique in its use <strong>of</strong> modern literary<br />

and psychoanalytic theory to confront the problematic<br />

links between literature and life.<br />

E. Michael Gerli is Commonwealth Pr<strong>of</strong>essor <strong>of</strong><br />

Hispanic and Early Modern Studies at the <strong>University</strong><br />

<strong>of</strong> Virginia.<br />

‘Celestina and the Ends <strong>of</strong> Desire is a fascinating book,<br />

bringing a completely fresh approach to Fernando de<br />

Rojas’s canonical work. E. Michael Gerli’s rich and<br />

enriching theoretical approach provides a brilliant<br />

new understanding <strong>of</strong> the language and rhetoric <strong>of</strong><br />

desire.’<br />

Jesús Rodríguez-Velasco, Columbia <strong>University</strong><br />

248 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4255-3 $55.00 (£38.99)<br />

The Poetry <strong>of</strong> Place<br />

Lyric, Landscape, and Ideology in <strong>Renaissance</strong> France<br />

FRENCH<br />

Louisa Mackenzie<br />

The sixteenth century in France was marked by<br />

religious warfare and shifting political and physical<br />

landscapes. In the face <strong>of</strong> destructive environmental<br />

change, lyric poets in <strong>Renaissance</strong> France <strong>of</strong>ten<br />

wrote about idealized physical spaces, reclaiming<br />

the altered landscape to counteract the violence<br />

and loss <strong>of</strong> the period. In The Poetry <strong>of</strong> Place, Louisa<br />

Mackenzie reveals and analyses the cultural history<br />

<strong>of</strong> French paysage through her study <strong>of</strong> lyric poetry<br />

and its connections with landscape painting,<br />

cartography, and land-use history. This unique<br />

alliance <strong>of</strong> French <strong>Renaissance</strong> studies with cultural<br />

geography and eco-criticism demonstrates that sixteenth-century<br />

poetry created a powerful sense <strong>of</strong><br />

place which continues to inform national and regional<br />

sentiment today.<br />

Louisa Mackenzie is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Washington.<br />

‘The Poetry <strong>of</strong> Place is a stunning – and stunningly<br />

original – book that makes an enormous contribution<br />

to a number <strong>of</strong> related disciplines while opening up an<br />

entirely new field <strong>of</strong> inquiry.’<br />

Jeffrey N. Peters, <strong>University</strong> <strong>of</strong> Kentucky<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4239-3 $65.00 (£45.99)<br />

utppublishing.com 31


LITERATURE<br />

NEW<br />

Philippe de Commynes<br />

Memory, Betrayal, Text<br />

Irit Kleiman<br />

Philippe de Commynes, a diplomat who specialized<br />

in clandestine operations, served King Louis XI during<br />

his campaign to undermine aristocratic resistance<br />

and consolidate the sovereignty <strong>of</strong> the French throne.<br />

He is credited with inventing the political memoir, but<br />

his reminiscence has also been described as ‘the<br />

confessions <strong>of</strong> a traitor’: Commynes had abandoned<br />

Louis’ rival, the Burgundian duke Charles the Bold,<br />

before joining forces with the king.<br />

This study provides a literary re-evaluation <strong>of</strong><br />

Commynes’ text – a perennial subject <strong>of</strong> scandal<br />

and fascination – while questioning what the terms<br />

‘traitor’ or ‘betrayed’ meant in the context <strong>of</strong> fifteenthcentury<br />

France. Drawing on diplomatic letters and<br />

court transcripts, Irit Kleiman examines the mutual<br />

connections between writing and betrayal in<br />

Commynes’ representation <strong>of</strong> Louis’ reign, the<br />

relationship between the author and the king, and<br />

the emergence <strong>of</strong> the memoir as an autobiographical<br />

genre. This study significantly deepens our understanding<br />

<strong>of</strong> how historical narrative and diplomatic<br />

activities are intertwined in the work <strong>of</strong> this iconic,<br />

iconoclastic figure.<br />

Irit Kleiman is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Romance Studies at Boston <strong>University</strong>.<br />

Approx. 296 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4562-2 $60.00 (£41.99)<br />

ITALIAN<br />

NEW<br />

Italian Literature before 1900 in English Translation<br />

An Annotated Bibliography, 1929–2008<br />

Robin Healey<br />

Italian Literature before 1900 in English Translation<br />

provides the most complete record possible <strong>of</strong> texts<br />

from the early periods that have been translated into<br />

English, and published between 1929 and 2008. It<br />

lists works from all genres and subjects, and includes<br />

translations wherever they have appeared across the<br />

globe. In this annotated bibliography, Robin Healey<br />

covers over 5,200 distinct editions <strong>of</strong> pre-1900<br />

Italian writings. Most entries are accompanied by<br />

useful notes providing information on authors, works,<br />

translators, and how the translations were received.<br />

Among the works by over 1,500 authors represented<br />

in this volume are hundreds <strong>of</strong> editions by<br />

Italy’s most translated authors – Dante Alighieri,<br />

Machiavelli, and Boccaccio – and other hundreds<br />

which represent the author’s only English translation.<br />

A significant number <strong>of</strong> entries describe works<br />

originally published in Latin. Together with Healey’s<br />

Twentieth-Century Italian Literature in English<br />

Translation, this volume makes comprehensive<br />

information on translations accessible for schools,<br />

libraries, and those interested in comparative literature.<br />

Robin Healey retired as collection development<br />

librarian for Italian studies, fine art, and anthropology<br />

at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> in December, 2010.<br />

(<strong>Toronto</strong> Italian Studies)<br />

1176 pp / 14 illustrations / 8 ½ x 11 / 2011<br />

Cloth 978-1-4426-4269-0 $150.00 (£104.99)<br />

NEW<br />

Kissing the Wild Woman<br />

Concepts <strong>of</strong> Art, Beauty, and the Italian Prose Romance in Giulia Bigolina’s<br />

Urania<br />

Christopher Nissen<br />

Kissing the Wild Woman explores the unique aesthetic<br />

vision and innovative narrative features <strong>of</strong> Giulia<br />

Bigolina’s greatest surviving work, the prose romance<br />

Urania (circa 1552). The study demonstrates how<br />

Bigolina challenges cultural authority by rejecting<br />

the prevailing views <strong>of</strong> the paragone between<br />

painting and literature. It also shows how Bigolina<br />

orients her defence <strong>of</strong> women toward a rejection<br />

<strong>of</strong> the cult <strong>of</strong> visualized female beauty that predominated<br />

in the rhetoric and artistry <strong>of</strong> such figures<br />

as Aretino and Titian. It concludes with a discussion<br />

<strong>of</strong> Bigolina’s innovative treatments <strong>of</strong> certain romance<br />

topoi.<br />

Christopher Nissen is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Foreign Languages and Literatures<br />

at Northern Illinois <strong>University</strong>.<br />

‘Contributing to the ever-widening circle <strong>of</strong> research<br />

on early modern Italian women authors, this study<br />

will interest researchers in art history and Italian<br />

studies, as well as scholars <strong>of</strong> the theory <strong>of</strong> love and<br />

<strong>of</strong> the senses and historians <strong>of</strong> gender and women.’<br />

Julia L. Hairston, <strong>University</strong> <strong>of</strong> California, Rome Study<br />

Center<br />

(<strong>Toronto</strong> Italian Studies)<br />

336 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4340-6 $75.00 (£52.99)<br />

32 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy<br />

NEW<br />

Edited by William Robins<br />

<strong>Medieval</strong> Italy presented a rich array <strong>of</strong> discrete<br />

textual cultures, many <strong>of</strong> them specific to particular<br />

regions, pr<strong>of</strong>essions, or groups <strong>of</strong> writers and<br />

readers. The essays in this collection consider how<br />

distinct habits <strong>of</strong> writing took root among specific<br />

communities in Italy between the early Middle<br />

Ages and the eve <strong>of</strong> the <strong>Renaissance</strong>.<br />

As a whole, the collection makes the case for<br />

combining abstract analyses such as textual theory<br />

and intellectual history with more technical specialties<br />

such as editing and codicology. Rather than<br />

approaching pre-modern Italian textuality as<br />

something uniform, Textual Cultures <strong>of</strong> <strong>Medieval</strong><br />

Italy engages with its fascinating plurality.<br />

William Robins is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘A stimulating collection [that] includes useful surveys<br />

and innovative articles.’<br />

Brian Richardson, <strong>University</strong> <strong>of</strong> Leeds<br />

(Essays from the 41st Conference on Editorial Problems)<br />

320 pp / 8 colour plates / 6 x 9 / 2011<br />

Cloth 978-1-4426-4272-0 $70.00 (£48.99)<br />

Beasts and Beauties<br />

Animals, Gender, and Domestication in the Italian <strong>Renaissance</strong><br />

Juliana Schiesari<br />

Beasts and Beauties traces the role <strong>of</strong> animals in Italian<br />

conceptions <strong>of</strong> humanity in a number <strong>of</strong> key texts<br />

from the fifteenth through the seventeenth century.<br />

The book delineates the co-development <strong>of</strong> two different<br />

forms <strong>of</strong> domestication since the <strong>Renaissance</strong>,<br />

specifically the new culture <strong>of</strong> domesticated animals<br />

that emerged in the modern phenomenon <strong>of</strong> the<br />

‘pet,’ and the contemporaneous delineation <strong>of</strong> the<br />

home as a private domain, where the pater familias<br />

presided over his domesticated wife, children, servants<br />

– and animals. Using a methodology that is both<br />

feminist and psychoanalytic, Beasts and Beauties<br />

demonstrates how the figure <strong>of</strong> the animal resituates<br />

canonical works and authors in the Italian <strong>Renaissance</strong><br />

in ways that help us rethink the notion <strong>of</strong> what it<br />

means to be human.<br />

Juliana Schiesari is a pr<strong>of</strong>essor <strong>of</strong> Italian and<br />

Comparative Literature at the <strong>University</strong> <strong>of</strong> California,<br />

Davis.<br />

‘Beasts and Beauties <strong>of</strong>fers compelling, energetically<br />

conveyed readings <strong>of</strong> otherness in texts and images<br />

<strong>of</strong> early modern Europe … it demonstrates effectively<br />

how an animal-centered approach to the cultural<br />

production <strong>of</strong> early modern Europe can help in understanding<br />

the construction <strong>of</strong> categories and<br />

hierarchies <strong>of</strong> humanness.’<br />

Nathalie Hester, <strong>Renaissance</strong> Quarterly<br />

(<strong>Toronto</strong> Italian Studies)<br />

176 pp / 9 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9922-8 $45.00 (£31.99)<br />

‘My Muse will have a story to paint’<br />

dennis looney is an associate pr<strong>of</strong>essor in the<br />

Selected Prose <strong>of</strong> Ludovico Ariosto<br />

Translated with an Introduction by<br />

Dennis Looney<br />

Ludovico Ariosto (1474–1533), best known for his<br />

1516 epic poem Orlando furioso, was one <strong>of</strong> the great<br />

Italian poets <strong>of</strong> the <strong>Renaissance</strong>. In this collection,<br />

Dennis Looney presents a compendium <strong>of</strong> Ariosto’s<br />

prose, including his 214 Letters and a satirical piece,<br />

Herbal Doctor. While some letters shed light on his<br />

day-to-day life, including his work as a provincial<br />

commissioner for the ruling Este family <strong>of</strong> Ferrara,<br />

others <strong>of</strong>fer insight on the composition and production<br />

<strong>of</strong> his poems and plays, allowing a glimpse <strong>of</strong> the man<br />

in his creative workshop. With his elegant, faithful<br />

translation, Looney enriches our understanding <strong>of</strong><br />

the Italian <strong>Renaissance</strong> and one <strong>of</strong> its greatest writers.<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

The lorenzo Da Ponte Italian Library<br />

‘We have no Empire, such as did the Romans, so powerful that<br />

subject cities spontaneously sought to emulate their rulers’ speech ...<br />

Nonetheless it can clearly be seen how, in our present times, many<br />

diverse people <strong>of</strong> intelligence and refinement, outside Italy no less<br />

than within Italy, devote much effort and study to learning and<br />

Dennis Looney is associate pr<strong>of</strong>essor in the<br />

speaking our language for no other reason than love.’<br />

– Giovan Batista Gelli, Ragionamento sulla lingua, 1551<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

‘This is the first time such a wide selection <strong>of</strong> Ariosto’s<br />

prose has been published in a language other than<br />

Italian. Both the <strong>Renaissance</strong> scholar and the reader<br />

interested in Cinquecento<br />

‘This volume,<br />

life<br />

containing<br />

will<br />

the largest<br />

gain<br />

selection<br />

great<br />

<strong>of</strong> Ariosto’s prose<br />

benefit<br />

translated into any language, is truly commendable.<br />

from it.’<br />

Dennis Looney’s precise, elegant interpretation is enhanced by a<br />

rich historical foreword and a well-assembled bibliography.<br />

Both general readers and scholars will appreciate this valuable<br />

Gian Paolo Giudicetti, <strong>Renaissance</strong><br />

resource for defining Ariosto’s<br />

Quarterly<br />

life and time.’<br />

Jacket illustrations: (front) Portrait <strong>of</strong> a Man, c.1512 (oil on canvas), Titian<br />

(Tiziano Vecellio) (c.1488–1576), National Gallery, London, UK / The<br />

Bridgeman Art Library International; (back) Letter 5, Archivio di Stato,<br />

Modena, Archivio Segreto Estense, Cancelleria Estero, Serie: Ambasciatori,<br />

agenti e corrispondenti all’estero, Italia, Roma, 131, Ludovico Ariosto,<br />

Dispaccio, 1509, 25 dic. Busta 20. Thanks to Director Euride Fregni for<br />

permission to reproduce the image (Prot. 1420/28.01.02/1.2).<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Jacket printed in Canada<br />

ISBN 978-1-4426-4087-0<br />

Roberto Fedi, Università per Stranieri di Perugia<br />

(The Lorenzo Da Ponte Italian Library)<br />

ISBN 978-1-4426-4087-0<br />

320 pp / 2 photos; 1 map ,!7IB4E2-geaiha! / 6 x 9 / 2010<br />

Cloth 978-1-4426-4087-0 $65.00 (£45.99)<br />

unIversITy oF ToronTo Press<br />

www.utppublishing.com<br />

lorenzo<br />

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Looney<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

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utppublishing.com 33


LITERATURE<br />

NEW<br />

The Biblical Dante<br />

V. Stanley Benfell<br />

The Biblical Dante explores Dante’s understanding<br />

<strong>of</strong> biblical truth and its significance for the poet and<br />

his readers. In this work, V. Stanley Benfell presents<br />

a series <strong>of</strong> close readings <strong>of</strong> passages where Dante<br />

not only cites the Bible extensively, but also explicitly<br />

considers its status as scripture and as a true text.<br />

In the first part <strong>of</strong> the study, Benfell examines<br />

some <strong>of</strong> Dante’s minor works and the Paradiso to<br />

show how his notion <strong>of</strong> textual truth differs markedly<br />

from our present-day conceptions. In the second<br />

part, Benfell turns to the Commedia’s first two canticles,<br />

where Dante’s vision for a just society is put forth more<br />

overtly, and his use <strong>of</strong> the Bible is key to revealing that<br />

vision.<br />

V. Stanley Benfell is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Humanities, <strong>Classics</strong>, and Comparative<br />

Literature at Brigham Young <strong>University</strong>.<br />

‘I learned a great deal from The Biblical Dante, a<br />

major contribution to the field <strong>of</strong> Dante studies.<br />

Each <strong>of</strong> the chapters in this book is strong, combining<br />

thoughtful analysis with insightful close reading.’<br />

William Stephany, <strong>University</strong> <strong>of</strong> Vermont<br />

(<strong>Toronto</strong> Italian Studies)<br />

336 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4274-4 $75.00 (£52.99)<br />

NEW<br />

Dante and Augustine<br />

Linguistics, Poetics, Hermeneutics<br />

Simone Marchesi<br />

At several junctures in his career, Dante paused to<br />

consider the process <strong>of</strong> writing and what it means<br />

to be a writer: How does language, in particular<br />

‘poetic language,’ work Can poetry be translated<br />

What is the relationship between a text and its commentary<br />

Who controls the meaning <strong>of</strong> a literary<br />

work In Dante and Augustine, Simone Marchesi<br />

re-examines these questions in light <strong>of</strong> the influence<br />

that Augustine’s reflections on similar issues exerted<br />

on Dante’s sense <strong>of</strong> his task as a poet. Marchesi<br />

goes beyond traditional inquiries, allowing Dante to<br />

emerge as a versatile thinker, committed to a radical<br />

defence <strong>of</strong> poetry and yet always ready to reconsider,<br />

revise, and rewrite his own positions on matters <strong>of</strong><br />

linguistics, poetics, and hermeneutics.<br />

Simone Marchesi is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at Princeton <strong>University</strong>.<br />

‘Dante and Augustine delights as a well-constructed,<br />

elegantly argued, and intellectually coherent study<br />

<strong>of</strong> Dantean ideas through the lens <strong>of</strong> Augustinian<br />

theory.’<br />

Teodolinda Barolini, Columbia <strong>University</strong><br />

(<strong>Toronto</strong> Italian Studies)<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4210-2 $70.00 (£48.99)<br />

NEW<br />

Dante’s Tenzone with Forese Donati<br />

The Reprehension <strong>of</strong> Vice<br />

Fabian Alfie<br />

Dante’s poetic correspondence (or tenzone) with<br />

Forese Donati, a relative <strong>of</strong> his wife’s, was rife with<br />

crude insults: the two men derided one another<br />

on matters ranging from sexual dysfunction and<br />

cowardice to poverty and thievery. Rather than disregarding<br />

this correspondence, in his Commedia<br />

Dante repeatedly acknowledged and evoked the<br />

memory <strong>of</strong> his youthful put-downs.<br />

Dante’s Tenzone with Forese Donati explores<br />

the lasting impact <strong>of</strong> these early sonnets on Dante’s<br />

writings and Italian literary culture, notably in the work<br />

<strong>of</strong> Boccaccio. Fabian Alfie examines derision as an<br />

ethical dimension <strong>of</strong> literature that both facilitated<br />

the reprehension <strong>of</strong> vice and encouraged ongoing<br />

debate about the true nature <strong>of</strong> nobility.<br />

Fabian Alfie is a pr<strong>of</strong>essor <strong>of</strong> Italian in the Department<br />

<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Arizona.<br />

‘This is first-class philological scholarship – substantial,<br />

erudite, and enduringly valuable.’<br />

Steven Botterill, <strong>University</strong> <strong>of</strong> California at Berkeley<br />

(<strong>Toronto</strong> Italian Studies)<br />

240 pp / 2 illustrations; 14 charts / 6 x 9 / 2011<br />

Cloth 978-1-4426-4223-2 $55.00 (£38.99)<br />

34 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

The Poetics <strong>of</strong> Dante’s Paradiso<br />

Massimo Verdicchio<br />

Traditional readings <strong>of</strong> Dante’s Paradiso have largely<br />

considered this third cantica <strong>of</strong> the Commedia as<br />

a poem apart. It deals with those blessed souls in<br />

Paradise who are free <strong>of</strong> sin and beyond punishment,<br />

in contrast to the sinners in the previous two<br />

cantica, and is thus no longer based on the principle<br />

<strong>of</strong> contrapasso. At the literal level this is true in that<br />

all the characters one encounters are either those<br />

who have been saved, religious leaders, or saints.<br />

However, at the allegorical level, as Massimo<br />

Verdicchio argues, the blessed souls still have something<br />

to hide, something shameful in their past<br />

earthly life, which is revealed nonetheless. Verdicchio’s<br />

highly original and comprehensive reading demonstrates<br />

that the intricacies <strong>of</strong> Dante’s text reveal<br />

subversive undercurrents and a subtle irony,<br />

employed to deliver a critique <strong>of</strong> the Church and<br />

Empire <strong>of</strong> his own time.<br />

Massimo Verdicchio is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Modern Languages and Cultural Studies at<br />

the <strong>University</strong> <strong>of</strong> Alberta.<br />

‘Rooted in a close analysis <strong>of</strong> the poem, Massimo<br />

Verdicchio’s intelligent interpretation is supported by<br />

relevant textual evidence and provides an important<br />

counterpoint to the canonical readings <strong>of</strong> the cantica.’<br />

Lloyd H. Howard, <strong>University</strong> <strong>of</strong> Victoria<br />

(<strong>Toronto</strong> Italian Studies)<br />

192 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4119-8 $45.00 (£31.99)<br />

Building a Monument to Dante<br />

Boccaccio as Dantista<br />

Jason M. Houston<br />

The shadow <strong>of</strong> Dante Alighieri looms large in the<br />

works <strong>of</strong> Giovanni Boccaccio, yet the full extent <strong>of</strong><br />

Boccaccio’s relationship to Dante remains largely<br />

unexplored. Building a Monument to Dante employs<br />

literary analysis coupled with philological and historical<br />

evidence to argue that Boccaccio’s multifaceted<br />

work as Dante’s editor, biographer, apologist, and<br />

commentator created a literary figure that could<br />

support Boccaccio’s poetic and political ideologies.<br />

Jason M. Houston finds in Boccaccio’s biographical<br />

writings a strong condemnation <strong>of</strong> Florentine politics<br />

and a harsh critique <strong>of</strong> Petrarch’s political isolation,<br />

distinguishing Boccaccio’s political and intellectual<br />

positions from those <strong>of</strong> both Dante and Petrarch.<br />

Jason M. Houston is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Modern Languages at the <strong>University</strong><br />

<strong>of</strong> Oklahoma.<br />

‘Building a Monument to Dante successfully tackles<br />

the topic <strong>of</strong> Boccaccio’s life-long interest in Dante<br />

from a novel point <strong>of</strong> view, interrogating the many<br />

facets <strong>of</strong> Boccaccio’s activity as dantista along new<br />

lines.’<br />

Simone Marchesi, Princeton <strong>University</strong><br />

(<strong>Toronto</strong> Italian Studies)<br />

272 pp / 8 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4051-1 $55.00 (£38.99)<br />

utppublishing.com 35


CLASSICS<br />

The Phoenix Pre-Socratic Series<br />

Series Editors: David Gallop and T.M. Robinson<br />

The Phoenix Pre-Socratic Series aims to make an important portion <strong>of</strong> Pre-Socratic<br />

writings accessible to those interested in ancient philosophy and European natural<br />

science. Each volume presents extant fragments from one major Pre-Socratic figure or<br />

groups <strong>of</strong> figures. A Greek text with a new, facing-page translation is provided, together<br />

with an introduction or commentary outlining the main problems <strong>of</strong> interpretation and<br />

philosophical issues raised by each thinker’s work.<br />

Complete series now available in paperback!<br />

Get all six volumes at a special price:<br />

Paper 978-1-4426-1262-4 $159.95 (£112.99)<br />

1. Parmenides <strong>of</strong> Elea – Fragments<br />

David Gallop<br />

144 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6908-5 $25.95 (£18.99)<br />

2. Heraclitus – Fragments<br />

T.M. Robinson<br />

214 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6913-9 $30.95 (£21.99)<br />

3. Xenophanes <strong>of</strong> Colophon – Fragments<br />

J.H. Lesher<br />

264 pp / 6 x 9 / 1992<br />

Paper 978-0-8020-8508-5 $36.95 (£25.99)<br />

4. The Atomists: Leucippus and Democritus –<br />

Fragments<br />

C.C.W. Taylor<br />

328 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-1212-9 $29.95 (£20.99)<br />

5. The Poem <strong>of</strong> Empedocles<br />

Brad Inwood<br />

360 pp / 6 x 9 / 2001<br />

Paper 978-0-8020-8353-1 $39.95 (£27.99)<br />

6. Anaxagoras <strong>of</strong> Clazomenae –<br />

Fragments and Testimonia<br />

Patricia Curd<br />

298 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-1163-4 $29.95 (£20.99)<br />

geoRge<br />

NEW<br />

Roman Slavery and Roman Material Culture<br />

Roman SlaveRy and Roman mateRial CultuRe<br />

Edited by Michele George<br />

Replete now with its own scholarly traditions and<br />

controversies, Roman slavery as a field <strong>of</strong> study is no<br />

longer limited to the economic sphere, but is<br />

recognized as a fundamental social institution with<br />

multiple implications for Roman society and culture.<br />

The essays in this collection explore how material<br />

culture – namely, art, architecture, and inscriptions<br />

– can illustrate Roman attitudes towards the<br />

institution <strong>of</strong> slavery and towards slaves themselves<br />

in ways that significantly augment conventional<br />

textual accounts.<br />

Providing the first interdisciplinary approach to<br />

the study <strong>of</strong> Roman slavery, the volume brings<br />

together diverse specialists in history, art history,<br />

and archaeology. The contributors engage with<br />

questions concerning the slave trade, manumission,<br />

slave education, containment and movement, and<br />

the use <strong>of</strong> slaves in the Roman army.<br />

Michele George is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> <strong>Classics</strong> at McMaster <strong>University</strong>.<br />

(Phoenix Supplementary Volumes LII)<br />

Approx. 312 pp / 49 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4457-1 $75.00 (£52.99)<br />

NEW<br />

Belonging and Isolation in the Hellenistic World<br />

Edited by Sheila L. Ager and Riemer A. Faber<br />

Edited by Sheila L. Ager and Riemer A. Faber<br />

The Hellenistic period was a time <strong>of</strong> unprecedented<br />

cultural exchange. In the wake <strong>of</strong> Alexander’s conquests,<br />

Greeks and Macedonians began to encounter new<br />

peoples, new ideas, and new ways <strong>of</strong> life; consequently,<br />

this era is generally considered to have been one <strong>of</strong><br />

unmatched cosmopolitanism. For many individuals,<br />

however, the broadening <strong>of</strong> horizons brought with<br />

it an identity crisis and a sense <strong>of</strong> being adrift in a<br />

world that had undergone a radical structural<br />

change.<br />

Belonging and Isolation in the Hellenistic World<br />

presents essays by leading international scholars<br />

who consider how the cosmopolitanism <strong>of</strong> the Hellenistic<br />

age also brought about tensions between individuals<br />

and communities, and between the small local<br />

community and the mega-community <strong>of</strong> oikoumene,<br />

or ‘the inhabited earth.’ With a range <strong>of</strong> social,<br />

artistic, economic, political, and literary perspectives,<br />

the contributors provide a lively exploration <strong>of</strong> the<br />

tensions and opportunities <strong>of</strong> life in the Hellenistic<br />

Mediterranean.<br />

Sheila L. Ager is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Classical Studies at the <strong>University</strong> <strong>of</strong><br />

Waterloo. Riemer A. Faber is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> Classical Studies at the <strong>University</strong><br />

<strong>of</strong> Waterloo.<br />

(Phoenix Supplementary Volumes LI)<br />

Approx. 408 pp / 17 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4422-9 $80.00 (£55.99)<br />

36 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


CLASSICS<br />

Apuleius and Antonine Rome<br />

Historical Essays<br />

NEW<br />

Keith Bradley<br />

Apuleius and Antonine Rome features outstanding<br />

scholarship by Keith Bradley on the Latin author<br />

Apuleius <strong>of</strong> Madauros and on the second-century<br />

Roman world in which Apuleius lived. Bradley discusses<br />

Apuleius’ work in the context <strong>of</strong> social relations<br />

(especially the family and household), religiosity in<br />

all its diversity and complexity, and cultural<br />

interactions between the imperial centre and the<br />

provincial periphery.<br />

These essays examine the Apology, the speech<br />

Apuleius made when he defended himself on the<br />

criminal charge <strong>of</strong> having enticed a wealthy widow<br />

to marry him through magical means; the fragments<br />

<strong>of</strong> his speeches known as the Florida; and the remarkable<br />

serio-comic novel Metamorphoses (better<br />

known as The Golden Ass). Altogether, Apuleius<br />

and Antonine Rome effectively illustrates how sociocultural<br />

history can be recovered from works <strong>of</strong><br />

literature.<br />

Keith Bradley is the Eli J. and Helen Shaheen<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>Classics</strong> and Concurrent Pr<strong>of</strong>essor <strong>of</strong><br />

History at the <strong>University</strong> <strong>of</strong> Notre Dame.<br />

(Phoenix Supplementary Volumes L)<br />

Approx. 408 pp / 10 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-1-4426-4420-5 $75.00 (£50.99)<br />

Bringing in the Sheaves<br />

Economy and Metaphor in the Roman World<br />

Brent D. Shaw<br />

The annual harvesting <strong>of</strong> cereal crops was one <strong>of</strong><br />

the most important economic tasks in the Roman<br />

Empire. Not only was it urgent and critical for the<br />

survival <strong>of</strong> state and society, it mobilized huge numbers<br />

<strong>of</strong> men and women every year from across the<br />

whole face <strong>of</strong> the Mediterranean. In Bringing in the<br />

Sheaves, Brent D. Shaw investigates the ways in<br />

which human labour interacted with the instruments<br />

<strong>of</strong> harvesting, what part the workers and their tools<br />

had in the whole economy, and how the work itself<br />

was organized.<br />

Both collective and individual aspects <strong>of</strong> the story<br />

are investigated, centred on the life-story <strong>of</strong> a single<br />

reaper whose work in the wheat fields <strong>of</strong> North Africa<br />

is documented in his funerary epitaph. The narrative<br />

then proceeds to an analysis <strong>of</strong> the ways in which<br />

this cyclical human behaviour formed and influenced<br />

modes <strong>of</strong> thinking about matters beyond the harvest.<br />

The work features an edition <strong>of</strong> the reaper inscription,<br />

and a commentary on it. It is also lavishly illustrated<br />

to demonstrate the important iconic and pictorial<br />

dimensions <strong>of</strong> the story.<br />

Brent D. Shaw is Andrew Fleming West Pr<strong>of</strong>essor<br />

<strong>of</strong> <strong>Classics</strong> at Princeton <strong>University</strong>.<br />

(Robson Classical Lectures Series)<br />

Approx. 480 pp / 93 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4479-3 $90.00 (£62.99)<br />

BRENT D. SHAW<br />

BRINGING IN<br />

THE SHEAVES<br />

Economy and<br />

Metaphor in the<br />

Roman World<br />

NEW<br />

Perceptions <strong>of</strong> the Second Sophistic and Its Times –<br />

Regards sur la Seconde Sophistique et son époque<br />

Edited by Thomas Schmidt and Pascale Fleury<br />

The Second Sophistic (50 to 250 BCE) was an<br />

intellectual movement throughout the ancient Greek<br />

and Roman world. Although it can be characterized<br />

as a literary and cultural phenomenon <strong>of</strong> which<br />

rhetoric is an essential component, other themes and<br />

values such as peideia, mimesis, the glorification <strong>of</strong><br />

the past, the importance <strong>of</strong> Athens, and Greek<br />

identity pervade the literature and art <strong>of</strong> this era.<br />

These essays explore the Second Sophistic and<br />

describe how the intellectual elites <strong>of</strong> this period<br />

perceived and defined themselves, how they were<br />

judged by later authors, and how we understand<br />

them today.<br />

Thomas Schmidt is pr<strong>of</strong>esseur ordinaire de philologie<br />

classique, Institut des Sciences de l’Antiquité et<br />

du Monde byzantin, Université de Fribourg (Suisse).<br />

Pascale Fleury is pr<strong>of</strong>esseure agrégée, Département<br />

des littératures, Université Laval.<br />

‘With each article shedding new light on different<br />

aspects <strong>of</strong> the movement, this collection is a major<br />

contribution to research and scholarship.’<br />

Alain Billault, Pr<strong>of</strong>essor, <strong>University</strong> <strong>of</strong> Paris–Sorbonne<br />

(Phoenix Supplementary Volumes XLIX)<br />

304 pp / 2 tables / 6 x 9 / 2011<br />

Cloth 978-1-4426-4216-4 $75.00 (£52.99)<br />

utppublishing.com 37


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

These books are specially selected and designed to keep in print<br />

the very best medieval scholarship and translation modestly priced for student use.<br />

The Carolingian Empire<br />

Heinrich Fichtenau<br />

Translated by Peter Munz<br />

A classic account <strong>of</strong> Charles the Great and the heyday <strong>of</strong> Frankish rule in Europe, evaluating the achievements<br />

and failures <strong>of</strong> the empire which has been called ‘the first Europe.’ Reprinted from the 1968 edition,<br />

translation first published in 1957.<br />

(MART 1) 196 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6367-0 $20.95 (£14.99)<br />

The Story <strong>of</strong> Troilus<br />

Translations and introductions by R.K. Gordon<br />

The only collection in English <strong>of</strong> the major medieval versions <strong>of</strong> the story <strong>of</strong> Troilus and Criseyde – from<br />

Benoit de Sainte-Maure, Boccaccio, Chaucer, and Henryson. Reprinted from the 1964 edition, first published<br />

in 1934.<br />

(MART 2) 383 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6368-7 $22.95 (£16.99)<br />

A Guide to Chaucer’s Pronunciation<br />

Helge Kökeritz<br />

The authoritative reconstruction <strong>of</strong> Chaucer’s pronunciation – indispensable to all readers <strong>of</strong> his poetry.<br />

Reprinted from the 1962 printing, first published in 1961.<br />

(MART 3) 32 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6370-0 $9.95 (£6.99)<br />

Constantine and the Conversion <strong>of</strong> Europe<br />

A.H.M. Jones<br />

A study <strong>of</strong> politics and religion during a key era (AD 284-337) when Christianity established itself as the<br />

dominant force shaping government and civilization. Reprinted from the 1962 edition, first published in<br />

1948.<br />

(MART 4) 222 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6369-4 $24.95 (£17.99)<br />

38 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

Mission to Asia<br />

Edited and with an introduction by Christopher Dawson<br />

Narratives by Franciscans sent to Central and East Asia in the thirteenth and fourteenth centuries in a heroic<br />

but failed attempt to maintain contact with Christians there and convert the Mongols. Reprinted from the<br />

1966 reprint <strong>of</strong> the 1955 edition.<br />

(MART 8) 246 pp / 6 x 9 / 1980<br />

Paper 978-0-8020-6436-3 $24.95<br />

North American rights only<br />

Ancient Writing and its Influence<br />

B.L. Ullman, with an introduction by Julian Brown<br />

First published in 1932, this book is a sound, concise, and expert introduction to the history <strong>of</strong> the alphabet,<br />

Greek palaeography and epigraphy, Latin palaeography and epigraphy, and the origins <strong>of</strong> printing. B.L.<br />

Ullman, one <strong>of</strong> the master palaeographers <strong>of</strong> the twentieth century, covers the origins <strong>of</strong> western writing<br />

and the forms that it took in antiquity and the Middle Ages.<br />

(MART 10) 240 pp / 6 x 9 / 1980<br />

Paper 978-0-8020-6435-6 $20.95 (£14.99)<br />

William Marshal<br />

Knight-Errant, Baron, and Regent <strong>of</strong> England<br />

Sidney Painter<br />

For the first forty years <strong>of</strong> his life, Marshal was a landless knight, but by his marriage to the daughter <strong>of</strong> Earl<br />

Richard <strong>of</strong> Pembroke in 1189, he became a great feudal lord. His biography depicts the two extremes <strong>of</strong><br />

feudal society. This edition was first published in 1933.<br />

(MART 13) 305 pp / 6 x 9 / 1982<br />

Paper 978-0-8020-6498-1 $24.95 (£17.99)<br />

A Concise Anglo-Saxon Dictionary<br />

Fourth Edition<br />

J.R. Clark Hall, with a Supplement by Herbert T. Merritt<br />

This classic dictionary deals carefully and exhaustively with all the words which occur in Anglo-Saxon poetry<br />

and prose. Variant dialectic forms are given, together with variant forms found in the same dialect. Purely<br />

poetic words and words not common in prose are indicated, and references are given to the passages in<br />

which they occur. First published in 1894, this is a reprint <strong>of</strong> the fourth edition (1960).<br />

(MART 14) 432 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6548-3 $29.95 (£20.99)<br />

Self and Society in <strong>Medieval</strong> France<br />

The Memoirs <strong>of</strong> Abbot Guibert <strong>of</strong> Nogent<br />

Edited and with an introduction by John F. Benton<br />

A revised edition (1970) based on C.C. Swinton Bland’s translation<br />

‘An exemplary addition to [the MART] series … [Guibert’s memoirs] provide precious insights into French<br />

culture <strong>of</strong> the eleventh and twelfth centuries. As he describes himself, he also chronicles contemporary<br />

events such as the 1112 revolt <strong>of</strong> the Laon commune. Given the complexity <strong>of</strong> Guibert’s historical maze, the<br />

reader will appreciate Benton’s annotations. What emerges is an engaging portrait <strong>of</strong> a man and his times.’<br />

The Reprint Bulletin<br />

(MART 15) 260 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6550-6 $21.95 (£15.99)<br />

utppublishing.com 39


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Art <strong>of</strong> the Byzantine Empire 312–1453<br />

Sources and Documents<br />

Cyril Mango<br />

An anthology <strong>of</strong> translated histories, chronicles, saints’ lives, theological treatises, and accounts present an<br />

in-depth analysis <strong>of</strong> Byzantine art focusing on Constantinople. First published in 1972.<br />

‘The prevailing view <strong>of</strong> Byzantine authors is that their art was highly true to nature. A perusal <strong>of</strong> the texts<br />

collected here will confirm this statement … To us, such views appear rather perplexing, for we regard<br />

Byzantine art as being abstract rather than naturalistic, and we expect to find in the written sources some<br />

reflection <strong>of</strong> our judgment.’<br />

From the Introduction<br />

(MART 16) 272 pp / 6 x 9 / 1986<br />

Paper 978-0-8020-6627-5 $23.95 (£16.99)<br />

Early <strong>Medieval</strong> Art 300–1150<br />

Sources and Documents<br />

Caecilia Davis-Weyer<br />

This anthology <strong>of</strong> medieval texts on art includes descriptions <strong>of</strong> lost monuments, theoretical and technical<br />

texts that reveal intentions <strong>of</strong> artists and patrons, liturgical texts which describe the use <strong>of</strong> medieval artifacts,<br />

and others that reflect the tastes <strong>of</strong> the literate public. First published in 1971.<br />

(MART 17) 182 pp / 6 x 9 / 1986<br />

Paper 978-0-8020-6628-2 $21.95 (£15.99)<br />

Byzantium<br />

The Imperial Centuries AD 610–1071<br />

Romilly Jenkins<br />

A student and general reader guide to the middle period, or the most imperial era, <strong>of</strong> Byzantium’s history.<br />

Jenkins provides a connected account <strong>of</strong> what actually went on in the East Roman Empire between the<br />

accession <strong>of</strong> Heraclius and the Battle <strong>of</strong> Manzikert. First published in 1966.<br />

(MART 18) 400 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6667-1 $29.95 (£20.99)<br />

The Discovery <strong>of</strong> the Individual 1050–1200<br />

Colin Morris<br />

Morris traces the origin <strong>of</strong> the concept <strong>of</strong> the individual, not to the <strong>Renaissance</strong> where it is popularly<br />

assumed to have been invented, but farther back, to the spirituality and intellectually dynamic world <strong>of</strong><br />

Europe in the twelfth century. First published in 1972.<br />

(MART 19) 188 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6665-7 $18.95 (£13.99)<br />

Gothic Art 1140–c 1450<br />

Sources and Documents<br />

Teresa G. Frisch<br />

Gothic Art 1140–c 1450 is a chronologically arranged collection <strong>of</strong> both secular and more pious original texts,<br />

selected from a wide variety <strong>of</strong> sources. These records include the personal observations <strong>of</strong> pr<strong>of</strong>essional<br />

artisans and contemporary observers, as well as the less personal records left in legal contracts, agreements,<br />

inscriptions, and other sorts <strong>of</strong> documentation. Introductory notes and headings help to place the texts in<br />

their original contexts. First published in 1971.<br />

(MART 20) 181 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6679-4 $18.95 (£13.99)<br />

40 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Crisis <strong>of</strong> Church and State 1050–1300<br />

Brian Tierney<br />

A clear narrative that presents and interprets the major documents <strong>of</strong> the centuries-long struggle between<br />

kings and popes <strong>of</strong> medieval Europe over the separation <strong>of</strong> church and state. Few controversies have so<br />

indelibly influenced the course <strong>of</strong> western civilization. A reprint <strong>of</strong> the 1980 edition first published in 1964.<br />

(MART 21) 210 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6701-2 $21.95 (£15.99)<br />

Change in <strong>Medieval</strong> Society<br />

Europe North <strong>of</strong> the Alps 1050–1500<br />

Sylvia L. Thrupp<br />

The nineteen essays in this collection reflect the importance <strong>of</strong> change as an aspect <strong>of</strong> medieval society.<br />

They are arranged in six subject areas: Communities; Reformers; Careers, Rank, and Power; The Communication<br />

<strong>of</strong> Ideas; Money; and Views <strong>of</strong> Society. A reprint <strong>of</strong> the 1964 edition.<br />

(MART 22) 324 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6699-2 $19.95 (£13.99)<br />

The <strong>Medieval</strong> Experience<br />

Francis Oakley<br />

A far-ranging study examines five critical areas in which medieval civilization departed from earlier civilizations,<br />

and thereby contributed to the development <strong>of</strong> a unique European culture. A reprint <strong>of</strong> the 1974 edition.<br />

(MART 23) 228 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6707-4 $21.95 (£15.99)<br />

Modern Perspectives in Western Art History<br />

An Anthology <strong>of</strong> Twentieth-Century Writings on the Visual Arts<br />

Edited by W. Eugene Kleinbauer<br />

A collection <strong>of</strong> essays that reflect the breadth <strong>of</strong> twentieth-century scholarship in art history. Kleinbauer<br />

has sought to illustrate the variety <strong>of</strong> methods scholars have developed for conveying the unfolding <strong>of</strong> the<br />

arts in the Western world. A reprint <strong>of</strong> the edition first published in 1971.<br />

(MART 25) 528 pp / 6 x 9 / 1989<br />

Paper 978-0-8020-6708-1 $36.00 (£25.99)<br />

The <strong>Medieval</strong> Book<br />

Illustrated from the Beinecke Rare Book and Manuscript Library<br />

Barbara A. Shailor<br />

A beautifully illustrated study <strong>of</strong> medieval manuscript books that details how they were made and their<br />

place in society. Shailor first examines the manuscript book as an archaeological artifact, then groups books<br />

by genre – both religious and secular – to show how their contents and function influenced their physical<br />

appearance and manufacture. 106 examples, most with illustration, many in colour.<br />

‘A worthwhile resource that anyone interested in the history <strong>of</strong> the book in the Middle Ages will want to<br />

have nearby.’<br />

Richard W. Clement, Épilogue<br />

(MART 28) 115 pp / 8 x 11 / 1991<br />

Cloth 978-0-8020-5910-9 $78.00 (£54.99)<br />

Paper 978-0-8020-6853-8 $36.95 (£25.99)<br />

utppublishing.com 41


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Origins <strong>of</strong> European Dissent<br />

R.I. Moore<br />

Moore traces the roots <strong>of</strong> the rejection <strong>of</strong> the Western church in the eleventh and twelfth centuries and<br />

argues that heresy had less to do with faith than with the changing world <strong>of</strong> the time. A reprint <strong>of</strong> the corrected<br />

edition first published in 1985.<br />

(MART 30) 322 pp / 6 x 9 / 1994<br />

Paper 978-0-8020-7566-6 $25.95 (£18.99)<br />

Fables<br />

Marie de France<br />

Edited and translated by Harriet Spiegel<br />

Comprising the 103 tales that form the earliest vernacular collection <strong>of</strong> fables from western Europe, this edition<br />

captures the fresh and lively tone <strong>of</strong> Marie de France’s text. This is a reprint <strong>of</strong> the first edition published in 1987.<br />

‘Spiegel provides here a translation which captures admirably the liveliness <strong>of</strong> Marie’s imagination. As a<br />

tribute to [Marie’s] spirit one could not ask for better.’<br />

Nancy Vine Durling, Speculum<br />

(MART 32) 282 pp / 6 x 9 / 1994<br />

Paper 978-0-8020-7636-6 $26.95 (£18.99)<br />

The Birth <strong>of</strong> Popular Heresy<br />

R.I. Moore<br />

Until the publication <strong>of</strong> The Birth <strong>of</strong> Popular Heresy, little was known about the many ordinary men and women<br />

who dissented from orthodox Christianity in the middle ages. Moore analyses the development <strong>of</strong> popular<br />

heresy using edited collections <strong>of</strong> letters, chronicles, and sermons written, in the main, by clerics and other<br />

highly placed church <strong>of</strong>ficials during the eleventh and twelfth centuries. A reprint <strong>of</strong> the 1975 first edition.<br />

(MART 33) 166 pp / 6 x 9 / 1995<br />

Paper 978-0-8020-7659-5 $22.95 (£16.99)<br />

Feudalism<br />

F.L. Gansh<strong>of</strong><br />

Translated by Philip Grierson<br />

A reprint <strong>of</strong> the third edition, published in 1964.<br />

‘Historians have come to realize that they possess in this book a survey <strong>of</strong> the essential feudal order which<br />

in breadth <strong>of</strong> view, wealth <strong>of</strong> learning, and sureness <strong>of</strong> judgment is a model among works <strong>of</strong> its scale … It<br />

is a tribute to Pr<strong>of</strong>essor Gansh<strong>of</strong>’s skill as a writer that the reader is never conscious <strong>of</strong> a break in continuity<br />

as they survey passes from the obscurities <strong>of</strong> the Dark Ages, where the origins <strong>of</strong> feudalism lie, to the highly<br />

developed organization <strong>of</strong> the twelfth century.’<br />

From the Foreword<br />

‘Pr<strong>of</strong>essor Gansh<strong>of</strong>’s book answers the prayer <strong>of</strong> every teacher and student <strong>of</strong> medieval history for a lucid,<br />

concise, and authoritative exposition <strong>of</strong> feudal institutions.’<br />

George Holmes, The Cambridge Review<br />

(MART 34) 176 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7158-3 $19.95 (£13.99)<br />

Arthurian Chronicles<br />

Wace and Layamon<br />

Translated by Eugene Mason with an introduction by Gwyn Jones<br />

The spread <strong>of</strong> the Arthurian legend during the course <strong>of</strong> the twelfth century is one <strong>of</strong> the most remarkable<br />

phenomena in literary history. In this English language prose translation <strong>of</strong> the Wace and Layamon Arthurian<br />

poems, the folk-tale ferocity <strong>of</strong> Arthur is made as exciting to the readers as to the poets who contributed<br />

so much to Arthur’s legend. A reprint <strong>of</strong> the 1962 edition.<br />

(MART 35) 282 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7176-7 $22.95 (£16.99)<br />

42 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Nature, Man, and Society in the Twelfth Century<br />

Essays on New Theological Perspectives in the Latin West<br />

MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

M.-D. Chenu<br />

Selected, edited, and translated by Jerome Taylor and Lester K. Little<br />

The nine essays in this collection, selected from La théologie au douzième siècle, inquire into the historical<br />

context and origins <strong>of</strong> medieval scholasticism. They are representative <strong>of</strong> Chenu’s finest work.<br />

(MART 37) 384 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-7175-0 $22.95 (£16.99)<br />

Selections from English Wycliffite Writings<br />

Edited by Anne Hudson<br />

Selections from English Wycliffite Writings is a collection <strong>of</strong> twenty-seven <strong>of</strong>ten-ignored primary texts<br />

written between 1385 and 1425 by members <strong>of</strong> the Lollard sect in England. Through a variety <strong>of</strong> tracts,<br />

sermons, and satires, this edition illuminates the wide range <strong>of</strong> Lollard interests and preoccupations. The<br />

text is in Middle English with extensive supplemental notes that help to fully explain the context <strong>of</strong> each<br />

work. This new edition comes with a revised and updated bibliography by the editor.<br />

‘This is a most useful book for historians <strong>of</strong> ideas, historians <strong>of</strong> the Reformation, literary historians, and<br />

historians <strong>of</strong> the English language. It opens new doors to understanding the late Middle Ages in England.’<br />

Morton W. Bloomfield, Speculum<br />

(MART 38) 245 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-8045-5 $22.95 (£16.99)<br />

<strong>Medieval</strong> Families<br />

Perspectives on Marriage, Household, and Children<br />

Edited by Carol Neel<br />

<strong>Medieval</strong> Families brings together essays by historians, art historians, and literary scholars about the structures,<br />

social functions, and emotional characteristics <strong>of</strong> families in the middle ages. The volume’s introduction and<br />

bibliography enable readers to set the articles gathered here in the context <strong>of</strong> the later twentieth-century<br />

transformation <strong>of</strong> medieval studies and, more broadly, historical scholarship.<br />

(MART 40) 320 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-3606-3 $90.00 (£62.99)<br />

Paper 978-0-8020-8458-3 $36.00 (£25.99)<br />

A Concise Dictionary <strong>of</strong> Old Icelandic<br />

Geir T. Zoëga<br />

A Concise Dictionary <strong>of</strong> Old Icelandic has long been the foremost reference source for the Icelandic language.<br />

The dictionary has helped to bring about a wider interest in the language and literature <strong>of</strong> Iceland and is<br />

considered an essential complement to the study <strong>of</strong> medieval Nordic literature.<br />

(MART 41) 560 pp / 6 x 9 / 2004<br />

Cloth 978-0-8020-8705-8 $109.00 (£76.99)<br />

Paper 978-0-8020-8659-4 $35.95 (£25.99)<br />

Old Norse-Icelandic Literature<br />

A Critical Guide<br />

Edited by Carol J. Clover and John Lindow<br />

With a new preface by Theodore M. Andersson<br />

The current revival <strong>of</strong> interest in the rich and varied literature <strong>of</strong> early Scandinavia has prompted a<br />

corresponding interest in its background: its origins, social and historical context, and relationship to<br />

other medieval literatures. The essays <strong>of</strong> six distinguished scholars summarize and comment on scholarly<br />

work in the major branches <strong>of</strong> the field.<br />

‘Indispensable as a bibliographic source.’<br />

<strong>Medieval</strong> Literature Research Guide<br />

(MART 42) 390 pp / 6 x 9 / 2005<br />

Paper 978-0-8020-3823-4 $41.00 (£28.99)<br />

utppublishing.com 43


MEDIEVAL ACADEMY BOOKS<br />

NEW<br />

Three Cartularies<br />

from Thirteenth-Century Auxerre<br />

Edited by Constance Brittain Bouchard<br />

Three Cartularies from Thirteenth-Century Auxerre<br />

Edited by Constance Brittain Bouchard<br />

This edition presents the recently rediscovered episcopal cartulary <strong>of</strong> Auxerre, composed in the 1280s but<br />

assumed lost since the French Revolution. Along with confirmations by popes, quarrel settlements with<br />

counts, and agreements with the bishop’s tenants, the cartulary contains documents that were previously<br />

unknown, notably several papal decisions. Auxerre was unusually well documented for the period<br />

800–1200, but little information on the bishopric’s history after 1200 has been available until now. The<br />

text contains a wealth <strong>of</strong> information about relationships between church leaders and other churches,<br />

between churches and secular leaders, and details on peasant rights and obligations.<br />

This edition also includes the short thirteenth-century cartularies <strong>of</strong> the nuns <strong>of</strong> St.-Julien and <strong>of</strong> the<br />

cathedral chapter, the latter existing only in fragmentary form. With full annotation <strong>of</strong> people and places<br />

and English-language summaries, these cartularies make a valuable contribution to our understanding <strong>of</strong><br />

this significant episcopal centre’s history.<br />

(<strong>Medieval</strong> Academy Books) Approx. 320 pp / 1 map / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4528-8 $90.00 (£62.99)<br />

<strong>Medieval</strong> Conduct Literature<br />

An Anthology <strong>of</strong> Vernacular Guides to Behaviour for Youths, with English Translations<br />

Edited by Mark D. Johnston<br />

Conduct literature is a term used to identify writings that address how one should ‘conduct’ oneself in<br />

social situations. In the medieval period conduct literature was essential reading for nearly all literate<br />

children and adolescents to educate them in the expected social behaviours for their culture, gender, and<br />

status. Using a comparative approach, this anthology pairs together pieces <strong>of</strong> male-directed and femaledirected<br />

medieval conduct literature, many being translated into English for the first time, to present an<br />

illuminating picture <strong>of</strong> medieval gender norms, parenting, literary style, and pedagogy. Containing texts<br />

written in six vernacular languages, each section is also accompanied by textual notes, an introduction,<br />

and an English translation.<br />

(<strong>Medieval</strong> Academy Books) 360 pp / 5 photos / 6 x 9 / 2009<br />

Cloth 978-0-8020-9832-0 $70.00 (£48.99)<br />

The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne<br />

Edited by Theodore Evergates<br />

The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne examines the countess’ twenty-one-year regency<br />

(1201–22) through her cartulary – a manuscript copy <strong>of</strong> legal and otherwise public documents usually<br />

intended as an archival aid and as a security duplicate. Surviving intact to this day, the 1224 volume is<br />

unusual in that it was commissioned as a personal, commemorative document for the countess in retirement,<br />

after a successful career in which she preserved the county from a divisive civil war, expanded the<br />

county’s borders, and transformed comital-baronial relationships. The 443 letters contained in the cartulary<br />

deal with practical matters <strong>of</strong> governance such as homages, fiefs, and the rights <strong>of</strong> lordship, and are<br />

here used by Theodore Evergates as a dossier for observing the practices <strong>of</strong> a major French principality<br />

and its aristocracy.<br />

(<strong>Medieval</strong> Academy Books) 416 pp / 6 x 9 / 2009<br />

Cloth 978-1-4426-3995-9 $95.00 (£66.99)<br />

Three Treatises from Bec on the Nature <strong>of</strong> Monastic Life<br />

Edited with introduction and notes by Giles Constable<br />

Translated by Bernard S. Smith<br />

The abbey <strong>of</strong> Bec was founded in the eleventh century and was one <strong>of</strong> the best known and most influential<br />

monasteries in Normandy. The three treatises collected and translated in this volume – Tractatus de<br />

pr<strong>of</strong>essionibus monachorum (‘The Pr<strong>of</strong>ession <strong>of</strong> Monks’), De pr<strong>of</strong>essionibus abbatum (‘The Pr<strong>of</strong>ession <strong>of</strong><br />

Abbots’), and De libertate Beccensis monasterii (‘On the Liberty <strong>of</strong> the Monastery <strong>of</strong> Bec’) – are a striking<br />

statement <strong>of</strong> the position <strong>of</strong> Bec in relation to episcopal and ducal (later royal) authorities.<br />

This volume is an important contribution to understanding not only monasticism in Normandy, but<br />

also the conflict between church and state in the eleventh and twelfth centuries.<br />

(<strong>Medieval</strong> Academy Books) 208 pp / 6 x 9 / 2008<br />

Cloth 978-0-8020-9260-1 $52.00 (£36.99)<br />

44 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY BOOKS<br />

Las Mocedades de Rodrigo<br />

The Youthful Deeds <strong>of</strong> Rodrigo, the Cid<br />

Edited by Matthew Bailey<br />

Rodrigo Diaz lived in the second half <strong>of</strong> the eleventh century and is the most famous Castilian in history. His<br />

exploits are recounted in the traditional epic poem Cantar de Mio Cid which celebrated Diaz at the height<br />

<strong>of</strong> his fame and honour. The Mocedades de Rodrigo predates Mio Cid as a fictional story <strong>of</strong> the passage<br />

<strong>of</strong> a precocious twelve-year old Rodrigo from a rebellious and destructive killing force <strong>of</strong> nature to a leader<br />

<strong>of</strong> men in the service <strong>of</strong> his king, Fernando I <strong>of</strong> Leon-Castile. Bailey’s edition presents a transcription <strong>of</strong> the<br />

original manuscript, an English translation, notes, and commentary.<br />

(<strong>Medieval</strong> Academy Books) 150 pp / 6 x 9 / 2007<br />

Cloth 978 0-8020-9336-3 $39.00 (£27.99)<br />

The Mirroure <strong>of</strong> the Worlde<br />

A Middle English Translation <strong>of</strong> the Miroir du Monde<br />

Edited by Robert R. Raymo and Elaine E. Whitaker with Ruth E. Sternglantz<br />

The Mirroure <strong>of</strong> the Worlde makes available for the first time the unique text in the fifteenth-century British<br />

manuscript, ms. Bodley 283, which is among the last and largest works in the tradition <strong>of</strong> lay religious<br />

instruction mandated by the Fourth Lateran council. This edition is one <strong>of</strong> the only books <strong>of</strong> virtues and<br />

vices that contains Latin text, an inclusion that points towards a more widespread knowledge <strong>of</strong> the<br />

language among the laypeople than previously thought. Complete with explanatory notes and a glossary,<br />

The Mirroure <strong>of</strong> the Worlde widens the understanding <strong>of</strong> medieval moral instruction, religion, reading<br />

practices, and education.<br />

(<strong>Medieval</strong> Academy Books) 664 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-3613-1 $101.00 (£70.99)<br />

The Cartulary <strong>of</strong> Montier-en-Der, 666-1129<br />

Edited by Constance Brittain Bouchard<br />

The monastery <strong>of</strong> Montier-en-Der, on the border between Champagne and Lorraine, was one <strong>of</strong> the most<br />

important monasteries <strong>of</strong> the Middle Ages. Its cartulary, put together in the Ilzos at the height <strong>of</strong> the<br />

monastery’s prestige and wealth, is a crucial source <strong>of</strong> information for the history <strong>of</strong> west Francia before the<br />

twelfth century and is here published in full for the first time. With information on popes, kings, and<br />

counts, on manorial structures and the obligations <strong>of</strong> peasant tenants, and on monastic reform, the<br />

cartulary will be an essential resource for the study <strong>of</strong> religious history and <strong>of</strong> the middle ages in France.<br />

(<strong>Medieval</strong> Academy Books) 440 pp / 6 x 9 / 2004<br />

Cloth 978-0-8020-8807-9 $90.00 (£62.99)<br />

Littere Baronum<br />

The Earliest Cartulary <strong>of</strong> the Counts <strong>of</strong> Champagne<br />

Edited by Theodore Evergates<br />

The cartulary <strong>of</strong> 1211 is the oldest surviving register produced by the chancery <strong>of</strong> the counts <strong>of</strong> Champagne.<br />

This first edition <strong>of</strong> the cartulary contains 121 letters received from the barons and prelates <strong>of</strong> the county<br />

during the rule <strong>of</strong> Count Thibaut III (1198-1201) and the first decade <strong>of</strong> the regency <strong>of</strong> his widow, Countess<br />

Blanche (1201-22). Since only one-third <strong>of</strong> the original letters survive, the cartulary copies are particularly<br />

valuable in capturing the range <strong>of</strong> written records entering the chancery <strong>of</strong> a major French principality<br />

around 1200.<br />

(<strong>Medieval</strong> Academy Books) 300 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-8762-1 $62.00 (£43.99)<br />

utppublishing.com 45


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

These books are specially selected and designed to keep in print the<br />

most treasured works in <strong>Renaissance</strong> studies, modestly priced for student use.<br />

The Treatise <strong>of</strong> Lorenzo Valla on the Donation <strong>of</strong> Constantine<br />

Text and translation into English by Christopher Coleman<br />

The Donation <strong>of</strong> Constantine is the most famous forgery in European history. Written in the eighth century,<br />

it was allegedly a fourth-century document by which the Emperor Constantine the Great gave extensive<br />

privileges and property to Pope Sylvester I.<br />

This document was accepted as genuine for seven centuries and was cited by at least ten popes in<br />

contentions for the recognition <strong>of</strong> papal control. Lorenzo Valla’s 1440 treatise established the Donation <strong>of</strong><br />

Constantine was forged, and made him a pioneer <strong>of</strong> modern historical criticism. The reprint is <strong>of</strong> the 1922<br />

edition <strong>of</strong> Valla’s treatise and presents the Latin text and English translation <strong>of</strong> it and the forged donation<br />

document on facing pages.<br />

(RSART 1) 183 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7734-9 $32.95 (£23.99)<br />

The Italian <strong>Renaissance</strong><br />

Edited by Werner L. Gundersheimer<br />

An anthology <strong>of</strong> the writings from the fifteenth and early sixteenth centuries designed to illustrate the life<br />

and thought <strong>of</strong> Italians for students and the general reader. It <strong>of</strong>fers a broad sampling <strong>of</strong> humanist work by<br />

educators, statesmen, philosophers, churchmen, and courtiers translated into English.<br />

‘This collection <strong>of</strong> humanistic prose is invaluable to all those who contemplate the history <strong>of</strong> western civilization,<br />

but most especially to students <strong>of</strong> the Italian <strong>Renaissance</strong> history, literature, philosophy, and art history who<br />

will greatly benefit from this engaging scholarly survey <strong>of</strong> hard-to-find original texts <strong>of</strong> important works.’<br />

Christiane L. Joost-Gaugier, Sixteenth Century Journal<br />

(RSART 2) 184 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7735-6 $21.95 (£15.99)<br />

Religion and Economic Action<br />

The Protestant Ethic, the Rise <strong>of</strong> Capitalism, and the Abuses <strong>of</strong> Scholarship<br />

Kurt Samuelsson<br />

Translated by E. Ge<strong>of</strong>frey French • Edited and with an Introduction by D.C. Coleman<br />

Max Weber first proposed, and R.H. Tawney did much to promote, the idea that capitalism grew out <strong>of</strong><br />

Puritan values. In this bold essay, Kurt Samuelsson convincingly challenges that hypothesis and reassesses<br />

the spirit and ethics <strong>of</strong> both capitalism and Puritanism, effectively dismantling any notion <strong>of</strong> a functional<br />

relationship between Christianity and capitalism.<br />

‘This book by an able economic historian ... does not just tinker with Weber’s hypothesis but leaves it in ruins.’<br />

George C. Homans, Harvard <strong>University</strong><br />

(RSART 3) 170 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7733-2 $20.95 (£14.99)<br />

The Ash Wednesday Supper<br />

Giordano Bruno • Edited and translated by Edward A. Gosselin and Lawrence S. Lerner<br />

Giordano Bruno, a possibly mad, certainly brilliant, itinerant Italian friar was burned at the stake in 1600<br />

for heresies, which included his rejection <strong>of</strong> the Ptolemaic cosmology. Using Copernican theory as both a<br />

foundation <strong>of</strong> and a metaphor for his own vast philosophical-theological-political-social program, Bruno<br />

united his own conflicting beliefs in ‘La Cena de le ceneri’ (The Ash Wednesday Supper). It was one <strong>of</strong> the<br />

first works in which Copernican theory had impact outside the sphere <strong>of</strong> the natural sciences.<br />

(RSART 4) 238 pp / 6 x 9 / 1995<br />

Paper 978-0-8020-7469-0 $31.95 (£22.99)<br />

46 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

Vittorino da Feltre and Other Humanist Educators<br />

W. H. Woodward<br />

‘A book that has remained for almost seventy years the fundamental study <strong>of</strong> early <strong>Renaissance</strong> educational<br />

theory and practice.’<br />

From the foreword by Eugene F. Rice Jr.<br />

(RSART 5) 264 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7157-6 $23.95 (£16.99)<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />

Religion, Politics, and the Dominant Culture<br />

Debora Kuller Shuger<br />

Debora Kuller Shuger examines orthodox, rather than subversive, methods <strong>of</strong> thought in the English<br />

<strong>Renaissance</strong>. Instead <strong>of</strong> finding a monolithic, unified body <strong>of</strong> thought, she reveals a remarkably nonuniform<br />

‘orthodox’ ideology containing a wide range <strong>of</strong> views. Shuger’s approach also re-examines and relegitimizes<br />

the investigation <strong>of</strong> the connections between religion and literature. First published in 1990,<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong> presaged an expanding and progressively more popular mode<br />

<strong>of</strong> inquiry in English <strong>Renaissance</strong> scholarship.<br />

(RSART 6) 284 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-8047-9 $25.95 (£18.99)<br />

The Vespasiano Memoirs<br />

Lives <strong>of</strong> Illustrious Men <strong>of</strong> the XVth Century<br />

Vespasiano da Bisticci<br />

Translated by William George and Emily Waters<br />

Introduction by Myron P. Gilmore<br />

Vespasiano da Bisticci (b. 1421) was a Florentine bookseller known as the most celebrated dealer <strong>of</strong> books<br />

and manuscripts <strong>of</strong> his generation. His memoirs are a valuable resource in the history <strong>of</strong> politics, warfare and<br />

intellectual history, written from the perspective <strong>of</strong> an intelligent man who was able to watch and comment<br />

on the events <strong>of</strong> his age from a privileged position.<br />

(RSART 7) 476 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-7968-8 $30.95 (£21.99)<br />

The Society <strong>of</strong> <strong>Renaissance</strong> Florence<br />

A Documentary Study<br />

Edited by Gene Brucker<br />

First published in 1971, this book is an invaluable collection <strong>of</strong> 132 original Florentine documents dating<br />

from the fourteenth and fifteenth centuries.<br />

‘Gene A. Brucker gives us a compelling as well as factually based idea <strong>of</strong> <strong>Renaissance</strong> Florence in the<br />

translated documents assembled in The Society <strong>of</strong> <strong>Renaissance</strong> Florence ... Everyone wishing more solid<br />

information on how life was lived in <strong>Renaissance</strong> Florence will find more than a little <strong>of</strong> fresh and essential<br />

information in this highly reliable book.’<br />

Leonard R.N. Ashley, Bibliotheque d’Humanisme et <strong>Renaissance</strong><br />

(RSART 8) 282 pp / 6 x 9 / 1998<br />

Paper 978-0-8020-8079-0 $26.95 (£18.99)<br />

On Assistance to the Poor<br />

Juan Luis Vives<br />

Translated with an introduction and commentary by Alice Tobriner, SNJM<br />

The urban problems <strong>of</strong> sixteenth-century Bruges are very familiar to the modern reader: poverty, overcrowding,<br />

crime, the problems <strong>of</strong> the mentally ill, and the issue <strong>of</strong> the responsibility <strong>of</strong> government for the<br />

care <strong>of</strong> the poor. Published in 1526, On Assistance to the Poor was Vives’s effort to bring these questions<br />

to the attention <strong>of</strong> the City Council <strong>of</strong> Bruges, and have them addressed by local government.<br />

(RSART 9) 71 pp / 6 x 9 / 1999<br />

Paper 978-0-8020-8289-3 $18.95 (£13.99)<br />

utppublishing.com 47


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

Dolce’s Aretino and Venetian Art Theory <strong>of</strong> the Cinquecento<br />

Mark W. Roskill<br />

Ludovico Dolce’s Dialogo della pittura first appeared in Venice in 1557. L’Aretino, by which the work is<br />

known today, consists <strong>of</strong> a threepart dialogue between two Venetians, Aretino and Fabrini, on the particular<br />

merits <strong>of</strong> works <strong>of</strong> art and artists, including Michelangelo, Raphael, and Donatello. It is based largely on<br />

Aretino’s letters. The edition is presented in the original Italian with English facing-page translation.<br />

(RSART 10) 368 pp / 7 x 9 / 2000<br />

Paper 978-0-8020-8333-3 $36.95 (£25.99)<br />

More’s Utopia<br />

Dominic Baker-Smith<br />

This book prepares the reader for the challenge <strong>of</strong> Utopia: it places the work in the context <strong>of</strong> early<br />

sixteenth-century Europe and the intellectual preoccupations <strong>of</strong> More’s own humanist circle, and clarifies<br />

those sources in Classical and Christian political thought which provoked his writing. Dominic Baker-Smith<br />

also surveys the varied critical reception accorded to Utopia over the last four centuries, providing an intriguing<br />

look at Utopia’s role in cultural history.<br />

(RSART 11) 270 pp / 6 x 9 / 2000<br />

Paper 978-0-8020-8376-0 $29.95 (£20.99)<br />

Venice<br />

A Documentary History, 1450–1630<br />

Edited by David Chambers and Brian Pullan, with Jennifer Fletcher<br />

During the <strong>Renaissance</strong>, there were two centres <strong>of</strong> art, culture and mercantile power in Italy: Florence, and Venice.<br />

This is a sourcebook <strong>of</strong> primary materials, almost none previously available in English, for the history <strong>of</strong> the citystate<br />

<strong>of</strong> Venice. The time period covers the apogee <strong>of</strong> Venetian power and reputation to the beginnings <strong>of</strong> its<br />

decline in the 1630s. Sources used include diaries, chronicles, Inquisitorial records, literature, legislation, and<br />

contemporary descriptions, and are organized in sections by theme and accompanied by brief introductions.<br />

(RSART 12) 484 pp / 6 x 9 / 9 illustrations / 2001<br />

Paper 978-0-8020-8424-8 $40.95 (£28.99)<br />

Jews in the Canary Islands<br />

Being a calendar <strong>of</strong> Jewish cases extracted from the records <strong>of</strong> the<br />

Canariote Inquisition in the collection <strong>of</strong> the Marquess <strong>of</strong> Bute<br />

Translated from the Spanish and edited with an introduction and notes by Lucien Wolf<br />

In 1504, the Office <strong>of</strong> the Inquisition was set up in the remote Spanish holdings on the Canary Islands to<br />

seek out crypto-Jews, sorcerers, and other heretics. Jews in the Canary Islands is a calendar <strong>of</strong> Jewish cases<br />

brought before the Canariote Inquisition between 1499 and 1818, when the Inquisition was discontinued.<br />

Together with an Introduction analyzing the work <strong>of</strong> the Inquisition and explaining its relation to general<br />

Jewish history until 1928, this is a fascinating collection <strong>of</strong> records showing not only the workings <strong>of</strong> the<br />

Inquisition, but the lives <strong>of</strong> crypto-Jews during a time <strong>of</strong> fierce repression.<br />

(RSART 13) 320 pp / 6 x 9 / 2001<br />

Cloth 978-0-8020-3585-1 $78.00 (£54.99) • Paper 978-0-8020-8450-7 $32.95 (£23.99)<br />

Soldiers <strong>of</strong> Christ<br />

Preaching in Late <strong>Medieval</strong> and Reformation France<br />

Winner <strong>of</strong> the 1996 John Nicholas<br />

Brown Prize <strong>of</strong> the <strong>Medieval</strong><br />

Academy <strong>of</strong> America<br />

Larissa Juliet Taylor<br />

In an age when the printed book was still in its infancy, the pulpit was the mass medium. A vital part <strong>of</strong> religious<br />

life, sermons were the chief occasions on which the church attempted to bridge the gap between high theology<br />

and popular religious culture. The preaching event provided the opportunity for men and women to socialize,<br />

flirt, dispute with or mock the preacher and, in a more positive way, to heed the preacher’s words and change<br />

their lives. Larissa Juliet Taylor has examined over 1600 sermons given by the leading lay preachers in France<br />

between 1460 and 1560, and examines the social context <strong>of</strong> preaching and the sermon while reconstructing<br />

popular attitudes towards original sin, free will, purgatory, the Devil, the sacraments, and the magical arts.<br />

(RSART 14) 352 pp / 6 x 9 / 2002<br />

Paper 978-0-8020-8557-3 $32.95 (£23.99)<br />

48 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Tudor Historical Thought<br />

RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

F.J. Levy<br />

Tudor Historical Thought is a revealing account <strong>of</strong> vital changes in intellectual orientation. F.J. Levy’s seminal<br />

work explores the factors – humanism, theology, antiquarianism, Machiavellianism – that brought about<br />

the changes in historical thinking from the time <strong>of</strong> Caxton to that <strong>of</strong> Bacon, Raleigh, and Camden.<br />

At the beginning <strong>of</strong> the sixteenth century, chroniclers exemplified the workings <strong>of</strong> Providence and taught<br />

personal morality; a hundred years later, however, the idea <strong>of</strong> teaching practical statecraft had been introduced.<br />

The Italian humanists emphasized the political aspects <strong>of</strong> man, and made the active citizen rather<br />

than the cloistered monk their ideal. That citizen needed guidance, and it was the duty <strong>of</strong> the historian to<br />

supply it. Questions <strong>of</strong> politics, which had been important for nearly half a century, suddenly were placed<br />

at the centre, and with that a new kind <strong>of</strong> history writing appeared in England.<br />

(RSART 15) 320 pp / 6 x 9 / 2004<br />

Paper 978-0-8020-3775-6 $32.95 (£23.99)<br />

The <strong>Renaissance</strong> in Historical Thought<br />

Wallace K. Ferguson<br />

Originally published in 1948, Wallace K. Ferguson’s The <strong>Renaissance</strong> in Historical Thought is a key piece<br />

<strong>of</strong> scholarship on <strong>Renaissance</strong> historiography. Ferguson examines how the <strong>Renaissance</strong> has been viewed<br />

from successive historical and national viewpoints, and by canonical thinkers over the centuries, including<br />

François-Marie Arouet de Voltaire and Jacob Burckhardt.<br />

(RSART 16) 450 pp / 6 x 9 / 2006<br />

Paper ISBN 978-0-8020-9415-5 $32.95 (£23.99)<br />

The Social World <strong>of</strong> the Florentine Humanists, 1390–1460<br />

Lauro Martines<br />

Lauro Martines’s exhaustive search <strong>of</strong> manuscript material in the state archives <strong>of</strong> Florence is the basis for a<br />

fascinating portrayal <strong>of</strong> representative humanists <strong>of</strong> the period. The Social World <strong>of</strong> the Florentine Humanists<br />

explores the wealth, family tradition, civic prominence, and intellectual achievements <strong>of</strong> these individuals<br />

while assessing the attitudes <strong>of</strong> other Florentines towards them. Martines demonstrates that humanists<br />

tended to be wealthy educated men from important families, challenging longheld assumptions about the<br />

status <strong>of</strong> humanists in that society.<br />

First published in 1963, this groundbreaking study provides a detailed picture <strong>of</strong> the social structure<br />

<strong>of</strong> Florence in the Quattrocento that influenced a generation <strong>of</strong> scholars and illuminated a complex and<br />

multifaceted world.<br />

(RSART 17) 440 pp / 6 x 9 / 2011<br />

Paper ISBN 978-1-4426-1182-5 $35.00 (£24.99)<br />

The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />

Projects and Patrons, Workshop and Art Market<br />

Martin Wackernagel<br />

Translated by Alison Luchs<br />

First published in German in 1938 and later translated into English, this classic <strong>of</strong> Italian <strong>Renaissance</strong> historiography<br />

centres on the relationship between Florentine art and the conditions under which it was created. In<br />

rich detail, Martin Wackernagel explores the impact <strong>of</strong> patronage and function, widespread demand for<br />

art, workshop techniques, and business practices on artists’ lives and the results they achieved.<br />

Wackernagel stresses the changing roles <strong>of</strong> commissions and patrons in the late fourteenth to the early<br />

fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development <strong>of</strong><br />

major Florentine monuments. Through this, he highlights the development <strong>of</strong> major civic and religious<br />

artistic complexes such as the Palazzo Vecchio, the Cathedral and Baptistery, and the convent <strong>of</strong> Santa<br />

Maria Novella. This volume also features a biography <strong>of</strong> the author and an essay on important later publications<br />

related to Wackernagel’s themes and arguments.<br />

(RSART 18) 488 pp / 6 x 9 / 2011<br />

Paper ISBN 978-1-4426-1184-9 $39.95 (£27.99)<br />

utppublishing.com 49


LEXICONS OF EARLY MODERN ENGLISH<br />

Lexicons <strong>of</strong> Early Modern English is a growing historical database <strong>of</strong>fering scholars<br />

unprecedented access to early books and manuscripts documenting the growth<br />

and development <strong>of</strong> the English language. With more than 581,000 word-entries<br />

from 175 monolingual, bilingual, and polyglot dictionaries, glossaries, and linguistic<br />

treatises, encyclopedic and other lexical works from the beginning <strong>of</strong> printing in<br />

England in 1702, as well as tools updated annually, LEME sets the standard for<br />

modern linguistic research on the English language.<br />

Editor<br />

Ian Lancashire<br />

Programmer<br />

Marc Plamondon<br />

Web Development<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Library<br />

To subscribe to LEME contact:<br />

Journals Division,<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Tel: (416) 667-7810<br />

(800) 565-9523<br />

Fax: (416) 667-7881<br />

(800) 221-9985<br />

journals@utpress.utoronto.ca<br />

Use modern techniques to research early modern English!<br />

• 175 searchable lexicons • 121 fully analysed lexicons<br />

• 581,527 total word-entries • 361,178 fully analysed word entries<br />

• 60,891 total English modern headwords<br />

Recently added to LEME:<br />

John Ray’s A Collection <strong>of</strong> English Words not Generally Used (London, 1674),<br />

a group <strong>of</strong> specialized glossaries with 2,128 word-entries. They explain dialectal<br />

words, southern and northern, words for fishes and birds, and terms <strong>of</strong> art in mining.<br />

Coming soon to LEME:<br />

Peter Levins’ Manipulus Vocabulorum (London, 1570), a dictionary <strong>of</strong> 8,940<br />

English-Latin word-entries, organized by English rhyme-endings (with accentuation).<br />

This analyzed text owes much to Huloet (added in 2009) and replaces the simple<br />

transcription now in the LEME database.<br />

John Rider’s Bibliotheca Scholastica, an English-Latin dictionary first published by<br />

the <strong>University</strong> <strong>of</strong> Oxford in 1589.<br />

Catholicon Anglicum (ca. 1475), an English-Latin dictionary from Lord Monson’s<br />

manuscript, reconstructed from a nineteenth-century Early English Text Society<br />

edition. The earliest such lexicon surviving in the language, holding some 7,180<br />

word-entries, distinguishes itself by the extensive use <strong>of</strong> Latin synonyms in<br />

explanations.<br />

Subscription Prices:<br />

1 year 2 years 3 years<br />

$1,625.00 $2,150.00 $2,675.00 Institutions (FTE > 10,000)<br />

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$75.00 $150.00 $225.00 Individuals<br />

50 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

ART AND ARCHITECTURE<br />

The Apocalypse and the Shape <strong>of</strong> Things to Come<br />

Edited by Frances Carey<br />

978-0-8020-4776-2 / $90.00<br />

978-0-8020-8325-8 / $49.95 / 1999<br />

North American rights<br />

Artistic Integration in Gothic Buildings<br />

Edited by Virginia Chieffo Raguin, Kathryn L. Brush,<br />

and Peter Draper<br />

978-0-8020-7477-5 / $33.95 / £23.99 / 1995<br />

Art on the Jesuit Missions in Asia and Latin<br />

America, 1542–1773<br />

Gauvin Alexander Bailey<br />

978-0-8020-8507-8 / $43.00 / £30.99 / 1999<br />

Between <strong>Renaissance</strong> and Baroque<br />

Jesuit Art in Rome, 1565–1610<br />

Gauvin Alexander Bailey<br />

978-1-4426-1030-9 / $39.95 / £27.99 / 2009<br />

Courtly Love in <strong>Medieval</strong> Manuscripts<br />

Pamela Porter<br />

978-0-8020-8599-3 / $24.95 / 2004<br />

North and South American rights<br />

Early Christian Chapels in the West<br />

Decoration, Function, and Patronage<br />

Gillian Mackie<br />

978-0-8020-3504-2 / $117.00 / £81.99 / 2003<br />

English Tilers<br />

Elizabeth Eames<br />

978-0-8020-77066 / $29.95 / 1992<br />

North American rights<br />

The <strong>Medieval</strong> Garden<br />

Sylvia Landsberg<br />

978-0-8020-8660-0 / $29.95 / 2003<br />

North American rights<br />

Painters<br />

Paul Binski<br />

978-0-8020-6918-4 / $29.95 / 1991<br />

North American rights<br />

Rochester Cathedral, 604–1540<br />

An Architectural History<br />

J. Phillip McAleer<br />

978-0-8020-4222-4 / $81.00 / £56.99 / 1999<br />

BOOKS AND MANUSCRIPTS<br />

Andreas Alciatus<br />

Volume I: The Latin Emblems Indexes and Lists<br />

Edited by Peter M. Daly, with Virginia M. Callahan.<br />

Assisted by Simon Cuttler<br />

Volume II: Emblems in Translation<br />

Edited by Peter M. Daly. Assisted by Simon Cuttler<br />

(Index Emblematicus)<br />

978-0-8020-2425-1 / $203.00 / £142.99 / 1985<br />

Art, Identity, and Devotion in Fourteenth-<br />

Century England<br />

Three Women and their Books <strong>of</strong> Hours<br />

Kathryn A. Smith<br />

978-0-8020-3920-0 / $87.00<br />

978-0-8020-8691-4 / $35.95 / 2004<br />

North American rights<br />

Astrology in <strong>Medieval</strong> Manuscripts<br />

Sophie Page<br />

978-0-8020-8511-5 / $24.95 / 2004<br />

North and South American rights<br />

Between France and Flanders<br />

Manuscript Illumination in Amiens in the<br />

Fifteenth Century<br />

Susie Nash<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4114-2 / $107.00 / 1999<br />

North and South American rights<br />

The Book <strong>of</strong> Cerne<br />

Prayer, Patronage, and Power in Ninth-Century<br />

England<br />

Michelle P. Brown<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4113-5 / $101.00 / 1996<br />

North and South American rights<br />

The Book Unbound<br />

Editing and Reading <strong>Medieval</strong> Manuscripts and<br />

Texts<br />

Edited by Siân Echard and Stephen Partridge<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8756-0 / $59.00 / £41.99 / 2004<br />

Bookbinding<br />

History and Techniques<br />

Philippa Marks<br />

978-0-8020-8176-6 / $25.95 / 1998<br />

North and South American rights<br />

The de Brailes Hours<br />

Shaping the Book <strong>of</strong> Hours in 13th Century<br />

Oxford<br />

Claire Donovan<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />

978-0-8020-5951-2 / $101.00 / 1991<br />

North American rights<br />

The Egerton Genesis<br />

Mary Coker Joslin and Carolyn J. Watson<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4758-8 / $90.00 / 2001<br />

North and South American rights<br />

The English Emblem Tradition, Volume 3<br />

Emblematic Devices <strong>of</strong> the English Civil Wars,<br />

1642–1660<br />

Alan R. Young<br />

(Index Emblematicus)<br />

978-0-8020-5739-6 / $112.00 / £78.99 / 1995<br />

The English Emblem Tradition, Volume 4<br />

Remaines <strong>of</strong> a Greater Worke Concerning<br />

Britaine, William Camden<br />

The Mirrour <strong>of</strong> Maiestie, H.G. Amorum<br />

Emblematta, Otto van Vee<br />

Edited by Peter M. Daly and Mary V. Silcox<br />

(Index Emblematicus)<br />

978-0-8020-4367-2 / $130.00 / £90.99 / 1998<br />

The English Emblem Tradition, Volume 5<br />

The Manuscript Emblem Books <strong>of</strong> Henry<br />

Peacham<br />

Edited by Alan R. Young<br />

(Index Emblematicus)<br />

978-0-8020-0987-6 / $140.00 / £97.99 / 1998<br />

Flowers in <strong>Medieval</strong> Manuscripts<br />

Celia Fisher<br />

978-0-8020-3796-1 / $24.95 / 2004<br />

North and South American rights<br />

The Future <strong>of</strong> the Page<br />

Edited by Peter Stoicheff and Andrew Taylor<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8802-4 / $87.00 / £60.99<br />

978-0-8020-8584-9 / $35.95 / £25.99 / 2004<br />

A Guide to Western Historical Scripts from<br />

Antiquity to 1600<br />

Michelle P. Brown<br />

978-0-8020-7206-1 / $39.95 / 1990<br />

North American rights<br />

The Historical Source Book for Scribes<br />

Michelle P. Brown and Patricia Lovett<br />

978-0-8020-4720-5 / $39.95 / 1999<br />

North and South American rights<br />

llluminating the Book<br />

Makers and Interpreters<br />

Edited by Michelle P. Brown and Scot McKendrick<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4411-2 / $90.00 / 1998<br />

North and South American rights<br />

The Jesuit Series<br />

Edited by Peter M. Daly and Richard Dimmler, S.J.<br />

(Corpus Librorum Emblematum)<br />

Part Two, (D–E)<br />

978-0-8020-4748-9 / $146.00 / £102.99 / 2000<br />

Part Three (F-L)<br />

978-0-8020-3570-7 / $146.00 / £102.99 / 2002<br />

Part Four (L-P)<br />

978-0-8020-3853-1 / $155.00 / £108.99 / 2005<br />

Part Five (P–Z)<br />

978-0-8020-9264-9 / $191.00 / £133.99 / 2007<br />

The Lindisfarne Gospels<br />

Society, Spirituality, and the Scribe<br />

Michelle P. Brown<br />

978-0-8020-8825-3 / $97.00<br />

978-0-8020-8597-9 / $52.00 / 2003<br />

North and South American rights<br />

Magic in <strong>Medieval</strong> Manuscripts<br />

Sophie Page<br />

978-0-8020-3797-8 / $24.95 / 2004<br />

North and South American rights<br />

Manuscripts from the Anglo-Saxon Age<br />

Michelle P. Brown<br />

978-0-8020-9096-6 / $56.00 / 2007<br />

North American rights<br />

<strong>Medieval</strong> Birds in the Sherborne Missal<br />

Janet Backhouse<br />

978-0-8020-8434-7 / $24.95 / 2001<br />

utppublishing.com 51


BACKLIST<br />

The <strong>Medieval</strong> Church in Manuscripts<br />

Justin Clegg<br />

978-0-8020-8598-6 / $24.95 / 2004<br />

North and South American rights<br />

<strong>Medieval</strong> Herbals<br />

The Illustrative Traditions<br />

Minta Collins<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4757-1 / $95.00<br />

978-0-8020-8313-5 / $44.95 / 2000<br />

North and South American rights<br />

<strong>Medieval</strong> Rural Life in the Luttrell Psalter<br />

Janet Backhouse<br />

978-0-8020-8399-9 / $24.95 / 2000<br />

North and South American rights<br />

<strong>Medieval</strong> Warfare in Manuscripts<br />

Pamela Porter<br />

978-0-8020-8400-2 / $24.95 / 2000<br />

North and South American rights<br />

Monsters and Grotesques in <strong>Medieval</strong> Manuscripts<br />

Alixe Bovey<br />

978-0-8020-8512-2 / $24.95 / 2004<br />

North and South American rights<br />

The Murthly Hours<br />

Devotion, Literacy and Luxury in Paris,<br />

England, and the Gaelic West<br />

John Higgitt<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4759-5 / $95.00 / 2000<br />

North and South American rights<br />

Music in <strong>Medieval</strong> Manuscripts<br />

Nicolas Bell<br />

978-0-8020-8432-3 / $24.95 / 2001<br />

The Myth <strong>of</strong> Print Culture<br />

Essays on Evidence, Textuality, and<br />

Bibliographical Method<br />

Joseph A. Dane<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8775-1 / $72.00 / £50.99 / 2003<br />

Pleyn Delit<br />

<strong>Medieval</strong> Cookery for Modern Cooks,<br />

Second Edition<br />

Constance B. Hieatt, Brenda M. Hosington,<br />

and Sharon Butler<br />

978-0-8020-7632-8 / $24.95 / £17.99 / 1996<br />

Printing<br />

History and Techniques<br />

Michael Twyman<br />

978-0-8020-8179-7 / $25.95 / 1999<br />

North and South American rights<br />

The Roman Vergil and the Origins <strong>of</strong><br />

<strong>Medieval</strong> Book Design<br />

David H. Wright<br />

978-0-8020-4819-6 / $39.95 / 2001<br />

North and South American rights<br />

Saints in <strong>Medieval</strong> Manuscripts<br />

Greg Buzwell<br />

978-0-8020-3795-4 / $24.95 / 2005<br />

North and South American rights<br />

Scribes and Illuminators<br />

Christopher de Hamel<br />

978-0-8020-7707-3 / $32.95 / 1992<br />

North American rights<br />

The Sherborne Missal<br />

Janet Backhouse<br />

978-0-8020-4743-4 / $39.95 / 1999<br />

North and South American rights<br />

St. Cuthbert<br />

His Life and Cult in <strong>Medieval</strong> Durham<br />

Dominic Marner<br />

978-0-8020-3518-9 / $44.00 / 2000<br />

North and South American rights<br />

The Trinity Apocalypse<br />

Edited by David McKitterick<br />

978-0-8020-9009-6 / $97.00<br />

978-0-8020-4893-6 / $46.95 / 2005<br />

North and South American rights<br />

Writing and Scripts<br />

History and Techniques<br />

Michelle P. Brown<br />

978-0-8020-8172-8 / $25.95 / 1998<br />

North and South American rights<br />

DRAMA AND MUSIC<br />

Athena Sings<br />

Wagner and the Greeks<br />

M. Owen Lee<br />

978-0-8020-8795-9 / $39.00 / £27.99<br />

978-0-8020-8580-1 / $19.95 / £13.99 / 2003<br />

‘Bring furth the pagants’<br />

Essays in Early English Drama Presented<br />

to Alexandra F. Johnston<br />

Edited by David N. Klausner and<br />

Karen Sawyer Marsalek<br />

(Studies in Early English Drama 9)<br />

978-0-8020-9107-9 / $66.00 / £46.99 / 2006<br />

Bristol<br />

Mark C. Pilkinton<br />

(Records <strong>of</strong> Early English Drama 13)<br />

978-0-8020-4221-7 / $143.00 / £100.99 / 1997<br />

Cambridge<br />

Alan Nelson<br />

(Records <strong>of</strong> Early English Drama 8)<br />

978-0-8020-5751-8 / $203.00 / £142.99 / 1989<br />

Cheshire, including Chester<br />

Elizabeth Baldwin, Lawrence M. Clopper,<br />

and David Mills<br />

(Records <strong>of</strong> Early English Drama 19)<br />

978-0-8020-9326-4 / $434.00 / 2007<br />

World rights less UK and Europe<br />

Cumberland, Westmorland, Gloucestershire<br />

Audrey Douglas and Peter Greenfield<br />

(Records <strong>of</strong> Early English Drama 6)<br />

978-0-8020-5669-6 / $112.00 / £78.99 / 1986<br />

Devon<br />

John Wasson<br />

(Records <strong>of</strong> Early English Drama 7)<br />

978-0-8020-5706-8 / $117.00 / £81.99 / 1986<br />

Dorset/Cornwall<br />

Rosalind C. Hays/C.E. McGee and<br />

Sally Joyce/Evelyn S. Newlyn<br />

(Records <strong>of</strong> Early English Drama 14)<br />

978-0-8020-4379-5 / $175.00 / £122.99 / 1999<br />

Drama, Performance, and Polity in<br />

Pre-Cromwellian Ireland<br />

Alan J. Fletcher<br />

(Studies in Early English Drama 6)<br />

978-0-8020-4377-1 / $130.00 / 2000<br />

World rights less Australia and Europe<br />

Dramatic Texts and Records <strong>of</strong> Britain<br />

A Chronological Topography to 1558<br />

Ian Lancashire<br />

(Studies in Early English Drama 1)<br />

978-0-8020-5592-7 / $101.00 / 1984<br />

World rights less Europe and British Commonwealth,<br />

but including Canada<br />

Ecclesiastical London<br />

Mary Erler<br />

(Records <strong>of</strong> Early English Drama 20)<br />

978-0-8020-9858-0 / $304.00 / 2008<br />

World rights less UK and Europe<br />

Father Lee’s Opera Quiz Book<br />

M. Owen Lee<br />

978-0-8020-83845 / $24.95 / £17.99 / 2000<br />

Herefordshire and Worcestershire<br />

David Klausner<br />

(Records <strong>of</strong> Early English Drama 9)<br />

978-0-8020-2758-0 / $146.00 / £102.99 / 1990<br />

The History <strong>of</strong> Morris Dancing, 1458–1750<br />

John Forrest<br />

(Studies in Early English Drama 5)<br />

978-0-8020-0921-0 / $78.00 / 1999<br />

World rights less UK and Europe<br />

Kent, Diocese <strong>of</strong> Canterbury<br />

James M. Gibson<br />

(Records <strong>of</strong> Early English Drama 16)<br />

978-0-8020-8726-3 / $572.00 / 2002<br />

World rights less UK and Europe<br />

Lancashire<br />

David George<br />

(Records <strong>of</strong> Early English Drama 10)<br />

978-0-8020-2862-4 / $146.00 / £102.99 / 1992<br />

Lincolnshire<br />

James Stokes<br />

(Records <strong>of</strong> Early English Drama 21)<br />

978-1-4426-4000-9 / $425.00 / 2009<br />

World rights less UK and Europe<br />

Liturgies in Honour <strong>of</strong> Thomas Beckett<br />

Kay Brainerd Slocum<br />

978-0-8020-3650-6 / $90.00 / £62.99 / 2004<br />

52 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

<strong>Medieval</strong> Manuscripts for Mass and Office<br />

A Guide to Their Organization and Terminology<br />

Andrew Hughes<br />

978-0-8020-7669-4 / $44.00 / £30.99 / 1995<br />

<strong>Medieval</strong> and <strong>Renaissance</strong> Music<br />

A Performer’s Guide<br />

Timothy J. McGee<br />

978-0-8020-6729-6 / $24.95 / 1985<br />

World rights less British Commonwealth,<br />

but including Canada<br />

The Outrageous Juan Rana Entremeses<br />

A Bilingual and Annotated Selection <strong>of</strong> Plays<br />

Written for This Spanish Golden Age Gracioso<br />

Peter E. Thompson<br />

978-0-8020-9363-9 / $65.00 / £45.99 / 2009<br />

Oxford (<strong>University</strong> and City)<br />

John Elliott, Alan Nelson, Alexandra F. Johnston,<br />

and Diana Wyatt<br />

978-0-8020-3905-7 / $342.00 / 2004<br />

(Records <strong>of</strong> Early English Drama 17)<br />

World rights less UK and Europe<br />

Playing a Part in History<br />

The York Mysteries,1951–2006<br />

Margaret Rogerson<br />

(Studies in Early English Drama)<br />

978-0-8020-9924-2 / $65.00 / £45.99 / 2009<br />

Finalist for the Theatre Library Association George<br />

Freedley Memorial Award<br />

Recycling the Cycle<br />

The City <strong>of</strong> Chester and Its Whitsun Plays<br />

David Mills<br />

(Studies in Early English Drama 4)<br />

978-0-8020-4096-1 / $39.95 / £27.99 / 1998<br />

REED in Review<br />

Essays in Celebration <strong>of</strong> the First<br />

Twenty-Five Years<br />

Edited by Audrey Douglas and Sally-Beth MacLean<br />

(Studies in Early English Drama 8)<br />

978-0-8020-3827-2 / $81.00 / £56.99 / 2006<br />

Reformers on Stage<br />

Popular Drama as Media in the Low Countries<br />

<strong>of</strong> Charles V, 1515–1556<br />

Gary K. Waite<br />

978-0-8020-4457-0 / $90.00 / £62.99 / 2000<br />

Saints and the Audience in Middle English<br />

Biblical Drama<br />

Chester N. Scoville<br />

978-0-8020-8944-1 / $59.00 / £41.99 / 2004<br />

A Season <strong>of</strong> Opera<br />

From Orpheus to Ariadne<br />

M. Owen Lee<br />

978-0-8020-8387-6 / $24.95 / £17.99 / 1998<br />

Shakespeare’s Comedies <strong>of</strong> Love<br />

Essays in Honour <strong>of</strong> Alexander Leggatt<br />

Edited by Karen Bamford and Ric Knowles<br />

978-0-8020-3953-8 / $67.00 / £46.99 / 2008<br />

Shropshire<br />

J. Alan B. Somerset<br />

(Records <strong>of</strong> Early English Drama 11)<br />

978-0-8020-0648-6 / $203.00 / £142.99 / 1994<br />

Socrates on Trial<br />

A Play Based on Aristophanes’ Clouds and<br />

Plato’s Apology, Crito, and Phaedo Adapted<br />

for Modern Performance<br />

Andrew D. Irvine<br />

978-0-8020-9783-5 / $44.00 / £30.99<br />

978-0-8020-9538-1 / $20.95 / £14.99 / 2008<br />

Somerset, including Bath<br />

James Stokes with Robert J. Alexander<br />

(Records <strong>of</strong> Early English Drama 12)<br />

978-0-8020-0459-8 / $194.00 / £135.99 / 1996<br />

Sussex<br />

Cameron Louis<br />

(Records <strong>of</strong> Early English Drama 15)<br />

978-0-8020-4849-3 / $175.00 / £122.99 / 2000<br />

Teaching with the Records <strong>of</strong> Early English Drama<br />

Edited by Eliza C. Tiner<br />

(Studies in Early English Drama 7)<br />

978-0-8020-9082-9 / $87.00 / £60.99 / 2006<br />

The Triumphant Juan Rana<br />

A Gay Actor <strong>of</strong> the Spanish Golden Age<br />

Peter E. Thompson<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-8969-4 / $52.00 / £36.99 / 2006<br />

Wagner<br />

The Terrible Man and His Truthful Art<br />

M. Owen Lee<br />

(The 1998 Larkin-Stuart Lectures)<br />

978-0-8020-8291-6 / $19.95 / £13.99 / 1999<br />

Wagner and the Wonder <strong>of</strong> Art<br />

An Introduction to Die Meistersinger<br />

M. Owen Lee<br />

978-0-8020-9857-3 / $49.00 / £34.99<br />

978-0-8020-9573-2 / $21.95 / £15.99 / 2007<br />

Wales<br />

David Klausner<br />

(Records <strong>of</strong> Early English Drama 18)<br />

978-0-8020-9072-0 / $285.00 / 2005<br />

World rights less UK and Europe<br />

Wanton Words<br />

Rhetoric and Sexuality in English<br />

<strong>Renaissance</strong> Drama<br />

Madhavi Menon<br />

978-0-8020-8837-6 / $62.00 / £43.99 / 2004<br />

ERASMUS<br />

The Adages <strong>of</strong> Erasmus<br />

Selected by William Barker<br />

978-0-8020-4874-5 / $95.00 / £66.99<br />

978-0-8020-7740-0 / $40.95 / £28.99 / 2001<br />

Conversing with God<br />

Prayer in Erasmus’ Pastoral Writings<br />

Hilmar M. Pabel<br />

(Erasmus Studies)<br />

978-0-8020-4101-2 / $72.00 / £50.99 / 1997<br />

Editing Texts from the Age <strong>of</strong> Erasmus<br />

Edited by Erika Rummel<br />

(Conference on Editorial Problems)<br />

978-0-8020-0797-1 / $44.00 / £30.99 / 1996<br />

Encounters with a Radical Erasmus<br />

Erasmus’ Work as a Source <strong>of</strong> Radical Thought<br />

in Early Modern Europe<br />

Peter G. Bietenholz<br />

(Erasmus Studies)<br />

978-0-8020-9905-1 / $67.00 / £46.99 / 2009<br />

Erasmus in the Twentieth Century<br />

Interpretations 1920–2000<br />

Bruce Mansfield<br />

(Erasmus Studies)<br />

978-0-8020-3767-1 / $84.00 / £58.99 / 2003<br />

Erasmus on Women<br />

Edited by Erika Rummel<br />

978-0-8020-78087 / $25.95 / £18.99 / 1996<br />

The Erasmus Reader<br />

Edited by Erika Rummel<br />

978-0-8020-6806-4 / $30.95 / £21.99 / 1990<br />

Exploiting Erasmus<br />

The Erasmian Legacy and Religious Change<br />

in Early Modern England<br />

Gregory D. Dodds<br />

(Erasmus Studies)<br />

978-0-8020-9900-6/ $85.00 / £59.99 / 2009<br />

Holy Scripture Speaks<br />

The Production and Reception <strong>of</strong> Erasmus’<br />

Paraphrases on the New Testament<br />

Edited by Hilmar Pabel and Mark Vessey<br />

(Erasmus Studies)<br />

978-0-8020-3642-1 / $95.00 / £66.99 / 2003<br />

Man on His Own<br />

Interpretations <strong>of</strong> Erasmus, c. 1750–1920<br />

Bruce Mansfield<br />

(Erasmus Studies)<br />

978-0-8020-5950-5 / $90.00 / £62.99 / 1992<br />

Patronage and Humanist Literature in<br />

the Age <strong>of</strong> the Jagiellons<br />

Court and Career in the Writings <strong>of</strong> Rudolf<br />

Agricola Junior, Valentin Eck, and Leonard Cox<br />

Jacqueline Glomski<br />

(Erasmus Studies)<br />

978-0-8020-9300-4 / $82.00 / £57.99 / 2007<br />

HISTORY<br />

‘A Great Effusion <strong>of</strong> Blood’<br />

Interpreting <strong>Medieval</strong> Violence<br />

Edited by Mark D. Meyerson, Daniel Thierry,<br />

and Oren Falk<br />

978-0-8020-8774-4 / $74.00 / £51.99 / 2004<br />

Anti-Italianism in Sixteenth-Century France<br />

Henry Heller<br />

978-0-8020-3689-6 / $72.00 / £50.99 / 2003<br />

After Rome’s Fall: Narrators and Sources<br />

<strong>of</strong> Early <strong>Medieval</strong> History<br />

Edited by Alexander Callander Murray<br />

978-0-8020-0779-7 / $67.00 / £46.99 / 1999<br />

utppublishing.com 53


BACKLIST<br />

Byzantine Hermeneutics and Pedagogy<br />

in the Russian North<br />

Monks and Masters at the Kirillo-Belozerskii<br />

Monastery, 1397–1501<br />

Robert Romanchuk<br />

978-0-8020-9063-8 / $104.00 / £72.99 / 2007<br />

The Case Against Johann Reuchlin<br />

Social and Religious Controversy in<br />

Sixteenth-Century Germany<br />

Erika Rummel<br />

978-0-8020-3651-3 / $62.00 / £43.99<br />

978-0-8020-8484-2 / $30.95 / £21.99 / 2002<br />

Chronicles <strong>of</strong> the Vikings<br />

Records, Memorials, and Myths<br />

R.I. Page<br />

978-0-8020-0803-9 / $60.00<br />

978-0-8020-7165-1 / $32.95 / 1995<br />

North American rights<br />

Constant Minds<br />

Political Virtue and the Lipsian Paradigm<br />

in England, 1584–1650<br />

Adriana McCrea<br />

(The Mental and Cultural World <strong>of</strong> Tudor<br />

and Stuart England)<br />

978-0-8020-0666-0 / $78.00 / £54.99 / 1997<br />

The Correspondence <strong>of</strong> Wolfgang Capito<br />

Edited and translated by Erika Rummel with<br />

the assistance <strong>of</strong> Milton Kooistra<br />

Volume 1: 1507–1523<br />

978-0-8020-9017-1 / $109.00 / £76.99 / 2005<br />

Volume 2: 1524–1531<br />

978-0-8020-9955-6 / $165.00 / £115.99 / 2009<br />

The Court Book <strong>of</strong> Mende and the<br />

Secular Lordship <strong>of</strong> the Bishop<br />

Jan K. Bulman<br />

978-0-8020-9337-0 / $52.00 / £36.99 / 2008<br />

The Culture <strong>of</strong> Pr<strong>of</strong>essions in<br />

Late <strong>Renaissance</strong> Italy<br />

George W. McClure<br />

978-0-8020-8970-0 / $74.00 / £51.99 / 2004<br />

Decentring the <strong>Renaissance</strong><br />

Canada and Europe in Multidisciplinary<br />

Perspective, 1500–1700<br />

Edited by Germaine Warkentin<br />

and Carolyn Podruchny<br />

978-0-8020-4327-6 / $72.00 / £50.99<br />

978-0-8020-8149-0 / $32.95 / £23.99 / 2001<br />

Early Modern Catholicism<br />

Essays in Honour <strong>of</strong> John W. O’Malley, S.J.<br />

Edited by Kathleen M. Comerford<br />

and Hilmar M. Pabel<br />

978-0-8020-3547-9 / $84.00 / £58.99<br />

978-0-8020-8417-0 / $36.00 / £25.99 / 2001<br />

Eradicating the Devil’s Minions<br />

Anabaptists and Witches in Reformation Europe<br />

Gary K. Waite<br />

978-1-4426-1032-3 / $29.95 / £20.99 / 2009<br />

Fishers’ Craft and Lettered Art<br />

Tracts on Fishing from the End <strong>of</strong><br />

the Middle Ages<br />

Richard C. H<strong>of</strong>fmann<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 12)<br />

978-0-8020-7853-7 / $32.95 / £23.99 / 1997<br />

The Gallery <strong>of</strong> Memory<br />

Literary and Iconographic Models in the<br />

Age <strong>of</strong> the Printing Press<br />

Lina Bolzoni<br />

Translated by Jeremy Parzen<br />

978-0-8020-4330-6 / $90.00 / £62.99 / 2001<br />

Gender and Memory in <strong>Medieval</strong> Europe<br />

Elisabeth van Houts<br />

978-0-8020-4698-7 / $62.00<br />

978-0-8020-8277-0 / $25.95 / 1999<br />

North American rights<br />

A Guide to British <strong>Medieval</strong> Seals<br />

P.D.A. Harvey and Andrew McGuinness<br />

978-0-8020-0867-1 / $49.00 / 1996<br />

North American rights<br />

History, Literature, and Music in Scotland,<br />

700–1560<br />

Edited by R. Andrew McDonald<br />

978-0-8020-3601-8 / $56.00 / £39.99 / 2002<br />

Holiness and Masculinity in the Middle Ages<br />

Edited by Patricia Cullum and Katherine J. Lewis<br />

978-0-8020-4892-9 / $32.95 / 2005<br />

North American rights<br />

The Illustrated Old English Hexateuch,<br />

Cotton Ms. Claudius B.iv<br />

The Frontier <strong>of</strong> Seeing and Reading<br />

in Anglo-Saxon England<br />

Benjamin C. Withers<br />

978-0-8020-9104-8 / $93.00 / 2007<br />

World rights less UK and Europe<br />

The Jesuits<br />

Cultures, Sciences, and the Arts, 1540–1773<br />

Edited by John W. O’Malley, SJ, Gauvin Alexander<br />

Bailey, Steven J. Harris, and T. Frank Kennedy, SJ<br />

Volume I<br />

978-0-8020-4287-3 / $95.00 / £66.99 / 1999<br />

Volume II<br />

978-0-8020-3861-6 / $109.00 / £76.99 / 2005<br />

John Selden<br />

Measures <strong>of</strong> the Holy Commonwealth<br />

in Seventeenth-Century England<br />

Reid Barbour<br />

978-0-8020-8776-8 / $84.00 / £58.99 / 2003<br />

King Death<br />

The Black Death and Its Aftermath in<br />

Late-<strong>Medieval</strong> England<br />

Colin Platt<br />

978-0-8020-7900-8 / $25.95 / 1996<br />

North American rights<br />

Last Judgment Iconography in the Carpathians<br />

John-Paul Himka<br />

978-0-8020-9809-2 / $75.00 / £52.99 / 2009<br />

Letters from Heaven<br />

Popular Religion in Russia and Ukraine<br />

Edited by John-Paul Himka and Andriy Zayarnyuk<br />

978-0-8020-9148-2 / $69.00 / £48.99 / 2006<br />

Lodovico Dolce<br />

<strong>Renaissance</strong> Man <strong>of</strong> Letters<br />

Ronnie H. Terpening<br />

978-0-8020-4159-3 / $67.00 / £46.99 / 1997<br />

The Making <strong>of</strong> <strong>Medieval</strong> Forgeries<br />

False Documents in Fifteenth-Century England<br />

Alfred Hiatt<br />

978-0-8020-8951-9 / $72.00 / 2004<br />

North and South American rights<br />

Marriage, Family, and Law in <strong>Medieval</strong> Europe<br />

Collected Studies<br />

Michael M. Sheehan, CSB<br />

Edited by James K. Farge<br />

978-0-8020-8137-7 / $29.95 / 1996<br />

World rights less UK and Europe<br />

Medici Women<br />

Portraits <strong>of</strong> Power, Love, and Betrayal in<br />

the Court <strong>of</strong> Duke Cosimo I<br />

Gabrielle Langdon<br />

978-0-8020-9526-8 / $38.95 / £27.99 / 2006<br />

<strong>Medieval</strong> Women in Their Communities<br />

Edited by Diane Watt<br />

978-0-8020-8122-3 / $24.95 / 1997<br />

World rights less UK and Europe<br />

<strong>Medieval</strong> Virginities<br />

Edited by Anke Bernau, Saah Saligh, and Ruth Evans<br />

978-0-8020-8960-1 / $59.00<br />

978-0-8020-8637-2 / $29.95 / 2003<br />

North American rights<br />

A Mirror for Magistrates and the<br />

de casibus Tradition<br />

Paul Budra<br />

(The Mental and Cultural World <strong>of</strong> Tudor<br />

and Stuart England)<br />

978-0-8020-4717-5 / $56.00 / £39.99 / 2001<br />

The Monstrous Middle Ages<br />

Edited by Bettina Bildhauer and Robert Mills<br />

978 08020-8719-5 / $59.00<br />

978 08020-8667-9 / $26.95 / 2004<br />

North American rights<br />

Hierarchies and Order in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Europe<br />

Jeffrey Denton<br />

978-0-8020-8264-0 / $25.95 / 1999<br />

North American rights<br />

Padua and the Tudors<br />

English Students in Italy, 1485–1603<br />

Jonathan Woolfson<br />

978-0-8020-0946-3 / $72.00 / 1998<br />

World rights less Europe and British Commonwealth,<br />

but including Canada<br />

54 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

Romanesque Architecture and its Sculptural<br />

Decoration in Christian Spain, 1000–1120<br />

Exploring Frontiers and Defining Identities<br />

Janice Mann<br />

978-0-8020-9324-0 / $75.00 / £52.99 / 2009<br />

Winner <strong>of</strong> the American Society for Hispanic Art<br />

Historical Studies Eleanor Tufts Book Award<br />

The Scribes for Women’s Convents<br />

in <strong>Medieval</strong> Germany<br />

Cynthia J. Cyrus<br />

978-0-8020-9369-1 / $75.00 / £52.99 / 2009<br />

Sex Crimes, Honour, and the Law<br />

in Early Modern Spain<br />

Vizcaya, 1500–1750<br />

Renato Barahona<br />

978-0-8020-36940- / $72.00 / £50.99 / 2003<br />

Sexual Hierarchies, Public Status<br />

Men, Sodomy, and Society in Spain’s Golden Age<br />

Cristian Berco<br />

978-0-8020-9139-0 / $61.00 / £42.99 / 2007<br />

Twilight <strong>of</strong> the <strong>Renaissance</strong><br />

The Life <strong>of</strong> Juan de Valdés<br />

Daniel A. Crews<br />

978-0-8020-9867-2 / $72.00 / £50.99 / 2008<br />

The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti<br />

An Edition and English Translation <strong>of</strong> his<br />

Dialogue on Mechanics, 1576<br />

W. R. Laird<br />

978-0-8020-4699-4 / $67.00 / £46.99 / 1999<br />

Women, Property, and the Letters <strong>of</strong> the Law<br />

in Early Modern England<br />

Edited by Nancy E. Wright, Margaret W. Ferguson,<br />

and A.R. Buck<br />

978-0-8020-8757-7 / $74.00 / £51.99 / 2004<br />

Words and Deeds in <strong>Renaissance</strong> Rome<br />

Trials before the Papal Magistrates<br />

Thomas V. Cohen and Elizabeth S. Cohen<br />

978-0-8020-7699-1 / $29.95 / £20.99 / 1993<br />

Working in the Vineyard <strong>of</strong> the Lord<br />

Jesuit Confraternities in Early Modern Italy<br />

Lance Gabriel Lazar<br />

978-0-8020-8854-3 / $92.00 / £64.99 / 2005<br />

The World in Venice<br />

Print, the City, and Early Modern Identity<br />

Bronwen Wilson<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8725-6 / $81.00 / £56.99 / 2005<br />

LITERATURE – OLD ENGLISH<br />

The Aesthetics <strong>of</strong> Nostalgia<br />

Historical Representation in Old English Verse<br />

Renée R. Trilling<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9971-6 / $70.00 / £48.99 / 2009<br />

Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-Saxonists<br />

Best First Book Prize<br />

Authors, Audiences, and Old English Verse<br />

Thomas A. Bredeh<strong>of</strong>t<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9945-7 / $65.00 / £45.99 / 2009<br />

The Beginnings <strong>of</strong> English Law<br />

Lisi Oliver<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />

978-0-8020-3535-6 / $72.00 / £50.99 / 2002<br />

The Dating <strong>of</strong> Beowulf<br />

Edited by Colin Chase<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-7879-7 / $25.95 / £18.99 / 1997<br />

Early English Metre<br />

Thomas A. Bredeh<strong>of</strong>t<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-3831-9 / $78.95 / £55.99 / 2005<br />

Families <strong>of</strong> the King<br />

Writing Identity on the Anglo-Saxon Chronicle<br />

Alice Sheppard<br />

978-0-8020-8984-7 / $81.00 / £56.99 / 2004<br />

Finding the Right Words<br />

Isidore’s Synonyma in Anglo-Saxon England<br />

Claudia di Sciacca<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9129-1 / $88.00 / £61.99 / 2008<br />

Gold-Hall and Earth-Dragon<br />

‘Beowulf ’ as Metaphor<br />

Alvin Lee<br />

978-0-8020-4378-8 / $62.00 / £43.99 / 1998<br />

Hrotsvit <strong>of</strong> Gandersheim<br />

Contexts, Identities, Affinities, and Performances<br />

Edited by Phyllis R. Brown, Linda A. McMillin,<br />

and Katharina M. Wilson<br />

978-0-8020-8962-5 / $69.00 / £48.99 / 2004<br />

Latin Learning and English Lore<br />

Studies in Anglo-Saxon Literature for<br />

Michael Lapidge, Volumes I & II<br />

Edited by Katherine O’Brien O’Keeffe<br />

and Andy Orchard<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-8919-9 / $172.00 / £120.99 / 2005<br />

New Readings in the Vercelli Book<br />

Edited by Samantha Zacher and Andy Orchard<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9869-6 / $85.00 / £59.99 / 2009<br />

Preaching the Converted<br />

The Style and Rhetoric <strong>of</strong> the Vercelli<br />

Book Homilies<br />

Samantha Zacher<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9158-1 / $75.00 / £52.99 / 2009<br />

Old English Glossed Psalters Pss. 150<br />

Edited by Phillip Pulsiano<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-4470-9 / $117.00 / £81.99 / 2001<br />

Pride and Prodigies<br />

Studies in the Monsters <strong>of</strong> the<br />

Beowulf Manuscript<br />

Andy Orchard<br />

978-0-8020-8583-2 / $44.00 / £30.99 / 2003<br />

Satan Unbound<br />

The Devil in Old English Narrative Literature<br />

Peter Dendle<br />

978-0-8020-4839-4 / $62.00 / £43.99<br />

978-0-8020-8369-2 / $30.95/ £21.99 / 2001<br />

Say What I Am Called<br />

The Old English Riddles <strong>of</strong> the Exeter Book<br />

and the Anglo-Latin Riddle Tradition<br />

Dieter Bitterli<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9352-3 / $75.00 / £52.99 / 2009<br />

Source <strong>of</strong> Wisdom<br />

Old English and Early <strong>Medieval</strong> Latin Studies<br />

in Honour <strong>of</strong> Thomas D. Hill<br />

Edited by Charles D. Wright, Frederick M. Biggs,<br />

and Thomas N. Hall<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9367-7 / $82.00 / £57.99 / 2007<br />

Striving with Grace<br />

Views <strong>of</strong> Free Will in Anglo-Saxon England<br />

Aaron J. Kleist<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9163-5 / $93.00 / £65.99 / 2008<br />

Textual Histories<br />

Readings in the Anglo-Saxon Chronicle<br />

Thomas A. Bredeh<strong>of</strong>t<br />

978-0-8020-4850-9 / $84.00 / £58.99 / 2001<br />

Unlocking the Wordhord<br />

Anglo-Saxon Studies in Memory <strong>of</strong><br />

Edward B. Irving, Jr.<br />

Edited by Mark C. Amodio and<br />

Katherine O’Brien O’Keeffe<br />

978-0-8020-4822-6 / $90.00/ £62.99 / 2003<br />

Verbal Encounters<br />

Anglo-Saxon and Old Norse Studies for<br />

Roberta Frank<br />

Edited by Antonia Harbus and Russell Poole<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-8011-0 / $87.00 / £60.99 / 2005<br />

Verse and Virtuosity<br />

The Adaptation <strong>of</strong> Latin Rhetoric in<br />

Old English Poetry<br />

Janie Steen<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9157-4 / $72.00 / £50.99 / 2008<br />

Words and Works<br />

Studies in <strong>Medieval</strong> English Language and<br />

Literature in Honour <strong>of</strong> Fred C. Robinson<br />

Edited by Peter Baker and Nicholas Howe<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-4153-1 / $72.00 / £50.99 / 1998<br />

utppublishing.com 55


BACKLIST<br />

LITERATURE – OLD NORSE<br />

AND ICELANDIC<br />

Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts<br />

Magnus Fjalldal<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-3837-1 / $69.00 / £48.99 / 2005<br />

Einar Skulason’s Geisli<br />

A Critical Edition<br />

Edited and Translated by Martin Chase<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-3826-5 / $74.00 / £51.99<br />

978-0-8020-3822-7 / $35.95 / £25.99 / 2005<br />

Grettir’s Saga<br />

Translated by Denton Fox and Hermann Palsson<br />

978-0-8020-6165-2 / $24.95 / £17.99 / 1974<br />

Perilous Realms<br />

Celtic and Norse in Tolkien’s Middle-Earth<br />

Marjorie J. Burns<br />

978-0-8020-3806-7 / $32.95 / £23.99 / 2005<br />

Sanctity in the North<br />

Saints, Lives, and Cults in <strong>Medieval</strong> Scandinavia<br />

Edited by Thomas A. Dubois<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-9130-7 / $82.00 / £57.99<br />

978-0-8020-9410-0 / $36.00 / £25.99 / 2007<br />

Snorri Sturluson and the Edda<br />

The Conversion <strong>of</strong> Cultural Capital in<br />

<strong>Medieval</strong> Scandinavia<br />

Kevin J. Wanner<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-9801-6 / $72.00 / £50.99 / 2008<br />

Tools <strong>of</strong> Literacy<br />

The Role <strong>of</strong> Skaldic Verse in Icelandic Textual<br />

Culture <strong>of</strong> the Twelfth and Thirteenth Centuries<br />

Gudrún Nordal<br />

978-0-8020-4789-2 / $95.00 / £66.99 / 2000<br />

LITERATURE – MEDIEVAL<br />

Beasts <strong>of</strong> Love<br />

Richard de Fournival’s Bestiaire d’amour<br />

and the Response<br />

Jeanette Beer<br />

978-0-8020-3612-4 / $62.00 / £43.99 / 2003<br />

Before Malory<br />

Reading Arthur in Later <strong>Medieval</strong> England<br />

Richard J. Moll<br />

978-0-8020-3722-0 / $72.00 / £50.99 / 2003<br />

Chaucer’s Miller’s, Reeve’s, and Cook’s Tales<br />

An Annotated Bibliography, 1900–1992<br />

T.L. Burton and R. Greentree<br />

(The Chaucer Bibliographies)<br />

978-0-8020-0874-9 / $90.00 / £62.99 / 1997<br />

Chaucer’s Monk’s Tale and Nun’s Priest’s Tale<br />

An Annotated Bibliography<br />

Edited by Peter Goodall<br />

(Chaucer Bibliographies)<br />

978-0-8020-9320-2 / $110.00 / £76.99 / 2008<br />

Chaucer’s Pardoner’s Prologue and Tale<br />

An Annotated Bibliography, 1900–1995<br />

Edited by Marilyn Sutton<br />

(Chaucer Bibliographies)<br />

978-0-8020-4744-1 / $112.00 / £78.99 / 1999<br />

Chaucer’s Queer Poetics<br />

Rereading the Dream Trio<br />

Susan Schiban<strong>of</strong>f<br />

978-0-8020-9035-5 / $87.00 / £60.99 / 2006<br />

Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale<br />

An Annotated Bibliography, 1900–1995<br />

Edited by Peter G. Beidler and Elizabeth M. Biebel<br />

(The Chaucer Bibliographies)<br />

978-0-8020-4366-5 / $101.00 / £70.99 / 1998<br />

Controlling Readers<br />

Guillaume de Machaut and His Late<br />

<strong>Medieval</strong> Audience<br />

Deborah McGrady<br />

(Studies in Book and Print Culture)<br />

978-0-8020-9020-1 / $87.00 / £60.99 / 2006<br />

Editing Robert Grosseteste<br />

Edited by Evelyn A. Mackie and Joseph Goering<br />

(Conference on Editorial Problems)<br />

978-0-8020-8841-3 / $49.95 / £34.99 / 2003<br />

Interstices<br />

Studies in Middle English and Anglo-Latin<br />

Texts in Honour <strong>of</strong> A.G. Rigg<br />

Edited by Richard Firth Green and Linne R.Mooney<br />

978-0-8020-8743-0 / $62.00 / £43.99 / 2004<br />

The Letters <strong>of</strong> Robert Grosseteste,<br />

Bishop <strong>of</strong> Lincoln<br />

Translated with Introduction and Annotation<br />

by F.A.C. Mantello and Joseph Goering<br />

978-0-8020-9813-9 / $135.00 / £94.99 / 2009<br />

Manuscript Diversity, Meaning, and Variance<br />

in Juan Manuel’s El Conde Lucanor<br />

Laurence de Looze<br />

978-0-8020-9057-7 / $87.00 / £60.99 / 2006<br />

Marco Polo and the Encounter <strong>of</strong> East and West<br />

Edited by Suzanne Conklin Akbari and<br />

Amilcare A. Iannucci<br />

978-0-8020-9928-0 / $67.00 / £46.99 / 2008<br />

Marian Devotion in Thirteenth-Century<br />

French Lyric<br />

Daniel E. O’Sullivan<br />

978-0-8020-3885-2 / $69.00 / £48.99 / 2005<br />

<strong>Medieval</strong> Christian Literary Imagery<br />

A Guide to Interpretation<br />

R.E. Kaske in collaboration with Arthur Groos<br />

and Michael W. Twomey<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />

978-0-8020-6663-3 / $29.95/ £20.99 / 1988<br />

<strong>Medieval</strong> Latin Palaeography<br />

A Bibliographic Introduction<br />

Leonard E. Boyle<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />

978-0-8020-6558-2 / $31.95 / £22.99 / 1984<br />

Playing the Hero<br />

Reading the Irish Saga Táin Bó Cúailnge<br />

Ann Dooley<br />

978-0-8020-3832-6 / $87.00 / £60.99 / 2005<br />

Seeing Through the Veil<br />

Optical Theory and <strong>Medieval</strong> Allegory<br />

Suzanne Conklin Akbari<br />

978-0-8020-36056 / $74.00 / £51.99 / 2004<br />

The Syntax <strong>of</strong> Desire<br />

Language and Love in Augustine,<br />

the Modistae, and Dante<br />

Elena Lombardi<br />

978-0-8020-9070-6 / $82.00 / £57.99 / 2007<br />

Thomas Usk’s Testament <strong>of</strong> Love<br />

A Critical Edition<br />

Edited by Gary W. Shawver<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 13)<br />

978-0-8020-5471-5 / $146.00 / £102.99 / 2002<br />

Through a Classical Eye<br />

Transcultural and Transhistorical Visions in<br />

<strong>Medieval</strong> English, Italian, and Latin Literature<br />

in Honour <strong>of</strong> Winthrop Wetherbee<br />

Edited by Andrew Galloway and R. F. Yeager<br />

978-0-8020-9917-4 / $80.00 / £55.99 / 2009<br />

Women’s Writing in English<br />

Early Modern England<br />

Patricia Demers<br />

(History <strong>of</strong> Women’s Writing in English)<br />

978-0-8020-8710-2 / $74.00 / £51.99<br />

978-0-8020-8664-8 / $39.95 / £27.99 / 2005<br />

Writing Religious Women<br />

Female Spiritual and Textual Practice in<br />

Late <strong>Medieval</strong> England<br />

Edited by Paul Renevey and Christiania Whitehead<br />

978-0-8020-3517-2 / $78.00<br />

978-0-8020-8403-3 / $32.95 / 2000<br />

North American rights<br />

LITERATURE – SPANISH<br />

Cervantes’ Epic Novel<br />

Empire, Religion, and the Dream Life<br />

<strong>of</strong> Heroes in Persiles<br />

Michael Armstrong-Roche<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9085-0 / $70.00 / £48.99 / 2009<br />

Conscience on Stage<br />

The Comedia as Casuistry in Early Modern Spain<br />

Hilaire Kallendorf<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9229-8 / $71.00 / £49.99 / 2007<br />

Discourses <strong>of</strong> Poverty<br />

Social Reform and the Picaresque Novel<br />

in Early Modern Spain<br />

Anne J. Cruz<br />

978-0-8020-4439-6 / $67.00 / £46.99 / 1999<br />

Figuring the Feminine<br />

The Rhetoric <strong>of</strong> Female Embodiment in<br />

<strong>Medieval</strong> Hispanic Literature<br />

Jill Ross<br />

978-0-8020-9098-0 / $77.00 / £53.99 / 2008<br />

56 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

The Laughter <strong>of</strong> the Saints<br />

Parodies <strong>of</strong> Holiness in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Spain<br />

Ryan D. Giles<br />

978-0-8020-9952-5 / $55.00 / £38.99 / 2009<br />

Quixotic Frescoes<br />

Cervantes and Italian <strong>Renaissance</strong> Art<br />

Frederick A. de Armas<br />

978-1-4426-1031-6 / $35.00 / £24.99 / 2009<br />

Transnational Cervantes<br />

William Childers<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9045-4 / $69.00 / £48.99 / 2006<br />

Winner <strong>of</strong> the Modern Language Association<br />

Katherine Singer Kovacs Prize<br />

LITERATURE – FRENCH<br />

The Art <strong>of</strong> Meditation and the<br />

French <strong>Renaissance</strong> Love Lyric<br />

The Poetics <strong>of</strong> Introspection in Maurice Scève’s<br />

Délie, objet de plus haulte vertu (1544)<br />

Michael J. Giordano<br />

978-0-8020-9946-4 / $125.00 / £87.99 / 2009<br />

The Gargantuan Polity<br />

On the Individual and the Community<br />

in the French <strong>Renaissance</strong><br />

Michael Randall<br />

978-0-8020-9814-6 / $77.00 / £53.99 / 2008<br />

Sounding Objects<br />

Musical Instruments, Poetry, and Art<br />

in <strong>Renaissance</strong> France<br />

Carla Zecher<br />

978-0-8020-9014-0 / $66.00 / £46.99 / 2007<br />

Theorizing the Ideal Sovereign<br />

The Rise <strong>of</strong> the French Vernacular Royal Biography<br />

Daisy Delogu<br />

978-0-8020-9807-8 / $72.00 / £50.99 / 2008<br />

LITERATURE – RENAISSANCE<br />

Against Reproduction<br />

Where <strong>Renaissance</strong> Texts Come From<br />

Stephen Guy-Bray<br />

978-1-4426-4060-3 / $55.00 / £38.99 / 2009<br />

Shortlisted for the Canada Prize in the Humanities<br />

(English)<br />

Architectonics <strong>of</strong> Imitation in Spenser,<br />

Daniel, and Drayton<br />

David Galbraith<br />

978-0-8020-4451-8 / $67.00 / £46.99 / 2000<br />

Between Worlds<br />

The Rhetorical Universe <strong>of</strong> Paradise Lost<br />

William Pallister<br />

978-0-8020-9835-1 / $72.00 / £50.99 / 2008<br />

Winner <strong>of</strong> the Modern Language Association<br />

Independent Scholar Prize<br />

Chamber Music<br />

Elizabethan Sonnet-Sequences and the<br />

Pleasure <strong>of</strong> Criticism<br />

Roger Kuin<br />

978-0-8020-4188-3 / $62.00 / £43.99 / 1998<br />

A Critical Edition <strong>of</strong> Robert Barnes’ ‘A<br />

Supplication Unto the Most Gracyous Prince<br />

Kynge Henry The. VIIJ, 1534’<br />

Edited by Douglas H. Parker<br />

978-0-8020-9312-7 / $155.00 / £108.99 / 2008<br />

Culture and Authority in the Baroque<br />

Edited by Massimo Ciavolella and Patrick Coleman<br />

(UCLA Clark Memorial Library Series)<br />

978-0-8020-3838-8 / $81.00 / £56.99 / 2005<br />

Early Modern Nationalism and Milton’s England<br />

Edited by David Loewenstein and Paul Stevens<br />

978-0-8020-8935-9 / $82.00 / £57.99 / 2008<br />

Winner <strong>of</strong> the Irene Samuel Award for the<br />

Best Collection <strong>of</strong> Essays in Milton Studies<br />

Elizabeth Jane Weston: Collected Writings<br />

Edited and translated by Donald Cheney and<br />

Brenda Hosington<br />

978-0-8020-4472-3 / $95.00 / £66.99 / 2000<br />

European Literary Careers<br />

The Author from Antiquity to the <strong>Renaissance</strong><br />

Edited by Patrick Cheney and Frederick A. de Armas<br />

978-0-8020-4779-3 / $78.00 / £54.99 / 2002<br />

An exhortation to the diligent studye <strong>of</strong><br />

scripture and An exposition into the seventh<br />

chaptre <strong>of</strong> the pistle <strong>of</strong> Corinthians<br />

Edited by Douglas H. Parker<br />

978-0-8020-4818-9 / $78.00 / £54.99 / 2000<br />

Exorcism and Its Texts<br />

Subjectivity in Early Modern Literature <strong>of</strong><br />

England and Spain<br />

Hilaire Kallendorf<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-8817-8 / $78.00 / £54.99 / 2003<br />

Flaunting<br />

Style and the Subversive Male Body in<br />

<strong>Renaissance</strong> England<br />

Amanda Bailey<br />

978-0-8020-9242-7 / $71.00 / £49.99 / 2007<br />

Fools <strong>of</strong> Time<br />

Studies in Shakespearean Tragedy<br />

Northrop Frye<br />

978-0-8020-6215-4 / $24.95 / £17.99 / 1967<br />

‘Full <strong>of</strong> all knowledg’<br />

George Herbert’s Country Parson and<br />

Early Modern Social Discourse<br />

Ronald W. Cooley<br />

978-0-8020-3723-7 / $62.00 / £43.99 / 2004<br />

Homoerotic Space<br />

The Poetics <strong>of</strong> Loss in English<br />

<strong>Renaissance</strong> Literature<br />

Stephen Guy-Bray<br />

978-0-8020-3677-3 / $72.00 / £50.99 / 2002<br />

The Imperfect Friend<br />

Emotion and Rhetoric in Sidney, Milton,<br />

and Their Contexts<br />

Wendy Olmsted<br />

978-0-8020-9136-9 / $62.00 / £43.99 / 2008<br />

In the Anteroom <strong>of</strong> Divinity<br />

The Reformation <strong>of</strong> the Angels from<br />

Colet to Milton<br />

Feisal G. Mohamed<br />

978-0-8020-9792-7 / $57.00 / £39.99 / 2008<br />

Loving in Verse<br />

Poetic Influence as Erotic<br />

Stephen Guy-Bray<br />

978-0-8020-9203-8 / $52.00 / £36.99 / 2006<br />

The Mothers Legacy to her Vnborn Childe<br />

Elizabeth Joscelin<br />

Edited by Jean LeDrew Metcalfe<br />

978-0-8020-4694-9 / $56.00 / £39.99 / 2000<br />

Northrop Frye on Milton and Blake<br />

Edited by Angela Esterhammer<br />

(Collected Works <strong>of</strong> Northrop Frye 16)<br />

978-0-8020-3919-4 / $97.00 / £67.99 / 2005<br />

Ovid and the <strong>Renaissance</strong> Body<br />

Edited by Goran V. Stanivukovic<br />

978-0-8020-3515-8 / $78.00 / £54.99 / 2001<br />

Of Philosophers and Kings<br />

Political Philosophy in Shakespeare’s<br />

Macbeth and King Lear<br />

Leon Harold Craig<br />

978-0-8020-3571-4 / $84.00 / £58.99<br />

978-0-8020-8605-1 / $39.95 / £27.99 / 2001<br />

Playing with Desire<br />

Christopher Marlowe and the<br />

Art <strong>of</strong> Tantalization<br />

Fred B. Tromly<br />

978-0-8020-4355-9 / $62.00 / £43.99 / 1998<br />

The Poetry <strong>of</strong> Immanence<br />

Sacrament in Donne and Herbert<br />

John Whalen<br />

978-0-8020-3659-9 / $56.00 / £39.99 / 2002<br />

Printed Voices<br />

The <strong>Renaissance</strong> Culture <strong>of</strong> Dialogue<br />

Edited by Dorothea Heitsch and Jean-Francois Vallee<br />

978-0-8020-8706-5 / $74.00 / £51.99 / 2004<br />

Searching Shakespeare<br />

Studies in Culture and Authority<br />

Derek Cohen<br />

978-0-8020-8778-2 / $62.00 / £43.99 / 2003<br />

Sexuality and Citizenship<br />

Metamorphosis in Elizabethan Erotic Verse<br />

Jim Ellis<br />

978-0-8020-8735-5 / $67.00 / £46.99 / 2003<br />

Shakespeare’s Comic Commonwealths<br />

Camille Wells Slights<br />

978-0-8020-2924-9 / $56.00 / £39.99 / 1993<br />

The Spenser Encyclopedia<br />

Edited by A.C. Hamilton et al.<br />

978-0-8020-7923-7 / $62.00 / £43.99 / 1990<br />

utppublishing.com 57


BACKLIST<br />

Spenser’s Supreme Fiction<br />

Platonic Natural History in The Faerie Queene<br />

Jon A. Quitslund<br />

978-0-8020-3505-9 / $84.00 / £58.99 / 2001<br />

Utopia, Carnival, and Commonwealth in<br />

<strong>Renaissance</strong> England<br />

Christopher Kendrick<br />

978-0-8020-8936-6 / $97.00 / £67.99 / 2004<br />

William Roye’s A Brefe Dialoge bitwene a<br />

Christen Father and his stobborne Sonne<br />

Edited by Douglas H. Parker and Bruce Krajewski<br />

978-0-8020-4389-4 / $72.00 / £50.99 / 1999<br />

LITERATURE – ITALIAN<br />

Aretino’s Dialogues<br />

Pietro Aretino<br />

Translated by Raymond Rosenthal with a new<br />

introduction by Margaret Rosenthal<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-9004-1 / $69.00 / £48.99<br />

978-0-8020-4890-5 / $35.95 / £25.99 / 2005<br />

Aretino’s Satyr<br />

Sexuality, Satire, and Self-Projection in<br />

Sixteenth-Century Literature and Art<br />

Raymond B. Waddington<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8814-7 / $72.00 / £50.99 / 2003<br />

Ariosto Today<br />

Contemporary Perspectives<br />

Donald Beecher, Massimo Ciavolella,<br />

and Roberto Fedi<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-2967-6 / $72.00 / £50.99 / 2003<br />

Boccaccio’s Expositions on Dante’s Comedy<br />

Translated by Michael Papio<br />

978-0-8020-9975-4 / $135.00 / £94.99 / 2009<br />

Boccaccio’s Naked Muse<br />

Eros, Culture, and the Mythopoeic Imagination<br />

Tobias Foster Gittes<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9204-5 / $67.00 / £46.99 / 2008<br />

Shortlisted for the Raymond Klibansky Prize<br />

Comanini’s The Figino, or On the Purpose<br />

<strong>of</strong> Painting<br />

Art Theory in the Late <strong>Renaissance</strong><br />

Edited by Giancarlo Maiorino and<br />

Ann Doyle-Anderson<br />

978-0-8020-3574-5 / $62.00 / £43.99<br />

978-0-8020-8446-0 / $29.95 / £20.99 / 2002<br />

Cosmopoiesis<br />

The <strong>Renaissance</strong> Experiment<br />

Giuseppe Mazzotta<br />

(Emilio Goggio Publications, <strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3551-6 / $44.00 / £30.99<br />

978-0-8020-8421-7 / $22.95 / £16.99 / 2001<br />

Dante<br />

Contemporary Perspectives<br />

Edited by Amilcare A. Iannucci<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-7736-3 / $29.95 / £20.99 / 1997<br />

Dante’s Hermeneutics <strong>of</strong> Salvation<br />

Passages to Freedom in the Divine Comedy<br />

Christine O’Connell Baur<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9206-9 / $61.00 / £42.99 / 2006<br />

Dante’s Journey to Polyphony<br />

Francesco Ciabattoni<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9626-5 / $55.00 / £38.99 / 2009<br />

The Decameron First Day in Perspective<br />

Edited by Elissa B. Weaver<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-4454-9 / $72.00 / £50.99<br />

978-0-8020-8589-4 / $36.95 / £25.99 / 2003<br />

Dialogues <strong>of</strong> Love<br />

Leone Ebreo<br />

Translated by Damian Bacich and Rossella Pescatori<br />

978-0-8020-9910-5 / $85.00 / £59.99 / 2009<br />

Divine Dialectic<br />

Dante’s Incarnational Poetry<br />

Guy P. Raffa<br />

978-0-8020-4856-1 / $67.00 / £46.99 / 2001<br />

Eco’s Chaosmos<br />

From the Middle Ages to Postmodernity<br />

Cristina Farronato<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8789-8 / $62.00 / £43.99<br />

978-0-8020-8586-3 / $36.95 / £25.99 / 2003<br />

Experiences in Translation<br />

Umberto Eco<br />

(Emilio Goggio Publications Series,<br />

<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9614-2 / $18.95 / £13.99 / 2008<br />

Fairy-Tale Science<br />

Monstrous Generation in the Tales <strong>of</strong><br />

Straparola and Basile<br />

Suzanne Magnanini<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9754-5 / $46.00 / £32.99 / 2008<br />

Guido Cavalcanti<br />

The Other Middle Ages<br />

Maria Luis Ardizzone<br />

978-0-8020-3591-2 / $67.00 / £46.99 / 2002<br />

Hermes’ Lyre<br />

Italian Poetic Self-Commentary from Dante<br />

to Tommaso Campanella<br />

Sherry Roush<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3712-1 / $62.00 / £43.99 / 2002<br />

Hopeless Love<br />

Boiardo, Ariosto, and Narratives <strong>of</strong><br />

Queer Female Desire<br />

Mary-Michelle DeCoste<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9684-5 / $35.00 / £24.99 / 2009<br />

An Italian <strong>Renaissance</strong> Sextet<br />

Six Tales in Historical Context<br />

Lauro Martines<br />

Translations by Murtha Baca<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-8993-9 / $59.00 / £41.99<br />

978-0-8020-8650-1 / $29.95 / £20.99 / 2004<br />

Lelia’s Kiss<br />

Imagining Gender, Sex, and Marriage in Italian<br />

<strong>Renaissance</strong> Comedy<br />

Laura Giannetti<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9951-8 / $65.00 / £45.99 / 2009<br />

The Quest for Epic<br />

From Ariosto to Tasso<br />

Sergio Zatti<br />

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978-0-8020-9031-7 / $92.00 / £64.99<br />

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Raffaello Borghini’s Il Riposo<br />

Edited and translated by Lloyd H. Ellis Jr.<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-9743-9 / $77.00 / £53.99 / 2008<br />

<strong>Renaissance</strong> Comedy<br />

The Italian Masters, Volume 1<br />

Edited with an introduction by Donald Beecher<br />

978-0-8020-9292-2 / $93.00 / £65.99<br />

978-0-8020-9484-1 / $36.00 / £25.99 / 2008<br />

A Rhetoric <strong>of</strong> the Decameron<br />

Marilyn Migiel<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8819-2 / $59.00 / £41.99<br />

978-0-8020-8594-8 / $29.95 / £20.99 / 2004<br />

The Romance Epics <strong>of</strong> Boiardo, Ariosto,<br />

and Tasso<br />

From Public Duty to Private Pleasure<br />

Jo Ann Cavallo<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8915-1 / $81.00 / £56.99 / 2004<br />

The Ugly Woman<br />

Transgressive Aesthetic Models in Italian Poetry<br />

from the Middle Ages to the Baroque<br />

Patrizia Bettella<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3926-2 / $69.00 / £48.99 / 2005<br />

Writing Gender in Women’s Letter Collections<br />

<strong>of</strong> the Italian <strong>Renaissance</strong><br />

Meredith K. Ray<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9704-0 / $75.00 / £52.99 / 2009<br />

Winner <strong>of</strong> the American Association for Italian Studies<br />

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58 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


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CLASSICS<br />

Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science<br />

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Assyrian Rulers <strong>of</strong> the Early First Millennium BC<br />

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Studies in Hellenistic Architecture<br />

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The War Lover<br />

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Ronald J. Williams<br />

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978-0-8020-9429-2 / $27.95 / £19.99 / 2007<br />

utppublishing.com 59


INDEX<br />

Name Title Page<br />

Aalen et al Atlas <strong>of</strong> the Irish Rural Landscape......................... 4<br />

Ackerman Seeing Things..................................................... 10<br />

Ager & Faber Belonging and Isolation in the Hellenistic World..... 36<br />

Akbari Seeing Through the Veil..................................... 56<br />

Akbari & Iannucci Marco Polo and the Encounter <strong>of</strong> East and West... 56<br />

Akbari & Ross The Ends <strong>of</strong> the Body......................................... 23<br />

Alfie Dante’s Tenzone with Forese Donati................... 34<br />

Allen & Amt The Crusades....................................................... 7<br />

Amodio & O’Brien O’Keeffe Unlocking the Wordhord.................................... 55<br />

Amt <strong>Medieval</strong> England, 1000-1500............................. 7<br />

Anlezark Myths, Legends, and Heroes.............................. 22<br />

Ardizzone Guide Cavalcanti................................................ 58<br />

Aretino Aretino’s Dialogues............................................ 58<br />

Armstrong & Kirshner The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Italy......................................... 16<br />

Armstrong-Roche Cervantes’ Epic Novel......................................... 56<br />

Backhouse <strong>Medieval</strong> Birds in the Sherborne Missal............... 51<br />

Backhouse <strong>Medieval</strong> Rural Life in the Luttrell Psalter............. 52<br />

Backhouse The Sherborne Missal......................................... 52<br />

Bailey, A. Flaunting............................................................ 57<br />

Bailey, G.A.<br />

Art on the Jesuit Missions in Asia<br />

and Latin America, 1542-1773........................... 51<br />

Bailey, G.A. Between <strong>Renaissance</strong> and Baroque.................... 51<br />

Bailey, M.<br />

The Poetics <strong>of</strong> Speech in the<br />

<strong>Medieval</strong> Spanish Epic........................................ 24<br />

Bailey, M. Las Mocedades de Rodrigo................................. 45<br />

Baker & Howe Words and Works.............................................. 55<br />

Baker-Smith More’s Utopia (RSART 11).................................. 48<br />

Baldwin et al Chesire, including Chester (REED 19).................. 52<br />

Bamford & Knowles Shakespeare’s Comedies <strong>of</strong> Love........................ 53<br />

Barahona<br />

Sex Crimes, Honour, and the Law<br />

in Early Modern Spain........................................ 55<br />

Barbour John Selden....................................................... 54<br />

Barker The Adages <strong>of</strong> Erasmus...................................... 53<br />

Barnard & de Armas Objects <strong>of</strong> Culture in the Literature<br />

<strong>of</strong> Imperial Spain................................................ 28<br />

Bartlett The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong>............. 5<br />

Baur Dante’s Hermeneutics <strong>of</strong> Salvation...................... 58<br />

Bearden The Emblematics <strong>of</strong> the Self............................... 26<br />

Beecher The Pleasant Nights, Volumes 1 and 2.................. 1<br />

Beecher <strong>Renaissance</strong> Comedy.......................................... 58<br />

Beecher et al Ariosto Today..................................................... 58<br />

Beer Beasts <strong>of</strong> Love.................................................... 56<br />

Beidler & Biebel Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale........ 56<br />

Bell Music in <strong>Medieval</strong> Manuscripts........................... 52<br />

Bellamy Dire Straits......................................................... 24<br />

Benfell The Biblical Dante.............................................. 34<br />

Benton Self and Society in <strong>Medieval</strong> France (MART 15)... 39<br />

Berco Sexual Hierarchies, Public Status......................... 55<br />

Bernau et al <strong>Medieval</strong> Virginities............................................ 54<br />

Bernstein In the Image <strong>of</strong> the Ancestors............................ 59<br />

Bettella The Ugly Woman............................................... 58<br />

Bietenholz Encounters with a Radical Erasmus..................... 53<br />

Bietenholz & Deutscher Contemporaries <strong>of</strong> Erasmus............................... 15<br />

Bildhauer & Mills The Monstrous Middle Ages............................... 54<br />

Binski Painters.............................................................. 51<br />

Bitterli Say What I Am Called........................................ 55<br />

Bolzoni The Gallery <strong>of</strong> Memory....................................... 54<br />

Boon The <strong>Medieval</strong> Science <strong>of</strong> the Soul....................... 18<br />

Botero<br />

On the Causes <strong>of</strong> the Greatness<br />

and Magnificence <strong>of</strong> Cities................................... 1<br />

Bouchard Three Cartularies from Thirteenth-Century Auxerre.. 44<br />

Bouchard The Cartulary <strong>of</strong> Montier-en-Der, 666-1129........ 45<br />

Bovey<br />

Monsters and Grotesques in <strong>Medieval</strong> Manuscripts.52<br />

Boyle <strong>Medieval</strong> Latin Palaeography.............................. 56<br />

Bradley Apuleius and Antonine Rome............................. 37<br />

Braider The Matter <strong>of</strong> Mind............................................ 19<br />

Bredeh<strong>of</strong>t Authors, Audiences, and Old English Verse......... 55<br />

Bredeh<strong>of</strong>t Early English Metre............................................. 55<br />

Bredeh<strong>of</strong>t Textual Histories................................................. 55<br />

Brown, P.R. et al Hrotsvit <strong>of</strong> Gandersheim.................................... 55<br />

Brown, M.P. The Book <strong>of</strong> Cerne............................................. 51<br />

Brown, M.P.<br />

A Guide to Western Historical Scripts<br />

from Antiquity to 1600...................................... 51<br />

Brown, M.P. The Lindisfarne Gospels...................................... 51<br />

Brown, M.P. Manuscripts from the Anglo-Saxon Age............. 51<br />

Brown, M.P. Writing and Scripts............................................. 52<br />

Brown, M.P. & Lovett The Historical Source Book for Scribes................ 51<br />

Brown, M.P. & McKendrick Illuminating the Book......................................... 51<br />

Brucker The Society <strong>of</strong> <strong>Renaissance</strong> Florence (RSART 8)... 47<br />

Bruno The Ash Wednesday Supper (RSART 4)............... 46<br />

Budra<br />

A Mirror for Magistrates and the<br />

de casibus Tradition............................................ 54<br />

Bulman<br />

The Court Book <strong>of</strong> Mende and<br />

the Secular Lordship <strong>of</strong> the Bishop..................... 54<br />

Burns Perilous Realms.................................................. 56<br />

Burton & Greentree Chaucer’s Miller’s, Reeve’s, and Cook’s Tales....... 56<br />

Buzwell Saints in <strong>Medieval</strong> Manuscripts........................... 52<br />

Byrne Law and History in Cervantes’ Don Quixote........ 28<br />

Carey The Apocalypse and the Shape <strong>of</strong> Things to Come.. 51<br />

Carlsmith A <strong>Renaissance</strong> Education.................................... 19<br />

Carrión Subject Stages.................................................... 11<br />

Cascardi Cervantes, Literature, and the Discourse <strong>of</strong> Politics... 29<br />

Cavallo The Romance Epics <strong>of</strong> Boiardo, Ariosto, and Tasso... 58<br />

Chambers & Pullan Venice (RSART 12).............................................. 48<br />

Chase, C. The Dating <strong>of</strong> Beowulf....................................... 55<br />

Chase, M. Einar Skulason’s Geisli........................................ 56<br />

Cheney & de Armas European Literary Careers................................... 57<br />

Chenu<br />

Nature, Man, and Society in the<br />

Twelfth Century (MART 37)................................ 43<br />

Childers Transnational Cervantes..................................... 57<br />

Ciabattoni Dante’s Journey to Polyphony............................. 58<br />

Ciavolella & Coleman Culture and Authority in the Baroque................. 57<br />

Clark-Hall A Concise Anglo-Saxon Dictionary (MART 14).... 39<br />

Claster Sacred Violence.................................................... 5<br />

Clegg The <strong>Medieval</strong> Church in Manuscripts.................. 52<br />

Clover & Lindow Old Norse-Icelandic Literature (MART 42)........... 43<br />

Cohen, D. Searching Shakespeare....................................... 57<br />

Cohen, T.V. & Cohen Words and Deeds in <strong>Renaissance</strong> Rome.............. 55<br />

Coleman<br />

The Treatise <strong>of</strong> Lorenzo Valla and<br />

the Donation <strong>of</strong> Constantine (RSART 1).............. 46<br />

Collins <strong>Medieval</strong> Herbals................................................ 52<br />

Comerford & Pabel Early Modern Catholicism................................... 54<br />

Constable<br />

Three Treatises from Bec on<br />

the Nature <strong>of</strong> Monastic Life................................ 44<br />

Cooley ‘Full <strong>of</strong> all knowledg’.......................................... 57<br />

Cooper Epigraphy and the Greek Historian..................... 59<br />

Craig Of Philosophers and Kings.................................. 57<br />

Craig A War Lover....................................................... 59<br />

Crews Twilight <strong>of</strong> the <strong>Renaissance</strong>................................ 55<br />

Cruz Discourses <strong>of</strong> Poverty......................................... 56<br />

Cullum & Lewis Holiness and Masculinity in the Middle Ages...... 54<br />

Curd Anaxagoras <strong>of</strong> Clazomenae................................ 36<br />

Cyrus<br />

The Scribes for Women’s Convents<br />

in <strong>Medieval</strong> Germany......................................... 55<br />

da Bisticci The Vespasiano Memoirs (RSART 7).................... 47<br />

Daly & Dimmler The Jesuit Series................................................. 51<br />

Daly & Silcox The English Emblem Tradition, Volume 4............ 51<br />

Daly et al Andreas Alciatus................................................ 51<br />

Dane The Myth <strong>of</strong> Print Culture................................... 52<br />

Davis-Weyer Early <strong>Medieval</strong> Art 300-1150 (MART 17)............ 40<br />

Dawson Mission to Asia (MART 8)................................... 39<br />

60 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


INDEX<br />

de Armas Don Quixote among the Saracens...................... 29<br />

de Armas Ovid in the Age <strong>of</strong> Cervantes............................. 30<br />

de Armas Quixotic Frescoes............................................... 57<br />

de France Fables (MART 32)............................................... 42<br />

de Hamel Scribes and Illuminators...................................... 52<br />

de Looze Manuscript Diversity, Meaning, and Variance...... 56<br />

DeCoste Hopeless Love.................................................... 58<br />

Delogu Theorizing the Ideal Sovereign............................ 57<br />

Demers Women’s Writing in English................................ 56<br />

Dendle Satan Unbound.................................................. 55<br />

Denton<br />

Hierarchies and Order in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Europe..................................... 54<br />

Deutscher Punishment and Penance................................... 17<br />

DeVries & Smith <strong>Medieval</strong> Military Technology............................... 3<br />

di Sciacca Finding the Right Words..................................... 55<br />

Dodds Exploiting Erasmus............................................. 53<br />

Donovan The de Brailes Hours........................................... 51<br />

Dooley Playing the Hero................................................. 56<br />

Douglas & Greenfield Cumberland, Westmorland,<br />

Gloucestershire (REED 6).................................... 52<br />

Douglas & MacLean REED in Review.................................................. 53<br />

Dubois Sanctity in the North.......................................... 56<br />

Dutton Carolingian Civilization......................................... 7<br />

Dutton Charlemagne’s Courtier........................................ 7<br />

Dzon & Kenney The Christ Child in <strong>Medieval</strong> Culture.................. 16<br />

Eames English Tilers...................................................... 51<br />

Ebreo Dialogues <strong>of</strong> Love............................................... 58<br />

Echard & Partridge The Book Unbound............................................ 51<br />

Eco Experiences in Translation................................... 58<br />

Edmondson & Keith Roman Dress and the Fabrics <strong>of</strong> Roman Culture... 59<br />

Edzard Gudea and his Dynasty....................................... 59<br />

Elliott et al Oxford (<strong>University</strong> and City)................................ 53<br />

Ellis, J. Sexuality and Citizenship.................................... 57<br />

Ellis, L.H. Raffaello Borghini’s Il Riposo............................... 58<br />

Ellis, R.R. They Need Nothing............................................ 29<br />

Epstein & Robins Sacred and Pr<strong>of</strong>ane in Chaucer<br />

and Late <strong>Medieval</strong> Literature.............................. 23<br />

Erasmus (CWE 13) Correspondence <strong>of</strong> Erasmus, Letters 1802-1925.. 13<br />

Erasmus (CWE 14) Correspondence <strong>of</strong> Erasmus, Letters 1926-2081.. 14<br />

Erasmus (CWE 15) Correspondence <strong>of</strong> Erasmus, Letters 2082-2203.. 13<br />

Erasmus (CWE 65) Expositions on the Psalms................................... 14<br />

Erasmus (CWE 82) Controversies..................................................... 13<br />

Erler Ecclesiastical London (REED 20).......................... 52<br />

Evans Colonial Virtue................................................... 26<br />

Everett The Alphabet <strong>of</strong> Galen......................................... 3<br />

Evergates The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne.. 44<br />

Evergates Littere Baronum................................................. 45<br />

Fanning & Bachrach The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919-966......... 7<br />

Fantham Latin Poets and Italian Gods............................... 59<br />

Farronato Eco’s Chaosmos................................................. 58<br />

Feerick Strangers in Blood.............................................. 27<br />

Ferguson The <strong>Renaissance</strong> in Historical Thought (RSART 16).. 49<br />

Fichtenau The Carolingian Empire (MART 1)....................... 38<br />

Fisher Flowers in <strong>Medieval</strong> Manuscripts........................ 51<br />

Fjalldal Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts... 56<br />

Fletcher<br />

Drama, Performance, and Polity in<br />

Pre-Cromwellian England (REED 6)..................... 52<br />

Forrest<br />

The History <strong>of</strong> Morris Dancing,<br />

1458-1750 (SEED 5)........................................... 52<br />

Fox, D. & Palsson Grettir’s Saga..................................................... 56<br />

Fox, M. & Sharma Old English Literature and the Old Testament..... 21<br />

Frame Rulers <strong>of</strong> Babylonia............................................. 59<br />

Frayne Old Babylonian Period........................................ 59<br />

Frayne Pre-Sargonic Period............................................ 59<br />

Frayne Sargonic and Gutian Periods.............................. 59<br />

Frayne Ur III Period........................................................ 59<br />

Frisch Gothic Art 1140-c1450 (MART 20)..................... 40<br />

Frye Fools <strong>of</strong> Time..................................................... 57<br />

Frye (CWNF 16) Northrop Frye on Milton and Blake..................... 57<br />

Frye (CWNF 28)<br />

Northrop Frye’s Writings on Shakespeare<br />

and the <strong>Renaissance</strong>........................................... 27<br />

Fulk et al Klaeber’s Beowulf............................................... 22<br />

Fumo The Legacy <strong>of</strong> Apollo.......................................... 24<br />

Galbraith<br />

Architectonics <strong>of</strong> Imitation in Spenser,<br />

Daniel, and Drayton........................................... 57<br />

Gallagher<br />

Redrawing the Map <strong>of</strong> Early Modern<br />

English Catholicism............................................ 18<br />

Gallop Parmenides <strong>of</strong> Elea............................................. 36<br />

Galloway & Yeager Through a Classical Eye...................................... 56<br />

Gansh<strong>of</strong> Feudalism (MART 34)......................................... 42<br />

Geary Readings in <strong>Medieval</strong> History................................ 8<br />

George, D. Lancashire (REED 10).......................................... 52<br />

George, M. Roman Slavery and Roman Material Culture....... 36<br />

Gerli Celestina and the Ends <strong>of</strong> Desire........................ 31<br />

Giannetti Lelia’s Kiss.......................................................... 58<br />

Gibson Kent, Diocese <strong>of</strong> Canterbury (REED 16).............. 52<br />

Giles The Laughter <strong>of</strong> the Saints................................. 57<br />

Giordano<br />

The Art <strong>of</strong> Meditation and the<br />

French <strong>Renaissance</strong> Love Lyric............................. 57<br />

Gittes Boccaccio’s Naked Muse..................................... 58<br />

Glenn The Middle Ages in Texts and Texture................... 5<br />

Glomski<br />

Patronage and Humanist Literature<br />

in the Age <strong>of</strong> the Jagiellons................................ 53<br />

Goldberg Jews and Magic in Medici Florence....................... 2<br />

Goldberg A Jew at the Medici Court.................................... 2<br />

Goodall Chaucer’s Monk’s Tale and Nun’s Priest’s Tale...... 56<br />

Gordon The Story <strong>of</strong> Troilus (MART 2)............................. 38<br />

Grayson<br />

Assyrian Rulers <strong>of</strong> the Third and<br />

Second Millennia BC.......................................... 59<br />

Grayson Assyrian Rulers <strong>of</strong> the Early First Millenium BC.... 59<br />

Green & Mooney Interstices........................................................... 56<br />

Guenther Magical Imaginations......................................... 26<br />

Gundersheimer The Italian <strong>Renaissance</strong> (RSART 2)....................... 46<br />

Guy-Bray Against Reproduction......................................... 57<br />

Guy-Bray Homoerotic Space.............................................. 57<br />

Guy-Bray Loving in Verse................................................... 57<br />

Hamilton et al The Spenser Encyclopedia.................................. 57<br />

Harbus & Poole Verbal Encounters.............................................. 55<br />

Harvey & McGuinness A Guide to British <strong>Medieval</strong> Seals....................... 54<br />

Hays et al Dorset/Cornwall (REED 14)................................. 52<br />

Hazzard Imagination <strong>of</strong> a Monarchy................................ 59<br />

Healey Italian Literature before 1900 in English Translation.. 32<br />

Heitsch & Vallee Printed Voices.................................................... 57<br />

Helfer Spenser’s Ruins and the Art <strong>of</strong> Recollection........ 25<br />

Heller Anti-Italianism in Sixteenth-Century France........ 53<br />

Henderson The Unfolding <strong>of</strong> Words..................................... 14<br />

Hiatt The Making <strong>of</strong> <strong>Medieval</strong> Forgeries...................... 54<br />

Hieatt et al Pleyn Delit.......................................................... 52<br />

Higgitt The Murthly Hours............................................. 52<br />

Hill<br />

On the Aesthetics <strong>of</strong> Beowulf<br />

and Other Old English Poems............................. 21<br />

Hill The Narrative Pulse <strong>of</strong> Beowulf........................... 22<br />

Himka Last Judgment Iconography in the Carpathians.. 54<br />

Himka & Zayarnyuk Letters from Heaven........................................... 54<br />

H<strong>of</strong>fman Fishers’ Craft and Lettered Art............................ 54<br />

Hosington Elizabeth Jane Weston: Collected Writings......... 57<br />

Houston Building a Monument to Dante.......................... 35<br />

Hudson<br />

Selections from English Wycliffite Writings<br />

(MART 38)......................................................... 43<br />

Hughes <strong>Medieval</strong> Manuscripts for Mass and Office......... 53<br />

Hughes et al Cataloguing Discrepancies................................. 19<br />

Iannucci Dante................................................................. 58<br />

Inwood The Poem <strong>of</strong> Empedocles................................... 36<br />

Irvine Socrates on Trial................................................. 53<br />

utppublishing.com 61


INDEX<br />

Jeauneau Rethinking the School <strong>of</strong> Chartres........................ 9<br />

Jenkins Byzantium (MART 18)........................................ 40<br />

Johnston <strong>Medieval</strong> Conduct Literature.............................. 44<br />

Jones<br />

Constantine and the Conversion <strong>of</strong> Europe<br />

(MART 4)........................................................... 38<br />

Joscelin The Mothers Legacy to her Vnborn Childe.......... 57<br />

Joslin & Watson The Egerton Genesis.......................................... 51<br />

Kallendorf Conscience on Stage.......................................... 56<br />

Kallendorf Exorcism and Its Texts......................................... 57<br />

Kaske <strong>Medieval</strong> Christian Literary Imagery.................... 56<br />

Kendrick<br />

Utopia, Carnival, and Commonwealth<br />

in <strong>Renaissance</strong> England...................................... 58<br />

Kessler Seeing <strong>Medieval</strong> Art............................................. 9<br />

Klausner Herefordshire and Worcestershire (REED 9)......... 52<br />

Klausner Wales................................................................. 53<br />

Klausner & Marsalek ‘Bring furth the pagants’ (SEED 9)...................... 52<br />

Kleiman Philippe de Commynes....................................... 32<br />

Kleinbauer<br />

Modern Perspectives in Western Art History<br />

(MART 25)......................................................... 41<br />

Kleist Striving with Grace............................................. 55<br />

Kökeritz A Guide to Chaucer’s Pronounciation (MART 3).. 38<br />

Konstan The Emotions <strong>of</strong> the Ancient Greeks.................. 59<br />

Kowaleski <strong>Medieval</strong> Towns................................................... 7<br />

Kroeker Erasmus in the Footsteps <strong>of</strong> Paul........................ 15<br />

Kuin Chamber Music.................................................. 57<br />

Laird The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti.. 55<br />

Lancashire Forgetful Muses................................................. 28<br />

Lancashire Dramatic Texts and Records <strong>of</strong> Britain (SEED 1)... 52<br />

Landsberg The <strong>Medieval</strong> Garden......................................... 51<br />

Langdon Medici Women.................................................. 54<br />

Lazar Working in the Vineyard <strong>of</strong> the Lord................... 55<br />

Lee, A. Gold-Hall and Earth-Dragon............................... 55<br />

Lee, M.O. Athena Sings...................................................... 52<br />

Lee, M.O. Father Lee’s Opera Quiz Book............................. 52<br />

Lee, M.O. A Season <strong>of</strong> Opera............................................. 53<br />

Lee, M.O. Wagner.............................................................. 53<br />

Lee, M.O. Wagner and the Wonder <strong>of</strong> Art.......................... 53<br />

Lesher Xenophanes <strong>of</strong> Colophon.................................. 36<br />

Levy Tudor Historical Thought (RSART 15).................. 49<br />

Lockett<br />

Anglo-Saxon Psychologies in the Vernacular<br />

and Latin Traditions............................................ 21<br />

Loewenstein & Stevens Early Modern Nationalism and Milton’s England... 57<br />

Lombardi The Syntax <strong>of</strong> Desire........................................... 56<br />

Looney ‘My Muse will have a story to paint’................... 33<br />

Louis Sussex................................................................ 53<br />

Mackenzie The Poetry <strong>of</strong> Place............................................. 31<br />

Mackie, E.A. & Goering Editing Robert Grosseteste................................. 56<br />

Mackie, G. Early Christian Chapels in the West.................... 51<br />

MacKinnon<br />

Excavations <strong>of</strong> San Giovanni di Ruoti, Volume III.59<br />

MacLachlan & Fletcher Virginity Revisited............................................... 59<br />

Magnanini Fairy-Tale Science............................................... 58<br />

Maiorino & Doyle-Anderson Comanini’s The Figino, or On the Purpose<br />

<strong>of</strong> Painting......................................................... 58<br />

Mak How the Page Matters......................................... 4<br />

Makaryk & Tkacz Shakespeare and the Second World War............ 10<br />

Mango The Art <strong>of</strong> the Byzantine Empire 312-1453<br />

(MART 16)......................................................... 40<br />

Mann<br />

Romanesque Architecture and<br />

its Sculptural Decoration.................................... 55<br />

Mansfield Erasmus in the Twentieth Century...................... 53<br />

Mansfield Man on His Own................................................ 53<br />

Mantello & Goering The Letters <strong>of</strong> Robert Grosseteste,<br />

Bishop <strong>of</strong> Lincoln................................................ 56<br />

Marchesi Dante and Augustine......................................... 34<br />

Marks Bookbinding...................................................... 51<br />

Marner St. Cuthbert....................................................... 52<br />

Martin & Scheil Shakespeare/Adaptation/Modern Drama............ 10<br />

Martines<br />

The Social World <strong>of</strong> the Florentine Humanists,<br />

1390-1460 (RSART 17)...................................... 49<br />

Martines An Italian <strong>Renaissance</strong> Sextet............................. 58<br />

Mazzotta Cosmopoeisis..................................................... 58<br />

McAleer Rochester Cathedral, 604-1540.......................... 51<br />

McClure<br />

The Culture <strong>of</strong> Pr<strong>of</strong>essions in Late<br />

<strong>Renaissance</strong> Italy................................................ 54<br />

McCrea Constant Minds................................................. 54<br />

McDonald<br />

History, Literature, and Music in Scotland,<br />

700-1560........................................................... 54<br />

McGee <strong>Medieval</strong> and <strong>Renaissance</strong> Music........................ 53<br />

McGrady Controlling Readers............................................ 56<br />

McKitterick The Trinity Apocalypse........................................ 52<br />

Menon Wanton Words................................................... 53<br />

Meyerson et al ‘A Great Effusion <strong>of</strong> Blood’................................. 53<br />

Migiel A Rhetoric <strong>of</strong> the Decameron............................. 58<br />

Mills Recycling the Cycle............................................ 53<br />

Mize Traditional Subjectivities..................................... 20<br />

Mohamed In the Anteroom <strong>of</strong> Divinity................................ 57<br />

Mohamed & Nyquist Milton and Questions <strong>of</strong> History......................... 25<br />

Moll Before Malory.................................................... 56<br />

Moore The Origins <strong>of</strong> European Dissent (MART 30)....... 42<br />

Moore The Birth <strong>of</strong> Popular Heresy (MART 33)............... 42<br />

Morris The Discovery <strong>of</strong> the Individual 1050-1200<br />

(MART 19)......................................................... 40<br />

Murray, A.C. From Roman to Merovingian Gaul........................ 7<br />

Murray, A.C. Gregory <strong>of</strong> Tours.................................................. 7<br />

Murray, A.C. After Rome’s Fall................................................ 53<br />

Murray, J. Love, Marriage, and Family in the Middle Ages..... 7<br />

Nash Between France and Flanders............................. 51<br />

Neel <strong>Medieval</strong> Families (MART 40).............................. 43<br />

Nelson, B.J. The Persistence <strong>of</strong> Presence................................ 31<br />

Nelson, A. Cambridge (REED 8)........................................... 52<br />

Netzley<br />

Reading, Desire, and the Eucharist in<br />

Early Modern Religious Poetry............................ 27<br />

Nicol Middleton and Rowley....................................... 11<br />

Nissen Kissing the Wild Woman.................................... 32<br />

Nordal Tools <strong>of</strong> Literacy................................................. 56<br />

Oakley The <strong>Medieval</strong> Experience (MART 23)................... 41<br />

O’Brien O’Keeffe Stealing Obedience............................................ 20<br />

O’Brien O’Keeffe & Orchard Latin Learning and English Lore.......................... 55<br />

Oliver The Body Legal in Barbarian Law........................ 17<br />

Oliver The Beginnings <strong>of</strong> English Law........................... 55<br />

Olmsted The Imperfect Friend.......................................... 57<br />

O’Malley et al The Jesuits......................................................... 54<br />

Orchard Pride and Prodigies............................................. 55<br />

O’Sullivan<br />

Marian Devotion in Thirteenth-Century<br />

French Lyric........................................................ 56<br />

Pabel Conversing with God......................................... 53<br />

Pabel & Vessey Holy Scripture Speaks......................................... 53<br />

Page, S. Astrology in <strong>Medieval</strong> Manuscripts..................... 51<br />

Page, S. Magic in <strong>Medieval</strong> Manuscripts.......................... 51<br />

Page, R.I. Chronicles <strong>of</strong> the Vikings.................................... 54<br />

Painter William Marshal (MART 13)................................ 39<br />

Pallister Between Worlds................................................. 57<br />

Papio Boccaccio’s Expositions on Dante’s Comedy........ 58<br />

Parker<br />

A Critical Edition <strong>of</strong> Robert Barnes’<br />

‘A Supplication Unto’......................................... 57<br />

Parker<br />

An exhortation to the diligent studye <strong>of</strong><br />

scripture............................................................. 57<br />

Parker & Krajewski William Roye’s A Brefe Dialoge bitwene<br />

a Christen Father................................................ 58<br />

Partridge & Kwakkel Author, Reader, Book......................................... 23<br />

Pilkinton Bristol (REED 13)................................................ 52<br />

Platt King Death......................................................... 54<br />

Porter Courtly Love in <strong>Medieval</strong> Manuscripts................ 51<br />

Porter <strong>Medieval</strong> Warfare in Manuscripts....................... 52<br />

62 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


INDEX<br />

Pulsiano Old English Glossed Psalters Pss. 150.................. 55<br />

Quinones Erasmus and Voltaire.......................................... 15<br />

Quitslund Spenser’s Supreme Fiction.................................. 58<br />

Raffa Divine Dialectic................................................... 58<br />

Raguin et al Artistic Integration in Gothic Buildings................ 51<br />

Randall The Gargantuan Polity........................................ 57<br />

Ray Writing Gender in Women’s Letter Collections.... 58<br />

Raymo & Whitaker The Mirroure <strong>of</strong> the Worlde................................ 45<br />

Renevey & Whitehead Writing Religious Women................................... 56<br />

Rhodes Dressed to Kill.................................................... 30<br />

Richardson Reading and Variant in Petronius........................ 59<br />

Robins Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy....................... 33<br />

Robinson Heraclitus........................................................... 36<br />

Rogerson Playing a Part in History...................................... 53<br />

Romanchuk<br />

Byzantine Hermeneutics and<br />

Pedagogy in the Russian North........................... 54<br />

Rosemann The Story <strong>of</strong> a Great <strong>Medieval</strong> Book..................... 9<br />

Rosenwein A Short History <strong>of</strong> the Middle Ages...................... 8<br />

Rosenwein Reading the Middle Ages..................................... 8<br />

Roskill<br />

Dolce’s Aretino and Venetian Art Theory<br />

<strong>of</strong> the Cinquecento (RSART 10)......................... 48<br />

Ross Figuring the Feminine......................................... 56<br />

Roush Hermes’ Lyre...................................................... 58<br />

Rudd The Classical Tradition in Operation.................... 59<br />

Rummel Editing Texts from the Age <strong>of</strong> Erasmus............... 53<br />

Rummel Erasmus on Women........................................... 53<br />

Rummel The Erasmus Reader........................................... 53<br />

Rummel The Case Against Johann Reuchlin..................... 54<br />

Rummel The Correspondence <strong>of</strong> Wolfgang Capito........... 54<br />

Samuelsson Religion and Economic Action (RSART 3)............ 46<br />

Schiban<strong>of</strong>f Chaucer’s Queer Poetics..................................... 56<br />

Schiesari Beasts and Beauties............................................ 33<br />

Schmidt, R. Forms <strong>of</strong> Modernity............................................ 30<br />

Schmidt, T. & Fleury Perceptions <strong>of</strong> the Second Sophistic<br />

and Its Times...................................................... 37<br />

Scoville<br />

Saints and the Audience in<br />

Middle English Biblical Drama............................. 53<br />

Scully The Opera <strong>of</strong> Bartolomeo Scappi (1570)............... 2<br />

Shailor The <strong>Medieval</strong> Book (MART 28)........................... 41<br />

Shaw Bringing in the Sheaves...................................... 37<br />

Shawver Thomas Usk’s Testament <strong>of</strong> Love........................ 56<br />

Sheehan Marriage, Family, and Law in <strong>Medieval</strong> Europe... 54<br />

Sheppard Families <strong>of</strong> the King............................................ 55<br />

Shinners <strong>Medieval</strong> Popular Religion, 1000-1500................. 7<br />

Shuger<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />

(RSART 6)........................................................... 47<br />

Simpson Excavations <strong>of</strong> San Giovanni di Ruoti, Volume II.. 59<br />

Slights Shakespeare’s Comic Commonwealths............... 57<br />

Slocum Liturgies in Honour <strong>of</strong> Thomas Beckett............... 52<br />

Smail & Gibson Vengeance in <strong>Medieval</strong> Europe............................. 7<br />

Small & Buck Excavations <strong>of</strong> San Giovanni di Ruoti, Volume I... 59<br />

Smith, K.A. The Taymouth Hours............................................ 4<br />

Smith, K.A.<br />

Art, Identity, and Devotion in<br />

Fourteenth-Century England.............................. 51<br />

Smith, S.T. Land and Book................................................... 20<br />

Somerset Shropshire.......................................................... 53<br />

Somerville & McDonald The Viking Age.................................................... 6<br />

Springer Armour and Masculinity in the Italian <strong>Renaissance</strong>..... 3<br />

Stanivukovic Ovid and the <strong>Renaissance</strong> Body.......................... 57<br />

Steen Verse and Virtuosity........................................... 55<br />

Stoicheff & Taylor The Future <strong>of</strong> the Page....................................... 51<br />

Stokes Lincolnshire (REED 21)........................................ 52<br />

Stokes Somerset, including Bath.................................... 53<br />

Stone & Stirling Mortuary Landscapes <strong>of</strong> North Africa................. 59<br />

Stouck <strong>Medieval</strong> Saints.................................................... 7<br />

Stouck A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints........................ 7<br />

Sutton Chaucer’s Pardoner’s Prologue and Tale.............. 56<br />

Syros Marsilius <strong>of</strong> Padua.............................................. 16<br />

Taylor, C.C.W. The Atomists...................................................... 36<br />

Taylor, L.J. Soldiers <strong>of</strong> Christ (RSART 14).............................. 48<br />

Terasawa Old English Metre................................................ 9<br />

Terpening Lodovico Dolce................................................... 54<br />

Thompson The Outrageous Juan Rana Entremeses.............. 53<br />

Thompson The Triumphant Juan Rana................................. 53<br />

Thomson Catullus............................................................. 59<br />

Thrupp Change in <strong>Medieval</strong> Society (MART 22).............. 41<br />

Tierney The Crisis <strong>of</strong> Church and State 1050-1300<br />

(MART 21)......................................................... 41<br />

Tiner<br />

Teaching with the Records <strong>of</strong><br />

Early English Drama............................................ 53<br />

Trilling The Aesthetics <strong>of</strong> Nostalgia................................ 55<br />

Tromly Fathers and Sons in Shakespeare........................ 11<br />

Tromly Playing with Desire............................................. 57<br />

Twyman Printing.............................................................. 52<br />

Ullman Ancient Writing and its Influence (MART 10)...... 39<br />

van Houts Gender and Memory in <strong>Medieval</strong> Europe........... 54<br />

Verdicchio The Poetics <strong>of</strong> Dante’s Paradiso.......................... 35<br />

Vessey et al The Calling <strong>of</strong> the Nations.................................. 18<br />

Vives On Assistance to the Poor (RSART 9)................. 47<br />

Wace & Layamon Arthurian Chronicles (MART 35)......................... 42<br />

Wackernagel<br />

The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />

(RSART 18)......................................................... 49<br />

Waddington Looking into Providences.................................... 25<br />

Waddington Aretino’s Satyr.................................................... 58<br />

Waite Reformers on Stage............................................ 53<br />

Waite Eradicating the Devil’s Minions........................... 54<br />

Wallis <strong>Medieval</strong> Medicine............................................... 6<br />

Wanner Snorri Sturluson and the Edda............................ 56<br />

Warkentin & Podruchny Decentring the <strong>Renaissance</strong>................................ 54<br />

Wasson Devon (REED 7).................................................. 52<br />

Watt <strong>Medieval</strong> Women in their Communities.............. 54<br />

Weaver The Decameron First Day in Perspective.............. 58<br />

Whalen, B.E. Pilgrimage in the Middle Ages.............................. 6<br />

Whalen, J. The Poetry <strong>of</strong> Immanence................................... 57<br />

Wickersham Rituals <strong>of</strong> Prosecution......................................... 17<br />

Williams Williams’ Hebrew Syntax.................................... 59<br />

Wilson, B. The World in Venice........................................... 55<br />

Wilson, M. Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science............ 59<br />

Winter Studies in Hellenistic Architecture....................... 59<br />

Withers<br />

The Illustrated Old English Hexateuch,<br />

Cotton Ms. Claudius B.iv.................................... 54<br />

Wolf Jews in the Canary Islands (RSART 13)................ 48<br />

Woodward<br />

Vittorino da Feltre and Other<br />

Humanist Educators (RSART 5)........................... 47<br />

Woolfson Padua and the Tudors......................................... 54<br />

Wright, C.D. et al Source <strong>of</strong> Wisdom.............................................. 55<br />

Wright, D.H.<br />

The Roman Vergil and the Origins<br />

<strong>of</strong> <strong>Medieval</strong> Book Design.................................... 52<br />

Wright, N.E. et al Women, Property, and the Letters <strong>of</strong><br />

the Law in Early Modern England....................... 55<br />

Yardley Justin and Pompeius Trogus................................ 59<br />

Young The English Emblem Tradition, Volume 3............ 51<br />

Young The English Emblem Tradition, Volume 5............ 51<br />

Zacher Preaching the Converted.................................... 55<br />

Zacher & Orchard New Readings in the Vercelli Book...................... 55<br />

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