27.01.2015 Views

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

Classics, Medieval & Renaissance 2012 - University of Toronto ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>2012</strong><br />

<strong>Classics</strong>, <strong>Medieval</strong><br />

& <strong>Renaissance</strong> Books


Contents<br />

Featured Titles ...........................1<br />

Course Books ............................5<br />

Theatre and Music .......................10<br />

Erasmus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16<br />

Literature ..............................20<br />

<strong>Classics</strong>. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

<strong>Medieval</strong> Academy<br />

Reprints for Teaching (MART) . . . . . . . . . . . . . . 38<br />

<strong>Medieval</strong> Academy Books .................44<br />

<strong>Renaissance</strong> Society <strong>of</strong><br />

America Reprint Texts (RSART) .............46<br />

Lexicons <strong>of</strong> Early Modern English (LEME). . . . . 50<br />

Backlist ................................51<br />

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60<br />

Orders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64<br />

The Canada Council for the Arts: English logo guidelines<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press Online<br />

Download logos: canadacouncil.ca/logos<br />

It’s now easier than ever to get updates on when<br />

new books are released, UTP authors are in the<br />

ACCEPTABLE USE:<br />

SIZE AND SPACING:<br />

news, or we’re <strong>of</strong>fering special deals through sales<br />

0.125"<br />

and contests.<br />

»»<br />

Sign up for our email lists to receive<br />

updates on your areas <strong>of</strong> interest and<br />

save 30% on your next order!<br />

Black on light » coloured » Become backgrounds a fan <strong>of</strong> UTP on Facebook and<br />

follow us on Twitter:<br />

• facebook.com/utpress<br />

• twitter.com/utpress<br />

Cover illustration: Lepcis Magna.<br />

Seascape and Fishermen, Villa <strong>of</strong> the Nile mosaic.<br />

Assaraya Al-Hamra/Jamahiriya Museum, Tripoli.<br />

White on dark coloured backgrounds<br />

The <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press acknowledges the financial<br />

support for its publishing activities <strong>of</strong> the Government<br />

<strong>of</strong> Canada through the Canada Book Fund.<br />

UTP would also like to express gratitude to the Canada<br />

Council for the Arts, Livres Canada Books, the Ontario<br />

Arts Council, and the Ontario Media Development<br />

Corporation for their support.<br />

White or black on colour backgrounds (choose best contrast)<br />

For use in colour applications on light coloured backgrounds<br />

Maintain readablility when sized an<br />

UNACCEPTABLE USE:<br />

minimum 0.125" clearan<br />

1.5"<br />

minimum 1.5" i<br />

Do not change the colour <strong>of</strong> the log<br />

Do not place the logo on a complic<br />

APPROVED COLOURS:<br />

Pantone 550C<br />

CMYK: 38C 4M 19K<br />

RGB: 135R 175G 191B<br />

HEX: 87AFBF<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press, a proud<br />

member <strong>of</strong> the American Association<br />

<strong>of</strong> <strong>University</strong> Publishers, congratulates<br />

the organization on its 75th anniversary.<br />

Pantone Black<br />

CMYK: 100K<br />

RGB: 0R 0G 0B<br />

HEX: 000000<br />

Do not separate parts <strong>of</strong> the logo. A<br />

Do not bend, warp, stretch or alter<br />

Catalogue design by Cynthia Cake for HLA Creative.<br />

Printed in Canada.


FEATURED TITLES<br />

The Pleasant Nights<br />

Volumes 1 and 2<br />

Giovan Francesco Straparola<br />

Edited with an Introduction by<br />

Donald Beecher<br />

Renowned today for his contribution to the rise <strong>of</strong><br />

the modern European fairy tale, Giovan Francesco<br />

Straparola (c. 1480–c. 1557) is particularly known<br />

for his dazzling anthology The Pleasant Nights.<br />

Originally published in Venice in 1550 and 1553, this<br />

collection features seventy-three folk stories, fables,<br />

jests, and pseudo-histories, including nine tales we<br />

might now designate for ‘mature readers’ and seventeen<br />

proto-fairy tales. Nearly all <strong>of</strong> these stories,<br />

including classics such as ‘Puss in Boots,’ made their<br />

first ever appearance in this collection; together, the<br />

tales comprise one <strong>of</strong> the most varied and engaging<br />

<strong>Renaissance</strong> miscellanies ever produced. Its appeal<br />

sustained it through twenty-six editions in the first<br />

sixty years.<br />

This full critical edition <strong>of</strong> The Pleasant Nights<br />

presents these stories in English for the first time<br />

in over a century. The text takes its inspiration from<br />

the celebrated Waters translation, which is entirely<br />

revised here to render it both more faithful to the<br />

original and more sparkishly idiomatic than ever<br />

before. The stories are accompanied by a rich sampling<br />

<strong>of</strong> illustrations, including originals from nineteenthcentury<br />

English and French versions <strong>of</strong> the text.<br />

As a comprehensive critical and historical edition,<br />

these volumes contain far more information on the<br />

stories than can be found in any existing studies,<br />

literary histories, or Italian editions <strong>of</strong> the work.<br />

Donald Beecher provides a lengthy introduction discussing<br />

Straparola as an author, the nature <strong>of</strong> fairy<br />

tales and their passage through oral culture, and<br />

how this phenomenon provides a new reservoir <strong>of</strong><br />

stories for literary adaptation. Moreover, the stories<br />

all feature extensive commentaries analysing not<br />

only their themes but also their fascinating provenances,<br />

drawing on thousands <strong>of</strong> analogue tales<br />

going back to ancient Sanskrit, Persian, and Arabic<br />

stories.<br />

Immensely entertaining and readable, The Pleasant<br />

Nights will appeal to anyone interested in fairy tales,<br />

ancient stories, and folk creations. Such readers will<br />

also enjoy Beecher’s academically solid and erudite<br />

commentaries, which unfold<br />

The Lorenzo<br />

in a<br />

Da PonTe<br />

manner<br />

ITaLIan LIbrary<br />

as light<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

and amusing as the stories themselves.<br />

Donald Beecher is Chancellor’s Pr<strong>of</strong>essor and a<br />

By Giovan Francesco Straparola<br />

pr<strong>of</strong>essor in the Department Edited with <strong>of</strong> an Introduction English by Donald at Carleton<br />

Beecher<br />

<strong>University</strong>.<br />

(The Lorenzo Da Ponte Italian Library)<br />

Volume 1: Approx. 792 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4426-7 $110.00 (£76.99)<br />

Volume 2: Approx. 688 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4427-4 $95.00 (£66.99)<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

By Giovan Francesco Straparola<br />

Edited with an Introduction by Donald Beecher<br />

VOLUME 1<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

By Giovan Francesco Straparola<br />

Edited with an Introduction by Donald Beecher<br />

NEW<br />

VOLUME 1<br />

VOLUME 2<br />

On the Causes <strong>of</strong> the Greatness<br />

and Magnificence <strong>of</strong> Cities<br />

NEW<br />

Giovanni Botero<br />

Translated and with an introduction by<br />

Ge<strong>of</strong>frey W. Symcox<br />

The first treatise ever written on the sociology <strong>of</strong> cities,<br />

On the Causes <strong>of</strong> the Greatness and Magnificence<br />

<strong>of</strong> Cities (1588) marked a radical departure from<br />

previous literature on urban centres. It provided a<br />

revolutionary analysis <strong>of</strong> how cities function, and <strong>of</strong><br />

the political, economic, demographic, and geographic<br />

factors that cause their growth and decline. Noteworthy<br />

too is Botero’s strikingly original use <strong>of</strong><br />

sources in his analysis: moving beyond familiar<br />

classical and biblical references, he drew groundbreaking<br />

insights from reports by travelers and<br />

missionaries about cities in the non-European<br />

world, especially in China.<br />

Though seminally important to the history <strong>of</strong> urban<br />

studies, On the Causes <strong>of</strong> the Greatness and<br />

Magnificence <strong>of</strong> Cities has not been available in a<br />

modern translation until now. This edition <strong>of</strong> the<br />

treatise – which includes an introduction by Ge<strong>of</strong>frey<br />

W. Symcox on the intellectual context within which<br />

it was conceived – is a must-read for anyone<br />

interested in the life <strong>of</strong> cities both historical and<br />

contemporary.<br />

Ge<strong>of</strong>frey W. Symcox is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> California<br />

at Los Angeles.<br />

(The Lorenzo Da Ponte Italian Library)<br />

Approx. 112 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4507-3 $45.00 (£31.99)<br />

utppublishing.com 1


FEATURED TITLES<br />

Jews and Magic in Medici Florence<br />

The Secret World <strong>of</strong> Benedetto Blanis<br />

Edward Goldberg<br />

In the seventeenth century, Florence was the wealthy<br />

capital <strong>of</strong> the Medici Grand Dukedom <strong>of</strong> Tuscany. But<br />

amid all the affluence and splendour, the Jews in its<br />

tiny Ghetto struggled to earn a living by any possible<br />

means, including loan-sharking, rag-picking, and<br />

second-hand dealing.<br />

From their ranks arose Benedetto Blanis, a businessman<br />

and aspiring scholar from a distinguished<br />

Ghetto dynasty who sought to parlay his alleged<br />

mastery <strong>of</strong> astrology, alchemy, and Kabbalah into a<br />

grand position at the Medici Court. He won the<br />

patronage <strong>of</strong> Don Giovanni dei Medici, a scion <strong>of</strong><br />

the ruling family, and for six tumultuous years their<br />

lives were inextricably linked.<br />

Drawing on thousands <strong>of</strong> newly uncovered<br />

documents from the Medici Granducal Archive,<br />

Edward Goldberg reveals the dramas <strong>of</strong> daily life<br />

behind the scenes in the Pitti Palace and in the<br />

narrow byways <strong>of</strong> the Florentine Ghetto.<br />

Edward Goldberg is an art historian and a longtime<br />

resident <strong>of</strong> Florence. He has worked for more<br />

than thirty years in the Medici Granducal Archive.<br />

‘Suspenseful and compelling.’<br />

Lucia Frattarelli Fischer, <strong>University</strong> <strong>of</strong> Pisa<br />

(<strong>Toronto</strong> Italian Studies)<br />

384 pp / 20 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4225-6 $70.00 (£48.99)<br />

Paper 978-1-4426-1333-1 $32.95 (£23.99)<br />

A Jew at the Medici Court<br />

The Letters <strong>of</strong> Benedetto Blanis Hebreo (1615–1621)<br />

Edward Goldberg<br />

Benedetto Blanis sent nearly 200 letters to Don<br />

Giovanni dei Medici that depict in vivid detail his<br />

daily life in the local Ghetto and his machinations<br />

behind the scenes at the Medici Court. Edward<br />

Goldberg shares these recently discovered letters –<br />

the largest body <strong>of</strong> surviving correspondence from<br />

any Jew in Early Modern Europe – in this definitive<br />

critical edition, complete with transcriptions in the<br />

original Italian, English-language summaries, and<br />

full explanatory notes.<br />

The letters describe Blanis’s fraught relations<br />

with his Jewish and Christian associates, his desperate<br />

(and <strong>of</strong>ten illegal) business schemes, his disastrous<br />

strategies for advancement at the Medici Court,<br />

and the general pervasiveness <strong>of</strong> occult practices,<br />

especially alchemy, astrology, and Kabbalah. He<br />

also <strong>of</strong>fers remarkable insights into the everyday<br />

realities <strong>of</strong> Florentine life – as viewed through the<br />

eyes <strong>of</strong> a Jewish outsider who penetrated the inner<br />

circles <strong>of</strong> the Medici regime.<br />

‘Readers will be deeply grateful to Edward Goldberg<br />

for the enormously valuable information he provides<br />

in this volume.’<br />

Robert Bonfil, Hebrew <strong>University</strong> <strong>of</strong> Jerusalem<br />

(<strong>Toronto</strong> Italian Studies)<br />

448 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4383-3 $85.00 (£59.99)<br />

The Opera <strong>of</strong> Bartolomeo Scappi (1570)<br />

L’arte et prudenza d’un maestro cuoco / The Art and Craft <strong>of</strong> a Master Cook<br />

Translated with Commentary by Terence Scully<br />

Arguably the most famous chef <strong>of</strong> the Italian<br />

<strong>Renaissance</strong>, Bartolomeo Scappi oversaw the preparation<br />

<strong>of</strong> meals for several Cardinals and was the<br />

personal cook for two popes. At the culmination <strong>of</strong><br />

his prolific career he compiled the largest cookery<br />

treatise <strong>of</strong> the period. Scappi’s Opera presents more<br />

than one thousand recipes along with menus that<br />

comprise up to a hundred dishes.<br />

In this first English translation <strong>of</strong> the work, Terence<br />

Scully makes the recipes and the broad experience<br />

<strong>of</strong> this sophisticated papal cook accessible to a<br />

modern English audience interested in the culinary<br />

expertise and gastronomic refinement within the<br />

most civilized niche <strong>of</strong> <strong>Renaissance</strong> society.<br />

Terence Scully is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> Languages and Literatures at Wilfrid<br />

Laurier <strong>University</strong>.<br />

‘Highly readable … many fans <strong>of</strong> cooking will enjoy<br />

sifting through its voluminous entries.’<br />

Robert Appelbaum, Times Higher Education (Book<br />

<strong>of</strong> the Week, April 2009)<br />

(The Lorenzo Da Ponte Italian Library)<br />

800 pp / 27 illustrations / 6 x 9 / 2011<br />

Paper 978-1-4426-1148-1 $45.00 (£31.99)<br />

2 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


FEATURED TITLES<br />

Armour and Masculinity in the Italian <strong>Renaissance</strong><br />

Carolyn Springer<br />

During the Italian Wars <strong>of</strong> 1494–1559, with innovations<br />

in military technology and tactics, armour began to<br />

disappear from the battlefield. Yet as field armour<br />

was retired, recycled, and discarded, parade and<br />

ceremonial armour took on greater importance and<br />

grew increasingly flamboyant.<br />

Drawing on theoretical perspectives from anthropology,<br />

literary studies, art history, and gender<br />

studies, Armour and Masculinity in the Italian<br />

<strong>Renaissance</strong> explores the significance <strong>of</strong> armour in<br />

early modern Italy as a cultural artifact and symbolic<br />

form.<br />

Carolyn Springer demonstrates that <strong>Renaissance</strong><br />

armour is not just a background to literary texts but<br />

a vibrant representational practice in its own right.<br />

Carolyn Springer is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at Stanford <strong>University</strong>.<br />

‘Springer deserves much credit for crafting an insightful,<br />

learned, and richly detailed analysis <strong>of</strong> an<br />

elusive aspect <strong>of</strong> the material culture <strong>of</strong> <strong>Renaissance</strong><br />

Italy.’<br />

William Caferro, Journal <strong>of</strong> Interdisciplinary History<br />

(<strong>Toronto</strong> Italian Studies)<br />

272 pp / 38 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4055-9 $55.00 (£38.99)<br />

<strong>Medieval</strong> Military Technology<br />

Second Edition<br />

NEW<br />

Kelly DeVries and Robert Douglas Smith<br />

First published in 1992, <strong>Medieval</strong> Military Technology<br />

has become the definitive book in its field, garnering<br />

much praise and a large readership. This thorough<br />

update <strong>of</strong> a classic book, regarded as both an excellent<br />

overview and an important piece <strong>of</strong> scholarship,<br />

includes fully revised content.<br />

The four key organizing sections <strong>of</strong> the book still<br />

remain: arms and armor, artillery, fortifications, and<br />

warships. Throughout, the authors connect these<br />

technologies to broader themes and developments<br />

in medieval society as well as to current scholarly<br />

and curatorial controversies.<br />

Kelly DeVries is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

History at Loyola <strong>University</strong> Maryland. Robert Douglas<br />

Smith is an independent museum consultant.<br />

‘Students <strong>of</strong> the Middle Ages and military enthusiasts<br />

alike will find <strong>Medieval</strong> Military Technology a valuable<br />

and unique work.’<br />

Richard Abels, United States Naval Academy<br />

(UTP Higher Education)<br />

Approx. 352 pp / 6 x 9 / April <strong>2012</strong><br />

Paper 978-1-4426-0497-1 $34.95 (£22.99)<br />

SECOND EDITION<br />

ME DIEVAL<br />

MILI@ARY<br />

TECHNOLOGY<br />

Kelly DeVries<br />

and<br />

Robert Douglas Smith<br />

The Alphabet <strong>of</strong> Galen<br />

Pharmacy from Antiquity to the Middle Ages<br />

NEW<br />

A Critical Edition <strong>of</strong> the Latin Text<br />

with English Translation and Commentary<br />

by Nicholas Everett<br />

The Alphabet <strong>of</strong> Galen is a critical edition and<br />

English translation <strong>of</strong> a text describing, in alphabetical<br />

order, nearly three hundred natural products – including<br />

metals, aromatics, animal materials, and<br />

herbs – and their medicinal uses. A Latin translation<br />

<strong>of</strong> earlier Greek writings on pharmacy that have not<br />

survived, it circulated among collections <strong>of</strong><br />

‘authorities’ on medicine, including Hippocrates,<br />

Galen <strong>of</strong> Pergamun, Soranus, and Ps. Apuleius.<br />

This work presents interesting linguistic features,<br />

including otherwise unattested Greek and Latin<br />

technical terms and unique pharmacological<br />

descriptions. Nicholas Everett provides a window<br />

onto the medieval translation <strong>of</strong> ancient science and<br />

medieval conceptions <strong>of</strong> pharmacy. With a<br />

comprehensive scholarly apparatus and a contextual<br />

introduction, The Alphabet <strong>of</strong> Galen is a major<br />

resource for understanding the richness and<br />

diversity <strong>of</strong> medical history.<br />

Nicholas Everett is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 480 pp / 8 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9812-2 $95.00 (£60.00)<br />

Paper 978-0-8020-9550-3 $39.95 (£25.00)<br />

utppublishing.com 3


FEATURED TITLES<br />

NEW<br />

The Taymouth Hours<br />

Stories and the Construction <strong>of</strong> the Self in Late <strong>Medieval</strong> England<br />

Kathryn A. Smith<br />

The Taymouth Hours is one <strong>of</strong> the most fascinating<br />

illuminated manuscripts <strong>of</strong> late medieval England,<br />

but the circumstances <strong>of</strong> its commission have<br />

remained elusive for more than a century. In this<br />

first comprehensive study <strong>of</strong> the Taymouth Hours,<br />

Kathryn A. Smith traces the manuscript’s origin to<br />

Philippa <strong>of</strong> Hainault, queen <strong>of</strong> Edward III, and Edward’s<br />

sister, the thirteen-year-old Eleanor <strong>of</strong> Woodstock.<br />

Smith provides a detailed analysis <strong>of</strong> the<br />

manuscript’s program, particularly the relationships<br />

between its marginal imagery and the devotional<br />

texts these images border, and embeds the Taymouth<br />

Hours within the historical, political, religious, and<br />

artistic contexts <strong>of</strong> early fourteenth-century England<br />

and northern Europe. Generously illustrated, the<br />

book also comes with a digitized edition <strong>of</strong> the<br />

entire manuscript. This feature allows readers to<br />

examine high-quality images <strong>of</strong> each folio while<br />

following along with Smith’s text.<br />

Kathryn A. Smith is an associate pr<strong>of</strong>essor and<br />

chair in the Department <strong>of</strong> Art History at New York<br />

<strong>University</strong>.<br />

Approx. 256 pp / 120 illustrations / 6 x 9 / May <strong>2012</strong><br />

Cloth 978-1-4426-4436-6 $65.00<br />

North American rights only.<br />

Other rights held by the British Library.<br />

NEW<br />

How the Page Matters<br />

Bonnie Mak<br />

From handwritten texts to online books, the page<br />

has been a standard interface for transmitting<br />

knowledge for over two millennia. It is also a dynamic<br />

device, readily transformed to suit the needs <strong>of</strong><br />

contemporary readers. In How the Page Matters,<br />

Bonnie Mak explores how changing technology has<br />

affected the reception <strong>of</strong> visual and written information.<br />

Mak examines the fifteenth-century Latin text<br />

Controversia de nobilitate in three forms – as a<br />

manuscript, a printed work, and a digital edition.<br />

Mak’s elegant analysis proves both the timeliness <strong>of</strong><br />

studying interface design and the persistence <strong>of</strong> the<br />

page as a mechanism for communication.<br />

Bonnie Mak is an assistant pr<strong>of</strong>essor in the Graduate<br />

School <strong>of</strong> Library and Information Science and the<br />

Program for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />

Illinois.<br />

‘How the Page Matters represents a new and<br />

refreshing approach to the various interactions<br />

between medieval manuscript versions <strong>of</strong> a particular<br />

text and its early modern and contemporary editions.’<br />

William Schipper, Memorial <strong>University</strong><br />

(Studies in Book and Print Culture)<br />

304 pp / 16 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9760-6 $55.00 (£38.99)<br />

NEW<br />

Atlas <strong>of</strong> the Irish Rural Landscape<br />

Second Edition<br />

Edited by F.H.A. Aalen, Kevin Whelan, and<br />

Matthew Stout<br />

The second edition <strong>of</strong> the award-winning Atlas <strong>of</strong> the<br />

Irish Rural Landscape is a magnificently illustrated,<br />

beautifully written and thoroughly updated introduction<br />

to the hidden riches <strong>of</strong> the Irish landscape. The<br />

Atlas combines superbly chosen illustrations and<br />

cartography with a text amenable to a general reader.<br />

Hundreds <strong>of</strong> maps, diagrams, photographs, and<br />

paintings present accessible information suitable for<br />

any school, college, or home. New content in the contemporary<br />

section takes into account the Celtic Tiger<br />

and explores six fresh case studies. The Atlas <strong>of</strong> the<br />

Irish Rural Landscape continues to increase the visibility<br />

<strong>of</strong> the landscape within national heritage while establishing<br />

a proper basis for conservation and planning.<br />

F.H.A. Aalen is a pr<strong>of</strong>essor emeritus <strong>of</strong> Geography<br />

in the School <strong>of</strong> Natural Sciences at Trinity College<br />

Dublin. Kevin Whelan is the director <strong>of</strong> the Keough<br />

Naughton Notre Dame Centre in Dublin. Matthew<br />

Stout is a lecturer in the Department <strong>of</strong> History, St<br />

Patrick’s College, Drumcondra.<br />

‘Anyone interested in Ireland, especially the Irish<br />

countryside, will find this attractive volume anything<br />

from engaging to indispensable.’<br />

The Globe and Mail<br />

360 pp / 800+ illustrations / 9 x 11¾ / 2011<br />

Cloth ISBN 978-1-4426-4291-1 $75.00<br />

North American rights only.<br />

Other rights held by Cork <strong>University</strong> Press.<br />

4 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


COURSE BOOKS<br />

The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong><br />

A Sourcebook, Second Edition<br />

the Civilization <strong>of</strong> the<br />

italian RenaissanCe<br />

a souRCebook<br />

Edited by Kenneth R. Bartlett<br />

Beginning with medieval Italy in the late thirteenth<br />

century and ending in the sixteenth century, The<br />

Civilization <strong>of</strong> the Italian <strong>Renaissance</strong> is designed to<br />

introduce students to the richness and complexity<br />

<strong>of</strong> the period. The book is divided into chapters that<br />

focus on different aspects <strong>of</strong> life in <strong>Renaissance</strong> Italy.<br />

Throughout, sources and individuals are discussed<br />

in introductory or biographical paragraphs to help<br />

students engage with the material.<br />

This edition includes a new chapter on Dante<br />

and medieval Italy, new selections on warfare,<br />

and additional readings on education, Florence,<br />

humanism, the Church, and the later <strong>Renaissance</strong>.<br />

The introductions to the readings are fully revised,<br />

and an essay on reading historical documents is<br />

now appended.<br />

Kenneth R. Bartlett is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘Kenneth Bartlett’s The Civilization <strong>of</strong> the Italian<br />

<strong>Renaissance</strong> has long been my favorite sourcebook<br />

for undergraduate teaching.’<br />

Lisa Regan, <strong>University</strong> <strong>of</strong> California Berkeley<br />

(UTP Higher Education)<br />

320 pp / 7 ¾ x 9 ¼ / 2011<br />

Paper 978-1-4426-0485-8 $59.95 (£38.99)<br />

S E C O N D E D I T I O N • K E N N E T H R . B A R T L E T T<br />

The Middle Ages in Texts and Texture<br />

Reflections on <strong>Medieval</strong> Sources<br />

Edited by Jason Glenn<br />

The Middle Ages in Texts and Texture is a collection<br />

<strong>of</strong> unique essays that teaches students <strong>of</strong> medieval<br />

history how to work with primary sources. The goal<br />

<strong>of</strong> the collection is to provide students with a sense<br />

<strong>of</strong> the ‘texture’ <strong>of</strong> the Middle Ages by having them<br />

engage and struggle with some <strong>of</strong> the most notable<br />

texts produced during this period.<br />

The texts discussed in the essays, most <strong>of</strong> which<br />

are well known classics, are arranged in chronological<br />

order and span the period from the fourth<br />

century to the turn <strong>of</strong> the fifteenth century. They<br />

come from a wide range <strong>of</strong> genres, and each essay<br />

begins with basic information about the texts, their<br />

authors, and the larger settings in which they were<br />

written.<br />

Jason Glenn is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Southern<br />

California.<br />

‘In this volume, experienced scholar-teachers<br />

address the greatest primary-source hits <strong>of</strong> the<br />

medieval studies syllabus. Anyone who teaches<br />

such a course will find here fresh readings <strong>of</strong><br />

familiar texts, as well as reasons to start working<br />

with some unfamiliar ones.’<br />

Adam J. Kosto, Columbia <strong>University</strong><br />

(UTP Higher Education)<br />

368 pp / 6 x 9 / 2011<br />

Paper 978-1-4426-0490-2 $32.95 (£21.99)<br />

Sacred Violence<br />

The European Crusades to the Middle East, 1095–1396<br />

Jill N. Claster<br />

In Sacred Violence, renowned medieval historian<br />

Jill N. Claster examines warfare between Christians<br />

and Muslims for control <strong>of</strong> the embattled city <strong>of</strong><br />

Jerusalem. Beyond the battlefield, however, Claster<br />

explains the relationship <strong>of</strong> Jews, Christians, and<br />

Muslims to the Holy City and how that relationship<br />

still resonates today.<br />

The book encompasses the history <strong>of</strong> the kingdom<br />

founded by the crusaders that lasted, against all odds,<br />

for over two hundred years, and details the richness<br />

that emerged from the interplay <strong>of</strong> its many cultural<br />

groups. It also tells the story <strong>of</strong> how and why the<br />

crusades came about, their impact <strong>of</strong> the Middle East<br />

and Europe, and their legacy to subsequent<br />

generations.<br />

Jill N. Claster is pr<strong>of</strong>essor emerita <strong>of</strong> <strong>Medieval</strong><br />

History at New York <strong>University</strong>. She is a past<br />

Director <strong>of</strong> the Hagop Kevorkian Center for Near<br />

Eastern Studies and the former Dean <strong>of</strong> the College<br />

<strong>of</strong> Arts and Science at New York <strong>University</strong>.<br />

‘[Jill N. Claster] deftly integrates the social and<br />

political history <strong>of</strong> the crusades, its battles and<br />

institutions, with the history <strong>of</strong> religion. Sacred<br />

Violence represents a new and important resource<br />

for students <strong>of</strong> the crusades.’<br />

Ross Brann, Cornell <strong>University</strong><br />

(UTP Higher Education)<br />

356 pp / 6 x 9 / 2009<br />

Paper 978-1-4426-0060-7 $32.95 (£18.99)<br />

utppublishing.com 5


COURSE BOOKS<br />

Pilgrimage in the Middle Ages<br />

A Reader<br />

Edited by Brett Edward Whalen<br />

Pilgrimage in the Middle Ages is a rich collection <strong>of</strong><br />

primary sources for the history <strong>of</strong> Christian pilgrimage<br />

in Europe and the Mediterranean world from<br />

the fourth through the sixteenth centuries. The<br />

collection illustrates the far-reaching significance<br />

and consequences <strong>of</strong> pilgrimage for the culture,<br />

society, economics, politics, and spirituality <strong>of</strong> the<br />

Middle Ages.<br />

Brett Edward Whalen focuses on sites within Europe<br />

and beyond its borders, including the holy<br />

places <strong>of</strong> Jerusalem, and provides documents that<br />

shed light upon Eastern Christian, Jewish, and Islamic<br />

pilgrimages. The result is an innovative sourcebook<br />

that <strong>of</strong>fers a window into broader trends,<br />

shifts, and transformations in the Middle Ages.<br />

Brett Edward Whalen is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />

North Carolina at Chapel Hill.<br />

‘A rich treasury <strong>of</strong> primary sources vividly bringing<br />

to life the background, practice, and significance <strong>of</strong><br />

medieval pilgrimage. An invaluable resource for students<br />

and specialists alike.’<br />

Dee Dyas, <strong>University</strong> <strong>of</strong> York<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

400 pp / 6 x 9 / 2011<br />

Paper 978-1-4426-0199-4 $42.95 (£27.99)<br />

<strong>Medieval</strong> Medicine<br />

A Reader<br />

Edited by Faith Wallis<br />

Medicine in the medieval world is <strong>of</strong>ten treated in<br />

a static manner, as if a single picture <strong>of</strong> the body, a<br />

unitary understanding <strong>of</strong> disease, and unvarying<br />

practices <strong>of</strong> healing held sway for a millennium.<br />

<strong>Medieval</strong> Medicine challenges this view by documenting<br />

changes and complexities in medieval<br />

medical thinking and practice. In this collection <strong>of</strong><br />

over 100 primary sources, many translated for the<br />

first time, Faith Wallis reveals the dynamic world <strong>of</strong><br />

medicine in the Middle Ages that has been largely<br />

unavailable to students and scholars.<br />

Faith Wallis is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History and the Department <strong>of</strong> Social<br />

Studies <strong>of</strong> Medicine at McGill <strong>University</strong>.<br />

‘An excellent and comprehensive overview both for<br />

students and scholars that shows vividly what medicine<br />

was for medieval actors and what it is today for<br />

historians <strong>of</strong> medieval medicine.’<br />

Social History <strong>of</strong> Medicine<br />

‘A truly rewarding work, worth acquiring not only<br />

by scholars and teachers <strong>of</strong> medieval medicine in<br />

particular but more broadly by anyone teaching in<br />

the field <strong>of</strong> medieval European history and society.’<br />

The <strong>Medieval</strong> Review<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

563 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-0103-1 $44.95 (£24.99)<br />

The Viking Age<br />

A Reader<br />

Edited by Angus A. Somerville<br />

and R. Andrew McDonald<br />

Angus A. Somerville is an associate pr<strong>of</strong>essor in<br />

the Department <strong>of</strong> English Language and Literature<br />

at Brock <strong>University</strong>. R. Andrew McDonald is<br />

an associate pr<strong>of</strong>essor in the Department <strong>of</strong> History<br />

at Brock <strong>University</strong> and former Director <strong>of</strong> the<br />

Centre for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at<br />

Brock <strong>University</strong>.<br />

Tracing the astonishing development <strong>of</strong> the Viking<br />

Age from the first foreign raids to the rise and fall<br />

<strong>of</strong> Viking empires, this comprehensive reader is essential<br />

to an understanding <strong>of</strong> Viking history.<br />

The diversity <strong>of</strong> the Viking world is mirrored by the<br />

range and variety <strong>of</strong> over 100 primary documents<br />

‘The Viking Age is a most enjoyable and informative<br />

chosen for inclusion. The Norse translations, many <strong>of</strong><br />

volume for dipping into.’<br />

them new, are straightforward and easily accessible<br />

for students. The introductions contextualize the The <strong>Medieval</strong> Review<br />

readings while allowing the sources to speak for themselves.<br />

All unfamiliar terms are explained unobtrusively<br />

(UTP Higher Education; Readings in<br />

<strong>Medieval</strong> Civilizations and Cultures Series)<br />

in the body <strong>of</strong> the text. Thirteen black-and-white<br />

503 pp / 13 illustrations / 6 x 9 / 2010<br />

illustrations and one map provide visual context. Combined,<br />

these features make this book an extremely<br />

Paper 978-1-4426-0148-2 $44.95 (£24.99)<br />

readable and user-friendly introduction to the Viking Age.<br />

6 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Readings in <strong>Medieval</strong> Civilizations and Cultures<br />

Series Editor: Paul Edward Dutton<br />

‘Readings in <strong>Medieval</strong> Civilizations and Cultures is in my opinion the most useful series being published today.’<br />

William C. Jordan, Princeton <strong>University</strong><br />

COURSE BOOKS<br />

I. Carolingian Civilization<br />

A Reader, Second Edition<br />

Edited by Paul Edward Dutton<br />

Paper 978-1-5511-1492-7<br />

$42.95 (£24.99) 2004<br />

IX. The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919–966<br />

Translated and Edited by<br />

Steven Fanning and Bernard S. Bachrach<br />

Paper 978-1-4426-0001-0<br />

$27.95 (£13.99) 2004<br />

II. <strong>Medieval</strong> Popular Religion, 1000–1500<br />

A Reader, Second Edition<br />

Edited by John Shinners<br />

Paper 978-1-4426-0106-2<br />

$44.95 (£24.99) 2006<br />

III. Charlemagne’s Courtier<br />

The Complete Einhard<br />

Edited by Paul Edward Dutton<br />

Paper 978-1-4426-0112-3<br />

$24.95 (£12.99) 1998<br />

IV. <strong>Medieval</strong> Saints<br />

A Reader<br />

Edited by Mary-Ann Stouck<br />

Paper 978-1-4426-0101-7<br />

$44.95 (£24.99) 1998<br />

X. Gregory <strong>of</strong> Tours<br />

The Merovingians<br />

Translated and Edited by<br />

Alexander Callander Murray<br />

Paper 978-1-5511-1523-8<br />

$27.95 (£14.99) 2005<br />

XI. <strong>Medieval</strong> Towns<br />

A Reader<br />

Edited by Maryanne Kowaleski<br />

Paper 978-1-4426-0091-1<br />

$43.95 (£24.99) 2006<br />

XII. A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints<br />

Edited by Mary-Ann Stouck<br />

Paper 978-1-4426-0094-2<br />

$26.95 (£14.99) 2009<br />

V. From Roman to Merovingian Gaul<br />

A Reader<br />

Translated and Edited by<br />

Alexander Callander Murray<br />

Paper 978-1-4426-0095-9<br />

$44.95 (£24.99) 1999<br />

XIII. Vengeance in <strong>Medieval</strong> Europe<br />

A Reader<br />

Edited by Daniel Lord Smail<br />

and Kelly Gibson<br />

Paper 978-1-4426-0126-0<br />

$44.95 (£25.99) 2009<br />

VI. <strong>Medieval</strong> England, 1000–1500<br />

A Reader<br />

Edited by Emilie Amt<br />

Paper 978-1-4426-0006-5<br />

$44.95 (£22.99) 2000<br />

VII. Love, Marriage, and Family<br />

in the Middle Ages<br />

A Reader<br />

Edited by Jacqueline Murray<br />

Paper 978-1-5511-1104-9<br />

$42.95 (£24.99) 2001<br />

XIV. The Viking Age<br />

A Reader<br />

Edited by Angus A. Somerville<br />

and R. Andrew McDonald<br />

Paper 978-1-4426-0148-2<br />

$44.95 (£24.99) 2010<br />

XV. <strong>Medieval</strong> Medicine<br />

A Reader<br />

Edited by Faith Wallis<br />

Paper 978-1-4426-0103-1<br />

$44.95 (£24.99) 2010<br />

VIII. The Crusades<br />

A Reader<br />

Edited by S.J. Allen and Emilie Amt<br />

Paper 978-1-4426-0002-7<br />

$43.95 (£21.99) 2003<br />

XVI. Pilgrimage in the Middle Ages<br />

A Reader<br />

Edited by Brett Edward Whalen<br />

Paper 978-1-4426-0199-4<br />

$42.95 (£27.99) 2011<br />

utppublishing.com 7


COURSE BOOKS<br />

Readings in <strong>Medieval</strong> History<br />

Fourth Edition<br />

Edited by Patrick J. Geary<br />

In this new edition <strong>of</strong> his enormously popular<br />

collection <strong>of</strong> medieval documents, Patrick J. Geary<br />

has incorporated more bibliographical information<br />

into the introductions to the readings. Five texts<br />

have been added to better reflect legal, religious,<br />

Polish, and women’s history. A glossary is provided<br />

to help with unfamiliar terms, and secondary<br />

readings about the primary sources are listed.<br />

As before, four principles guide the selection <strong>of</strong><br />

primary sources: entire documents are provided rather<br />

than snippets; texts are grouped so that individual<br />

documents relate to one another; documents chosen<br />

have been the subject <strong>of</strong> significant scholarship; and<br />

raw material for many types <strong>of</strong> historical investigations<br />

(political, social, cultural) is provided.<br />

Patrick J. Geary is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

History at the <strong>University</strong> <strong>of</strong> California, Los Angeles.<br />

‘Readings in <strong>Medieval</strong> History is probably the best<br />

collection <strong>of</strong> primary source readings available.’<br />

Jonathan Conant, Brown <strong>University</strong><br />

(UTP Higher Education)<br />

811 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0120-8 $61.95 (£39.99)<br />

Also available in a two-volume format:<br />

Volume I: The Early Middle Ages / 352 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0116-1 $38.95 (£20.99)<br />

Volume II: The Later Middle Ages / 504 pp / 7 x 9 / 2010<br />

Paper 978-1-4426-0117-8 $38.95 (£20.99)<br />

A Short History <strong>of</strong> the Middle Ages<br />

Third Edition<br />

Barbara H. Rosenwein<br />

Beautifully written and exquisitely illustrated, A<br />

Short History <strong>of</strong> the Middle Ages provides an ideal<br />

introduction to medieval history. Famous for its<br />

integration <strong>of</strong> culture, politics, art, economics, and<br />

social issues throughout its lively narrative, this textbook<br />

is also unique for its survey <strong>of</strong> European<br />

history both on its own terms and in the context <strong>of</strong><br />

the Islamic world and the Byzantine, Mongol, and<br />

Ottoman empires. The third edition takes into<br />

account recent historical and archaeological findings<br />

and interpretations.<br />

Barbara H. Rosenwein is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at Loyola <strong>University</strong> Chicago.<br />

‘Elegantly written and beautifully produced,<br />

Rosenwein’s A Short History <strong>of</strong> the Middle Ages is a<br />

treat for teachers and students alike.’<br />

Fiona Griffiths, New York <strong>University</strong><br />

(UTP Higher Education)<br />

399 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0104-8 $48.95 (£25.99)<br />

Also available in a two-volume format:<br />

Volume I: From c.300 to c.1150<br />

255 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0122-2 $37.95 (£17.99)<br />

Volume II: From c.900 to c.1500<br />

389 pp / 7 ¾ x 9 ¼ / 2009<br />

Paper 978-1-4426-0123-9 $37.95 (£17.99)<br />

Reading the Middle Ages<br />

Sources from Europe, Byzantium, and the Islamic World<br />

Edited by Barbara H. Rosenwein<br />

Following her highly acclaimed A Short History <strong>of</strong><br />

the Middle Ages, Barbara H. Rosenwein presents a<br />

unique edited collection <strong>of</strong> documents and readings.<br />

Spanning the period from c.300 to c.1500, the<br />

ambitious Reading the Middle Ages incorporates in<br />

a systematic fashion Islamic and Byzantine materials<br />

alongside Western readings.<br />

‘This collection reveals the dazzling richness <strong>of</strong> the<br />

medieval evidence and provides many points <strong>of</strong><br />

entry for future inquiry.’<br />

Daniel Lord Smail, Harvard <strong>University</strong><br />

(UTP Higher Education)<br />

594 pp / 7 ¾ x 9 ¼ / 2006<br />

Paper 978-1-5511-1693-8 $55.95 (£26.99)<br />

Also available in a two-volume format:<br />

Volume I: From c.300 to c.1150<br />

354 pp / 7 ¾ x 9 ¼ / 2007<br />

Paper 978-1-5511-1695-2 $35.95 (£16.99)<br />

Volume II: From c.900 to c.1500<br />

387 pp / 7 ¾ x 9 ¼ / 2007<br />

Paper 978-1-5511-1696-9 $35.95 (£16.99)<br />

SPECIAL COMBINED PRICE!<br />

Purchase both A Short History <strong>of</strong> the Middle<br />

Ages and Reading the Middle Ages for just<br />

$85.00 by ordering ISBN 978-1-4426-0351-6.<br />

See utppublishing.com for more great deals<br />

on titles by Barbara H. Rosenwein.<br />

8 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Rethinking the Middle Ages<br />

COURSE BOOKS<br />

Series Editors: Paul Edward Dutton and John Shinners<br />

Rethinking the Middle Ages is a series committed to re-examining the Middle Ages – its themes, institutions, people, and<br />

events – with short studies that invite readers to think about that era in new and unusual ways.<br />

I. Seeing <strong>Medieval</strong> Art<br />

Herbert L. Kessler<br />

How did medieval people see art How<br />

was it made, paid for, and used Why<br />

was it necessary to social activities<br />

With 12 color plates and 54 plates in all,<br />

this book looks at art’s functions and<br />

traces many crucial developments,<br />

including the development <strong>of</strong> secular art<br />

and historical narrative and the emergence<br />

<strong>of</strong> individual portraiture.<br />

‘Herbert Kessler’s newest work shows<br />

us better than any other book I know why medieval art matters – and<br />

how our own seeing <strong>of</strong> it has grown evermore interesting. I urge<br />

experts and general enthusiasts alike to read this book now.’<br />

Peter Low, Williams College<br />

Paper 978-1-5511-1535-1 $32.95 (£17.99) 2004<br />

II. The Story <strong>of</strong> a Great<br />

<strong>Medieval</strong> Book<br />

Peter Lombard’s Sentences<br />

Philipp W. Rosemann<br />

Twelfth-century theologian Peter Lombard’s<br />

Book <strong>of</strong> Sentences, one <strong>of</strong> the first<br />

Western textbooks <strong>of</strong> theology, received<br />

the largest number <strong>of</strong> commentaries<br />

among all works <strong>of</strong> Christian literature<br />

except for Scripture itself. In this book,<br />

notable Lombard scholar Philipp W.<br />

Rosemann examines the text as a guiding<br />

thread to studying Christian thought throughout the later Middle Ages<br />

and into early modern times.<br />

‘The Story <strong>of</strong> a Great <strong>Medieval</strong> Book provides an excellent introduction<br />

not only to the history and textual traditions <strong>of</strong> commentaries on Peter<br />

Lombard’s Sentences, but also to how such texts were used by<br />

university students and teachers <strong>of</strong> the late Middle Ages.’<br />

Donna Trembinski, Queen’s <strong>University</strong><br />

Paper 978-1-5511-1718-8 $29.95 (£17.99) 2007<br />

III. Rethinking the<br />

School <strong>of</strong> Chartres<br />

Édouard Jeauneau<br />

Translated by Claude Paul Desmarais<br />

In this brief essay, esteemed medieval<br />

historian Édouard Jeauneau examines a<br />

much debated question in medieval<br />

intellectual history: did the famous<br />

School <strong>of</strong> Chartres actually exist Deftly<br />

translated by Claude Paul Desmarais,<br />

Rethinking the School <strong>of</strong> Chartres<br />

provides a narrative that is critical,<br />

passionate, and witty.<br />

‘No one has done more to reveal the riches <strong>of</strong> twelfth-century<br />

Platonism than Father Édouard Jeauneau. It is a great pleasure to read<br />

this wonderful scholar’s reflections on his long association and deep<br />

affinity with Chartres and its teachers.’<br />

Winthrop Wetherbee III, Cornell <strong>University</strong><br />

Paper 978-1-4426-0007-2 $26.95 (£15.99)<br />

Old English Metre<br />

An Introduction<br />

Jun Terasawa<br />

Old English Metre <strong>of</strong>fers an essential framework for<br />

the critical analysis <strong>of</strong> metrical structures and interpretations<br />

in Old English literature. Jun Terasawa’s<br />

comprehensive introductory text covers the basics <strong>of</strong><br />

Old English metre and reviews the current research in<br />

the field, emphasizing the interaction between Old<br />

English metre and components such as wordformation,<br />

word-choice, and grammar.<br />

Each chapter includes exercises and suggestions<br />

for further reading. Appendices provide possible<br />

answers to the exercises, tips for scanning half-lines,<br />

and brief definitions <strong>of</strong> metrical terms used. Examples<br />

in Old English are provided with literal<br />

modern English translations, with glosses added in<br />

the first three chapters to help beginners.<br />

Jun Terasawa is a pr<strong>of</strong>essor in the Graduate School<br />

<strong>of</strong> Arts and Sciences at the <strong>University</strong> <strong>of</strong> Tokyo.<br />

‘A serious advance in state-<strong>of</strong>-the-art research, Old<br />

English Metre is ideally suited to help the largest<br />

possible audience interested in Old English poetry<br />

develop the skills necessary to critically edit and<br />

interpret these works.’<br />

Ge<strong>of</strong>frey Russom, Brown <strong>University</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

176 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4238-6 $45.00 (£31.99)<br />

Paper 978-1-4426-1129-0 $19.95 (£13.99)<br />

utppublishing.com 9


THEATRE AND MUSIC<br />

NEW<br />

EDITED BY IRENA R. MAKARYK<br />

AND MARISSA McHUGH<br />

Shakespeare and the Second World War<br />

Theatre, Culture, Identity<br />

SHAKESPEARE AND THE<br />

SECOND WORLD WAR<br />

THEATRE CULTURE IDENTITY<br />

Edited by Irena R. Makaryk and Marissa McHugh<br />

Shakespeare’s works occupy a prismatic and<br />

complex position in world culture: they straddle<br />

both the high and the low, the national and the<br />

foreign, literature and theatre. The Second World<br />

War presents a fascinating case study <strong>of</strong> this<br />

phenomenon: most, if not all, <strong>of</strong> its combatants<br />

have laid claim to Shakespeare and have called upon<br />

his work to convey their society’s self-image.<br />

In wartime, such claims frequently brought to<br />

the fore a crisis <strong>of</strong> cultural identity and <strong>of</strong> competing<br />

ownership <strong>of</strong> this ‘universal’ author. Despite this,<br />

the role <strong>of</strong> Shakespeare during the Second World<br />

War has not yet been examined or documented in<br />

any depth. Shakespeare and the Second World War<br />

provides the first sustained international, collaborative<br />

incursion into this terrain. The essays demonstrate<br />

how the wide variety <strong>of</strong> ways in which Shakespeare<br />

has been recycled, reviewed, and reinterpreted<br />

from 1939–1945 are both illuminated by and<br />

continue to illuminate the war today.<br />

Irena R. Makaryk is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa. Marissa<br />

McHugh is an doctoral candidate in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Ottawa.<br />

Approx. 296 pp / 34 illustrations / 6 x 9 / September <strong>2012</strong><br />

Cloth 978-1-4426-4402-1 $65.00 (£45.99)<br />

NEW<br />

NEW<br />

SHakESpEarE<br />

adaptation<br />

ModErn draMa<br />

Essays in Honour <strong>of</strong> Jill L. Levenson<br />

Edited by Randall MaRtin and KathERinE SchEil<br />

Shakespeare/Adaptation/Modern Drama<br />

Essays in Honour <strong>of</strong> Jill L. Levenson<br />

Edited by Randall Martin and Katherine Scheil<br />

Shakespeare/Adaptation/Modern Drama is the first<br />

book-length international study to examine the<br />

critical and theatrical connections among these<br />

fields, including the motivations, methods, and limits<br />

<strong>of</strong> adaptation in modern performance media.<br />

Top scholars including Peter Holland, Alexander<br />

Leggatt, Brian Parker, and Stanley Wells examine<br />

such topics as the relationship between Shakespeare<br />

and modern drama in the context <strong>of</strong> current literary<br />

theories, and historical accounts <strong>of</strong> adaptive and<br />

appropriative practices. Among the diverse and<br />

intriguing examples studied are the authorial selfadaptations<br />

<strong>of</strong> Tom Stoppard and Tennessee<br />

Williams, and the generic and political appropriations<br />

<strong>of</strong> Shakespeare’s texts in television, musical theatre,<br />

and memoir.<br />

Seeing Things<br />

From Shakespeare to Pixar<br />

Randall Martin is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> New Brunswick.<br />

Katherine Scheil is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

Minnesota, Twin Cities.<br />

‘Reading these theoretically astute essays, I found<br />

myself constantly intrigued, informed, challenged,<br />

entertained, and stretched – and imagining my<br />

students devouring this book and gaining<br />

enormously from it.’<br />

Carol Chillington Rutter, Warwick <strong>University</strong><br />

288 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4174-7 $65.00 (£45.99)<br />

Alan Ackerman<br />

How do the acts <strong>of</strong> seeing and believing remain<br />

linked Alan Ackerman charts the dynamic history<br />

<strong>of</strong> interactions between showing and knowing in<br />

Seeing Things, a richly interdisciplinary study which<br />

illuminates changing modes <strong>of</strong> perception and<br />

modern representational media.<br />

Seeing Things demonstrates that the airy<br />

nothings <strong>of</strong> A Midsummer Night’s Dream, the Ghost<br />

in Hamlet, and soulless bodies in Beckett’s media<br />

experiments, alongside Toy Story’s digitally<br />

animated toys, all serve to illustrate the modern<br />

problem <strong>of</strong> visualizing, as Hamlet put it, ‘that within<br />

which passes show.’<br />

Alan Ackerman is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘In these elegant essays, at once theatrical and<br />

philosophical, Alan Ackerman <strong>of</strong>fers a probing<br />

meditation on sight and on the lingering mysteries<br />

<strong>of</strong> the invisible.’<br />

Martin Puchner, Harvard <strong>University</strong><br />

160 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4364-2 $50.00 (£34.99)<br />

Paper 978-1-4426-1210-5 $21.95 (£15.99)<br />

10 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


THEATRE AND MUSIC<br />

Middleton and Rowley<br />

Forms <strong>of</strong> Collaboration in the Jacobean Playhouse<br />

NEW<br />

David Nicol<br />

Can the inadvertent clashes between collaborators<br />

produce more powerful effects than their concordances<br />

For Thomas Middleton and William<br />

Rowley, the playwriting team best known for their<br />

tragedy The Changeling, disagreements and friction<br />

proved quite beneficial for their work.<br />

This first full-length study <strong>of</strong> Middleton and<br />

Rowley uses their plays to propose a new model for<br />

the study <strong>of</strong> collaborative authorship in early<br />

modern English drama. David Nicol highlights the<br />

diverse forms <strong>of</strong> collaborative relationships that<br />

factor into a play’s meaning, including playwrights,<br />

actors, companies, playhouses, and patrons. This<br />

kaleidoscopic approach, which views the plays from<br />

all these perspectives, throws new light on the<br />

Middleton-Rowley oeuvre and on early modern<br />

dramatic collaboration as a whole.<br />

David Nicol is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Theatre at Dalhousie <strong>University</strong>.<br />

Approx. 224 pp / 6 x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4370-3 $50.00 (£33.99)<br />

Fathers and Sons in Shakespeare<br />

The Debt Never Promised<br />

Fred B. Tromly<br />

Some <strong>of</strong> Shakespeare’s most memorable male<br />

characters, such as Hamlet, Prince Hal, and Edgar,<br />

are defined by their relationships with their fathers.<br />

In Fathers and Sons in Shakespeare, Fred B. Tromly<br />

demonstrates that these relationships are far more<br />

complicated than most critics have assumed.<br />

Tromly’s introductory chapters draw on both<br />

Freudian psychology and Elizabethan family history<br />

to frame the issue <strong>of</strong> filial ambivalence in<br />

Shakespeare. The following analytical chapters<br />

mine the father-son relationships in plays that span<br />

Shakespeare’s entire career. The conclusion explores<br />

Shakespeare’s relationship with his own father and<br />

its effect on his fictional depictions <strong>of</strong> life as a son.<br />

Fred B. Tromly is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at Trent <strong>University</strong>.<br />

‘This is a fine, important addition to contemporary<br />

Shakespearean criticism.’<br />

Murray Schwartz, Emerson College<br />

400 pp / 6 x 9 / 2010<br />

Cloth 978-0-8020-9961-7 $65.00 (£45.99)<br />

Subject Stages<br />

Marriage, Theatre and the Law in Early Modern Spain<br />

María M. Carrión<br />

In early modern Spain, the strict definition <strong>of</strong><br />

marriage as the union <strong>of</strong> a man and a woman <strong>of</strong><br />

Catholic faith for the sole purpose <strong>of</strong> procreation<br />

became a key strategy in the production <strong>of</strong> Spain’s<br />

version <strong>of</strong> empire. However, theatre audiences in<br />

Spain saw different representations <strong>of</strong> marriage:<br />

women arguing in court against marital violence,<br />

queens and noblewomen delaying or refusing<br />

imposed marriages, and queer subjects articulating<br />

radical critiques <strong>of</strong> sex and gender policing.<br />

Subject Stages argues that the discourses and<br />

practices <strong>of</strong> marital legislation, litigation, and<br />

theatrics informed each other during this period in<br />

ways that still have a critical bearing on contemporary<br />

events in Spain.<br />

María M. Carrión is Pr<strong>of</strong>essor <strong>of</strong> Spanish, Religion,<br />

and Women’s Studies at Emory <strong>University</strong>.<br />

‘Carrión’s compelling examination <strong>of</strong> theatrical<br />

productions, canonical literary works, and other<br />

cultural texts, is an original and important analysis<br />

<strong>of</strong> the interrelation <strong>of</strong> law, theatre, and the<br />

institution <strong>of</strong> marriage.’<br />

Sherry Velasco, <strong>University</strong> <strong>of</strong> Southern California<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

240 pp / 9 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4108-2 $55.00 (£38.99)<br />

utppublishing.com 11


ERASMUS<br />

The Collected Works <strong>of</strong> Erasmus<br />

The aim <strong>of</strong> the Collected Works <strong>of</strong> Erasmus is to make available an accurate, readable English text <strong>of</strong> Desiderius Erasmus’ (d. 1536) principal<br />

writings. Erasmus was one <strong>of</strong> the leading architects <strong>of</strong> modern thought, whose influence over the intellectual life <strong>of</strong> his day was immense.<br />

The series, 89 volumes in length, was launched in 1968.<br />

‘Academic publishing does not get any better than this: durably bound, expertly annotated, beautifully translated editions <strong>of</strong> the works <strong>of</strong><br />

one <strong>of</strong> the finest scholars in the illustrious history <strong>of</strong> the Christian Church. English readers will long continue to be in the debt <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong> Press for its courage and foresight in undertaking the publication <strong>of</strong> the extensive Erasmian corpus.’<br />

Michael Bauman, Journal <strong>of</strong> the Evangelical Theological Society<br />

‘The Collected Works <strong>of</strong> Erasmus project has long since established a new standard for scholarly translation series to emulate. Not only<br />

have the English versions represented Erasmus’ writings in crisp and accessible language, but meticulous editorial scholarship has placed<br />

the author’s thought and work in their proper intellectual contexts.’<br />

Jerry H. Bentley, <strong>Renaissance</strong> Quarterly<br />

Complete List <strong>of</strong> Published Volumes<br />

(CWE 1): Letters 1-141<br />

Cloth 978-0-8020-1981-3 $117.00 (£81.99)<br />

(CWE 2): Letters 142-297<br />

Cloth 978-0-8020-1983-7 $101.00 (£70.99)<br />

(CWE 3): Letters 298-445<br />

Cloth 978-0-8020-2202-8 $101.00 (£70.99)<br />

(CWE 4): Letters 446-593<br />

Cloth 978-0-8020-5366-4 $101.00 (£70.99)<br />

(CWE 5): Letters 594-841<br />

Cloth 978-0-8020-5429-6 $101.00 (£70.99)<br />

(CWE 6): Letters 842-992<br />

Cloth 978-0-8020-5500-2 $101.00 (£70.99)<br />

(CWE 7): Letters 993-1121<br />

Cloth 978-0-8020-5607-8 $101.00 (£70.99)<br />

(CWE 8): Letters 1122-1251<br />

Cloth 978-0-8020-2607-1 $101.00 (£70.99)<br />

(CWE 9): Letters 1252-1355<br />

Cloth 978-0-8020-2604-0 $107.00 (£74.99)<br />

(CWE 10): Letters 1356-1534<br />

Cloth 978-0-8020-5976-5 $117.00 (£81.99)<br />

(CWE 11): Letters 1535-1657<br />

Cloth 978-0-8020-0536-6 $132.00 (£92.99)<br />

(CWE 12): Letters 1658-1801<br />

Cloth 978-0-8020-4831-8 $203.00 (£142.99)<br />

(CWE 13): Letters 1802-1925<br />

Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />

(CWE 14): Letters 1926-2081<br />

Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />

(CWE 23-24): Lit/Ed Writings 1,2<br />

Cloth 978-0-8020-5395-4 $130.00 (£90.99)<br />

(CWE 25-26): Lit/Ed Writings 3,4<br />

Cloth 978-0-8020-5521-7 $130.00 (£90.99)<br />

(CWE 27-28): Lit/Ed Writings 5,6<br />

Cloth 978-0-8020-5602-3 $130.00 (£90.99)<br />

(CWE 29): Lit/Ed Writings 7<br />

Cloth 978-0-8020-5818-8 $130.00 (£90.99)<br />

(CWE 31): Adages Ii1 - Iv100<br />

Cloth 978-0-8020-2373-5 $95.00 (£66.99)<br />

(CWE 32): Adages Ivi1 - Ix100<br />

Cloth 978-0-8020-2412-1 $95.00 (£66.99)<br />

(CWE 33): Adages IIi1 -IIvi100<br />

Cloth 978-0-8020-5954-3 $117.00 (£81.99)<br />

(CWE 34): Adages IIvii1-IIIiii100<br />

Cloth 978-0-8020-2831-0 $112.00 (£78.99)<br />

(CWE 35): Adages IIIiv1-IVii100<br />

Cloth 978-0-8020-3643-8 $172.00 (£120.99)<br />

(CWE 36): Adages Iviii1-Vii51<br />

Cloth 978-0-8020-8832-1 $172.00 (£120.99)<br />

(CWE 39-40): Colloquies<br />

Cloth 978-0-8020-5819-5 $375.00 (£262.99)<br />

(CWE 42): Paraphrases on Romans<br />

Cloth 978-0-8020-2510-4 $62.00 (£43.99)<br />

(CWE 43): Paraphrases on Epistles<br />

Cloth 978-0-8020-9296-0 $175.00 (£122.99)<br />

(CWE 44): Paraphrases on Letters<br />

Cloth 978-0-8020-0541-0 $143.00 (£100.99)<br />

(CWE 45): Paraphrases on Matthew<br />

Cloth 978-0-8020-9299-1 $129.00 (£90.99)<br />

(CWE 46): Paraphrases on John<br />

Cloth 978-0-8020-5859-1 $101.00 (£70.99)<br />

(CWE 48): Paraphrases on Luke<br />

Cloth 978-0-8020-3653-7 $149.00 (£104.99)<br />

(CWE 49): Paraphrases on Mark<br />

Cloth 978-0-8020-2631-6 $72.00 (£50.99)<br />

(CWE 50): New Testament Scholarship<br />

Cloth 978-0-8020-0664-6 $112.00 (£78.99)<br />

(CWE 56): Annotations On Romans<br />

Cloth 978-0-8020-2803-7 $130.00 (£90.99)<br />

(CWE 61): Patristic Scholarship<br />

Cloth 978-0-8020-2760-3 $101.00 (£70.99)<br />

(CWE 63): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-4308-5 $103.00 (£72.99)<br />

(CWE 64): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-3584-4 $172.00 (£120.99)<br />

(CWE 65): Expositions <strong>of</strong> the Psalms<br />

Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />

(CWE 66): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-2656-9 $95.00 (£66.99)<br />

(CWE 69): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-4382-5 $146.00 (£102.99)<br />

(CWE 70): Spiritualia and Pastoralia<br />

Cloth 978-0-8020-4309-2 $146.00 (£102.99)<br />

(CWE 71): Controversies<br />

Cloth 978-0-8020-2869-3 $101.00 (£70.99)<br />

(CWE 72): Controversies<br />

Cloth 978-0-8020-3836-4 $172.00 (£120.99)<br />

(CWE 76): Controversies<br />

Cloth 978-0-8020-4317-7 $146.00 (£102.99)<br />

(CWE 77): Controversies<br />

Cloth 978-0-8020-4756-4 $146.00 (£102.99)<br />

(CWE 78): Controversies<br />

Cloth 978-0-8020-9866-5 $165.00 (£115.99)<br />

(CWE 82): Controversies<br />

Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />

(CWE 83): Controversies<br />

Cloth 978-0-8020-4310-8 $112.00 (£78.99)<br />

(CWE 84): Controversies<br />

Cloth 978-0-8020-4397-9 $200.00 (£139.99)<br />

(CWE 85-86): Poems<br />

Cloth 978-0-8020-2867-9 $140.00 (£97.99)<br />

In Preparation<br />

Correspondence 16–22; Adages 30, Apophthegmata 37–38; New Testament Scholarship 41, 47, 51–55, 57–60; Patristic Scholarship 62;<br />

Spiritualia and Pastoralia 67–68; Controversies 73–75, 79–81<br />

12 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


ERASMUS<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 2082–2203<br />

NEW<br />

Edited by James M. Estes<br />

Translated by Alexander Dalzell<br />

This volume contains the surviving correspondence<br />

<strong>of</strong> Erasmus for the first seven months <strong>of</strong> 1529. For<br />

nearly eight years he had lived happily and<br />

productively in Basel. In the winter <strong>of</strong> 1528-9, however,<br />

the Swiss version <strong>of</strong> the Lutheran Reformation<br />

triumphed in the city, destroying the liberalreformist<br />

atmosphere Erasmus had found so<br />

congenial. Unwilling to live in a place where Catholic<br />

doctrine and practice were <strong>of</strong>ficially proscribed,<br />

Erasmus resettled in the quiet, reliably Catholic<br />

university town <strong>of</strong> Freiburg im Breisgau,<br />

Despite the turmoil <strong>of</strong> moving, Erasmus managed<br />

to complete the new Froben editions <strong>of</strong> Seneca and<br />

St Augustine, both monumental projects that had<br />

been underway for years. He also found time to<br />

engage in controversy with his conservative Catholic<br />

critics, as well as to write a long letter lamenting the<br />

execution for heresy <strong>of</strong> his friend Louis de Berquin<br />

at Paris.<br />

James M. Estes is pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Alexander Dalzell is pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> <strong>Classics</strong> at Trinity College, <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong>.<br />

(Collected Works <strong>of</strong> Erasmus 15)<br />

Approx. 528 pp / 6 ¾ x 9 ¾ / April <strong>2012</strong><br />

Cloth 978-1-4426-4203-4 $175.00 (£122.99)<br />

Controversies<br />

Clarifications Concerning the Censures Published in Paris<br />

in the Name <strong>of</strong> the Parisian Faculty <strong>of</strong> Theology<br />

NEW<br />

Edited and translated by Clarence H. Miller<br />

Introduction by Clarence H. Miller<br />

and James K. Farge<br />

Erasmus’ humanistic approach to theology and<br />

biblical exegesis presented a shocking challenge to<br />

the theologians at the <strong>University</strong> <strong>of</strong> Paris, which had<br />

been dominated by scholastic theology for centuries.<br />

Erasmus engaged in a decade-long controversy over<br />

his theological, exegetical, and ethical positions<br />

with the Theological Faculty, and especially with<br />

their director, Noël Béda.<br />

This volume – which translates this crucial quarrel<br />

from Latin for the first time – details the formal,<br />

wide-ranging attack on Erasmus’ theories printed<br />

by the faculty in 1531, along with his two replies.<br />

Erasmus published his first rebuttal in the spring <strong>of</strong><br />

1532, and that fall issued a second edition with substantial<br />

revisions and lengthy additions to his original<br />

text. With an extensive introduction and detailed<br />

commentary, this volume highlights the differences<br />

between the humanist and scholastic views <strong>of</strong> genuine<br />

theology more fully and extensively than most <strong>of</strong><br />

Erasmus’ other polemical works.<br />

Clarence H. Miller is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at St. Louis <strong>University</strong>. James<br />

K. Farge is a senior fellow and librarian at the<br />

Pontifical Institute <strong>of</strong> <strong>Medieval</strong> Studies at the<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

(Collected Works <strong>of</strong> Erasmus 82)<br />

Approx. 560 pp / 6 ¾ x 9 ¾ / May <strong>2012</strong><br />

Cloth 978-1-4426-4115-0 $175.00 (£122.99)<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 1802–1925<br />

Translated by Charles Fantazzi<br />

Annotated by James K. Farge<br />

The 129 letters in this volume <strong>of</strong> the Collected<br />

Works centre primarily on Erasmus’ continuing<br />

struggle with his Catholic critics, especially those in<br />

Spain and France, and on his growing criticism <strong>of</strong><br />

the Protestant reform movement. The correspondence<br />

from this period documents Erasmus attempts to<br />

justify his position and to win favour with powerful<br />

institutions, rulers, and other men <strong>of</strong> influence in<br />

both secular and religious spheres.<br />

Although the Spanish Inquisition’s investigation<br />

<strong>of</strong> his activities did not bring about charges against<br />

him, the Paris Faculty <strong>of</strong> Theology in December<br />

1527 formally condemned 112 propositions drawn<br />

from Erasmus’ works. The letters in this volume,<br />

written by and to Erasmus at a critical time in his<br />

career, represent his political views on a Europe torn<br />

apart by war and religious separatism, as well as his<br />

enduring commitment to principles <strong>of</strong> Christian<br />

humanism and scholarship.<br />

Charles Fantazzi is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Foreign Languages and Literatures at East<br />

Carolina <strong>University</strong> and a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> <strong>Classics</strong> at the <strong>University</strong> <strong>of</strong> Windsor.<br />

(Collected Works <strong>of</strong> Erasmus 13)<br />

624 pp / 19 illustrations / 6 ¾ x 9 ¾ / 2010<br />

Cloth 978-0-8020-9059-1 $175.00 (£122.99)<br />

utppublishing.com 13


ERASMUS<br />

NEW<br />

The Correspondence <strong>of</strong> Erasmus<br />

Letters 1926–2081<br />

Translated by Charles Fantazzi<br />

Annotated by James M. Estes<br />

The predominant theme <strong>of</strong> the letters <strong>of</strong> 1528 is<br />

Erasmus’ controversies with a variety <strong>of</strong> critics and<br />

opponents. The publication in March <strong>of</strong> the dialogue<br />

Ciceronianus, for example, provoked a huge uproar<br />

in France because it included an ironic jest that was<br />

considered insulting; more serious were the<br />

continuing efforts <strong>of</strong> conservative Catholics in<br />

France, Italy, and to prove not only that Erasmus was<br />

a secret Lutheran but also that humanist scholarship<br />

was the source <strong>of</strong> the Lutheran heresy.<br />

In response to these charges, Erasmus wrote<br />

letters and books in which he vigorously defended<br />

his orthodoxy and assiduously cultivated the support<br />

<strong>of</strong> his many admirers among the princes and prelates<br />

<strong>of</strong> Europe. The letters also record Erasmus’ growing<br />

anxiety over the progress <strong>of</strong> the Reformation in<br />

Basel, his diligent attention to his financial affairs,<br />

and his progress on the great editions <strong>of</strong> Augustine<br />

and Seneca that would be published in 1529.<br />

(Collected Works <strong>of</strong> Erasmus 14)<br />

624 pp / 25 illustrations / 6 ¾ x 9 ¾ / 2011<br />

Cloth 978-1-4426-4044-3 $175.00 (£122.99)<br />

Expositions <strong>of</strong> the Psalms<br />

Edited by Dominic Baker -Smith<br />

This third and final volume <strong>of</strong> the Expositions <strong>of</strong> the<br />

Psalms comprises Erasmus’ commentary on Psalms<br />

14, 38, and 83. Dating from the final years <strong>of</strong> Erasmus’<br />

life, the commentaries reflect his later thoughts on<br />

the great crisis facing western Christendom.<br />

These three expositions, written during the early<br />

1530s, address a number <strong>of</strong> contentious issues<br />

within the Church and attempt to reconcile the<br />

warring factions <strong>of</strong> the Reformation. Erasmus’<br />

characteristic emphasis on the inner experience <strong>of</strong><br />

faith, rather than rigid outward conformity to religious<br />

dogma, allowed him to be receptive to the insights<br />

<strong>of</strong> reform while refusing to compromise on the<br />

essentials <strong>of</strong> Christian doctrine. By stressing the<br />

subjective experience at the heart <strong>of</strong> spiritual practice,<br />

he sought to reduce the tension <strong>of</strong> institutional<br />

conflict. The volume includes the first published<br />

English translation <strong>of</strong> the exposition <strong>of</strong> Psalm 38<br />

and, since 1537, <strong>of</strong> Psalm 14.<br />

Dominic Baker-Smith is pr<strong>of</strong>essor emeritus <strong>of</strong><br />

English Literature at the <strong>University</strong> <strong>of</strong> Amsterdam.<br />

(Collected Works <strong>of</strong> Erasmus 65)<br />

352 pp / 3 illustrations / 6 ¾ x 9 ¾ / 2010<br />

Cloth 978-0-8020-9979-2 $110.00 (£76.99)<br />

NEW<br />

The Unfolding <strong>of</strong> Words<br />

Commentary in the Age <strong>of</strong> Erasmus<br />

Edited by Judith Rice Henderson<br />

Leading sixteenth-century scholars such as Martin<br />

Luther and Desiderius Erasmus used print technology<br />

to engage in dialogue and debate with authoritative<br />

contemporary texts. By what Juan Luis Vives termed<br />

‘the unfolding <strong>of</strong> words,’ these humanists gave old<br />

works new meanings in brief notes and extensive<br />

commentaries, full paraphrases, or translations. This<br />

critique challenged the Middle Ages deference to<br />

authors and authorship and resulted in some <strong>of</strong> the<br />

most original thought – and most violent controversy<br />

– <strong>of</strong> the <strong>Renaissance</strong> and Reformation.<br />

The Unfolding <strong>of</strong> Words brings together international<br />

scholarship to explore crucial changes in writers’<br />

interactions with religious and classical texts. This<br />

collection focuses particularly on commentaries by<br />

Erasmus, contextualizing his Annotations and<br />

Paraphrases on the New Testament against broader<br />

currents and works by such contemporaries as<br />

François Rabelais and Jodocus Badius. The Unfolding<br />

<strong>of</strong> Words tracks humanist explorations <strong>of</strong> the<br />

possibilities <strong>of</strong> the page that led to the modern<br />

dictionary, encyclopedia, and scholarly edition.<br />

Judith Rice Henderson is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English and is active in the Classical,<br />

<strong>Medieval</strong>, and <strong>Renaissance</strong> Studies Program at the<br />

<strong>University</strong> <strong>of</strong> Saskatchewan.<br />

(Erasmus Studies)<br />

Approx. 272 pp / 16 illustrations / 5 ¾ x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4337-6 $65.00 (£42.99)<br />

14 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


ERASMUS<br />

Erasmus in the Footsteps <strong>of</strong> Paul<br />

NEW<br />

Greta Grace Kroeker<br />

Erasmus’ religious beliefs continued to evolve in<br />

response to the theological debates <strong>of</strong> the Reformation.<br />

In 1524 he gave in to pressure to respond to<br />

Martin Luther’s position on free will, and by 1527 he<br />

had begun to develop a theology <strong>of</strong> grace remarkably<br />

similar to that <strong>of</strong> the key Protestant leaders.<br />

Evidence <strong>of</strong> Erasmus’ changing theological views<br />

can be found in his interpretations <strong>of</strong> Saint Paul’s<br />

teachings, particularly his Epistle to the Romans.<br />

Erasmus in the Footsteps <strong>of</strong> Paul is the first major<br />

study to investigate Erasmus’ Pauline theology in<br />

the context <strong>of</strong> the Reformation world. Greta Grace<br />

Kroeker shows that although Erasmus never left<br />

the Catholic Church, his struggles with the Reformation’s<br />

central issues were instrumental to his<br />

growth as a theologian.<br />

Greta Grace Kroeker is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Waterloo.<br />

‘[Kroeker’s] findings challenge our received notions<br />

<strong>of</strong> the boundaries and patterns <strong>of</strong> influence that<br />

were at work in Erasmus’ day and throw new light<br />

on Erasmus himself as well as on the history <strong>of</strong> what<br />

we know as “the Reformation.”’<br />

James M. Estes, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />

(Erasmus Studies)<br />

256 pp / 5 ¾ x 9 / 2011<br />

Cloth 978-0-8020-9266-3 $60.00 (£41.99)<br />

Erasmus and Voltaire<br />

Why They Still Matter<br />

Ricardo J. Quinones<br />

Erasmus and Voltaire have maintained a permanent<br />

hold on our interest by virtue <strong>of</strong> the singular roles<br />

each played at turning points in the development <strong>of</strong><br />

Western culture. Yet until now, there has not been a<br />

full-length study to discuss these two pre-eminent<br />

figures together in terms <strong>of</strong> their careers, their works,<br />

and their historic afterlives.<br />

In Erasmus and Voltaire, Ricardo J. Quinones<br />

demonstrates how both writers were forces for<br />

change in their time and why they rank among the<br />

masters <strong>of</strong> modern liberalism. Drawing attention to<br />

the continuities between the <strong>Renaissance</strong> and the<br />

Enlightenment, Quinones characterizes Erasmus<br />

and Voltaire as voices <strong>of</strong> moderation and reason<br />

that remain capable <strong>of</strong> addressing the philosophical<br />

crises <strong>of</strong> today.<br />

Ricardo J. Quinones is a pr<strong>of</strong>essor emeritus in the<br />

Department <strong>of</strong> English at Claremont McKenna College.<br />

‘Quinones’s book is a superb piece <strong>of</strong> work that will<br />

appeal not only to scholars but also to the learned<br />

general reader.’<br />

Erika Rummel, <strong>Renaissance</strong> Quarterly<br />

(Erasmus Studies)<br />

240 pp / 5 ¾ x 9 / 2010<br />

Cloth 978-1-4426-4054-2 $55.00 (£38.99)<br />

Contemporaries <strong>of</strong> Erasmus<br />

A Biographical Register <strong>of</strong> the <strong>Renaissance</strong> and Reformation<br />

Edited by Peter G. Bietenholz and<br />

Thomas B. Deutscher<br />

Contemporaries <strong>of</strong> Erasmus is a general dictionary<br />

<strong>of</strong> humanists containing 1900 biographies from the<br />

period roughly between 1450 and 1550. Differing<br />

substantially from the national biographical dictionaries<br />

that restrict themselves to major figures,<br />

Contemporaries <strong>of</strong> Erasmus combines the famous<br />

with the obscure – popes and politicians, artists and<br />

poets, knights and theologians. Well-known figures<br />

include Martin Luther, King Henry VIII, Machiavelli,<br />

Popes Nicholas V and Paul IV, and Emperor Charles V.<br />

Dipping into the pages <strong>of</strong> this fully illustrated<br />

volume will intrigue and delight the casual reader,<br />

but the combined volume will also be an indispensible<br />

tool for those who wish to relate Erasmus to other<br />

people in the history <strong>of</strong> the <strong>Renaissance</strong> and the<br />

Reformation.<br />

‘Erasmus himself would have thoroughly enjoyed it.’<br />

Alastair Hamilton, Times Literary Supplement<br />

Volume 1 (A–E): 480 pp / 6 ¾ x 9 ¾ / 1985<br />

Cloth 978-0-8020-2507-4 $117.00 (£81.99)<br />

Volume 2 (F–M): 488 pp / 6 ¾ x 9 ¾ / 1985<br />

Cloth 978-0-8020-2571-5 $117.00 (£81.99)<br />

Volume 3 (N–Z): 503 pp / 6 ¾ x 9 ¾ / 1986<br />

Cloth 978-0-8020-2575-3 $117.00 (£81.99)<br />

Three volume set (A–Z): 1475 pp / 6 ¾ x 9 ¾ / 2003<br />

Cloth 978-0-8020-2648-4 $317.00 (£221.99)<br />

Paper 978-0-8020-8577-1 $114.00 (£79.99)<br />

utppublishing.com 15


HISTORY<br />

NEW<br />

Marsilius <strong>of</strong> Padua at the Intersection <strong>of</strong> Ancient<br />

and <strong>Medieval</strong> Traditions <strong>of</strong> Political Thought<br />

Vasileios Syros<br />

This book focuses on the reception and transmission<br />

<strong>of</strong> classical political ideas in the thought <strong>of</strong> fourteenthcentury<br />

Italian scholar Marsilius <strong>of</strong> Padua. Vasileios<br />

Syros investigates many facets <strong>of</strong> Marsilius’ work,<br />

including his use <strong>of</strong> efficient cause in his discussion<br />

<strong>of</strong> political phenomena, and the causes <strong>of</strong> civil strife<br />

in the Italian city-states <strong>of</strong> his day.<br />

Syros demonstrates that Marsilius was committed<br />

to the idea <strong>of</strong> a sharp demarcation between ethics<br />

and politics, thereby foreshadowing the writings <strong>of</strong><br />

Machiavelli and a number <strong>of</strong> other early modern<br />

writers. He also elucidates Marsilius’ use <strong>of</strong> examples<br />

from Greek mythology in his work on the emergence<br />

and political dimension <strong>of</strong> pagan religions. Finally,<br />

this study highlights linkages between Marsilius’<br />

thought and the ideas <strong>of</strong> his medieval Muslim and<br />

Jewish predecessors and contemporaries.<br />

Vasileios Syros is a docent in the Centre <strong>of</strong> Excellence<br />

in Political Thought and Conceptual Change at the Academy<br />

<strong>of</strong> Finland and the <strong>University</strong> <strong>of</strong> Helsinki.<br />

Approx. 304 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4144-0 $65.00 (£45.99)<br />

NEW<br />

The Christ Child in <strong>Medieval</strong> Culture<br />

Alpha es et O!<br />

Edited by Mary Dzon and Theresa M. Kenney<br />

The cult <strong>of</strong> the Christ Child flourished in late medieval<br />

Europe across lay and religious, as well as geographic<br />

and cultural boundaries. Depictions <strong>of</strong> Christ’s boyhood<br />

are found throughout popular culture, visual<br />

art, and literature. The Christ Child in <strong>Medieval</strong> Culture<br />

is the first interdisciplinary investigation <strong>of</strong> how<br />

representations <strong>of</strong> the Christ Child were conceptualized<br />

and employed in this period.<br />

The contributors to this unique volume analyse<br />

depictions <strong>of</strong> the Christ Child through a variety <strong>of</strong><br />

frameworks, including the interplay <strong>of</strong> mortality<br />

and divinity, the medieval conceit <strong>of</strong> a suffering<br />

Christ Child, and the interrelationships between<br />

Christ and other figures, including saints and ordinary<br />

children. The Christ Child in <strong>Medieval</strong> Culture synthesizes<br />

various approaches to interpreting the cultural<br />

meaning <strong>of</strong> medieval religious imagery and illuminates<br />

the significance <strong>of</strong> its most central figure.<br />

Mary Dzon is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Tennessee. Theresa<br />

M. Kenney is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Dallas.<br />

Approx. 360 pp / 47 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9894-8 $80.00 (£50.99)<br />

The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Italy<br />

Edited by Lawrin Armstrong and Julius Kirshner<br />

Foreword by Lauro Martines<br />

The Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />

Italy features original contributions by international<br />

scholars on the fortieth anniversary <strong>of</strong> the publication<br />

<strong>of</strong> Lauro Martines’s Lawyers and Statecraft in <strong>Renaissance</strong><br />

Florence, which is recognized as a groundbreaking<br />

study challenging traditional approaches to both<br />

Florentine and legal history.<br />

Essays by leading historians examine the pr<strong>of</strong>essional,<br />

social, and political functions <strong>of</strong> Italian jurists from<br />

the thirteenth to the late fifteenth centuries. The<br />

volume also examines the use <strong>of</strong> emergency powers,<br />

the critical role played by jurists in mediating the<br />

rule <strong>of</strong> law, and the adjudication <strong>of</strong> political crimes.<br />

Lawrin Armstrong is an associate pr<strong>of</strong>essor in the<br />

Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Julius Kirshner is a pr<strong>of</strong>essor emeritus in the Department<br />

<strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Chicago.<br />

‘Scholars <strong>of</strong> legal history will be grateful for The<br />

Politics <strong>of</strong> Law in Late <strong>Medieval</strong> and <strong>Renaissance</strong><br />

Italy, a fitting introductory volume to the <strong>Toronto</strong><br />

Studies in <strong>Medieval</strong> Law series.’<br />

William J. Connell, Seton Hall <strong>University</strong><br />

(<strong>Toronto</strong> Studies in <strong>Medieval</strong> Law)<br />

240 pp / 1 illustration / 6 x 9 / 2011<br />

Cloth 978-1-4426-4075-7 $55.00 (£38.99)<br />

16 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


HISTORY<br />

The Body Legal in Barbarian Law<br />

Lisi Oliver<br />

The sixth to ninth centuries saw a flowering <strong>of</strong> written<br />

laws among the early Germanic tribes. These laws<br />

include tables <strong>of</strong> fines for personal injury, designed<br />

to <strong>of</strong>fer a legal, non-violent alternative to blood<br />

feud. Using these personal injury tariffs, The Body<br />

Legal in Barbarian Law examines a variety <strong>of</strong> issues,<br />

including the interrelationships between victims,<br />

perpetrators, and their families; the causes and results<br />

<strong>of</strong> wounds inflicted in daily life; and the processes <strong>of</strong><br />

individual redress and public litigation.<br />

Lisi Oliver has produced a remarkable study that<br />

sheds new light on early Germanic conceptions <strong>of</strong><br />

the body in terms <strong>of</strong> medical value, physiological<br />

function, psychological worth, and social significance.<br />

Lisi Oliver is Greater Houston Alumni Chapter<br />

Endowed Alumni Pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at Louisiana State <strong>University</strong>.<br />

‘A fascinating book, Lisi Oliver’s The Body Legal in<br />

Barbarian Law is a true labour <strong>of</strong> love by an<br />

unabashed and impassioned expert in the field.’<br />

Andy Orchard, <strong>University</strong> <strong>of</strong> <strong>Toronto</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

320 pp / 43 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9706-4 $65.00 (£45.99)<br />

Punishment and Penance<br />

Two Phases in the History <strong>of</strong> the Bishop’s Tribunal <strong>of</strong> Novara<br />

NEW<br />

PUNISHMENT AND PENANCE<br />

TWO PHASES IN THE HISTORY OF THE BISHOP’S TRIBUNAL OF NOVARA<br />

Thomas B. Deutscher<br />

Punishment and Penance provides the first comprehensive<br />

study <strong>of</strong> an Italian bishop’s tribunal in<br />

criminal matters, such as violence, forbidden sexual<br />

activity, and <strong>of</strong>fenses against the faith. Through<br />

numerous case studies, Thomas B. Deutscher<br />

investigates the scope and effectiveness <strong>of</strong> the early<br />

modern ecclesiastical legal system.<br />

Deutscher examines the records <strong>of</strong> the bishop’s<br />

tribunal <strong>of</strong> the northern Italian diocese <strong>of</strong> Novara<br />

during two distinct periods: the ambitious decades<br />

following the Council <strong>of</strong> Trent (1563–1615), and the<br />

half-century leading up to the French invasions <strong>of</strong><br />

1790s. As the state’s power continued to rise during<br />

this second time span, the Church was <strong>of</strong>ten humbled<br />

and the tribunal’s activity was much reduced. Enriched<br />

by stories drawn from the files, which <strong>of</strong>ten<br />

allowed the accused to speak in their own voices,<br />

Punishment and Penance provides a window into<br />

the workings <strong>of</strong> a tribunal in this period.<br />

Thomas B. Deutscher is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> History at St Thomas More College, <strong>University</strong> <strong>of</strong><br />

Saskatchewan.<br />

(<strong>Toronto</strong> Italian Studies)<br />

Approx. 272 pp / 1 illustration / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4442-7 $60.00 (£40.99)<br />

THOMAS B. DEUTSCHER<br />

Rituals <strong>of</strong> Prosecution<br />

The Roman Inquisition and the Prosecution <strong>of</strong><br />

Philo-Protestants in Sixteenth-Century Italy<br />

NEW<br />

Jane K. Wickersham<br />

During the Counter-Reformation, inquisition manual<br />

authors working in Italian lands adapted the Catholic<br />

Church’s traditional tactics <strong>of</strong> inquisitorial procedure,<br />

which had been formulated in the medieval period,<br />

to the prosecution <strong>of</strong> philo-Protestants. Through a<br />

comparison <strong>of</strong> the texts <strong>of</strong> four such authors to contemporary<br />

inquisition processes, Jane K. Wickersham<br />

situates the Roman inquisition’s prosecution <strong>of</strong> philo-<br />

Protestants within the larger framework <strong>of</strong> the complex<br />

religious upheavals <strong>of</strong> the sixteenth century.<br />

Identifying the critical role played by ritual practice<br />

in discovering and prosecuting heretical subjects,<br />

Wickersham uncovers two core reasons for its use:<br />

first, as a practical means <strong>of</strong> prosecuting a variety <strong>of</strong><br />

philo-Protestant beliefs, and second, as an approach<br />

firmly grounded within the Catholic Church’s history<br />

<strong>of</strong> prosecuting heresy. Finally, Rituals <strong>of</strong> Prosecution<br />

provides an in-depth examination <strong>of</strong> the inquisitorial<br />

processes <strong>of</strong> urban residents from humble socioeconomic<br />

backgrounds, providing new insight into<br />

how the prosecution <strong>of</strong> ordinary people was conducted<br />

in the early modern era.<br />

Jane K. Wickersham is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong> Oklahoma.<br />

(<strong>Toronto</strong> Italian Studies)<br />

Approx. 384 pp / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4500-4 $80.00 (£55.99)<br />

THE ROMAN INqUISITION ANd THE PROSECUTION OF<br />

PHILO-PROTESTANTS IN SIxTEENTH-CENTURy ITALy<br />

JANE K. WICKERSHAM<br />

utppublishing.com 17


HISTORY<br />

NEW<br />

The Mystical Science <strong>of</strong> the Soul<br />

<strong>Medieval</strong> Cognition in Bernardino de Laredo’s Recollection Method<br />

Jessica A. Boon<br />

The Mystical Science <strong>of</strong> the Soul explores the unexamined<br />

influence <strong>of</strong> medieval discourses <strong>of</strong> science and<br />

spiritua lity on recogimiento, the unique Spanish genre<br />

<strong>of</strong> recollection mysticism that served as the driving<br />

force behind the principal developments in Golden<br />

Age mysticism. Building on recent research in medieval<br />

optics, physiology, and memory in relation to the devotional<br />

practices <strong>of</strong> the late Middle Ages, Jessica A.<br />

Boon probes the implications <strong>of</strong> an ‘embodied soul’<br />

for the intellectual history <strong>of</strong> Spanish mysticism.<br />

Boon proposes a fundamental rereading <strong>of</strong> the<br />

key recogimiento text Subida del Monte Sión<br />

(1535/1538), which melds the traditionally distinct<br />

spiritual techniques <strong>of</strong> moral self-examination, Passion<br />

meditation, and negative theology into one cognitively<br />

adept path towards mystical union. She is also the<br />

first English-language scholar to treat the author <strong>of</strong><br />

this influential work – the <strong>Renaissance</strong> physician<br />

Bernardino de Laredo, a pivotal figure in the transition<br />

from medieval to early modern spirituality on the<br />

Iberian peninsula and a source for Teresa <strong>of</strong> Avila’s<br />

mystical language.<br />

Jessica A. Boon is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Religious Studies at the <strong>University</strong> <strong>of</strong> North<br />

Carolina at Chapel Hill.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 320 pp / 7 illustrations / 6 x 9 / July <strong>2012</strong><br />

Cloth 978-1-4426-4428-1 $65.00 (£45.99)<br />

NEW<br />

Redrawing the Map <strong>of</strong> Early Modern<br />

English Catholicism<br />

Edited by Lowell Gallagher<br />

The tumultuous climate <strong>of</strong> early modern England<br />

had a pr<strong>of</strong>ound effect on its Catholic population’s<br />

domestic life, social customs, literary inventions,<br />

and political arguments. Redrawing the Map <strong>of</strong><br />

Early Modern English Catholicism explores the broad<br />

spectrum <strong>of</strong> the early modern English Catholic<br />

experience, presenting fresh and <strong>of</strong>ten startling<br />

assessments <strong>of</strong> the most problematic topics in post-<br />

Reformation English Catholicism.<br />

The contributors to this volume – all leading and<br />

rising scholars <strong>of</strong> early modern studies – conceptualize<br />

English Catholicism as a hazardous series <strong>of</strong> contested<br />

territories divided by shifting boundaries, requiring<br />

Catholics to navigate with vigilance and diplomacy<br />

their status as ‘insiders’ or ‘outsiders.’ This collection<br />

also presents new ways to understand the connections<br />

between reformist and Catholic inflections in the<br />

emerging canon <strong>of</strong> English poetry, despite the<br />

eventual marginalization <strong>of</strong> Catholic poets in English<br />

literary history.<br />

Lowell Gallagher is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />

Los Angeles.<br />

(UCLA Clark Library Series 17)<br />

Approx. 360 pp / 7 illustrations / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4312-3 $75.00 (£48.00)<br />

The Calling <strong>of</strong> the Nations<br />

Exegesis, Ethnography, and Empire in a Biblical-Historic Present<br />

Edited by Mark Vessey, Sharon V. Betcher,<br />

Robert A. Daum, and Harry O. Maier<br />

Interweaving elements <strong>of</strong> history, theology, literary<br />

criticism, and cultural theory, the essays in this volume<br />

discuss the ways in which biblical understandings<br />

have shaped Western – and particularly European<br />

and North American – assumptions about the nature<br />

and meaning <strong>of</strong> the nation. This collection moves<br />

from the earliest Pauline and rabbinic exegesis<br />

through Christian imperial and missionary narratives<br />

<strong>of</strong> the late Roman, medieval, and early modern periods<br />

to the entangled identity politics <strong>of</strong> ‘mainstream’<br />

nineteenth- and twentieth-century North America.<br />

Mark Vessey is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English and Canada Research Chair in Literature /<br />

Christianity and Culture at the <strong>University</strong> <strong>of</strong> British<br />

Columbia. Sharon V. Betcher is an associate pr<strong>of</strong>essor<br />

<strong>of</strong> Theology at Vancouver School <strong>of</strong> Theology. Robert<br />

A. Daum is an associate pr<strong>of</strong>essor <strong>of</strong> Rabbinic<br />

Literature and Jewish Thought and Director <strong>of</strong> Iona<br />

Pacific Inter-Religious Centre at Vancouver School<br />

<strong>of</strong> Theology. Harry O. Maier is a pr<strong>of</strong>essor <strong>of</strong> New<br />

Testament and Early Christian Studies at Vancouver<br />

School <strong>of</strong> Theology.<br />

‘No other volume provides such a wide range <strong>of</strong><br />

perspectives on post-colonial readings <strong>of</strong> the Bible,<br />

nor a self-critical reflection on the method itself.’<br />

Richard Ascough, Queen’s <strong>University</strong><br />

(Green College Thematic Lecture Series)<br />

384 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9241-0 $75.00 (£52.99)<br />

18 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


HISTORY<br />

Cataloguing Discrepancies<br />

The Printed York Breviary <strong>of</strong> 1493<br />

NEW<br />

Andrew Hughes in collaboration with<br />

Matthew Cheung Salisbury and Heather Robbins<br />

Cataloguing Discrepancies reviews the description<br />

and cataloguing, from the early eighteenth century<br />

to the present day, <strong>of</strong> an early English Breviary,<br />

printed in 1493. With a critical eye, Andrew Hughes<br />

summarizes the work that has been done on this<br />

liturgical book.<br />

Based on the discrepancies and errors in the existing<br />

catalogues <strong>of</strong> medieval liturgical books, many <strong>of</strong><br />

which repeat erroneous information for generations,<br />

the authors illustrate the defects, problems, and<br />

opportunities encountered when technologies <strong>of</strong> the<br />

fifteenth and the twenty-first centuries converge.<br />

Andrew Hughes is <strong>University</strong> Pr<strong>of</strong>essor Emeritus in<br />

the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong> <strong>of</strong><br />

<strong>Toronto</strong>.<br />

‘A remarkable work, covering an impressive range<br />

<strong>of</strong> scholarship old and new on the York Breviary.<br />

The authors set forth a new codicological ground<br />

for this liturgical book’s 1493 edition, with broad<br />

implications for the study <strong>of</strong> incunabula that are<br />

both exciting and pertinent.’<br />

Graeme M. Boone, The Ohio State <strong>University</strong><br />

244 pp / 46 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4197-6 $55.00 (£38.99)<br />

A <strong>Renaissance</strong> Education<br />

Schooling in Bergamo 1500–1650<br />

Christopher Carlsmith<br />

Deeply rooted in archival sources, Christopher<br />

Carlsmith’s A <strong>Renaissance</strong> Education uses a case<br />

study approach to examine educational practices<br />

in the north-eastern Italian city <strong>of</strong> Bergamo from<br />

1500 to 1650.<br />

His close analysis <strong>of</strong> civic, ecclesiastical, confraternal,<br />

and family records not only paints a vivid portrait <strong>of</strong><br />

how schooling functioned in one city but also explores<br />

this small city’s dynamic interconnections with other<br />

locales and with larger regional processes.<br />

Christopher Carlsmith is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> History at the <strong>University</strong> <strong>of</strong><br />

Massachusetts-Lowell.<br />

‘No scholar <strong>of</strong> <strong>Renaissance</strong> and Catholic Reformation<br />

education can afford to miss this important work.’<br />

Paul F. Grendler, Quaderni D’Italianistica<br />

416 pp / 10 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9254-0 $75.00 (£52.99)<br />

The Matter <strong>of</strong> Mind<br />

Reason and Experience in the Age <strong>of</strong> Descartes<br />

NEW<br />

Christopher Braider<br />

What influence did René Descartes’ concept <strong>of</strong> mindbody<br />

dualism have on early modern conceptions<br />

<strong>of</strong> the self In The Matter <strong>of</strong> Mind, Christopher Braider<br />

challenges the presumed centrality <strong>of</strong> Descartes’<br />

groundbreaking theory to seventeenth-century<br />

French culture. He details the broad opposition to<br />

rational self-government among Descartes’ contemporaries,<br />

and attributes conventional links between<br />

Descartes and the myth <strong>of</strong> the ‘modern subject’ to<br />

post-structuralist assessments.<br />

Forceful and provocative, The Matter <strong>of</strong> Mind will<br />

encourage lively debate on the norms and discourses<br />

<strong>of</strong> seventeenth-century philosophy.<br />

Christopher Braider is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Colorado at<br />

Boulder.<br />

‘The Matter <strong>of</strong> Mind will immediately become essential<br />

reading among specialists <strong>of</strong> French early modern<br />

literature and an important book for all those<br />

interested in early modern history, cognitive and<br />

aesthetic philosophy, and art history.’<br />

Larry Norman, <strong>University</strong> <strong>of</strong> Chicago<br />

Approx. 296 pp / 18 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4348-2 $75.00 (£48.00)<br />

utppublishing.com 19


LITERATURE<br />

NEW<br />

Land and Book<br />

Literature and Land Tenure in Anglo-Saxon England<br />

TORONTO ANGLO-SAXON SERIES<br />

Scott T. Smith<br />

In this original and innovative study, Scott T. Smith<br />

traces the intersections between land tenure and<br />

literature in Anglo-Saxon England. Smith aptly<br />

demonstrates that as land became property through<br />

the operations <strong>of</strong> writing, it came to assume a complex<br />

range <strong>of</strong> conceptual values that Anglo-Saxons could<br />

use to engage a number <strong>of</strong> vital cultural concerns<br />

beyond just the legal and practical – such as political<br />

dominion, salvation, sanctity, status, and social and<br />

spiritual obligations.<br />

Land and Book places a variety <strong>of</strong> texts – including<br />

charters, dispute records, heroic poetry, homilies,<br />

and the Anglo-Saxon Chronicle – in a dynamic<br />

conversation with the procedures and documents<br />

<strong>of</strong> land tenure, showing how its social practice led<br />

to innovation across written genres in both Latin<br />

and Old English. Through this, Smith provides an<br />

interdisciplinary synthesis <strong>of</strong> literary, legal, and<br />

historical interests.<br />

Scott T. Smith is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at Pennsylvania State<br />

<strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 288 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4486-1 $65.00 (£45.99)<br />

NEW<br />

Traditional Subjectivities<br />

The Old English Poetics <strong>of</strong> Mentality<br />

Britt Mize<br />

Why is Old English poetry so preoccupied with<br />

mental actions and perspectives, giving readers<br />

access to minds <strong>of</strong> antagonists as freely as to those<br />

<strong>of</strong> protagonists Why are characters sometimes<br />

called into being for no apparent reason other than<br />

to embody a psychological state Britt Mize provides<br />

the first systematic investigation into these salient<br />

questions in Traditional Subjectivities.<br />

Through close analysis <strong>of</strong> vernacular poems<br />

alongside the most informative analogues in Latin,<br />

Old English prose, and Old Saxon, this work<br />

establishes an evidence-based foundation for new<br />

thinking about the nature <strong>of</strong> Old English poetic<br />

composition, including the ‘poetics <strong>of</strong> mentality’<br />

that it exhibits. Mize synthesizes two previously disconnected<br />

bodies <strong>of</strong> theory – the oral-traditional<br />

theory <strong>of</strong> poetic composition, and current linguistic<br />

work on conventional language – to advance our<br />

understanding <strong>of</strong> how traditional phraseology<br />

makes meaning, as well as illuminate the political<br />

and social dimensions <strong>of</strong> surviving texts, through<br />

attention to Old English poets’ impulse to explore<br />

subjective perspectives.<br />

Britt Mize is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Texas A&M <strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 312 pp / 6 x 9 / November <strong>2012</strong><br />

Cloth 978-1-4426-4468-7 $90.00 (£62.99)<br />

NEW<br />

Stealing Obedience<br />

Narratives <strong>of</strong> Agency and Identity in Later Anglo-Saxon England<br />

Katherine O’Brien O’Keeffe<br />

Narratives <strong>of</strong> monastic life in Anglo-Saxon England<br />

depict individuals as responsible agents in the<br />

assumption and performance <strong>of</strong> religious identities.<br />

To modern eyes, however, many <strong>of</strong> the ‘choices’<br />

they make would actually appear to be compulsory.<br />

Stealing Obedience explores how a Christian notion<br />

<strong>of</strong> agent action – where freedom incurs responsibility<br />

– was a component <strong>of</strong> identity in the last hundred<br />

years <strong>of</strong> Anglo-Saxon England, and investigates<br />

where agency (in the modern sense) might be<br />

sought in these narratives.<br />

Katherine O’Brien O’Keeffe looks at Benedictine<br />

monasticism through the writings <strong>of</strong> Ælfric, Anselm,<br />

Osbern <strong>of</strong> Canterbury, and Goscelin <strong>of</strong> Saint-Bertin,<br />

as well as liturgy, canon and civil law, chronicle,<br />

dialogue, and hagiography, to analyse the practice<br />

<strong>of</strong> obedience in the monastic context. Stealing<br />

Obedience brings a highly original approach to the<br />

study <strong>of</strong> Anglo-Saxon narratives <strong>of</strong> obedience in the<br />

adoption <strong>of</strong> religious identity.<br />

Katherine O’Brien O’Keeffe is a pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the director <strong>of</strong> the<br />

<strong>Medieval</strong> Studies Program at the <strong>University</strong> <strong>of</strong><br />

California, Berkeley.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 296 pp / 1 illustration / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9707-1 $60.00 (£41.99)<br />

20 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Old English Literature and the Old Testament<br />

NEW<br />

Edited by Michael Fox and Manish Sharma<br />

It would be difficult to overestimate the importance<br />

<strong>of</strong> the Bible in the medieval world. For the Anglo-<br />

Saxons, literary culture emerged from sustained<br />

and intensive biblical study. Though the Old<br />

Testament was only partially translated into Old<br />

English, recent studies have shown how completely<br />

interconnected the Anglo-Latin and Old English<br />

literary traditions are.<br />

Old English Literature and the Old Testament<br />

considers the importance <strong>of</strong> the Old Testament<br />

from a variety <strong>of</strong> disciplinary perspectives, from<br />

comparative to intertextual and historical. Though<br />

the essays focus on individual works, authors, or<br />

trends, including the Interrogationes Sigewulfi,<br />

Genesis A, and Daniel, each ultimately speaks to the<br />

vernacular corpus as a whole, suggesting approaches<br />

and methodologies for further study.<br />

Michael Fox is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Alberta. Manish<br />

Sharma is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Concordia <strong>University</strong>.<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

Approx. 400 pp / 3 illustrations / 6 x 9 / February <strong>2012</strong><br />

Cloth 978-0-8020-9854-2 $80.00 (£50.00)<br />

Anglo-Saxon Psychologies in the Vernacular<br />

and Latin Traditions<br />

Leslie Lockett<br />

Old English verse and prose depict the human mind<br />

as a corporeal entity located in the chest cavity,<br />

susceptible to spatial and thermal changes corresponding<br />

to psychological states. While readers<br />

usually assume the metaphorical nature <strong>of</strong> such<br />

literary images, Leslie Lockett argues in this book that<br />

these depictions usually served as literal representations<br />

<strong>of</strong> Anglo-Saxon folk psychology. Lockett<br />

demonstrates that the Platonist-Christian theory <strong>of</strong><br />

the incorporeal mind was known to very few Anglo-<br />

Saxons throughout most <strong>of</strong> the period, while the<br />

concept <strong>of</strong> the mind-in-the-heart remained widespread.<br />

Leslie Lockett is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at The Ohio State <strong>University</strong>.<br />

‘Sure to become a standard work in the field, Anglo-<br />

Saxon Psychologies in the Vernacular and Latin<br />

Traditions is one <strong>of</strong> the most original and learned<br />

discussions <strong>of</strong> Anglo-Saxon literature <strong>of</strong> the past<br />

generation.’<br />

Michael Lapidge, Cambridge <strong>University</strong><br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

472 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4217-1 $85.00 (£59.99)<br />

On the Aesthetics <strong>of</strong> Beowulf<br />

and Other Old English Poems<br />

Edited by John M. Hill<br />

While there is an apparent consensus by scholars on<br />

a core <strong>of</strong> poems considered to be exceptional<br />

literary achievements – Beowulf, Judith, the Vercelli<br />

book – there has been little systematic investigation<br />

<strong>of</strong> the basis for these appraisals. With new essays<br />

on rhetoric, wordplay, metre, structure, irony, form,<br />

psychology, ethos, and reader response, this volume<br />

significantly advances our understanding not only<br />

<strong>of</strong> aesthetics and Old English poetry, but also <strong>of</strong> Old<br />

English attitudes towards literature as an art form.<br />

John M. Hill is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the U.S. Naval Academy.<br />

‘Drawing on a diverse range <strong>of</strong> theoretical and<br />

methodological approaches reflecting current<br />

trends in North American Old English scholarship,<br />

[this volume] raises important questions about<br />

authorship, provenance and poetic technique.’<br />

Francis Leneghan, The Review <strong>of</strong> English Studies<br />

320 pp / 7 figures; 5 tables / 6 x 9 / 2010<br />

Cloth 978-0-8020-9944-0 $65.00 (£45.99)<br />

utppublishing.com 21


LITERATURE<br />

NEW<br />

Myths, Legends, and Heroes<br />

Essays on Old Norse and Old English Literature<br />

OLD NORSE, OLD ICELANDIC, AND OLD ENGLISH<br />

Edited by Daniel Anlezark<br />

In Myths, Legends, and Heroes, editor Daniel Anlezark<br />

has brought together scholars <strong>of</strong> Old Norse-Icelandic<br />

and Old English literature to explore the translation<br />

and transmission <strong>of</strong> Norse myth, the use <strong>of</strong> literature<br />

in society and authorial self-reflection, the place <strong>of</strong><br />

myth in the expression <strong>of</strong> family relationships, and<br />

recurrent motifs in Northern literature.<br />

The essays in Myths, Legends, and Heroes <strong>of</strong>fer<br />

new insights in light <strong>of</strong> linguistic and archaeological<br />

evidence and a broad range <strong>of</strong> study with regard to<br />

both chronology and methodology.<br />

Daniel Anlezark is a senior lecturer in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Sydney.<br />

‘Scholars will find much to admire in this stimulating,<br />

highly original collection.’<br />

Kirsten Wolf, <strong>University</strong> <strong>of</strong> Wisconsin-Madison<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

312 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-0-8020-9947-1 $65.00 (£45.99)<br />

Klaeber’s Beowulf, Fourth Edition<br />

Edited by R.D. Fulk, Robert E. Bjork,<br />

and John D. Niles<br />

Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-<br />

Saxonists Best Edition Award<br />

Frederick Klaeber’s Beowulf has long been the standard<br />

edition for study by students and advanced scholars<br />

alike thanks to its wide-ranging coverage <strong>of</strong> scholarship,<br />

its comprehensive philological aids, and its<br />

exceptionally thorough notes and glossary.<br />

The fourth edition features a revised Introduction<br />

and Commentary detailing the vast store <strong>of</strong> scholarship<br />

on Beowulf that has appeared since 1950, and<br />

the lightly revised text incorporates the best textual<br />

criticism <strong>of</strong> the intervening years. Aids to pronunciation<br />

have been added to the text, and advances<br />

in the study <strong>of</strong> the poem’s language are addressed<br />

throughout.<br />

R.D. Fulk is Class <strong>of</strong> 1964 Chancellor’s Pr<strong>of</strong>essor<br />

<strong>of</strong> English at Indiana <strong>University</strong>. Robert E. Bjork<br />

is Pr<strong>of</strong>essor <strong>of</strong> English and director <strong>of</strong> the Arizona<br />

Center for <strong>Medieval</strong> and <strong>Renaissance</strong> Studies at Arizona<br />

State <strong>University</strong>. John D. Niles is Frederic G.<br />

Cassidy Pr<strong>of</strong>essor <strong>of</strong> Humanities in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Wisconsin-Madison.<br />

‘Every Beowulf scholar will want to have a copy <strong>of</strong> the<br />

new Klaeber at hand, so convenient are the superb<br />

summaries <strong>of</strong> scholarship throughout the book.’<br />

Fred C. Robinson, Speculum<br />

‘From now on Klaeber’s Beowulf will be the definitive<br />

scholarly edition <strong>of</strong> the poem and an essential resource<br />

for anyone participating in any aspect <strong>of</strong> Beowulf<br />

scholarship.’<br />

Hugh Magennis, English Studies<br />

(<strong>Toronto</strong> Old English Series)<br />

704 pp / 6 x 9 / 2008<br />

Cloth 978-0-8020-9843-6 $103.00 (£72.99)<br />

Paper 978-0-8020-9567-1 $40.95 (£28.99)<br />

The Narrative Pulse <strong>of</strong> Beowulf<br />

Arrivals and Departures<br />

John M. Hill<br />

One <strong>of</strong> the most consistent critiques levelled against<br />

Beowulf is that it lacks a steady narrative advance<br />

and that its numerous digressions tend to complicate<br />

if not halt the poem’s movement. The Narrative<br />

Pulse <strong>of</strong> Beowulf counters this assertion, examining<br />

Beowulf as a social drama with a strong, forwardmoving<br />

narrative momentum.<br />

John M. Hill discerns a distinctive ‘narrative pulse’<br />

arising out <strong>of</strong> the poem’s many scenes <strong>of</strong> arrival and<br />

departure. He argues that such scenes, far from being<br />

fixed or ‘type’ scenes, are socially dramatic and act<br />

as a key to understanding the structural density <strong>of</strong><br />

the poem, and bolsters his analysis with a strong<br />

understanding <strong>of</strong> the epic.<br />

John M. Hill is a pr<strong>of</strong>essor in the English Department<br />

at the U.S. Naval Academy.<br />

‘John Hill <strong>of</strong>fers an elegant reading <strong>of</strong> an ancient<br />

and difficult poem … This welcome book will be<br />

extraordinarily useful to students at all levels.’<br />

Stephen J. Harris, Speculum<br />

(<strong>Toronto</strong> Old English Studies)<br />

136 pp / 6 x 9 / 2009<br />

Cloth 978-0-8020-9329-5 $41.00 (£28.99)<br />

Paper 978-1-4426-1087-3 $21.95 (£15.99)<br />

22 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL<br />

The Ends <strong>of</strong> the Body<br />

Identity and Community in <strong>Medieval</strong> Culture<br />

LITERATURE<br />

NEW<br />

Edited by Suzanne Conklin Akbari and Jill Ross<br />

Drawing on Arabic, English, French, Irish, Latin and<br />

Spanish sources, the essays share a focus on the<br />

body’s productive capacity – whether expressed<br />

through the flesh’s materiality, or through its role in<br />

performing meaning.<br />

The collection is divided into four clusters.<br />

‘Foundations’ traces the use <strong>of</strong> physical remnants <strong>of</strong><br />

the body in the form <strong>of</strong> relics or memorial monuments<br />

that replicate the form <strong>of</strong> the body as foundational<br />

in communal structures; ‘Performing the Body’ focuses<br />

on the ways in which the individual body functions<br />

as the medium through which the social body is<br />

maintained; ‘Bodily Rhetoric’ explores the poetic<br />

linkage <strong>of</strong> body and meaning; and ‘Material Bodies’<br />

engages with the processes <strong>of</strong> corporeal being,<br />

ranging from the energetic flow <strong>of</strong> humoural liquids<br />

to the decay <strong>of</strong> the flesh.<br />

Together, the essays provide new perspectives<br />

on the centrality <strong>of</strong> the medieval body and underscore<br />

the vitality <strong>of</strong> this rich field <strong>of</strong> study.<br />

Suzanne Conklin Akbari is a pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>. Jill Ross is a<br />

pr<strong>of</strong>essor in the Centre for Comparative Literature<br />

and the Centre for <strong>Medieval</strong> Studies at the <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 312 pp / 12 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4470-0 $70.00 (£48.99)<br />

the ends <strong>of</strong> the body<br />

identity and community<br />

in medieval culture<br />

edited by suzanne conklin akbari and jill ross<br />

Author, Reader, Book<br />

<strong>Medieval</strong> Authorship in Theory and Practice<br />

NEW<br />

Edited by Stephen Partridge and Erik Kwakkel<br />

Bringing into conversation several kinds <strong>of</strong> scholarship<br />

on medieval authorship, the essays in Author,<br />

Reader, Book examine interrelated questions raised<br />

by the relationship between an author and a reader,<br />

the relationships between authors and their antecedents,<br />

and the ways in which authorship interacts with the<br />

physical presentation <strong>of</strong> texts in books.<br />

The broad chronological range within this volume<br />

reveals the persistence <strong>of</strong> literary concerns that remain<br />

consistent through different periods, languages,<br />

and cultural contexts. Theoretical reflections, case<br />

studies from a wide variety <strong>of</strong> languages, examinations<br />

<strong>of</strong> devotional literature, and analyses <strong>of</strong> works that<br />

are more secular in focus come together in this volume<br />

to transcend linguistic and disciplinary boundaries.<br />

Stephen Partridge is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> British<br />

Columbia. Erik Kwakkel is a lecturer in the Institute<br />

for Cultural Disciplines at Leiden <strong>University</strong>.<br />

‘Author, Reader, Book is a resource <strong>of</strong> significant value<br />

to medievalists interested in narrative, authorship,<br />

and manuscript culture.’<br />

Joan Grenier-Winther, Washington State <strong>University</strong><br />

Approx. 336 pp / 11 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-0-8020-9934-1 $75.00 (£48.00)<br />

Sacred and Pr<strong>of</strong>ane in Chaucer<br />

and Late <strong>Medieval</strong> Literature<br />

Essays in Honour <strong>of</strong> John V. Fleming<br />

Edited by Robert Epstein and William Robins<br />

Literary depictions <strong>of</strong> the sacred and the secular<br />

from the Middle Ages are representative <strong>of</strong> the<br />

era’s widely held cultural understandings related to<br />

religion and the nature <strong>of</strong> lived experience. Using<br />

late <strong>Medieval</strong> English literature, including some <strong>of</strong><br />

Chaucer’s writings, these essays do not try to define<br />

a secular realm distinct and separate from the divine<br />

or religious, but instead analyse intersections <strong>of</strong> the<br />

sacred and the pr<strong>of</strong>ane, suggesting that these two<br />

categories are mutually constitutive rather than<br />

antithetical. Taken together, the work suggests<br />

that the domain <strong>of</strong> the sacred, as perceived in the<br />

Middle Ages, can variously be seen as having a<br />

hierarchical or a complementary relationship to the<br />

things <strong>of</strong> this world.<br />

Robert Epstein is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at Fairfield <strong>University</strong>.<br />

William Robins is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

256 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4081-8 $60.00 (£41.99)<br />

utppublishing.com 23


LITERATURE<br />

The Legacy <strong>of</strong> Apollo<br />

Antiquity, Authority, and Chaucerian Poetics<br />

Jamie C. Fumo<br />

Apollo, the classical god <strong>of</strong> poetry, truth, light, and<br />

the healing arts, held a special fascination for poets<br />

and scholars in the late-medieval period. In The<br />

Legacy <strong>of</strong> Apollo, Jamie C. Fumo presents a series <strong>of</strong><br />

connected readings <strong>of</strong> classical and medieval texts<br />

that shape the god’s pre-modern legacy.<br />

Fumo innovatively brings the fruits <strong>of</strong> current<br />

scholarly practices <strong>of</strong> intertextuality to a body <strong>of</strong><br />

medieval subject matter. This wide-ranging work<br />

traces the resonances <strong>of</strong> Apollo up to the cusp <strong>of</strong><br />

the early modern period and reveals the medieval<br />

development <strong>of</strong> a newly self-conscious poetics <strong>of</strong><br />

inspiration in England.<br />

Jamie C. Fumo is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at McGill <strong>University</strong>.<br />

‘The wonderful breadth <strong>of</strong> Jamie Fumo’s engaging<br />

examination <strong>of</strong> classical forms in the Middle Ages<br />

<strong>of</strong>fers valuable new interpretations <strong>of</strong> Chaucer’s<br />

work and rare insight into medieval tropes <strong>of</strong> narrative<br />

authority.’<br />

Suzanne Yeager, Fordham <strong>University</strong><br />

360 pp / 8 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4170-9 $70.00 (£48.99)<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

Matthew Bailey<br />

The Poetics <strong>of</strong> Speech in the <strong>Medieval</strong> Spanish Epic<br />

explores the composition <strong>of</strong> manuscript texts in<br />

thirteenth-century Spain. By analysing expressive<br />

traits found in these three poems, Matthew Bailey<br />

links them to the cognitive processes that take place<br />

in the minds <strong>of</strong> speakers as narration unfolds.<br />

Bailey incorporates the methodologies and concepts<br />

<strong>of</strong> discourse analysis in an examination <strong>of</strong> expression<br />

in the Spanish epic and points convincingly to oral<br />

composition as the initial step in text creation for<br />

the period.<br />

Matthew Bailey is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Romance Languages at Washington and Lee<br />

<strong>University</strong>.<br />

‘Bailey presents a cogent, concise, well-constructed<br />

argument for the importance <strong>of</strong> oral composition in<br />

the medieval Spanish epic … Highly recommended.’<br />

E.H. Friedman, CHOICE<br />

200 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4156-3 $45.00 (£31.99)<br />

RENAISSANCE<br />

NEW<br />

Dire Straits<br />

The Perils <strong>of</strong> Writing the English Coastline from Leland to Milton<br />

Elizabeth Jane Bellamy<br />

England became a centrally important maritime<br />

power in the early modern period, and its writers<br />

– acutely aware <strong>of</strong> their inhabiting an island –<br />

<strong>of</strong>ten depicted the coastline as a major topic <strong>of</strong> their<br />

works. However, early modern English versifiers had<br />

to reconcile this reality with the classical tradition, in<br />

which the British Isles were seen as culturally remote<br />

compared to the centrally important Mediterranean<br />

<strong>of</strong> antiquity. This was a struggle for writers not only<br />

because they used the classical tradition to legitimate<br />

their authority, but also because this image dominated<br />

cognitive maps <strong>of</strong> the oceanic world.<br />

As the first study <strong>of</strong> coastlines and early modern<br />

English literature, Dire Straits investigates the tensions<br />

<strong>of</strong> the classical tradition’s isolation <strong>of</strong> the British Isles<br />

from the domain <strong>of</strong> poetry. By illustrating how early<br />

modern English writers created their works in the<br />

context <strong>of</strong> a longstanding cultural inheritance from<br />

antiquity, Elizabeth Jane Bellamy <strong>of</strong>fers a new approach<br />

to the history <strong>of</strong> early modern cartography and its<br />

influences on literature.<br />

Elizabeth Jane Bellamy is a pr<strong>of</strong>essor and John<br />

C. Hodges Chair <strong>of</strong> Excellence in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> Tennessee.<br />

Approx. 224 pp / 2 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4501-1 $55.00 (£38.99)<br />

24 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Looking into Providences<br />

Designs and Trials in Paradise Lost<br />

NEW<br />

Raymond B. Waddington<br />

What is the role <strong>of</strong> providence in Paradise Lost In<br />

Looking into Providences, Raymond B. Waddington<br />

provides the first examination <strong>of</strong> this engaging<br />

subject. He explores the variety <strong>of</strong> implicit organizational<br />

structures or ‘designs’ that govern Paradise<br />

Lost, and looks in-depth at the ‘trials,’ or testing<br />

situations, which require interpretation, choice, and<br />

action from its characters.<br />

Waddington situates the poem within the context<br />

<strong>of</strong> providentialism’s centrality to seventeenth-century<br />

thought and life, arguing that Milton’s own conception<br />

<strong>of</strong> providence was deeply influenced by the theology<br />

<strong>of</strong> Jacob Arminius. Using Milton’s Arminian conception<br />

<strong>of</strong> free will, he then looks at the providential trials<br />

experienced by angels and humans. Finally, the<br />

work explores the ways in which providentialism<br />

infiltrates various kinds <strong>of</strong> discourse, ranging from<br />

military to medical, and from political to philosophical.<br />

Raymond B. Waddington is a pr<strong>of</strong>essor emeritus<br />

in the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

California, Davis.<br />

Approx. 312 pp / 10 illustrations / 6 x 9 / September <strong>2012</strong><br />

Cloth 978-1-4426-4342-0 $65.00 (£45.99)<br />

Milton and Questions <strong>of</strong> History<br />

Essays by Canadians Past and Present<br />

NEW<br />

Edited by Feisal G. Mohamed and Mary Nyquist<br />

Milton and Questions <strong>of</strong> History considers the contribution<br />

<strong>of</strong> several classic studies <strong>of</strong> Milton written by<br />

Canadians in the twentieth century. It contemplates<br />

whether these might be termed a coherent ‘school’<br />

<strong>of</strong> Milton studies in Canada and it explores how<br />

these concerns might intervene in current critical and<br />

scholarly debates on Milton and, more broadly, on<br />

historicist criticism in its relationship to renewed<br />

interest in literary form.<br />

The volume opens with a selection <strong>of</strong> seminal<br />

articles by noted scholars including Northrop Frye,<br />

Hugh McCallum, Douglas Bush, Ernest Sirluck, and<br />

A.S.P. Woodhouse. Subsequent essays engage and<br />

contextualize these works while incorporating fresh<br />

intellectual concerns. The Introduction and Afterword<br />

frame the contents so that they constitute a<br />

dialogue between past and present critical studies<br />

<strong>of</strong> Milton by Canadian scholars.<br />

Feisal G. Mohamed is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Illinois.<br />

Mary Nyquist is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

Approx. 424 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-1-4426-4392-5 $75.00 (£50.99)<br />

Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

NEW<br />

Rebeca Helfer<br />

What is the art <strong>of</strong> memory Rebeca Helfer’s intertextual<br />

study Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

<strong>of</strong>fers a fresh perspective on the significance <strong>of</strong> this<br />

ancient mnemonic technique to Edmund Spenser’s<br />

writing and, through this lens, explores the art’s<br />

complex historical and literary reception.<br />

Beginning with the origins <strong>of</strong> mnemonic strategies<br />

in epic tales, Helfer examines how the art <strong>of</strong> memory<br />

speaks to debates about poetry and its place in<br />

culture from Plato to Spenser’s present day. As Helfer<br />

argues, ruins provide memorial spaces for an ongoing<br />

dialogue about how story relates to history, and<br />

how both relate to edification and empire-building.<br />

Through detailed, intertextual readings <strong>of</strong> The<br />

Shepheardes Calender, The Faerie Queene, the<br />

Complaints, and other Spenserian works, Helfer<br />

demonstrates how the art <strong>of</strong> memory shapes<br />

Spenser’s theory and practice <strong>of</strong> poetry as well as<br />

his political view, throughout his career. More<br />

broadly, Spenser’s Ruins and the Art <strong>of</strong> Recollection<br />

points to new ways <strong>of</strong> understanding the importance<br />

<strong>of</strong> this art within literary studies.<br />

Rebeca Helfer is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> California,<br />

Irvine.<br />

Approx. 360 pp / 6 x 9 / June <strong>2012</strong><br />

Cloth 978-0-8020-9067-6 $85.00 (£57.99)<br />

utppublishing.com 25


LITERATURE<br />

NEW<br />

The Emblematics <strong>of</strong> the Self<br />

Ekphrasis and Identity in <strong>Renaissance</strong> Imitations <strong>of</strong> Greek Romance<br />

Elizabeth B. Bearden<br />

The ancient Greek romances <strong>of</strong> Achilles Tatius and<br />

Heliodorus were widely imitated by early modern<br />

writers such as Miguel de Cervantes, Philip Sidney,<br />

and Mary Wroth. Like their Greek models, <strong>Renaissance</strong><br />

romances used ekphrasis, or verbal descriptions <strong>of</strong><br />

visual representation, as a tool for characterization.<br />

The Emblematics <strong>of</strong> the Self shows how the women,<br />

foreigners, and non-Christians <strong>of</strong> these tales reveal<br />

their identities and desires in their responses to the<br />

‘verbal pictures’ <strong>of</strong> romance.<br />

Engaging and rigorous, The Emblematics <strong>of</strong> the<br />

Self breaks new ground in understanding hegemonic<br />

and cosmopolitan European conceptions <strong>of</strong> the<br />

‘other,’ as well as new possibilities for early modern<br />

identities, in an increasingly global <strong>Renaissance</strong>.<br />

Elizabeth B. Bearden is an assistant pr<strong>of</strong>essor in<br />

the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

Wisconsin-Madison.<br />

‘This rigorous comparative study <strong>of</strong> the “emblematics<br />

<strong>of</strong> the self” is poised to make a major contribution<br />

to the fields <strong>of</strong> <strong>Renaissance</strong> studies, rhetorical studies,<br />

gender studies, and postcolonial studies.’<br />

Bernadette Andrea, <strong>University</strong> <strong>of</strong> Texas at San Antonio<br />

272 pp / 8 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4346-8 $65.00 (£42.00)<br />

NEW<br />

Colonial Virtue<br />

The Mobility <strong>of</strong> Temperance in <strong>Renaissance</strong> England<br />

Kasey Evans<br />

Colonial Virtue is the first study to focus on the role<br />

played by the virtue <strong>of</strong> temperance in shaping ethical<br />

debates about early English colonialism. Kasey Evans<br />

tracks the migration <strong>of</strong> ideas surrounding temperance<br />

from classical and humanist writings through to sixteenth-<br />

and seventeenth-century applications,<br />

emphasizing the ways in which they have transcended<br />

the vocabularies <strong>of</strong> geography and time.<br />

Colonial Virtue <strong>of</strong>fers fresh insights into how<br />

English <strong>Renaissance</strong> writers used temperance as a<br />

privileged lens through which to view New World<br />

morality and politically to justify colonial practices in<br />

Virginia and the West Indies. Beautifully written and<br />

deeply engaging, Colonial Virtue also models an<br />

expansive methodology for literary studies through<br />

its close readings and rhetorical analyses.<br />

Kasey Evans is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Northwestern <strong>University</strong>.<br />

‘Colonial Virtue has changed the way that I read<br />

texts that focus on, or even invoke, the virtue <strong>of</strong><br />

temperance. Kasey Evans’s analyses are detailed<br />

and thoughtful, and her close readings are both<br />

deeply engaged and deeply engaging.’<br />

Valerie Forman, New York <strong>University</strong><br />

264 pp / 15 illustrations / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4359-8 $60.00 (£40.00)<br />

NEW<br />

Magical Imaginations<br />

Instrumental Aesthetics in the English <strong>Renaissance</strong><br />

Genevieve Guenther<br />

In the English <strong>Renaissance</strong>, poetry was imagined to<br />

inspire moral behaviour in its readers, but the efficacy<br />

<strong>of</strong> poetry was also linked to ‘conjuration,’ the theologically<br />

dangerous practice <strong>of</strong> invoking spirits with<br />

words. Magical Imaginations explores how major<br />

writers <strong>of</strong> the period – including Spenser, Marlowe,<br />

and Shakespeare – negotiated this troubling link<br />

between poetry and magic in their attempts to<br />

transform readers and audiences with the power <strong>of</strong> art.<br />

Through analyses <strong>of</strong> texts ranging from sermons<br />

and theological treatises to medical tracts and legal<br />

documents, Genevieve Guenther sheds new light on<br />

magic as a cultural practice in early modern England.<br />

With this new understanding <strong>of</strong> early modern magic<br />

– a fresh context for compelling readings <strong>of</strong> classic<br />

literary works – Magical Imaginations reveals the<br />

central importance <strong>of</strong> magic to English literary history.<br />

Genevieve Guenther is an independent scholar with<br />

a PhD from the <strong>University</strong> <strong>of</strong> California at Berkeley.<br />

‘I recommend this book highly for its incisiveness<br />

and extraordinary scholarship.’<br />

John D. Cox, Hope College<br />

Approx. 184 pp / 6 x 9 / March <strong>2012</strong><br />

Cloth 978-1-4426-4241-6 $60.00 (£40.00)<br />

26 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Reading, Desire, and the Eucharist<br />

in Early Modern Religious Poetry<br />

NEW<br />

Ryan Netzley<br />

The courtly love tradition had a great influence on<br />

the themes <strong>of</strong> religious poetry: just as an absent<br />

beloved could be longed for passionately, so too<br />

could a distant God be the subject <strong>of</strong> desire. But<br />

when authors began to perceive God as immanently<br />

available, did the nature and interpretation <strong>of</strong><br />

devotional verse change Ryan Netzley argues that<br />

early modern religious lyrics presented both desire<br />

and reading as free, loving activities, rather than as<br />

endless struggles or dramatic quests.<br />

Challenging fundamental assumptions <strong>of</strong> literary<br />

criticism, Reading, Desire, and the Eucharist shows<br />

how poetry can encourage love for its own sake,<br />

rather than in the hopes <strong>of</strong> salvation.<br />

Ryan Netzley is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Southern Illinois <strong>University</strong>,<br />

Carbondale.<br />

‘Speaking to central questions about sacramental<br />

and Eucharistic poetry in the Early Modern period,<br />

this high-quality study advances a fresh theoretical<br />

understanding <strong>of</strong> how reading and desire work.’<br />

David Ainsworth, <strong>University</strong> <strong>of</strong> Alabama<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4281-2 $70.00 (£48.99)<br />

Strangers in Blood<br />

Relocating Race in the <strong>Renaissance</strong><br />

Jean E. Feerick<br />

Strangers in Blood explores, in a range <strong>of</strong> early<br />

modern literature, the association between migration<br />

to foreign lands and the moral and physical degeneration<br />

<strong>of</strong> individuals. Arguing that in early modern<br />

discourse the concept <strong>of</strong> race was primarily linked<br />

with notions <strong>of</strong> bloodline, lineage, and genealogy<br />

rather than with skin colour and ethnicity, Jean E.<br />

Feerick establishes that the characterization <strong>of</strong> settler<br />

communities as subject to degenerative decline<br />

constituted a massive challenge to the fixed system<br />

<strong>of</strong> blood that had hitherto underpinned the English<br />

social hierarchy. In emphasizing the decline <strong>of</strong> blood<br />

as found at the centre <strong>of</strong> colonial narratives, Feerick<br />

illustrates the unwitting disassembling <strong>of</strong> one racial<br />

system and the creation <strong>of</strong> another.<br />

Jean E. Feerick is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at Brown <strong>University</strong>.<br />

‘Rich in its attention to language, and to a wellchosen<br />

range <strong>of</strong> historical and literary representations,<br />

Feerick’s remarkably well-written, persuasive, and<br />

original book emphasizes the perceived instability<br />

<strong>of</strong> early modern racial identities, their vulnerability<br />

especially to the conditions <strong>of</strong> transplantation, culture,<br />

time, and space.’<br />

Emily C. Bartels, Rutgers <strong>University</strong><br />

264 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4140-2 $60.00 (£41.99)<br />

Northrop Frye’s Writings on Shakespeare<br />

and the <strong>Renaissance</strong><br />

Edited by Troni Y. Grande and Garry Sherbert<br />

This collection <strong>of</strong> writings brings together Northrop<br />

Frye’s large body <strong>of</strong> work on Shakespeare and other<br />

<strong>Renaissance</strong> writers (with the exception <strong>of</strong> Milton,<br />

who is featured in other volumes), and includes major<br />

articles, introductions, public lectures, and four<br />

previously published books. Spanning forty years <strong>of</strong><br />

Frye’s career as a university pr<strong>of</strong>essor and literary<br />

critic, these insightful analyses not only reveal the<br />

author’s formidable intellect but also <strong>of</strong>fer the reader<br />

a transformative experience <strong>of</strong> creative imagination.<br />

With extensive annotation and an in-depth critical<br />

introduction, the volume demonstrates Frye’s<br />

wide-ranging knowledge <strong>of</strong> <strong>Renaissance</strong> culture<br />

and its pivotal significance in his work, his impact<br />

on <strong>Renaissance</strong> criticism and the Stratford Shakespeare<br />

Festival, and his continuing importance as a<br />

literary theorist.<br />

Troni Y. Grande is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

Garry Sherbert is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Regina.<br />

(Collected Works <strong>of</strong> Northrop Frye 28)<br />

968 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4168-6 $195.00 (£136.99)<br />

utppublishing.com 27


LITERATURE<br />

Forgetful Muses<br />

Reading the Author in the Text<br />

Ian Lancashire<br />

With research featured in The New York Times<br />

Magazine’s Ninth Annual Year in Ideas<br />

How can we understand and analyse the primarily<br />

unconscious process <strong>of</strong> writing In this groundbreaking<br />

work <strong>of</strong> neuro-cognitive literary theory,<br />

Ian Lancashire maps the interplay <strong>of</strong> self-conscious<br />

critique and unconscious creativity.<br />

Drawing on author testimony, cybernetics, cognitive<br />

psychology, corpus linguistics, text analysis, the<br />

neurobiology <strong>of</strong> mental aging, and his own experiences,<br />

Lancashire’s close readings <strong>of</strong> twelve authors, including<br />

Caedmon, Chaucer, Coleridge, Joyce, Christie, and<br />

Atwood, serve to illuminate a mystery we all share.<br />

Ian Lancashire is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘Forgetful Muses is filled with a wealth <strong>of</strong> materials<br />

and exhibits an impressively high standard <strong>of</strong> scholarship<br />

– it’s a demanding read, but also highly rewarding.’<br />

Raine Koskimaa, <strong>University</strong> <strong>of</strong> Jyväskylä<br />

360 pp / 18 illustrations; 24 tables / 6 x 9 / 2010<br />

Cloth 978-1-4426-4093-1 $65.00 (£45.99)<br />

SPANISH<br />

NEW<br />

Objects <strong>of</strong> Culture<br />

in the Literature <strong>of</strong> Imperial Spain<br />

<br />

NEW<br />

edited by<br />

Mary E. Barnard and Frederick A. de Armas<br />

Objects <strong>of</strong> Culture in the Literature<br />

<strong>of</strong> Imperial Spain<br />

Edited by Mary E. Barnard and Frederick A. de Armas<br />

Collecting and displaying finely crafted objects was<br />

a mark <strong>of</strong> character among the royals and aristocrats<br />

in Early Modern Spain: it ranked with extravagant<br />

hospitality as a sign <strong>of</strong> nobility and with virtue as a<br />

token <strong>of</strong> princely power. Objects <strong>of</strong> Culture in the<br />

Literature <strong>of</strong> Imperial Spain explores how the writers<br />

<strong>of</strong> the period shared the same impulse to collect,<br />

arrange, and display objects, though in imagined<br />

settings, as literary artefacts.<br />

These essays examine a variety <strong>of</strong> cultural objects<br />

described or alluded to in books from the Golden<br />

Age <strong>of</strong> Spanish literature, including clothing, paintings,<br />

tapestries, playing cards, monuments, materials <strong>of</strong><br />

war, and even enchanted bronze heads. The contributors<br />

emphasize how literature preserved and transformed<br />

objects to endow them with new meaning<br />

for aesthetic, social, religious, and political purposes<br />

– whether to perpetuate certain habits <strong>of</strong> thought<br />

and belief, or to challenge accepted social and moral<br />

norms.<br />

Mary E. Barnard is associate pr<strong>of</strong>essor <strong>of</strong> Spanish<br />

and Comparative Literature at The Pennsylvania<br />

State <strong>University</strong>. Frederick A. de Armas is the Andrew<br />

W. Mellon Distinguished Service Pr<strong>of</strong>essor in the<br />

Humanities, Spanish Literature, and Comparative<br />

Literature at the <strong>University</strong> <strong>of</strong> Chicago.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 336 pp / 14 illustrations / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4512-7 $75.00 (£52.99)<br />

Law and History in Cervantes’ Don Quixote<br />

Susan Byrne<br />

Law and History in Cervantes’ Don Quixote is a deep<br />

consideration <strong>of</strong> the intellectual environment that<br />

gave rise to Cervantes’ seminal work. Susan Byrne<br />

demonstrates how Cervantes synthesized the debates<br />

surrounding the two most authoritative discourses<br />

<strong>of</strong> his era – those <strong>of</strong> law and history – into a new<br />

aesthetic product, the modern novel.<br />

Byrne uncovers the empirical underpinnings <strong>of</strong><br />

Don Quixote through a close philological study <strong>of</strong><br />

Cervantes’ sly questioning <strong>of</strong> and commentary on<br />

these fields. As she skilfully demonstrates, while<br />

sixteenth-century historiographers and jurists across<br />

southern Europe sought the philosophical nexus <strong>of</strong><br />

their fields, Cervantes created one through the<br />

adventures <strong>of</strong> a protagonist whose history is all about<br />

justice. As such, Law and History in Cervantes’ Don<br />

Quixote illustrates how Cervantes’ art highlighted<br />

the inconsistencies <strong>of</strong> juridical-historical texts and<br />

practice, as well as anticipated the ultimate resolution<br />

<strong>of</strong> their paradoxes.<br />

Susan Byrne is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Spanish and Portuguese at Yale <strong>University</strong>.<br />

(<strong>Toronto</strong> Iberic)<br />

Approx. 248 pp / 8 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4527-1 $55.00 (£38.99)<br />

28 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

They Need Nothing<br />

Hispanic-Asian Encounters <strong>of</strong> the Colonial Period<br />

NEW<br />

Robert Richmond Ellis<br />

The first comprehensive study <strong>of</strong> Spanish writings<br />

on East and Southeast Asia from the Spanish colonial<br />

period, They Need Nothing draws attention to many<br />

essential but understudied Spanish-language texts<br />

from this era. Robert Richmond Ellis provides an<br />

engaging, interdisciplinary examination <strong>of</strong> how<br />

these writings depict Asia and Asians as both similar<br />

to and different from Europe and Europeans, and<br />

details how East and Southeast Asians reacted to<br />

the Spanish presence in Asia.<br />

They Need Nothing highlights texts related to<br />

Japan, China, Cambodia, and the Philippines,<br />

beginning with Francis Xavier’s observations <strong>of</strong> Japan<br />

in the mid-sixteenth century and ending with José<br />

Rizal’s responses to the legacy <strong>of</strong> Spanish colonialism<br />

in the late nineteenth century. Ellis provides a groundbreaking<br />

expansion <strong>of</strong> the geographical and cultural<br />

contours <strong>of</strong> Hispanism that bridges the fields <strong>of</strong><br />

European, Latin American, and Asian Studies.<br />

Robert Richmond Ellis is Norman Bridge Distinguished<br />

Pr<strong>of</strong>essor <strong>of</strong> Spanish at Occidental College.<br />

Approx. 240 pp / 7 illustrations / 6 x 9 / August <strong>2012</strong><br />

Cloth 978-1-4426-4511-0 $55.00 (£38.99)<br />

Cervantes, Literature, and the Discourse <strong>of</strong> Politics<br />

NEW<br />

Anthony J. Cascardi<br />

What is the role <strong>of</strong> literature in the formation <strong>of</strong> the<br />

state Anthony J. Cascardi takes up this fundamental<br />

question in Cervantes, Literature, and the Discourse<br />

<strong>of</strong> Politics, a comprehensive analysis <strong>of</strong> the presence<br />

<strong>of</strong> politics in Don Quixote.<br />

Cascardi convincingly re-engages the ancient roots<br />

<strong>of</strong> political theory in modern literature by situating<br />

Cervantes within a long line <strong>of</strong> political thinkers. He<br />

also shows how Cervantes’ view <strong>of</strong> literature provided<br />

a compelling alternative to the modern, scientific<br />

politics <strong>of</strong> Machiavelli and Hobbes, highlighting the<br />

potential interplay <strong>of</strong> literature and politics in an<br />

ideal state.<br />

Anthony J. Cascardi is the Dean <strong>of</strong> Arts and Humanities,<br />

and Ancker Pr<strong>of</strong>essor <strong>of</strong> Comparative Literature,<br />

Rhetoric, and Spanish at the <strong>University</strong> <strong>of</strong> California,<br />

Berkeley.<br />

‘By exploring Cervantes’ literary production from the<br />

perspective <strong>of</strong> political philosophy, Cervantes, Literature,<br />

and the Discourse <strong>of</strong> Politics makes a fascinating,<br />

thought-provoking contribution to our understanding<br />

<strong>of</strong> the Spanish author and playwright.’<br />

David Castillo, State <strong>University</strong> <strong>of</strong> New York at Buffalo<br />

(<strong>Toronto</strong> Iberic)<br />

352 pp / 6 x 9 / January <strong>2012</strong><br />

Cloth 978-1-4426-4371-0 $75.00 (£52.99)<br />

Paper 978-1-4426-1223-5 $32.95 (£23.99)<br />

Don Quixote among the Saracens<br />

A Clash <strong>of</strong> Civilizations and Literary Genres<br />

Honourable Mention in the<br />

American Publishers Awards<br />

for Pr<strong>of</strong>essional and<br />

Scholarly Excellence<br />

(Literature Category)<br />

NEW<br />

Frederick A. de Armas<br />

The fictional Don Quixote was constantly defeated<br />

in his knightly adventures. In writing Quixote’s story,<br />

however, Miguel Cervantes succeeded in a different<br />

kind <strong>of</strong> quest – the creation <strong>of</strong> a modern novel that<br />

‘conquers’ and assimilates countless literary genres.<br />

Don Quixote among the Saracens considers how<br />

Cervantes’ work reflects the clash <strong>of</strong> civilizations and<br />

anxieties towards cultural pluralism that permeated<br />

Golden Age Spain.<br />

Frederick A. de Armas unravels an essential mystery<br />

<strong>of</strong> one <strong>of</strong> world literature’s best known figures: why<br />

Quixote sets out to revive knight errantry, and why<br />

he comes to feel at home only among the Moorish<br />

‘Saracens,’ a people whom Quixote feared at the<br />

beginning <strong>of</strong> the novel.<br />

Frederick A. de Armas is the Andrew W. Mellon<br />

Distinguished Service Pr<strong>of</strong>essor in the Humanities,<br />

Spanish Literature, and Comparative Literature at<br />

the <strong>University</strong> <strong>of</strong> Chicago.<br />

‘A must-read for anyone interested in Cervantes’ work,<br />

Don Quixote among the Saracens exemplifies Frederick<br />

A. de Armas’s immense erudition, superb analytical<br />

skills, and attention to detail.’<br />

Enrique García Santo-Tomás, <strong>University</strong> <strong>of</strong> Michigan<br />

256 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4345-1 $60.00 (£41.99)<br />

utppublishing.com 29


LITERATURE<br />

Ovid in the Age <strong>of</strong> Cervantes<br />

Edited by Frederick A. de Armas<br />

The Roman poet Ovid, author <strong>of</strong> the famous Metamorphoses,<br />

is widely considered one <strong>of</strong> the canonical<br />

poets <strong>of</strong> Latin antiquity. Vastly popular in Europe<br />

during the <strong>Renaissance</strong> and Early Modern periods,<br />

Ovid’s writings influenced the literature, art, and<br />

culture <strong>of</strong> Spain’s Golden Age.<br />

The book begins with examinations <strong>of</strong> the<br />

translation and utilization <strong>of</strong> Ovid’s texts from the<br />

Middle Ages to the age <strong>of</strong> Cervantes. The work<br />

includes a section devoted to the influence <strong>of</strong> Ovid<br />

on Cervantes, arguing that Don Quixote is a deeply<br />

Ovidian text, drawing upon many classical myths<br />

and themes. The contributors then turn to specific<br />

myths in Ovid as they were absorbed and transformed<br />

by different writers, including that <strong>of</strong> Echo<br />

and Narcissus in Garcilaso de la Vega and Hermaphroditus<br />

in Covarrubias and Moya. The final section<br />

<strong>of</strong> the book centres on questions <strong>of</strong> poetic fame<br />

and self-fashioning. Ovid in the Age <strong>of</strong> Cervantes is<br />

an important and comprehensive re-evaluation <strong>of</strong><br />

Ovid’s impact on <strong>Renaissance</strong> and early modern<br />

Spain.<br />

‘This compilation is certainly a huge step forward<br />

in realizing the importance and richness <strong>of</strong> what<br />

still lies ahead in relation to the study <strong>of</strong> Ovid in<br />

Spanish literature before, during, and after the age<br />

<strong>of</strong> Cervantes.’<br />

María Morrás, <strong>Renaissance</strong> Quarterly<br />

320 pp / 5 ¾ x 9 / 2010<br />

Cloth 978-1-4426-4117-4 $65.00 (£45.99)<br />

NEW<br />

NEW<br />

Forms <strong>of</strong> Modernity<br />

Don Quixote and Modern Theories <strong>of</strong> the Novel<br />

Rachel Schmidt<br />

In Forms <strong>of</strong> Modernity, Rachel Schmidt examines<br />

how seminal theorists and philosophers have<br />

wrestled with the status <strong>of</strong> Cervantes’ masterpiece as<br />

an ‘exemplary novel,’ in turn contributing to the<br />

emergence <strong>of</strong> key concepts within genre theory.<br />

Schmidt’s discussion covers the views <strong>of</strong> wellknown<br />

thinkers such as Friedrich Schlegel, José<br />

Ortega y Gasset, and Mikhail Bakhtin, but also the<br />

pivotal contributions <strong>of</strong> philosophers such as Hermann<br />

Cohen and Miguel de Unamuno. These theorists’<br />

examinations <strong>of</strong> Cervantes’ fictional knight-errant<br />

character point to an ever-shifting boundary between<br />

the real and the virtual. Drawing from both<br />

intellectual and literary history, Forms <strong>of</strong> Modernity<br />

richly explores the development <strong>of</strong> the categories<br />

Dressed to Kill<br />

Death and Meaning in Zayas’s Desengaños<br />

and theories that we use today to analyse and<br />

understand novels.<br />

Rachel Schmidt is a full pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French, Italian and Spanish at the <strong>University</strong><br />

<strong>of</strong> Calgary.<br />

‘Each chapter <strong>of</strong>fers a lesson in synthesis, application,<br />

and intertexuality at the theoretical level. The author<br />

manages to simultaneously foreground Cervantes<br />

and the individual readers <strong>of</strong> Don Quixote and their<br />

(Ortega’s term) “self and circumstances” … Highly<br />

recommended.’<br />

E.H. Friedman, CHOICE<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

384 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4251-5 $75.00 (£52.99)<br />

Elizabeth Rhodes<br />

The noble wives in María de Zayas’s Desengaños<br />

suffer terrible fates: one is beheaded, another<br />

poisoned, one is cemented into a chimney, while yet<br />

another is locked into a tiny wall closet where she<br />

dies. The hallmark <strong>of</strong> Zayas’s aesthetics, these<br />

characters pose an apparent contradiction between<br />

the author’s pro-female rhetoric and her gusto for<br />

killing model women, then beautifying their<br />

mutilated cadavers.<br />

Dressed to Kill reconciles Zayas’s Desengaños<br />

with the age in which it was written, contextualizing<br />

the book in baroque poetics, the Spanish honour<br />

code, and fifteenth-century martyr saints’ lives.<br />

Elizabeth Rhodes is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Hispanic Studies at Boston College.<br />

‘Stimulating, erudite, and original, Dressed to Kill is<br />

the Zayas book we have been waiting for.’<br />

Alison Weber, <strong>University</strong> <strong>of</strong> Virginia<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

240 pp / 17 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4350-5 $55.00 (£38.99)<br />

30 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

The Persistence <strong>of</strong> Presence<br />

Emblem and Ritual in Baroque Spain<br />

Bradley J. Nelson<br />

The Persistence <strong>of</strong> Presence analyses the relationship<br />

between emblem books, containing combinations<br />

<strong>of</strong> pictures and texts, and Spanish literature in the<br />

early modern period.<br />

Bradley J. Nelson argues that the emblem was a<br />

primary indicator <strong>of</strong> the social and political functions<br />

<strong>of</strong> diverse literary practices in early modern Spain,<br />

from theatre to epic prose. In this detailed examination<br />

<strong>of</strong> emblem books, sacred and secular theatre, and<br />

Cervantes’ critique <strong>of</strong> baroque allegory in Los trabajos<br />

de Persiles y Sigismunda, Nelson connects the early<br />

history <strong>of</strong> emblematics with the drive towards cultural<br />

and political hegemony in Counter-Reformation Spain.<br />

Bradley J. Nelson is an associate pr<strong>of</strong>essor and chair<br />

in the Department <strong>of</strong> <strong>Classics</strong>, Modern Languages<br />

and Linguistics at Concordia <strong>University</strong>.<br />

‘Nelson’s approach constitutes an original contribution<br />

to Spanish emblematics with its careful analysis and<br />

thorough consideration <strong>of</strong> relevant theories.’<br />

Claudia Mesa, <strong>Renaissance</strong> Quarterly<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

272 pp / 16 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9977-8 $55.00 (£38.99)<br />

Celestina and the Ends <strong>of</strong> Desire<br />

NEW<br />

E. Michael Gerli<br />

One <strong>of</strong> the most widely read and translated Spanish<br />

works in sixteenth-century Europe was Fernando de<br />

Rojas’s Celestina, a 1499 novel in dialogue about a<br />

couple that faces heartbreak and tragedy after being<br />

united by the titular brothel madam. In Celestina<br />

and the Ends <strong>of</strong> Desire, E. Michael Gerli illustrates<br />

how this work straddles the medieval and the modern<br />

in its exploration <strong>of</strong> changing categories <strong>of</strong> human<br />

desire – from the European courtly love tradition to<br />

the interpretation <strong>of</strong> want as an insatiable, destructive<br />

force. Gerli’s analysis draws on a wide range <strong>of</strong> Celestina<br />

scholarship but is unique in its use <strong>of</strong> modern literary<br />

and psychoanalytic theory to confront the problematic<br />

links between literature and life.<br />

E. Michael Gerli is Commonwealth Pr<strong>of</strong>essor <strong>of</strong><br />

Hispanic and Early Modern Studies at the <strong>University</strong><br />

<strong>of</strong> Virginia.<br />

‘Celestina and the Ends <strong>of</strong> Desire is a fascinating book,<br />

bringing a completely fresh approach to Fernando de<br />

Rojas’s canonical work. E. Michael Gerli’s rich and<br />

enriching theoretical approach provides a brilliant<br />

new understanding <strong>of</strong> the language and rhetoric <strong>of</strong><br />

desire.’<br />

Jesús Rodríguez-Velasco, Columbia <strong>University</strong><br />

248 pp / 8 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4255-3 $55.00 (£38.99)<br />

The Poetry <strong>of</strong> Place<br />

Lyric, Landscape, and Ideology in <strong>Renaissance</strong> France<br />

FRENCH<br />

Louisa Mackenzie<br />

The sixteenth century in France was marked by<br />

religious warfare and shifting political and physical<br />

landscapes. In the face <strong>of</strong> destructive environmental<br />

change, lyric poets in <strong>Renaissance</strong> France <strong>of</strong>ten<br />

wrote about idealized physical spaces, reclaiming<br />

the altered landscape to counteract the violence<br />

and loss <strong>of</strong> the period. In The Poetry <strong>of</strong> Place, Louisa<br />

Mackenzie reveals and analyses the cultural history<br />

<strong>of</strong> French paysage through her study <strong>of</strong> lyric poetry<br />

and its connections with landscape painting,<br />

cartography, and land-use history. This unique<br />

alliance <strong>of</strong> French <strong>Renaissance</strong> studies with cultural<br />

geography and eco-criticism demonstrates that sixteenth-century<br />

poetry created a powerful sense <strong>of</strong><br />

place which continues to inform national and regional<br />

sentiment today.<br />

Louisa Mackenzie is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Washington.<br />

‘The Poetry <strong>of</strong> Place is a stunning – and stunningly<br />

original – book that makes an enormous contribution<br />

to a number <strong>of</strong> related disciplines while opening up an<br />

entirely new field <strong>of</strong> inquiry.’<br />

Jeffrey N. Peters, <strong>University</strong> <strong>of</strong> Kentucky<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4239-3 $65.00 (£45.99)<br />

utppublishing.com 31


LITERATURE<br />

NEW<br />

Philippe de Commynes<br />

Memory, Betrayal, Text<br />

Irit Kleiman<br />

Philippe de Commynes, a diplomat who specialized<br />

in clandestine operations, served King Louis XI during<br />

his campaign to undermine aristocratic resistance<br />

and consolidate the sovereignty <strong>of</strong> the French throne.<br />

He is credited with inventing the political memoir, but<br />

his reminiscence has also been described as ‘the<br />

confessions <strong>of</strong> a traitor’: Commynes had abandoned<br />

Louis’ rival, the Burgundian duke Charles the Bold,<br />

before joining forces with the king.<br />

This study provides a literary re-evaluation <strong>of</strong><br />

Commynes’ text – a perennial subject <strong>of</strong> scandal<br />

and fascination – while questioning what the terms<br />

‘traitor’ or ‘betrayed’ meant in the context <strong>of</strong> fifteenthcentury<br />

France. Drawing on diplomatic letters and<br />

court transcripts, Irit Kleiman examines the mutual<br />

connections between writing and betrayal in<br />

Commynes’ representation <strong>of</strong> Louis’ reign, the<br />

relationship between the author and the king, and<br />

the emergence <strong>of</strong> the memoir as an autobiographical<br />

genre. This study significantly deepens our understanding<br />

<strong>of</strong> how historical narrative and diplomatic<br />

activities are intertwined in the work <strong>of</strong> this iconic,<br />

iconoclastic figure.<br />

Irit Kleiman is an assistant pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Romance Studies at Boston <strong>University</strong>.<br />

Approx. 296 pp / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4562-2 $60.00 (£41.99)<br />

ITALIAN<br />

NEW<br />

Italian Literature before 1900 in English Translation<br />

An Annotated Bibliography, 1929–2008<br />

Robin Healey<br />

Italian Literature before 1900 in English Translation<br />

provides the most complete record possible <strong>of</strong> texts<br />

from the early periods that have been translated into<br />

English, and published between 1929 and 2008. It<br />

lists works from all genres and subjects, and includes<br />

translations wherever they have appeared across the<br />

globe. In this annotated bibliography, Robin Healey<br />

covers over 5,200 distinct editions <strong>of</strong> pre-1900<br />

Italian writings. Most entries are accompanied by<br />

useful notes providing information on authors, works,<br />

translators, and how the translations were received.<br />

Among the works by over 1,500 authors represented<br />

in this volume are hundreds <strong>of</strong> editions by<br />

Italy’s most translated authors – Dante Alighieri,<br />

Machiavelli, and Boccaccio – and other hundreds<br />

which represent the author’s only English translation.<br />

A significant number <strong>of</strong> entries describe works<br />

originally published in Latin. Together with Healey’s<br />

Twentieth-Century Italian Literature in English<br />

Translation, this volume makes comprehensive<br />

information on translations accessible for schools,<br />

libraries, and those interested in comparative literature.<br />

Robin Healey retired as collection development<br />

librarian for Italian studies, fine art, and anthropology<br />

at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> in December, 2010.<br />

(<strong>Toronto</strong> Italian Studies)<br />

1176 pp / 14 illustrations / 8 ½ x 11 / 2011<br />

Cloth 978-1-4426-4269-0 $150.00 (£104.99)<br />

NEW<br />

Kissing the Wild Woman<br />

Concepts <strong>of</strong> Art, Beauty, and the Italian Prose Romance in Giulia Bigolina’s<br />

Urania<br />

Christopher Nissen<br />

Kissing the Wild Woman explores the unique aesthetic<br />

vision and innovative narrative features <strong>of</strong> Giulia<br />

Bigolina’s greatest surviving work, the prose romance<br />

Urania (circa 1552). The study demonstrates how<br />

Bigolina challenges cultural authority by rejecting<br />

the prevailing views <strong>of</strong> the paragone between<br />

painting and literature. It also shows how Bigolina<br />

orients her defence <strong>of</strong> women toward a rejection<br />

<strong>of</strong> the cult <strong>of</strong> visualized female beauty that predominated<br />

in the rhetoric and artistry <strong>of</strong> such figures<br />

as Aretino and Titian. It concludes with a discussion<br />

<strong>of</strong> Bigolina’s innovative treatments <strong>of</strong> certain romance<br />

topoi.<br />

Christopher Nissen is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Foreign Languages and Literatures<br />

at Northern Illinois <strong>University</strong>.<br />

‘Contributing to the ever-widening circle <strong>of</strong> research<br />

on early modern Italian women authors, this study<br />

will interest researchers in art history and Italian<br />

studies, as well as scholars <strong>of</strong> the theory <strong>of</strong> love and<br />

<strong>of</strong> the senses and historians <strong>of</strong> gender and women.’<br />

Julia L. Hairston, <strong>University</strong> <strong>of</strong> California, Rome Study<br />

Center<br />

(<strong>Toronto</strong> Italian Studies)<br />

336 pp / 4 illustrations / 6 x 9 / 2011<br />

Cloth 978-1-4426-4340-6 $75.00 (£52.99)<br />

32 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy<br />

NEW<br />

Edited by William Robins<br />

<strong>Medieval</strong> Italy presented a rich array <strong>of</strong> discrete<br />

textual cultures, many <strong>of</strong> them specific to particular<br />

regions, pr<strong>of</strong>essions, or groups <strong>of</strong> writers and<br />

readers. The essays in this collection consider how<br />

distinct habits <strong>of</strong> writing took root among specific<br />

communities in Italy between the early Middle<br />

Ages and the eve <strong>of</strong> the <strong>Renaissance</strong>.<br />

As a whole, the collection makes the case for<br />

combining abstract analyses such as textual theory<br />

and intellectual history with more technical specialties<br />

such as editing and codicology. Rather than<br />

approaching pre-modern Italian textuality as<br />

something uniform, Textual Cultures <strong>of</strong> <strong>Medieval</strong><br />

Italy engages with its fascinating plurality.<br />

William Robins is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> English and the Centre for <strong>Medieval</strong><br />

Studies at the <strong>University</strong> <strong>of</strong> <strong>Toronto</strong>.<br />

‘A stimulating collection [that] includes useful surveys<br />

and innovative articles.’<br />

Brian Richardson, <strong>University</strong> <strong>of</strong> Leeds<br />

(Essays from the 41st Conference on Editorial Problems)<br />

320 pp / 8 colour plates / 6 x 9 / 2011<br />

Cloth 978-1-4426-4272-0 $70.00 (£48.99)<br />

Beasts and Beauties<br />

Animals, Gender, and Domestication in the Italian <strong>Renaissance</strong><br />

Juliana Schiesari<br />

Beasts and Beauties traces the role <strong>of</strong> animals in Italian<br />

conceptions <strong>of</strong> humanity in a number <strong>of</strong> key texts<br />

from the fifteenth through the seventeenth century.<br />

The book delineates the co-development <strong>of</strong> two different<br />

forms <strong>of</strong> domestication since the <strong>Renaissance</strong>,<br />

specifically the new culture <strong>of</strong> domesticated animals<br />

that emerged in the modern phenomenon <strong>of</strong> the<br />

‘pet,’ and the contemporaneous delineation <strong>of</strong> the<br />

home as a private domain, where the pater familias<br />

presided over his domesticated wife, children, servants<br />

– and animals. Using a methodology that is both<br />

feminist and psychoanalytic, Beasts and Beauties<br />

demonstrates how the figure <strong>of</strong> the animal resituates<br />

canonical works and authors in the Italian <strong>Renaissance</strong><br />

in ways that help us rethink the notion <strong>of</strong> what it<br />

means to be human.<br />

Juliana Schiesari is a pr<strong>of</strong>essor <strong>of</strong> Italian and<br />

Comparative Literature at the <strong>University</strong> <strong>of</strong> California,<br />

Davis.<br />

‘Beasts and Beauties <strong>of</strong>fers compelling, energetically<br />

conveyed readings <strong>of</strong> otherness in texts and images<br />

<strong>of</strong> early modern Europe … it demonstrates effectively<br />

how an animal-centered approach to the cultural<br />

production <strong>of</strong> early modern Europe can help in understanding<br />

the construction <strong>of</strong> categories and<br />

hierarchies <strong>of</strong> humanness.’<br />

Nathalie Hester, <strong>Renaissance</strong> Quarterly<br />

(<strong>Toronto</strong> Italian Studies)<br />

176 pp / 9 illustrations / 6 x 9 / 2010<br />

Cloth 978-0-8020-9922-8 $45.00 (£31.99)<br />

‘My Muse will have a story to paint’<br />

dennis looney is an associate pr<strong>of</strong>essor in the<br />

Selected Prose <strong>of</strong> Ludovico Ariosto<br />

Translated with an Introduction by<br />

Dennis Looney<br />

Ludovico Ariosto (1474–1533), best known for his<br />

1516 epic poem Orlando furioso, was one <strong>of</strong> the great<br />

Italian poets <strong>of</strong> the <strong>Renaissance</strong>. In this collection,<br />

Dennis Looney presents a compendium <strong>of</strong> Ariosto’s<br />

prose, including his 214 Letters and a satirical piece,<br />

Herbal Doctor. While some letters shed light on his<br />

day-to-day life, including his work as a provincial<br />

commissioner for the ruling Este family <strong>of</strong> Ferrara,<br />

others <strong>of</strong>fer insight on the composition and production<br />

<strong>of</strong> his poems and plays, allowing a glimpse <strong>of</strong> the man<br />

in his creative workshop. With his elegant, faithful<br />

translation, Looney enriches our understanding <strong>of</strong><br />

the Italian <strong>Renaissance</strong> and one <strong>of</strong> its greatest writers.<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

The lorenzo Da Ponte Italian Library<br />

‘We have no Empire, such as did the Romans, so powerful that<br />

subject cities spontaneously sought to emulate their rulers’ speech ...<br />

Nonetheless it can clearly be seen how, in our present times, many<br />

diverse people <strong>of</strong> intelligence and refinement, outside Italy no less<br />

than within Italy, devote much effort and study to learning and<br />

Dennis Looney is associate pr<strong>of</strong>essor in the<br />

speaking our language for no other reason than love.’<br />

– Giovan Batista Gelli, Ragionamento sulla lingua, 1551<br />

Department <strong>of</strong> French and Italian at the <strong>University</strong><br />

<strong>of</strong> Pittsburgh.<br />

‘This is the first time such a wide selection <strong>of</strong> Ariosto’s<br />

prose has been published in a language other than<br />

Italian. Both the <strong>Renaissance</strong> scholar and the reader<br />

interested in Cinquecento<br />

‘This volume,<br />

life<br />

containing<br />

will<br />

the largest<br />

gain<br />

selection<br />

great<br />

<strong>of</strong> Ariosto’s prose<br />

benefit<br />

translated into any language, is truly commendable.<br />

from it.’<br />

Dennis Looney’s precise, elegant interpretation is enhanced by a<br />

rich historical foreword and a well-assembled bibliography.<br />

Both general readers and scholars will appreciate this valuable<br />

Gian Paolo Giudicetti, <strong>Renaissance</strong><br />

resource for defining Ariosto’s<br />

Quarterly<br />

life and time.’<br />

Jacket illustrations: (front) Portrait <strong>of</strong> a Man, c.1512 (oil on canvas), Titian<br />

(Tiziano Vecellio) (c.1488–1576), National Gallery, London, UK / The<br />

Bridgeman Art Library International; (back) Letter 5, Archivio di Stato,<br />

Modena, Archivio Segreto Estense, Cancelleria Estero, Serie: Ambasciatori,<br />

agenti e corrispondenti all’estero, Italia, Roma, 131, Ludovico Ariosto,<br />

Dispaccio, 1509, 25 dic. Busta 20. Thanks to Director Euride Fregni for<br />

permission to reproduce the image (Prot. 1420/28.01.02/1.2).<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Jacket printed in Canada<br />

ISBN 978-1-4426-4087-0<br />

Roberto Fedi, Università per Stranieri di Perugia<br />

(The Lorenzo Da Ponte Italian Library)<br />

ISBN 978-1-4426-4087-0<br />

320 pp / 2 photos; 1 map ,!7IB4E2-geaiha! / 6 x 9 / 2010<br />

Cloth 978-1-4426-4087-0 $65.00 (£45.99)<br />

unIversITy oF ToronTo Press<br />

www.utppublishing.com<br />

lorenzo<br />

da ponte<br />

italian<br />

library<br />

Looney<br />

The Lorenzo Da PonTe ITaLIan LIbrary<br />

GeneraL eDITors: LuIGI baLLerInI anD MassIMo CIavoLeLLa<br />

‘My<br />

T<br />

Ludovi<br />

1516 ep<br />

Italian<br />

Dennis<br />

prose, i<br />

Herbal<br />

Ario<br />

<strong>of</strong> the w<br />

letters<br />

his wor<br />

ing Este<br />

compos<br />

allowin<br />

shop. H<br />

and Ne<br />

a defen<br />

philolo<br />

differen<br />

With<br />

provide<br />

Ariosto<br />

Italian R<br />

(The Lo<br />

utppublishing.com 33


LITERATURE<br />

NEW<br />

The Biblical Dante<br />

V. Stanley Benfell<br />

The Biblical Dante explores Dante’s understanding<br />

<strong>of</strong> biblical truth and its significance for the poet and<br />

his readers. In this work, V. Stanley Benfell presents<br />

a series <strong>of</strong> close readings <strong>of</strong> passages where Dante<br />

not only cites the Bible extensively, but also explicitly<br />

considers its status as scripture and as a true text.<br />

In the first part <strong>of</strong> the study, Benfell examines<br />

some <strong>of</strong> Dante’s minor works and the Paradiso to<br />

show how his notion <strong>of</strong> textual truth differs markedly<br />

from our present-day conceptions. In the second<br />

part, Benfell turns to the Commedia’s first two canticles,<br />

where Dante’s vision for a just society is put forth more<br />

overtly, and his use <strong>of</strong> the Bible is key to revealing that<br />

vision.<br />

V. Stanley Benfell is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Humanities, <strong>Classics</strong>, and Comparative<br />

Literature at Brigham Young <strong>University</strong>.<br />

‘I learned a great deal from The Biblical Dante, a<br />

major contribution to the field <strong>of</strong> Dante studies.<br />

Each <strong>of</strong> the chapters in this book is strong, combining<br />

thoughtful analysis with insightful close reading.’<br />

William Stephany, <strong>University</strong> <strong>of</strong> Vermont<br />

(<strong>Toronto</strong> Italian Studies)<br />

336 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4274-4 $75.00 (£52.99)<br />

NEW<br />

Dante and Augustine<br />

Linguistics, Poetics, Hermeneutics<br />

Simone Marchesi<br />

At several junctures in his career, Dante paused to<br />

consider the process <strong>of</strong> writing and what it means<br />

to be a writer: How does language, in particular<br />

‘poetic language,’ work Can poetry be translated<br />

What is the relationship between a text and its commentary<br />

Who controls the meaning <strong>of</strong> a literary<br />

work In Dante and Augustine, Simone Marchesi<br />

re-examines these questions in light <strong>of</strong> the influence<br />

that Augustine’s reflections on similar issues exerted<br />

on Dante’s sense <strong>of</strong> his task as a poet. Marchesi<br />

goes beyond traditional inquiries, allowing Dante to<br />

emerge as a versatile thinker, committed to a radical<br />

defence <strong>of</strong> poetry and yet always ready to reconsider,<br />

revise, and rewrite his own positions on matters <strong>of</strong><br />

linguistics, poetics, and hermeneutics.<br />

Simone Marchesi is an associate pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> French and Italian at Princeton <strong>University</strong>.<br />

‘Dante and Augustine delights as a well-constructed,<br />

elegantly argued, and intellectually coherent study<br />

<strong>of</strong> Dantean ideas through the lens <strong>of</strong> Augustinian<br />

theory.’<br />

Teodolinda Barolini, Columbia <strong>University</strong><br />

(<strong>Toronto</strong> Italian Studies)<br />

304 pp / 6 x 9 / 2011<br />

Cloth 978-1-4426-4210-2 $70.00 (£48.99)<br />

NEW<br />

Dante’s Tenzone with Forese Donati<br />

The Reprehension <strong>of</strong> Vice<br />

Fabian Alfie<br />

Dante’s poetic correspondence (or tenzone) with<br />

Forese Donati, a relative <strong>of</strong> his wife’s, was rife with<br />

crude insults: the two men derided one another<br />

on matters ranging from sexual dysfunction and<br />

cowardice to poverty and thievery. Rather than disregarding<br />

this correspondence, in his Commedia<br />

Dante repeatedly acknowledged and evoked the<br />

memory <strong>of</strong> his youthful put-downs.<br />

Dante’s Tenzone with Forese Donati explores<br />

the lasting impact <strong>of</strong> these early sonnets on Dante’s<br />

writings and Italian literary culture, notably in the work<br />

<strong>of</strong> Boccaccio. Fabian Alfie examines derision as an<br />

ethical dimension <strong>of</strong> literature that both facilitated<br />

the reprehension <strong>of</strong> vice and encouraged ongoing<br />

debate about the true nature <strong>of</strong> nobility.<br />

Fabian Alfie is a pr<strong>of</strong>essor <strong>of</strong> Italian in the Department<br />

<strong>of</strong> French and Italian at the <strong>University</strong> <strong>of</strong> Arizona.<br />

‘This is first-class philological scholarship – substantial,<br />

erudite, and enduringly valuable.’<br />

Steven Botterill, <strong>University</strong> <strong>of</strong> California at Berkeley<br />

(<strong>Toronto</strong> Italian Studies)<br />

240 pp / 2 illustrations; 14 charts / 6 x 9 / 2011<br />

Cloth 978-1-4426-4223-2 $55.00 (£38.99)<br />

34 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


LITERATURE<br />

The Poetics <strong>of</strong> Dante’s Paradiso<br />

Massimo Verdicchio<br />

Traditional readings <strong>of</strong> Dante’s Paradiso have largely<br />

considered this third cantica <strong>of</strong> the Commedia as<br />

a poem apart. It deals with those blessed souls in<br />

Paradise who are free <strong>of</strong> sin and beyond punishment,<br />

in contrast to the sinners in the previous two<br />

cantica, and is thus no longer based on the principle<br />

<strong>of</strong> contrapasso. At the literal level this is true in that<br />

all the characters one encounters are either those<br />

who have been saved, religious leaders, or saints.<br />

However, at the allegorical level, as Massimo<br />

Verdicchio argues, the blessed souls still have something<br />

to hide, something shameful in their past<br />

earthly life, which is revealed nonetheless. Verdicchio’s<br />

highly original and comprehensive reading demonstrates<br />

that the intricacies <strong>of</strong> Dante’s text reveal<br />

subversive undercurrents and a subtle irony,<br />

employed to deliver a critique <strong>of</strong> the Church and<br />

Empire <strong>of</strong> his own time.<br />

Massimo Verdicchio is a pr<strong>of</strong>essor in the Department<br />

<strong>of</strong> Modern Languages and Cultural Studies at<br />

the <strong>University</strong> <strong>of</strong> Alberta.<br />

‘Rooted in a close analysis <strong>of</strong> the poem, Massimo<br />

Verdicchio’s intelligent interpretation is supported by<br />

relevant textual evidence and provides an important<br />

counterpoint to the canonical readings <strong>of</strong> the cantica.’<br />

Lloyd H. Howard, <strong>University</strong> <strong>of</strong> Victoria<br />

(<strong>Toronto</strong> Italian Studies)<br />

192 pp / 6 x 9 / 2010<br />

Cloth 978-1-4426-4119-8 $45.00 (£31.99)<br />

Building a Monument to Dante<br />

Boccaccio as Dantista<br />

Jason M. Houston<br />

The shadow <strong>of</strong> Dante Alighieri looms large in the<br />

works <strong>of</strong> Giovanni Boccaccio, yet the full extent <strong>of</strong><br />

Boccaccio’s relationship to Dante remains largely<br />

unexplored. Building a Monument to Dante employs<br />

literary analysis coupled with philological and historical<br />

evidence to argue that Boccaccio’s multifaceted<br />

work as Dante’s editor, biographer, apologist, and<br />

commentator created a literary figure that could<br />

support Boccaccio’s poetic and political ideologies.<br />

Jason M. Houston finds in Boccaccio’s biographical<br />

writings a strong condemnation <strong>of</strong> Florentine politics<br />

and a harsh critique <strong>of</strong> Petrarch’s political isolation,<br />

distinguishing Boccaccio’s political and intellectual<br />

positions from those <strong>of</strong> both Dante and Petrarch.<br />

Jason M. Houston is an assistant pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Modern Languages at the <strong>University</strong><br />

<strong>of</strong> Oklahoma.<br />

‘Building a Monument to Dante successfully tackles<br />

the topic <strong>of</strong> Boccaccio’s life-long interest in Dante<br />

from a novel point <strong>of</strong> view, interrogating the many<br />

facets <strong>of</strong> Boccaccio’s activity as dantista along new<br />

lines.’<br />

Simone Marchesi, Princeton <strong>University</strong><br />

(<strong>Toronto</strong> Italian Studies)<br />

272 pp / 8 illustrations / 6 x 9 / 2010<br />

Cloth 978-1-4426-4051-1 $55.00 (£38.99)<br />

utppublishing.com 35


CLASSICS<br />

The Phoenix Pre-Socratic Series<br />

Series Editors: David Gallop and T.M. Robinson<br />

The Phoenix Pre-Socratic Series aims to make an important portion <strong>of</strong> Pre-Socratic<br />

writings accessible to those interested in ancient philosophy and European natural<br />

science. Each volume presents extant fragments from one major Pre-Socratic figure or<br />

groups <strong>of</strong> figures. A Greek text with a new, facing-page translation is provided, together<br />

with an introduction or commentary outlining the main problems <strong>of</strong> interpretation and<br />

philosophical issues raised by each thinker’s work.<br />

Complete series now available in paperback!<br />

Get all six volumes at a special price:<br />

Paper 978-1-4426-1262-4 $159.95 (£112.99)<br />

1. Parmenides <strong>of</strong> Elea – Fragments<br />

David Gallop<br />

144 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6908-5 $25.95 (£18.99)<br />

2. Heraclitus – Fragments<br />

T.M. Robinson<br />

214 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6913-9 $30.95 (£21.99)<br />

3. Xenophanes <strong>of</strong> Colophon – Fragments<br />

J.H. Lesher<br />

264 pp / 6 x 9 / 1992<br />

Paper 978-0-8020-8508-5 $36.95 (£25.99)<br />

4. The Atomists: Leucippus and Democritus –<br />

Fragments<br />

C.C.W. Taylor<br />

328 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-1212-9 $29.95 (£20.99)<br />

5. The Poem <strong>of</strong> Empedocles<br />

Brad Inwood<br />

360 pp / 6 x 9 / 2001<br />

Paper 978-0-8020-8353-1 $39.95 (£27.99)<br />

6. Anaxagoras <strong>of</strong> Clazomenae –<br />

Fragments and Testimonia<br />

Patricia Curd<br />

298 pp / 6 x 9 / 2010<br />

Paper 978-1-4426-1163-4 $29.95 (£20.99)<br />

geoRge<br />

NEW<br />

Roman Slavery and Roman Material Culture<br />

Roman SlaveRy and Roman mateRial CultuRe<br />

Edited by Michele George<br />

Replete now with its own scholarly traditions and<br />

controversies, Roman slavery as a field <strong>of</strong> study is no<br />

longer limited to the economic sphere, but is<br />

recognized as a fundamental social institution with<br />

multiple implications for Roman society and culture.<br />

The essays in this collection explore how material<br />

culture – namely, art, architecture, and inscriptions<br />

– can illustrate Roman attitudes towards the<br />

institution <strong>of</strong> slavery and towards slaves themselves<br />

in ways that significantly augment conventional<br />

textual accounts.<br />

Providing the first interdisciplinary approach to<br />

the study <strong>of</strong> Roman slavery, the volume brings<br />

together diverse specialists in history, art history,<br />

and archaeology. The contributors engage with<br />

questions concerning the slave trade, manumission,<br />

slave education, containment and movement, and<br />

the use <strong>of</strong> slaves in the Roman army.<br />

Michele George is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> <strong>Classics</strong> at McMaster <strong>University</strong>.<br />

(Phoenix Supplementary Volumes LII)<br />

Approx. 312 pp / 49 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4457-1 $75.00 (£52.99)<br />

NEW<br />

Belonging and Isolation in the Hellenistic World<br />

Edited by Sheila L. Ager and Riemer A. Faber<br />

Edited by Sheila L. Ager and Riemer A. Faber<br />

The Hellenistic period was a time <strong>of</strong> unprecedented<br />

cultural exchange. In the wake <strong>of</strong> Alexander’s conquests,<br />

Greeks and Macedonians began to encounter new<br />

peoples, new ideas, and new ways <strong>of</strong> life; consequently,<br />

this era is generally considered to have been one <strong>of</strong><br />

unmatched cosmopolitanism. For many individuals,<br />

however, the broadening <strong>of</strong> horizons brought with<br />

it an identity crisis and a sense <strong>of</strong> being adrift in a<br />

world that had undergone a radical structural<br />

change.<br />

Belonging and Isolation in the Hellenistic World<br />

presents essays by leading international scholars<br />

who consider how the cosmopolitanism <strong>of</strong> the Hellenistic<br />

age also brought about tensions between individuals<br />

and communities, and between the small local<br />

community and the mega-community <strong>of</strong> oikoumene,<br />

or ‘the inhabited earth.’ With a range <strong>of</strong> social,<br />

artistic, economic, political, and literary perspectives,<br />

the contributors provide a lively exploration <strong>of</strong> the<br />

tensions and opportunities <strong>of</strong> life in the Hellenistic<br />

Mediterranean.<br />

Sheila L. Ager is an associate pr<strong>of</strong>essor in the<br />

Department <strong>of</strong> Classical Studies at the <strong>University</strong> <strong>of</strong><br />

Waterloo. Riemer A. Faber is an associate pr<strong>of</strong>essor<br />

in the Department <strong>of</strong> Classical Studies at the <strong>University</strong><br />

<strong>of</strong> Waterloo.<br />

(Phoenix Supplementary Volumes LI)<br />

Approx. 408 pp / 17 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4422-9 $80.00 (£55.99)<br />

36 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


CLASSICS<br />

Apuleius and Antonine Rome<br />

Historical Essays<br />

NEW<br />

Keith Bradley<br />

Apuleius and Antonine Rome features outstanding<br />

scholarship by Keith Bradley on the Latin author<br />

Apuleius <strong>of</strong> Madauros and on the second-century<br />

Roman world in which Apuleius lived. Bradley discusses<br />

Apuleius’ work in the context <strong>of</strong> social relations<br />

(especially the family and household), religiosity in<br />

all its diversity and complexity, and cultural<br />

interactions between the imperial centre and the<br />

provincial periphery.<br />

These essays examine the Apology, the speech<br />

Apuleius made when he defended himself on the<br />

criminal charge <strong>of</strong> having enticed a wealthy widow<br />

to marry him through magical means; the fragments<br />

<strong>of</strong> his speeches known as the Florida; and the remarkable<br />

serio-comic novel Metamorphoses (better<br />

known as The Golden Ass). Altogether, Apuleius<br />

and Antonine Rome effectively illustrates how sociocultural<br />

history can be recovered from works <strong>of</strong><br />

literature.<br />

Keith Bradley is the Eli J. and Helen Shaheen<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>Classics</strong> and Concurrent Pr<strong>of</strong>essor <strong>of</strong><br />

History at the <strong>University</strong> <strong>of</strong> Notre Dame.<br />

(Phoenix Supplementary Volumes L)<br />

Approx. 408 pp / 10 illustrations / 6 x 9 / April <strong>2012</strong><br />

Cloth 978-1-4426-4420-5 $75.00 (£50.99)<br />

Bringing in the Sheaves<br />

Economy and Metaphor in the Roman World<br />

Brent D. Shaw<br />

The annual harvesting <strong>of</strong> cereal crops was one <strong>of</strong><br />

the most important economic tasks in the Roman<br />

Empire. Not only was it urgent and critical for the<br />

survival <strong>of</strong> state and society, it mobilized huge numbers<br />

<strong>of</strong> men and women every year from across the<br />

whole face <strong>of</strong> the Mediterranean. In Bringing in the<br />

Sheaves, Brent D. Shaw investigates the ways in<br />

which human labour interacted with the instruments<br />

<strong>of</strong> harvesting, what part the workers and their tools<br />

had in the whole economy, and how the work itself<br />

was organized.<br />

Both collective and individual aspects <strong>of</strong> the story<br />

are investigated, centred on the life-story <strong>of</strong> a single<br />

reaper whose work in the wheat fields <strong>of</strong> North Africa<br />

is documented in his funerary epitaph. The narrative<br />

then proceeds to an analysis <strong>of</strong> the ways in which<br />

this cyclical human behaviour formed and influenced<br />

modes <strong>of</strong> thinking about matters beyond the harvest.<br />

The work features an edition <strong>of</strong> the reaper inscription,<br />

and a commentary on it. It is also lavishly illustrated<br />

to demonstrate the important iconic and pictorial<br />

dimensions <strong>of</strong> the story.<br />

Brent D. Shaw is Andrew Fleming West Pr<strong>of</strong>essor<br />

<strong>of</strong> <strong>Classics</strong> at Princeton <strong>University</strong>.<br />

(Robson Classical Lectures Series)<br />

Approx. 480 pp / 93 illustrations / 6 x 9 / October <strong>2012</strong><br />

Cloth 978-1-4426-4479-3 $90.00 (£62.99)<br />

BRENT D. SHAW<br />

BRINGING IN<br />

THE SHEAVES<br />

Economy and<br />

Metaphor in the<br />

Roman World<br />

NEW<br />

Perceptions <strong>of</strong> the Second Sophistic and Its Times –<br />

Regards sur la Seconde Sophistique et son époque<br />

Edited by Thomas Schmidt and Pascale Fleury<br />

The Second Sophistic (50 to 250 BCE) was an<br />

intellectual movement throughout the ancient Greek<br />

and Roman world. Although it can be characterized<br />

as a literary and cultural phenomenon <strong>of</strong> which<br />

rhetoric is an essential component, other themes and<br />

values such as peideia, mimesis, the glorification <strong>of</strong><br />

the past, the importance <strong>of</strong> Athens, and Greek<br />

identity pervade the literature and art <strong>of</strong> this era.<br />

These essays explore the Second Sophistic and<br />

describe how the intellectual elites <strong>of</strong> this period<br />

perceived and defined themselves, how they were<br />

judged by later authors, and how we understand<br />

them today.<br />

Thomas Schmidt is pr<strong>of</strong>esseur ordinaire de philologie<br />

classique, Institut des Sciences de l’Antiquité et<br />

du Monde byzantin, Université de Fribourg (Suisse).<br />

Pascale Fleury is pr<strong>of</strong>esseure agrégée, Département<br />

des littératures, Université Laval.<br />

‘With each article shedding new light on different<br />

aspects <strong>of</strong> the movement, this collection is a major<br />

contribution to research and scholarship.’<br />

Alain Billault, Pr<strong>of</strong>essor, <strong>University</strong> <strong>of</strong> Paris–Sorbonne<br />

(Phoenix Supplementary Volumes XLIX)<br />

304 pp / 2 tables / 6 x 9 / 2011<br />

Cloth 978-1-4426-4216-4 $75.00 (£52.99)<br />

utppublishing.com 37


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

These books are specially selected and designed to keep in print<br />

the very best medieval scholarship and translation modestly priced for student use.<br />

The Carolingian Empire<br />

Heinrich Fichtenau<br />

Translated by Peter Munz<br />

A classic account <strong>of</strong> Charles the Great and the heyday <strong>of</strong> Frankish rule in Europe, evaluating the achievements<br />

and failures <strong>of</strong> the empire which has been called ‘the first Europe.’ Reprinted from the 1968 edition,<br />

translation first published in 1957.<br />

(MART 1) 196 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6367-0 $20.95 (£14.99)<br />

The Story <strong>of</strong> Troilus<br />

Translations and introductions by R.K. Gordon<br />

The only collection in English <strong>of</strong> the major medieval versions <strong>of</strong> the story <strong>of</strong> Troilus and Criseyde – from<br />

Benoit de Sainte-Maure, Boccaccio, Chaucer, and Henryson. Reprinted from the 1964 edition, first published<br />

in 1934.<br />

(MART 2) 383 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6368-7 $22.95 (£16.99)<br />

A Guide to Chaucer’s Pronunciation<br />

Helge Kökeritz<br />

The authoritative reconstruction <strong>of</strong> Chaucer’s pronunciation – indispensable to all readers <strong>of</strong> his poetry.<br />

Reprinted from the 1962 printing, first published in 1961.<br />

(MART 3) 32 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6370-0 $9.95 (£6.99)<br />

Constantine and the Conversion <strong>of</strong> Europe<br />

A.H.M. Jones<br />

A study <strong>of</strong> politics and religion during a key era (AD 284-337) when Christianity established itself as the<br />

dominant force shaping government and civilization. Reprinted from the 1962 edition, first published in<br />

1948.<br />

(MART 4) 222 pp / 6 x 9 / 1978<br />

Paper 978-0-8020-6369-4 $24.95 (£17.99)<br />

38 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

Mission to Asia<br />

Edited and with an introduction by Christopher Dawson<br />

Narratives by Franciscans sent to Central and East Asia in the thirteenth and fourteenth centuries in a heroic<br />

but failed attempt to maintain contact with Christians there and convert the Mongols. Reprinted from the<br />

1966 reprint <strong>of</strong> the 1955 edition.<br />

(MART 8) 246 pp / 6 x 9 / 1980<br />

Paper 978-0-8020-6436-3 $24.95<br />

North American rights only<br />

Ancient Writing and its Influence<br />

B.L. Ullman, with an introduction by Julian Brown<br />

First published in 1932, this book is a sound, concise, and expert introduction to the history <strong>of</strong> the alphabet,<br />

Greek palaeography and epigraphy, Latin palaeography and epigraphy, and the origins <strong>of</strong> printing. B.L.<br />

Ullman, one <strong>of</strong> the master palaeographers <strong>of</strong> the twentieth century, covers the origins <strong>of</strong> western writing<br />

and the forms that it took in antiquity and the Middle Ages.<br />

(MART 10) 240 pp / 6 x 9 / 1980<br />

Paper 978-0-8020-6435-6 $20.95 (£14.99)<br />

William Marshal<br />

Knight-Errant, Baron, and Regent <strong>of</strong> England<br />

Sidney Painter<br />

For the first forty years <strong>of</strong> his life, Marshal was a landless knight, but by his marriage to the daughter <strong>of</strong> Earl<br />

Richard <strong>of</strong> Pembroke in 1189, he became a great feudal lord. His biography depicts the two extremes <strong>of</strong><br />

feudal society. This edition was first published in 1933.<br />

(MART 13) 305 pp / 6 x 9 / 1982<br />

Paper 978-0-8020-6498-1 $24.95 (£17.99)<br />

A Concise Anglo-Saxon Dictionary<br />

Fourth Edition<br />

J.R. Clark Hall, with a Supplement by Herbert T. Merritt<br />

This classic dictionary deals carefully and exhaustively with all the words which occur in Anglo-Saxon poetry<br />

and prose. Variant dialectic forms are given, together with variant forms found in the same dialect. Purely<br />

poetic words and words not common in prose are indicated, and references are given to the passages in<br />

which they occur. First published in 1894, this is a reprint <strong>of</strong> the fourth edition (1960).<br />

(MART 14) 432 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6548-3 $29.95 (£20.99)<br />

Self and Society in <strong>Medieval</strong> France<br />

The Memoirs <strong>of</strong> Abbot Guibert <strong>of</strong> Nogent<br />

Edited and with an introduction by John F. Benton<br />

A revised edition (1970) based on C.C. Swinton Bland’s translation<br />

‘An exemplary addition to [the MART] series … [Guibert’s memoirs] provide precious insights into French<br />

culture <strong>of</strong> the eleventh and twelfth centuries. As he describes himself, he also chronicles contemporary<br />

events such as the 1112 revolt <strong>of</strong> the Laon commune. Given the complexity <strong>of</strong> Guibert’s historical maze, the<br />

reader will appreciate Benton’s annotations. What emerges is an engaging portrait <strong>of</strong> a man and his times.’<br />

The Reprint Bulletin<br />

(MART 15) 260 pp / 6 x 9 / 1984<br />

Paper 978-0-8020-6550-6 $21.95 (£15.99)<br />

utppublishing.com 39


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Art <strong>of</strong> the Byzantine Empire 312–1453<br />

Sources and Documents<br />

Cyril Mango<br />

An anthology <strong>of</strong> translated histories, chronicles, saints’ lives, theological treatises, and accounts present an<br />

in-depth analysis <strong>of</strong> Byzantine art focusing on Constantinople. First published in 1972.<br />

‘The prevailing view <strong>of</strong> Byzantine authors is that their art was highly true to nature. A perusal <strong>of</strong> the texts<br />

collected here will confirm this statement … To us, such views appear rather perplexing, for we regard<br />

Byzantine art as being abstract rather than naturalistic, and we expect to find in the written sources some<br />

reflection <strong>of</strong> our judgment.’<br />

From the Introduction<br />

(MART 16) 272 pp / 6 x 9 / 1986<br />

Paper 978-0-8020-6627-5 $23.95 (£16.99)<br />

Early <strong>Medieval</strong> Art 300–1150<br />

Sources and Documents<br />

Caecilia Davis-Weyer<br />

This anthology <strong>of</strong> medieval texts on art includes descriptions <strong>of</strong> lost monuments, theoretical and technical<br />

texts that reveal intentions <strong>of</strong> artists and patrons, liturgical texts which describe the use <strong>of</strong> medieval artifacts,<br />

and others that reflect the tastes <strong>of</strong> the literate public. First published in 1971.<br />

(MART 17) 182 pp / 6 x 9 / 1986<br />

Paper 978-0-8020-6628-2 $21.95 (£15.99)<br />

Byzantium<br />

The Imperial Centuries AD 610–1071<br />

Romilly Jenkins<br />

A student and general reader guide to the middle period, or the most imperial era, <strong>of</strong> Byzantium’s history.<br />

Jenkins provides a connected account <strong>of</strong> what actually went on in the East Roman Empire between the<br />

accession <strong>of</strong> Heraclius and the Battle <strong>of</strong> Manzikert. First published in 1966.<br />

(MART 18) 400 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6667-1 $29.95 (£20.99)<br />

The Discovery <strong>of</strong> the Individual 1050–1200<br />

Colin Morris<br />

Morris traces the origin <strong>of</strong> the concept <strong>of</strong> the individual, not to the <strong>Renaissance</strong> where it is popularly<br />

assumed to have been invented, but farther back, to the spirituality and intellectually dynamic world <strong>of</strong><br />

Europe in the twelfth century. First published in 1972.<br />

(MART 19) 188 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6665-7 $18.95 (£13.99)<br />

Gothic Art 1140–c 1450<br />

Sources and Documents<br />

Teresa G. Frisch<br />

Gothic Art 1140–c 1450 is a chronologically arranged collection <strong>of</strong> both secular and more pious original texts,<br />

selected from a wide variety <strong>of</strong> sources. These records include the personal observations <strong>of</strong> pr<strong>of</strong>essional<br />

artisans and contemporary observers, as well as the less personal records left in legal contracts, agreements,<br />

inscriptions, and other sorts <strong>of</strong> documentation. Introductory notes and headings help to place the texts in<br />

their original contexts. First published in 1971.<br />

(MART 20) 181 pp / 6 x 9 / 1987<br />

Paper 978-0-8020-6679-4 $18.95 (£13.99)<br />

40 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Crisis <strong>of</strong> Church and State 1050–1300<br />

Brian Tierney<br />

A clear narrative that presents and interprets the major documents <strong>of</strong> the centuries-long struggle between<br />

kings and popes <strong>of</strong> medieval Europe over the separation <strong>of</strong> church and state. Few controversies have so<br />

indelibly influenced the course <strong>of</strong> western civilization. A reprint <strong>of</strong> the 1980 edition first published in 1964.<br />

(MART 21) 210 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6701-2 $21.95 (£15.99)<br />

Change in <strong>Medieval</strong> Society<br />

Europe North <strong>of</strong> the Alps 1050–1500<br />

Sylvia L. Thrupp<br />

The nineteen essays in this collection reflect the importance <strong>of</strong> change as an aspect <strong>of</strong> medieval society.<br />

They are arranged in six subject areas: Communities; Reformers; Careers, Rank, and Power; The Communication<br />

<strong>of</strong> Ideas; Money; and Views <strong>of</strong> Society. A reprint <strong>of</strong> the 1964 edition.<br />

(MART 22) 324 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6699-2 $19.95 (£13.99)<br />

The <strong>Medieval</strong> Experience<br />

Francis Oakley<br />

A far-ranging study examines five critical areas in which medieval civilization departed from earlier civilizations,<br />

and thereby contributed to the development <strong>of</strong> a unique European culture. A reprint <strong>of</strong> the 1974 edition.<br />

(MART 23) 228 pp / 6 x 9 / 1988<br />

Paper 978-0-8020-6707-4 $21.95 (£15.99)<br />

Modern Perspectives in Western Art History<br />

An Anthology <strong>of</strong> Twentieth-Century Writings on the Visual Arts<br />

Edited by W. Eugene Kleinbauer<br />

A collection <strong>of</strong> essays that reflect the breadth <strong>of</strong> twentieth-century scholarship in art history. Kleinbauer<br />

has sought to illustrate the variety <strong>of</strong> methods scholars have developed for conveying the unfolding <strong>of</strong> the<br />

arts in the Western world. A reprint <strong>of</strong> the edition first published in 1971.<br />

(MART 25) 528 pp / 6 x 9 / 1989<br />

Paper 978-0-8020-6708-1 $36.00 (£25.99)<br />

The <strong>Medieval</strong> Book<br />

Illustrated from the Beinecke Rare Book and Manuscript Library<br />

Barbara A. Shailor<br />

A beautifully illustrated study <strong>of</strong> medieval manuscript books that details how they were made and their<br />

place in society. Shailor first examines the manuscript book as an archaeological artifact, then groups books<br />

by genre – both religious and secular – to show how their contents and function influenced their physical<br />

appearance and manufacture. 106 examples, most with illustration, many in colour.<br />

‘A worthwhile resource that anyone interested in the history <strong>of</strong> the book in the Middle Ages will want to<br />

have nearby.’<br />

Richard W. Clement, Épilogue<br />

(MART 28) 115 pp / 8 x 11 / 1991<br />

Cloth 978-0-8020-5910-9 $78.00 (£54.99)<br />

Paper 978-0-8020-6853-8 $36.95 (£25.99)<br />

utppublishing.com 41


MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

The Origins <strong>of</strong> European Dissent<br />

R.I. Moore<br />

Moore traces the roots <strong>of</strong> the rejection <strong>of</strong> the Western church in the eleventh and twelfth centuries and<br />

argues that heresy had less to do with faith than with the changing world <strong>of</strong> the time. A reprint <strong>of</strong> the corrected<br />

edition first published in 1985.<br />

(MART 30) 322 pp / 6 x 9 / 1994<br />

Paper 978-0-8020-7566-6 $25.95 (£18.99)<br />

Fables<br />

Marie de France<br />

Edited and translated by Harriet Spiegel<br />

Comprising the 103 tales that form the earliest vernacular collection <strong>of</strong> fables from western Europe, this edition<br />

captures the fresh and lively tone <strong>of</strong> Marie de France’s text. This is a reprint <strong>of</strong> the first edition published in 1987.<br />

‘Spiegel provides here a translation which captures admirably the liveliness <strong>of</strong> Marie’s imagination. As a<br />

tribute to [Marie’s] spirit one could not ask for better.’<br />

Nancy Vine Durling, Speculum<br />

(MART 32) 282 pp / 6 x 9 / 1994<br />

Paper 978-0-8020-7636-6 $26.95 (£18.99)<br />

The Birth <strong>of</strong> Popular Heresy<br />

R.I. Moore<br />

Until the publication <strong>of</strong> The Birth <strong>of</strong> Popular Heresy, little was known about the many ordinary men and women<br />

who dissented from orthodox Christianity in the middle ages. Moore analyses the development <strong>of</strong> popular<br />

heresy using edited collections <strong>of</strong> letters, chronicles, and sermons written, in the main, by clerics and other<br />

highly placed church <strong>of</strong>ficials during the eleventh and twelfth centuries. A reprint <strong>of</strong> the 1975 first edition.<br />

(MART 33) 166 pp / 6 x 9 / 1995<br />

Paper 978-0-8020-7659-5 $22.95 (£16.99)<br />

Feudalism<br />

F.L. Gansh<strong>of</strong><br />

Translated by Philip Grierson<br />

A reprint <strong>of</strong> the third edition, published in 1964.<br />

‘Historians have come to realize that they possess in this book a survey <strong>of</strong> the essential feudal order which<br />

in breadth <strong>of</strong> view, wealth <strong>of</strong> learning, and sureness <strong>of</strong> judgment is a model among works <strong>of</strong> its scale … It<br />

is a tribute to Pr<strong>of</strong>essor Gansh<strong>of</strong>’s skill as a writer that the reader is never conscious <strong>of</strong> a break in continuity<br />

as they survey passes from the obscurities <strong>of</strong> the Dark Ages, where the origins <strong>of</strong> feudalism lie, to the highly<br />

developed organization <strong>of</strong> the twelfth century.’<br />

From the Foreword<br />

‘Pr<strong>of</strong>essor Gansh<strong>of</strong>’s book answers the prayer <strong>of</strong> every teacher and student <strong>of</strong> medieval history for a lucid,<br />

concise, and authoritative exposition <strong>of</strong> feudal institutions.’<br />

George Holmes, The Cambridge Review<br />

(MART 34) 176 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7158-3 $19.95 (£13.99)<br />

Arthurian Chronicles<br />

Wace and Layamon<br />

Translated by Eugene Mason with an introduction by Gwyn Jones<br />

The spread <strong>of</strong> the Arthurian legend during the course <strong>of</strong> the twelfth century is one <strong>of</strong> the most remarkable<br />

phenomena in literary history. In this English language prose translation <strong>of</strong> the Wace and Layamon Arthurian<br />

poems, the folk-tale ferocity <strong>of</strong> Arthur is made as exciting to the readers as to the poets who contributed<br />

so much to Arthur’s legend. A reprint <strong>of</strong> the 1962 edition.<br />

(MART 35) 282 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7176-7 $22.95 (£16.99)<br />

42 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Nature, Man, and Society in the Twelfth Century<br />

Essays on New Theological Perspectives in the Latin West<br />

MEDIEVAL ACADEMY REPRINTS FOR TEACHING<br />

M.-D. Chenu<br />

Selected, edited, and translated by Jerome Taylor and Lester K. Little<br />

The nine essays in this collection, selected from La théologie au douzième siècle, inquire into the historical<br />

context and origins <strong>of</strong> medieval scholasticism. They are representative <strong>of</strong> Chenu’s finest work.<br />

(MART 37) 384 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-7175-0 $22.95 (£16.99)<br />

Selections from English Wycliffite Writings<br />

Edited by Anne Hudson<br />

Selections from English Wycliffite Writings is a collection <strong>of</strong> twenty-seven <strong>of</strong>ten-ignored primary texts<br />

written between 1385 and 1425 by members <strong>of</strong> the Lollard sect in England. Through a variety <strong>of</strong> tracts,<br />

sermons, and satires, this edition illuminates the wide range <strong>of</strong> Lollard interests and preoccupations. The<br />

text is in Middle English with extensive supplemental notes that help to fully explain the context <strong>of</strong> each<br />

work. This new edition comes with a revised and updated bibliography by the editor.<br />

‘This is a most useful book for historians <strong>of</strong> ideas, historians <strong>of</strong> the Reformation, literary historians, and<br />

historians <strong>of</strong> the English language. It opens new doors to understanding the late Middle Ages in England.’<br />

Morton W. Bloomfield, Speculum<br />

(MART 38) 245 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-8045-5 $22.95 (£16.99)<br />

<strong>Medieval</strong> Families<br />

Perspectives on Marriage, Household, and Children<br />

Edited by Carol Neel<br />

<strong>Medieval</strong> Families brings together essays by historians, art historians, and literary scholars about the structures,<br />

social functions, and emotional characteristics <strong>of</strong> families in the middle ages. The volume’s introduction and<br />

bibliography enable readers to set the articles gathered here in the context <strong>of</strong> the later twentieth-century<br />

transformation <strong>of</strong> medieval studies and, more broadly, historical scholarship.<br />

(MART 40) 320 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-3606-3 $90.00 (£62.99)<br />

Paper 978-0-8020-8458-3 $36.00 (£25.99)<br />

A Concise Dictionary <strong>of</strong> Old Icelandic<br />

Geir T. Zoëga<br />

A Concise Dictionary <strong>of</strong> Old Icelandic has long been the foremost reference source for the Icelandic language.<br />

The dictionary has helped to bring about a wider interest in the language and literature <strong>of</strong> Iceland and is<br />

considered an essential complement to the study <strong>of</strong> medieval Nordic literature.<br />

(MART 41) 560 pp / 6 x 9 / 2004<br />

Cloth 978-0-8020-8705-8 $109.00 (£76.99)<br />

Paper 978-0-8020-8659-4 $35.95 (£25.99)<br />

Old Norse-Icelandic Literature<br />

A Critical Guide<br />

Edited by Carol J. Clover and John Lindow<br />

With a new preface by Theodore M. Andersson<br />

The current revival <strong>of</strong> interest in the rich and varied literature <strong>of</strong> early Scandinavia has prompted a<br />

corresponding interest in its background: its origins, social and historical context, and relationship to<br />

other medieval literatures. The essays <strong>of</strong> six distinguished scholars summarize and comment on scholarly<br />

work in the major branches <strong>of</strong> the field.<br />

‘Indispensable as a bibliographic source.’<br />

<strong>Medieval</strong> Literature Research Guide<br />

(MART 42) 390 pp / 6 x 9 / 2005<br />

Paper 978-0-8020-3823-4 $41.00 (£28.99)<br />

utppublishing.com 43


MEDIEVAL ACADEMY BOOKS<br />

NEW<br />

Three Cartularies<br />

from Thirteenth-Century Auxerre<br />

Edited by Constance Brittain Bouchard<br />

Three Cartularies from Thirteenth-Century Auxerre<br />

Edited by Constance Brittain Bouchard<br />

This edition presents the recently rediscovered episcopal cartulary <strong>of</strong> Auxerre, composed in the 1280s but<br />

assumed lost since the French Revolution. Along with confirmations by popes, quarrel settlements with<br />

counts, and agreements with the bishop’s tenants, the cartulary contains documents that were previously<br />

unknown, notably several papal decisions. Auxerre was unusually well documented for the period<br />

800–1200, but little information on the bishopric’s history after 1200 has been available until now. The<br />

text contains a wealth <strong>of</strong> information about relationships between church leaders and other churches,<br />

between churches and secular leaders, and details on peasant rights and obligations.<br />

This edition also includes the short thirteenth-century cartularies <strong>of</strong> the nuns <strong>of</strong> St.-Julien and <strong>of</strong> the<br />

cathedral chapter, the latter existing only in fragmentary form. With full annotation <strong>of</strong> people and places<br />

and English-language summaries, these cartularies make a valuable contribution to our understanding <strong>of</strong><br />

this significant episcopal centre’s history.<br />

(<strong>Medieval</strong> Academy Books) Approx. 320 pp / 1 map / 6 x 9 / December <strong>2012</strong><br />

Cloth 978-1-4426-4528-8 $90.00 (£62.99)<br />

<strong>Medieval</strong> Conduct Literature<br />

An Anthology <strong>of</strong> Vernacular Guides to Behaviour for Youths, with English Translations<br />

Edited by Mark D. Johnston<br />

Conduct literature is a term used to identify writings that address how one should ‘conduct’ oneself in<br />

social situations. In the medieval period conduct literature was essential reading for nearly all literate<br />

children and adolescents to educate them in the expected social behaviours for their culture, gender, and<br />

status. Using a comparative approach, this anthology pairs together pieces <strong>of</strong> male-directed and femaledirected<br />

medieval conduct literature, many being translated into English for the first time, to present an<br />

illuminating picture <strong>of</strong> medieval gender norms, parenting, literary style, and pedagogy. Containing texts<br />

written in six vernacular languages, each section is also accompanied by textual notes, an introduction,<br />

and an English translation.<br />

(<strong>Medieval</strong> Academy Books) 360 pp / 5 photos / 6 x 9 / 2009<br />

Cloth 978-0-8020-9832-0 $70.00 (£48.99)<br />

The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne<br />

Edited by Theodore Evergates<br />

The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne examines the countess’ twenty-one-year regency<br />

(1201–22) through her cartulary – a manuscript copy <strong>of</strong> legal and otherwise public documents usually<br />

intended as an archival aid and as a security duplicate. Surviving intact to this day, the 1224 volume is<br />

unusual in that it was commissioned as a personal, commemorative document for the countess in retirement,<br />

after a successful career in which she preserved the county from a divisive civil war, expanded the<br />

county’s borders, and transformed comital-baronial relationships. The 443 letters contained in the cartulary<br />

deal with practical matters <strong>of</strong> governance such as homages, fiefs, and the rights <strong>of</strong> lordship, and are<br />

here used by Theodore Evergates as a dossier for observing the practices <strong>of</strong> a major French principality<br />

and its aristocracy.<br />

(<strong>Medieval</strong> Academy Books) 416 pp / 6 x 9 / 2009<br />

Cloth 978-1-4426-3995-9 $95.00 (£66.99)<br />

Three Treatises from Bec on the Nature <strong>of</strong> Monastic Life<br />

Edited with introduction and notes by Giles Constable<br />

Translated by Bernard S. Smith<br />

The abbey <strong>of</strong> Bec was founded in the eleventh century and was one <strong>of</strong> the best known and most influential<br />

monasteries in Normandy. The three treatises collected and translated in this volume – Tractatus de<br />

pr<strong>of</strong>essionibus monachorum (‘The Pr<strong>of</strong>ession <strong>of</strong> Monks’), De pr<strong>of</strong>essionibus abbatum (‘The Pr<strong>of</strong>ession <strong>of</strong><br />

Abbots’), and De libertate Beccensis monasterii (‘On the Liberty <strong>of</strong> the Monastery <strong>of</strong> Bec’) – are a striking<br />

statement <strong>of</strong> the position <strong>of</strong> Bec in relation to episcopal and ducal (later royal) authorities.<br />

This volume is an important contribution to understanding not only monasticism in Normandy, but<br />

also the conflict between church and state in the eleventh and twelfth centuries.<br />

(<strong>Medieval</strong> Academy Books) 208 pp / 6 x 9 / 2008<br />

Cloth 978-0-8020-9260-1 $52.00 (£36.99)<br />

44 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


MEDIEVAL ACADEMY BOOKS<br />

Las Mocedades de Rodrigo<br />

The Youthful Deeds <strong>of</strong> Rodrigo, the Cid<br />

Edited by Matthew Bailey<br />

Rodrigo Diaz lived in the second half <strong>of</strong> the eleventh century and is the most famous Castilian in history. His<br />

exploits are recounted in the traditional epic poem Cantar de Mio Cid which celebrated Diaz at the height<br />

<strong>of</strong> his fame and honour. The Mocedades de Rodrigo predates Mio Cid as a fictional story <strong>of</strong> the passage<br />

<strong>of</strong> a precocious twelve-year old Rodrigo from a rebellious and destructive killing force <strong>of</strong> nature to a leader<br />

<strong>of</strong> men in the service <strong>of</strong> his king, Fernando I <strong>of</strong> Leon-Castile. Bailey’s edition presents a transcription <strong>of</strong> the<br />

original manuscript, an English translation, notes, and commentary.<br />

(<strong>Medieval</strong> Academy Books) 150 pp / 6 x 9 / 2007<br />

Cloth 978 0-8020-9336-3 $39.00 (£27.99)<br />

The Mirroure <strong>of</strong> the Worlde<br />

A Middle English Translation <strong>of</strong> the Miroir du Monde<br />

Edited by Robert R. Raymo and Elaine E. Whitaker with Ruth E. Sternglantz<br />

The Mirroure <strong>of</strong> the Worlde makes available for the first time the unique text in the fifteenth-century British<br />

manuscript, ms. Bodley 283, which is among the last and largest works in the tradition <strong>of</strong> lay religious<br />

instruction mandated by the Fourth Lateran council. This edition is one <strong>of</strong> the only books <strong>of</strong> virtues and<br />

vices that contains Latin text, an inclusion that points towards a more widespread knowledge <strong>of</strong> the<br />

language among the laypeople than previously thought. Complete with explanatory notes and a glossary,<br />

The Mirroure <strong>of</strong> the Worlde widens the understanding <strong>of</strong> medieval moral instruction, religion, reading<br />

practices, and education.<br />

(<strong>Medieval</strong> Academy Books) 664 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-3613-1 $101.00 (£70.99)<br />

The Cartulary <strong>of</strong> Montier-en-Der, 666-1129<br />

Edited by Constance Brittain Bouchard<br />

The monastery <strong>of</strong> Montier-en-Der, on the border between Champagne and Lorraine, was one <strong>of</strong> the most<br />

important monasteries <strong>of</strong> the Middle Ages. Its cartulary, put together in the Ilzos at the height <strong>of</strong> the<br />

monastery’s prestige and wealth, is a crucial source <strong>of</strong> information for the history <strong>of</strong> west Francia before the<br />

twelfth century and is here published in full for the first time. With information on popes, kings, and<br />

counts, on manorial structures and the obligations <strong>of</strong> peasant tenants, and on monastic reform, the<br />

cartulary will be an essential resource for the study <strong>of</strong> religious history and <strong>of</strong> the middle ages in France.<br />

(<strong>Medieval</strong> Academy Books) 440 pp / 6 x 9 / 2004<br />

Cloth 978-0-8020-8807-9 $90.00 (£62.99)<br />

Littere Baronum<br />

The Earliest Cartulary <strong>of</strong> the Counts <strong>of</strong> Champagne<br />

Edited by Theodore Evergates<br />

The cartulary <strong>of</strong> 1211 is the oldest surviving register produced by the chancery <strong>of</strong> the counts <strong>of</strong> Champagne.<br />

This first edition <strong>of</strong> the cartulary contains 121 letters received from the barons and prelates <strong>of</strong> the county<br />

during the rule <strong>of</strong> Count Thibaut III (1198-1201) and the first decade <strong>of</strong> the regency <strong>of</strong> his widow, Countess<br />

Blanche (1201-22). Since only one-third <strong>of</strong> the original letters survive, the cartulary copies are particularly<br />

valuable in capturing the range <strong>of</strong> written records entering the chancery <strong>of</strong> a major French principality<br />

around 1200.<br />

(<strong>Medieval</strong> Academy Books) 300 pp / 6 x 9 / 2003<br />

Cloth 978-0-8020-8762-1 $62.00 (£43.99)<br />

utppublishing.com 45


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

These books are specially selected and designed to keep in print the<br />

most treasured works in <strong>Renaissance</strong> studies, modestly priced for student use.<br />

The Treatise <strong>of</strong> Lorenzo Valla on the Donation <strong>of</strong> Constantine<br />

Text and translation into English by Christopher Coleman<br />

The Donation <strong>of</strong> Constantine is the most famous forgery in European history. Written in the eighth century,<br />

it was allegedly a fourth-century document by which the Emperor Constantine the Great gave extensive<br />

privileges and property to Pope Sylvester I.<br />

This document was accepted as genuine for seven centuries and was cited by at least ten popes in<br />

contentions for the recognition <strong>of</strong> papal control. Lorenzo Valla’s 1440 treatise established the Donation <strong>of</strong><br />

Constantine was forged, and made him a pioneer <strong>of</strong> modern historical criticism. The reprint is <strong>of</strong> the 1922<br />

edition <strong>of</strong> Valla’s treatise and presents the Latin text and English translation <strong>of</strong> it and the forged donation<br />

document on facing pages.<br />

(RSART 1) 183 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7734-9 $32.95 (£23.99)<br />

The Italian <strong>Renaissance</strong><br />

Edited by Werner L. Gundersheimer<br />

An anthology <strong>of</strong> the writings from the fifteenth and early sixteenth centuries designed to illustrate the life<br />

and thought <strong>of</strong> Italians for students and the general reader. It <strong>of</strong>fers a broad sampling <strong>of</strong> humanist work by<br />

educators, statesmen, philosophers, churchmen, and courtiers translated into English.<br />

‘This collection <strong>of</strong> humanistic prose is invaluable to all those who contemplate the history <strong>of</strong> western civilization,<br />

but most especially to students <strong>of</strong> the Italian <strong>Renaissance</strong> history, literature, philosophy, and art history who<br />

will greatly benefit from this engaging scholarly survey <strong>of</strong> hard-to-find original texts <strong>of</strong> important works.’<br />

Christiane L. Joost-Gaugier, Sixteenth Century Journal<br />

(RSART 2) 184 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7735-6 $21.95 (£15.99)<br />

Religion and Economic Action<br />

The Protestant Ethic, the Rise <strong>of</strong> Capitalism, and the Abuses <strong>of</strong> Scholarship<br />

Kurt Samuelsson<br />

Translated by E. Ge<strong>of</strong>frey French • Edited and with an Introduction by D.C. Coleman<br />

Max Weber first proposed, and R.H. Tawney did much to promote, the idea that capitalism grew out <strong>of</strong><br />

Puritan values. In this bold essay, Kurt Samuelsson convincingly challenges that hypothesis and reassesses<br />

the spirit and ethics <strong>of</strong> both capitalism and Puritanism, effectively dismantling any notion <strong>of</strong> a functional<br />

relationship between Christianity and capitalism.<br />

‘This book by an able economic historian ... does not just tinker with Weber’s hypothesis but leaves it in ruins.’<br />

George C. Homans, Harvard <strong>University</strong><br />

(RSART 3) 170 pp / 6 x 9 / 1993<br />

Paper 978-0-8020-7733-2 $20.95 (£14.99)<br />

The Ash Wednesday Supper<br />

Giordano Bruno • Edited and translated by Edward A. Gosselin and Lawrence S. Lerner<br />

Giordano Bruno, a possibly mad, certainly brilliant, itinerant Italian friar was burned at the stake in 1600<br />

for heresies, which included his rejection <strong>of</strong> the Ptolemaic cosmology. Using Copernican theory as both a<br />

foundation <strong>of</strong> and a metaphor for his own vast philosophical-theological-political-social program, Bruno<br />

united his own conflicting beliefs in ‘La Cena de le ceneri’ (The Ash Wednesday Supper). It was one <strong>of</strong> the<br />

first works in which Copernican theory had impact outside the sphere <strong>of</strong> the natural sciences.<br />

(RSART 4) 238 pp / 6 x 9 / 1995<br />

Paper 978-0-8020-7469-0 $31.95 (£22.99)<br />

46 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

Vittorino da Feltre and Other Humanist Educators<br />

W. H. Woodward<br />

‘A book that has remained for almost seventy years the fundamental study <strong>of</strong> early <strong>Renaissance</strong> educational<br />

theory and practice.’<br />

From the foreword by Eugene F. Rice Jr.<br />

(RSART 5) 264 pp / 6 x 9 / 1996<br />

Paper 978-0-8020-7157-6 $23.95 (£16.99)<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />

Religion, Politics, and the Dominant Culture<br />

Debora Kuller Shuger<br />

Debora Kuller Shuger examines orthodox, rather than subversive, methods <strong>of</strong> thought in the English<br />

<strong>Renaissance</strong>. Instead <strong>of</strong> finding a monolithic, unified body <strong>of</strong> thought, she reveals a remarkably nonuniform<br />

‘orthodox’ ideology containing a wide range <strong>of</strong> views. Shuger’s approach also re-examines and relegitimizes<br />

the investigation <strong>of</strong> the connections between religion and literature. First published in 1990,<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong> presaged an expanding and progressively more popular mode<br />

<strong>of</strong> inquiry in English <strong>Renaissance</strong> scholarship.<br />

(RSART 6) 284 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-8047-9 $25.95 (£18.99)<br />

The Vespasiano Memoirs<br />

Lives <strong>of</strong> Illustrious Men <strong>of</strong> the XVth Century<br />

Vespasiano da Bisticci<br />

Translated by William George and Emily Waters<br />

Introduction by Myron P. Gilmore<br />

Vespasiano da Bisticci (b. 1421) was a Florentine bookseller known as the most celebrated dealer <strong>of</strong> books<br />

and manuscripts <strong>of</strong> his generation. His memoirs are a valuable resource in the history <strong>of</strong> politics, warfare and<br />

intellectual history, written from the perspective <strong>of</strong> an intelligent man who was able to watch and comment<br />

on the events <strong>of</strong> his age from a privileged position.<br />

(RSART 7) 476 pp / 6 x 9 / 1997<br />

Paper 978-0-8020-7968-8 $30.95 (£21.99)<br />

The Society <strong>of</strong> <strong>Renaissance</strong> Florence<br />

A Documentary Study<br />

Edited by Gene Brucker<br />

First published in 1971, this book is an invaluable collection <strong>of</strong> 132 original Florentine documents dating<br />

from the fourteenth and fifteenth centuries.<br />

‘Gene A. Brucker gives us a compelling as well as factually based idea <strong>of</strong> <strong>Renaissance</strong> Florence in the<br />

translated documents assembled in The Society <strong>of</strong> <strong>Renaissance</strong> Florence ... Everyone wishing more solid<br />

information on how life was lived in <strong>Renaissance</strong> Florence will find more than a little <strong>of</strong> fresh and essential<br />

information in this highly reliable book.’<br />

Leonard R.N. Ashley, Bibliotheque d’Humanisme et <strong>Renaissance</strong><br />

(RSART 8) 282 pp / 6 x 9 / 1998<br />

Paper 978-0-8020-8079-0 $26.95 (£18.99)<br />

On Assistance to the Poor<br />

Juan Luis Vives<br />

Translated with an introduction and commentary by Alice Tobriner, SNJM<br />

The urban problems <strong>of</strong> sixteenth-century Bruges are very familiar to the modern reader: poverty, overcrowding,<br />

crime, the problems <strong>of</strong> the mentally ill, and the issue <strong>of</strong> the responsibility <strong>of</strong> government for the<br />

care <strong>of</strong> the poor. Published in 1526, On Assistance to the Poor was Vives’s effort to bring these questions<br />

to the attention <strong>of</strong> the City Council <strong>of</strong> Bruges, and have them addressed by local government.<br />

(RSART 9) 71 pp / 6 x 9 / 1999<br />

Paper 978-0-8020-8289-3 $18.95 (£13.99)<br />

utppublishing.com 47


RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

Dolce’s Aretino and Venetian Art Theory <strong>of</strong> the Cinquecento<br />

Mark W. Roskill<br />

Ludovico Dolce’s Dialogo della pittura first appeared in Venice in 1557. L’Aretino, by which the work is<br />

known today, consists <strong>of</strong> a threepart dialogue between two Venetians, Aretino and Fabrini, on the particular<br />

merits <strong>of</strong> works <strong>of</strong> art and artists, including Michelangelo, Raphael, and Donatello. It is based largely on<br />

Aretino’s letters. The edition is presented in the original Italian with English facing-page translation.<br />

(RSART 10) 368 pp / 7 x 9 / 2000<br />

Paper 978-0-8020-8333-3 $36.95 (£25.99)<br />

More’s Utopia<br />

Dominic Baker-Smith<br />

This book prepares the reader for the challenge <strong>of</strong> Utopia: it places the work in the context <strong>of</strong> early<br />

sixteenth-century Europe and the intellectual preoccupations <strong>of</strong> More’s own humanist circle, and clarifies<br />

those sources in Classical and Christian political thought which provoked his writing. Dominic Baker-Smith<br />

also surveys the varied critical reception accorded to Utopia over the last four centuries, providing an intriguing<br />

look at Utopia’s role in cultural history.<br />

(RSART 11) 270 pp / 6 x 9 / 2000<br />

Paper 978-0-8020-8376-0 $29.95 (£20.99)<br />

Venice<br />

A Documentary History, 1450–1630<br />

Edited by David Chambers and Brian Pullan, with Jennifer Fletcher<br />

During the <strong>Renaissance</strong>, there were two centres <strong>of</strong> art, culture and mercantile power in Italy: Florence, and Venice.<br />

This is a sourcebook <strong>of</strong> primary materials, almost none previously available in English, for the history <strong>of</strong> the citystate<br />

<strong>of</strong> Venice. The time period covers the apogee <strong>of</strong> Venetian power and reputation to the beginnings <strong>of</strong> its<br />

decline in the 1630s. Sources used include diaries, chronicles, Inquisitorial records, literature, legislation, and<br />

contemporary descriptions, and are organized in sections by theme and accompanied by brief introductions.<br />

(RSART 12) 484 pp / 6 x 9 / 9 illustrations / 2001<br />

Paper 978-0-8020-8424-8 $40.95 (£28.99)<br />

Jews in the Canary Islands<br />

Being a calendar <strong>of</strong> Jewish cases extracted from the records <strong>of</strong> the<br />

Canariote Inquisition in the collection <strong>of</strong> the Marquess <strong>of</strong> Bute<br />

Translated from the Spanish and edited with an introduction and notes by Lucien Wolf<br />

In 1504, the Office <strong>of</strong> the Inquisition was set up in the remote Spanish holdings on the Canary Islands to<br />

seek out crypto-Jews, sorcerers, and other heretics. Jews in the Canary Islands is a calendar <strong>of</strong> Jewish cases<br />

brought before the Canariote Inquisition between 1499 and 1818, when the Inquisition was discontinued.<br />

Together with an Introduction analyzing the work <strong>of</strong> the Inquisition and explaining its relation to general<br />

Jewish history until 1928, this is a fascinating collection <strong>of</strong> records showing not only the workings <strong>of</strong> the<br />

Inquisition, but the lives <strong>of</strong> crypto-Jews during a time <strong>of</strong> fierce repression.<br />

(RSART 13) 320 pp / 6 x 9 / 2001<br />

Cloth 978-0-8020-3585-1 $78.00 (£54.99) • Paper 978-0-8020-8450-7 $32.95 (£23.99)<br />

Soldiers <strong>of</strong> Christ<br />

Preaching in Late <strong>Medieval</strong> and Reformation France<br />

Winner <strong>of</strong> the 1996 John Nicholas<br />

Brown Prize <strong>of</strong> the <strong>Medieval</strong><br />

Academy <strong>of</strong> America<br />

Larissa Juliet Taylor<br />

In an age when the printed book was still in its infancy, the pulpit was the mass medium. A vital part <strong>of</strong> religious<br />

life, sermons were the chief occasions on which the church attempted to bridge the gap between high theology<br />

and popular religious culture. The preaching event provided the opportunity for men and women to socialize,<br />

flirt, dispute with or mock the preacher and, in a more positive way, to heed the preacher’s words and change<br />

their lives. Larissa Juliet Taylor has examined over 1600 sermons given by the leading lay preachers in France<br />

between 1460 and 1560, and examines the social context <strong>of</strong> preaching and the sermon while reconstructing<br />

popular attitudes towards original sin, free will, purgatory, the Devil, the sacraments, and the magical arts.<br />

(RSART 14) 352 pp / 6 x 9 / 2002<br />

Paper 978-0-8020-8557-3 $32.95 (£23.99)<br />

48 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Tudor Historical Thought<br />

RENAISSANCE SOCIETY OF AMERICA REPRINT TEXTS<br />

F.J. Levy<br />

Tudor Historical Thought is a revealing account <strong>of</strong> vital changes in intellectual orientation. F.J. Levy’s seminal<br />

work explores the factors – humanism, theology, antiquarianism, Machiavellianism – that brought about<br />

the changes in historical thinking from the time <strong>of</strong> Caxton to that <strong>of</strong> Bacon, Raleigh, and Camden.<br />

At the beginning <strong>of</strong> the sixteenth century, chroniclers exemplified the workings <strong>of</strong> Providence and taught<br />

personal morality; a hundred years later, however, the idea <strong>of</strong> teaching practical statecraft had been introduced.<br />

The Italian humanists emphasized the political aspects <strong>of</strong> man, and made the active citizen rather<br />

than the cloistered monk their ideal. That citizen needed guidance, and it was the duty <strong>of</strong> the historian to<br />

supply it. Questions <strong>of</strong> politics, which had been important for nearly half a century, suddenly were placed<br />

at the centre, and with that a new kind <strong>of</strong> history writing appeared in England.<br />

(RSART 15) 320 pp / 6 x 9 / 2004<br />

Paper 978-0-8020-3775-6 $32.95 (£23.99)<br />

The <strong>Renaissance</strong> in Historical Thought<br />

Wallace K. Ferguson<br />

Originally published in 1948, Wallace K. Ferguson’s The <strong>Renaissance</strong> in Historical Thought is a key piece<br />

<strong>of</strong> scholarship on <strong>Renaissance</strong> historiography. Ferguson examines how the <strong>Renaissance</strong> has been viewed<br />

from successive historical and national viewpoints, and by canonical thinkers over the centuries, including<br />

François-Marie Arouet de Voltaire and Jacob Burckhardt.<br />

(RSART 16) 450 pp / 6 x 9 / 2006<br />

Paper ISBN 978-0-8020-9415-5 $32.95 (£23.99)<br />

The Social World <strong>of</strong> the Florentine Humanists, 1390–1460<br />

Lauro Martines<br />

Lauro Martines’s exhaustive search <strong>of</strong> manuscript material in the state archives <strong>of</strong> Florence is the basis for a<br />

fascinating portrayal <strong>of</strong> representative humanists <strong>of</strong> the period. The Social World <strong>of</strong> the Florentine Humanists<br />

explores the wealth, family tradition, civic prominence, and intellectual achievements <strong>of</strong> these individuals<br />

while assessing the attitudes <strong>of</strong> other Florentines towards them. Martines demonstrates that humanists<br />

tended to be wealthy educated men from important families, challenging longheld assumptions about the<br />

status <strong>of</strong> humanists in that society.<br />

First published in 1963, this groundbreaking study provides a detailed picture <strong>of</strong> the social structure<br />

<strong>of</strong> Florence in the Quattrocento that influenced a generation <strong>of</strong> scholars and illuminated a complex and<br />

multifaceted world.<br />

(RSART 17) 440 pp / 6 x 9 / 2011<br />

Paper ISBN 978-1-4426-1182-5 $35.00 (£24.99)<br />

The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />

Projects and Patrons, Workshop and Art Market<br />

Martin Wackernagel<br />

Translated by Alison Luchs<br />

First published in German in 1938 and later translated into English, this classic <strong>of</strong> Italian <strong>Renaissance</strong> historiography<br />

centres on the relationship between Florentine art and the conditions under which it was created. In<br />

rich detail, Martin Wackernagel explores the impact <strong>of</strong> patronage and function, widespread demand for<br />

art, workshop techniques, and business practices on artists’ lives and the results they achieved.<br />

Wackernagel stresses the changing roles <strong>of</strong> commissions and patrons in the late fourteenth to the early<br />

fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development <strong>of</strong><br />

major Florentine monuments. Through this, he highlights the development <strong>of</strong> major civic and religious<br />

artistic complexes such as the Palazzo Vecchio, the Cathedral and Baptistery, and the convent <strong>of</strong> Santa<br />

Maria Novella. This volume also features a biography <strong>of</strong> the author and an essay on important later publications<br />

related to Wackernagel’s themes and arguments.<br />

(RSART 18) 488 pp / 6 x 9 / 2011<br />

Paper ISBN 978-1-4426-1184-9 $39.95 (£27.99)<br />

utppublishing.com 49


LEXICONS OF EARLY MODERN ENGLISH<br />

Lexicons <strong>of</strong> Early Modern English is a growing historical database <strong>of</strong>fering scholars<br />

unprecedented access to early books and manuscripts documenting the growth<br />

and development <strong>of</strong> the English language. With more than 581,000 word-entries<br />

from 175 monolingual, bilingual, and polyglot dictionaries, glossaries, and linguistic<br />

treatises, encyclopedic and other lexical works from the beginning <strong>of</strong> printing in<br />

England in 1702, as well as tools updated annually, LEME sets the standard for<br />

modern linguistic research on the English language.<br />

Editor<br />

Ian Lancashire<br />

Programmer<br />

Marc Plamondon<br />

Web Development<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Library<br />

To subscribe to LEME contact:<br />

Journals Division,<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Tel: (416) 667-7810<br />

(800) 565-9523<br />

Fax: (416) 667-7881<br />

(800) 221-9985<br />

journals@utpress.utoronto.ca<br />

Use modern techniques to research early modern English!<br />

• 175 searchable lexicons • 121 fully analysed lexicons<br />

• 581,527 total word-entries • 361,178 fully analysed word entries<br />

• 60,891 total English modern headwords<br />

Recently added to LEME:<br />

John Ray’s A Collection <strong>of</strong> English Words not Generally Used (London, 1674),<br />

a group <strong>of</strong> specialized glossaries with 2,128 word-entries. They explain dialectal<br />

words, southern and northern, words for fishes and birds, and terms <strong>of</strong> art in mining.<br />

Coming soon to LEME:<br />

Peter Levins’ Manipulus Vocabulorum (London, 1570), a dictionary <strong>of</strong> 8,940<br />

English-Latin word-entries, organized by English rhyme-endings (with accentuation).<br />

This analyzed text owes much to Huloet (added in 2009) and replaces the simple<br />

transcription now in the LEME database.<br />

John Rider’s Bibliotheca Scholastica, an English-Latin dictionary first published by<br />

the <strong>University</strong> <strong>of</strong> Oxford in 1589.<br />

Catholicon Anglicum (ca. 1475), an English-Latin dictionary from Lord Monson’s<br />

manuscript, reconstructed from a nineteenth-century Early English Text Society<br />

edition. The earliest such lexicon surviving in the language, holding some 7,180<br />

word-entries, distinguishes itself by the extensive use <strong>of</strong> Latin synonyms in<br />

explanations.<br />

Subscription Prices:<br />

1 year 2 years 3 years<br />

$1,625.00 $2,150.00 $2,675.00 Institutions (FTE > 10,000)<br />

$1,075.00 $1,345.00 $1,900.00 Institutions (FTE < 10,000)<br />

$75.00 $150.00 $225.00 Individuals<br />

50 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

ART AND ARCHITECTURE<br />

The Apocalypse and the Shape <strong>of</strong> Things to Come<br />

Edited by Frances Carey<br />

978-0-8020-4776-2 / $90.00<br />

978-0-8020-8325-8 / $49.95 / 1999<br />

North American rights<br />

Artistic Integration in Gothic Buildings<br />

Edited by Virginia Chieffo Raguin, Kathryn L. Brush,<br />

and Peter Draper<br />

978-0-8020-7477-5 / $33.95 / £23.99 / 1995<br />

Art on the Jesuit Missions in Asia and Latin<br />

America, 1542–1773<br />

Gauvin Alexander Bailey<br />

978-0-8020-8507-8 / $43.00 / £30.99 / 1999<br />

Between <strong>Renaissance</strong> and Baroque<br />

Jesuit Art in Rome, 1565–1610<br />

Gauvin Alexander Bailey<br />

978-1-4426-1030-9 / $39.95 / £27.99 / 2009<br />

Courtly Love in <strong>Medieval</strong> Manuscripts<br />

Pamela Porter<br />

978-0-8020-8599-3 / $24.95 / 2004<br />

North and South American rights<br />

Early Christian Chapels in the West<br />

Decoration, Function, and Patronage<br />

Gillian Mackie<br />

978-0-8020-3504-2 / $117.00 / £81.99 / 2003<br />

English Tilers<br />

Elizabeth Eames<br />

978-0-8020-77066 / $29.95 / 1992<br />

North American rights<br />

The <strong>Medieval</strong> Garden<br />

Sylvia Landsberg<br />

978-0-8020-8660-0 / $29.95 / 2003<br />

North American rights<br />

Painters<br />

Paul Binski<br />

978-0-8020-6918-4 / $29.95 / 1991<br />

North American rights<br />

Rochester Cathedral, 604–1540<br />

An Architectural History<br />

J. Phillip McAleer<br />

978-0-8020-4222-4 / $81.00 / £56.99 / 1999<br />

BOOKS AND MANUSCRIPTS<br />

Andreas Alciatus<br />

Volume I: The Latin Emblems Indexes and Lists<br />

Edited by Peter M. Daly, with Virginia M. Callahan.<br />

Assisted by Simon Cuttler<br />

Volume II: Emblems in Translation<br />

Edited by Peter M. Daly. Assisted by Simon Cuttler<br />

(Index Emblematicus)<br />

978-0-8020-2425-1 / $203.00 / £142.99 / 1985<br />

Art, Identity, and Devotion in Fourteenth-<br />

Century England<br />

Three Women and their Books <strong>of</strong> Hours<br />

Kathryn A. Smith<br />

978-0-8020-3920-0 / $87.00<br />

978-0-8020-8691-4 / $35.95 / 2004<br />

North American rights<br />

Astrology in <strong>Medieval</strong> Manuscripts<br />

Sophie Page<br />

978-0-8020-8511-5 / $24.95 / 2004<br />

North and South American rights<br />

Between France and Flanders<br />

Manuscript Illumination in Amiens in the<br />

Fifteenth Century<br />

Susie Nash<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4114-2 / $107.00 / 1999<br />

North and South American rights<br />

The Book <strong>of</strong> Cerne<br />

Prayer, Patronage, and Power in Ninth-Century<br />

England<br />

Michelle P. Brown<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4113-5 / $101.00 / 1996<br />

North and South American rights<br />

The Book Unbound<br />

Editing and Reading <strong>Medieval</strong> Manuscripts and<br />

Texts<br />

Edited by Siân Echard and Stephen Partridge<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8756-0 / $59.00 / £41.99 / 2004<br />

Bookbinding<br />

History and Techniques<br />

Philippa Marks<br />

978-0-8020-8176-6 / $25.95 / 1998<br />

North and South American rights<br />

The de Brailes Hours<br />

Shaping the Book <strong>of</strong> Hours in 13th Century<br />

Oxford<br />

Claire Donovan<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />

978-0-8020-5951-2 / $101.00 / 1991<br />

North American rights<br />

The Egerton Genesis<br />

Mary Coker Joslin and Carolyn J. Watson<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4758-8 / $90.00 / 2001<br />

North and South American rights<br />

The English Emblem Tradition, Volume 3<br />

Emblematic Devices <strong>of</strong> the English Civil Wars,<br />

1642–1660<br />

Alan R. Young<br />

(Index Emblematicus)<br />

978-0-8020-5739-6 / $112.00 / £78.99 / 1995<br />

The English Emblem Tradition, Volume 4<br />

Remaines <strong>of</strong> a Greater Worke Concerning<br />

Britaine, William Camden<br />

The Mirrour <strong>of</strong> Maiestie, H.G. Amorum<br />

Emblematta, Otto van Vee<br />

Edited by Peter M. Daly and Mary V. Silcox<br />

(Index Emblematicus)<br />

978-0-8020-4367-2 / $130.00 / £90.99 / 1998<br />

The English Emblem Tradition, Volume 5<br />

The Manuscript Emblem Books <strong>of</strong> Henry<br />

Peacham<br />

Edited by Alan R. Young<br />

(Index Emblematicus)<br />

978-0-8020-0987-6 / $140.00 / £97.99 / 1998<br />

Flowers in <strong>Medieval</strong> Manuscripts<br />

Celia Fisher<br />

978-0-8020-3796-1 / $24.95 / 2004<br />

North and South American rights<br />

The Future <strong>of</strong> the Page<br />

Edited by Peter Stoicheff and Andrew Taylor<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8802-4 / $87.00 / £60.99<br />

978-0-8020-8584-9 / $35.95 / £25.99 / 2004<br />

A Guide to Western Historical Scripts from<br />

Antiquity to 1600<br />

Michelle P. Brown<br />

978-0-8020-7206-1 / $39.95 / 1990<br />

North American rights<br />

The Historical Source Book for Scribes<br />

Michelle P. Brown and Patricia Lovett<br />

978-0-8020-4720-5 / $39.95 / 1999<br />

North and South American rights<br />

llluminating the Book<br />

Makers and Interpreters<br />

Edited by Michelle P. Brown and Scot McKendrick<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4411-2 / $90.00 / 1998<br />

North and South American rights<br />

The Jesuit Series<br />

Edited by Peter M. Daly and Richard Dimmler, S.J.<br />

(Corpus Librorum Emblematum)<br />

Part Two, (D–E)<br />

978-0-8020-4748-9 / $146.00 / £102.99 / 2000<br />

Part Three (F-L)<br />

978-0-8020-3570-7 / $146.00 / £102.99 / 2002<br />

Part Four (L-P)<br />

978-0-8020-3853-1 / $155.00 / £108.99 / 2005<br />

Part Five (P–Z)<br />

978-0-8020-9264-9 / $191.00 / £133.99 / 2007<br />

The Lindisfarne Gospels<br />

Society, Spirituality, and the Scribe<br />

Michelle P. Brown<br />

978-0-8020-8825-3 / $97.00<br />

978-0-8020-8597-9 / $52.00 / 2003<br />

North and South American rights<br />

Magic in <strong>Medieval</strong> Manuscripts<br />

Sophie Page<br />

978-0-8020-3797-8 / $24.95 / 2004<br />

North and South American rights<br />

Manuscripts from the Anglo-Saxon Age<br />

Michelle P. Brown<br />

978-0-8020-9096-6 / $56.00 / 2007<br />

North American rights<br />

<strong>Medieval</strong> Birds in the Sherborne Missal<br />

Janet Backhouse<br />

978-0-8020-8434-7 / $24.95 / 2001<br />

utppublishing.com 51


BACKLIST<br />

The <strong>Medieval</strong> Church in Manuscripts<br />

Justin Clegg<br />

978-0-8020-8598-6 / $24.95 / 2004<br />

North and South American rights<br />

<strong>Medieval</strong> Herbals<br />

The Illustrative Traditions<br />

Minta Collins<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4757-1 / $95.00<br />

978-0-8020-8313-5 / $44.95 / 2000<br />

North and South American rights<br />

<strong>Medieval</strong> Rural Life in the Luttrell Psalter<br />

Janet Backhouse<br />

978-0-8020-8399-9 / $24.95 / 2000<br />

North and South American rights<br />

<strong>Medieval</strong> Warfare in Manuscripts<br />

Pamela Porter<br />

978-0-8020-8400-2 / $24.95 / 2000<br />

North and South American rights<br />

Monsters and Grotesques in <strong>Medieval</strong> Manuscripts<br />

Alixe Bovey<br />

978-0-8020-8512-2 / $24.95 / 2004<br />

North and South American rights<br />

The Murthly Hours<br />

Devotion, Literacy and Luxury in Paris,<br />

England, and the Gaelic West<br />

John Higgitt<br />

(The British Library Studies in <strong>Medieval</strong> Culture)<br />

978-0-8020-4759-5 / $95.00 / 2000<br />

North and South American rights<br />

Music in <strong>Medieval</strong> Manuscripts<br />

Nicolas Bell<br />

978-0-8020-8432-3 / $24.95 / 2001<br />

The Myth <strong>of</strong> Print Culture<br />

Essays on Evidence, Textuality, and<br />

Bibliographical Method<br />

Joseph A. Dane<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8775-1 / $72.00 / £50.99 / 2003<br />

Pleyn Delit<br />

<strong>Medieval</strong> Cookery for Modern Cooks,<br />

Second Edition<br />

Constance B. Hieatt, Brenda M. Hosington,<br />

and Sharon Butler<br />

978-0-8020-7632-8 / $24.95 / £17.99 / 1996<br />

Printing<br />

History and Techniques<br />

Michael Twyman<br />

978-0-8020-8179-7 / $25.95 / 1999<br />

North and South American rights<br />

The Roman Vergil and the Origins <strong>of</strong><br />

<strong>Medieval</strong> Book Design<br />

David H. Wright<br />

978-0-8020-4819-6 / $39.95 / 2001<br />

North and South American rights<br />

Saints in <strong>Medieval</strong> Manuscripts<br />

Greg Buzwell<br />

978-0-8020-3795-4 / $24.95 / 2005<br />

North and South American rights<br />

Scribes and Illuminators<br />

Christopher de Hamel<br />

978-0-8020-7707-3 / $32.95 / 1992<br />

North American rights<br />

The Sherborne Missal<br />

Janet Backhouse<br />

978-0-8020-4743-4 / $39.95 / 1999<br />

North and South American rights<br />

St. Cuthbert<br />

His Life and Cult in <strong>Medieval</strong> Durham<br />

Dominic Marner<br />

978-0-8020-3518-9 / $44.00 / 2000<br />

North and South American rights<br />

The Trinity Apocalypse<br />

Edited by David McKitterick<br />

978-0-8020-9009-6 / $97.00<br />

978-0-8020-4893-6 / $46.95 / 2005<br />

North and South American rights<br />

Writing and Scripts<br />

History and Techniques<br />

Michelle P. Brown<br />

978-0-8020-8172-8 / $25.95 / 1998<br />

North and South American rights<br />

DRAMA AND MUSIC<br />

Athena Sings<br />

Wagner and the Greeks<br />

M. Owen Lee<br />

978-0-8020-8795-9 / $39.00 / £27.99<br />

978-0-8020-8580-1 / $19.95 / £13.99 / 2003<br />

‘Bring furth the pagants’<br />

Essays in Early English Drama Presented<br />

to Alexandra F. Johnston<br />

Edited by David N. Klausner and<br />

Karen Sawyer Marsalek<br />

(Studies in Early English Drama 9)<br />

978-0-8020-9107-9 / $66.00 / £46.99 / 2006<br />

Bristol<br />

Mark C. Pilkinton<br />

(Records <strong>of</strong> Early English Drama 13)<br />

978-0-8020-4221-7 / $143.00 / £100.99 / 1997<br />

Cambridge<br />

Alan Nelson<br />

(Records <strong>of</strong> Early English Drama 8)<br />

978-0-8020-5751-8 / $203.00 / £142.99 / 1989<br />

Cheshire, including Chester<br />

Elizabeth Baldwin, Lawrence M. Clopper,<br />

and David Mills<br />

(Records <strong>of</strong> Early English Drama 19)<br />

978-0-8020-9326-4 / $434.00 / 2007<br />

World rights less UK and Europe<br />

Cumberland, Westmorland, Gloucestershire<br />

Audrey Douglas and Peter Greenfield<br />

(Records <strong>of</strong> Early English Drama 6)<br />

978-0-8020-5669-6 / $112.00 / £78.99 / 1986<br />

Devon<br />

John Wasson<br />

(Records <strong>of</strong> Early English Drama 7)<br />

978-0-8020-5706-8 / $117.00 / £81.99 / 1986<br />

Dorset/Cornwall<br />

Rosalind C. Hays/C.E. McGee and<br />

Sally Joyce/Evelyn S. Newlyn<br />

(Records <strong>of</strong> Early English Drama 14)<br />

978-0-8020-4379-5 / $175.00 / £122.99 / 1999<br />

Drama, Performance, and Polity in<br />

Pre-Cromwellian Ireland<br />

Alan J. Fletcher<br />

(Studies in Early English Drama 6)<br />

978-0-8020-4377-1 / $130.00 / 2000<br />

World rights less Australia and Europe<br />

Dramatic Texts and Records <strong>of</strong> Britain<br />

A Chronological Topography to 1558<br />

Ian Lancashire<br />

(Studies in Early English Drama 1)<br />

978-0-8020-5592-7 / $101.00 / 1984<br />

World rights less Europe and British Commonwealth,<br />

but including Canada<br />

Ecclesiastical London<br />

Mary Erler<br />

(Records <strong>of</strong> Early English Drama 20)<br />

978-0-8020-9858-0 / $304.00 / 2008<br />

World rights less UK and Europe<br />

Father Lee’s Opera Quiz Book<br />

M. Owen Lee<br />

978-0-8020-83845 / $24.95 / £17.99 / 2000<br />

Herefordshire and Worcestershire<br />

David Klausner<br />

(Records <strong>of</strong> Early English Drama 9)<br />

978-0-8020-2758-0 / $146.00 / £102.99 / 1990<br />

The History <strong>of</strong> Morris Dancing, 1458–1750<br />

John Forrest<br />

(Studies in Early English Drama 5)<br />

978-0-8020-0921-0 / $78.00 / 1999<br />

World rights less UK and Europe<br />

Kent, Diocese <strong>of</strong> Canterbury<br />

James M. Gibson<br />

(Records <strong>of</strong> Early English Drama 16)<br />

978-0-8020-8726-3 / $572.00 / 2002<br />

World rights less UK and Europe<br />

Lancashire<br />

David George<br />

(Records <strong>of</strong> Early English Drama 10)<br />

978-0-8020-2862-4 / $146.00 / £102.99 / 1992<br />

Lincolnshire<br />

James Stokes<br />

(Records <strong>of</strong> Early English Drama 21)<br />

978-1-4426-4000-9 / $425.00 / 2009<br />

World rights less UK and Europe<br />

Liturgies in Honour <strong>of</strong> Thomas Beckett<br />

Kay Brainerd Slocum<br />

978-0-8020-3650-6 / $90.00 / £62.99 / 2004<br />

52 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

<strong>Medieval</strong> Manuscripts for Mass and Office<br />

A Guide to Their Organization and Terminology<br />

Andrew Hughes<br />

978-0-8020-7669-4 / $44.00 / £30.99 / 1995<br />

<strong>Medieval</strong> and <strong>Renaissance</strong> Music<br />

A Performer’s Guide<br />

Timothy J. McGee<br />

978-0-8020-6729-6 / $24.95 / 1985<br />

World rights less British Commonwealth,<br />

but including Canada<br />

The Outrageous Juan Rana Entremeses<br />

A Bilingual and Annotated Selection <strong>of</strong> Plays<br />

Written for This Spanish Golden Age Gracioso<br />

Peter E. Thompson<br />

978-0-8020-9363-9 / $65.00 / £45.99 / 2009<br />

Oxford (<strong>University</strong> and City)<br />

John Elliott, Alan Nelson, Alexandra F. Johnston,<br />

and Diana Wyatt<br />

978-0-8020-3905-7 / $342.00 / 2004<br />

(Records <strong>of</strong> Early English Drama 17)<br />

World rights less UK and Europe<br />

Playing a Part in History<br />

The York Mysteries,1951–2006<br />

Margaret Rogerson<br />

(Studies in Early English Drama)<br />

978-0-8020-9924-2 / $65.00 / £45.99 / 2009<br />

Finalist for the Theatre Library Association George<br />

Freedley Memorial Award<br />

Recycling the Cycle<br />

The City <strong>of</strong> Chester and Its Whitsun Plays<br />

David Mills<br />

(Studies in Early English Drama 4)<br />

978-0-8020-4096-1 / $39.95 / £27.99 / 1998<br />

REED in Review<br />

Essays in Celebration <strong>of</strong> the First<br />

Twenty-Five Years<br />

Edited by Audrey Douglas and Sally-Beth MacLean<br />

(Studies in Early English Drama 8)<br />

978-0-8020-3827-2 / $81.00 / £56.99 / 2006<br />

Reformers on Stage<br />

Popular Drama as Media in the Low Countries<br />

<strong>of</strong> Charles V, 1515–1556<br />

Gary K. Waite<br />

978-0-8020-4457-0 / $90.00 / £62.99 / 2000<br />

Saints and the Audience in Middle English<br />

Biblical Drama<br />

Chester N. Scoville<br />

978-0-8020-8944-1 / $59.00 / £41.99 / 2004<br />

A Season <strong>of</strong> Opera<br />

From Orpheus to Ariadne<br />

M. Owen Lee<br />

978-0-8020-8387-6 / $24.95 / £17.99 / 1998<br />

Shakespeare’s Comedies <strong>of</strong> Love<br />

Essays in Honour <strong>of</strong> Alexander Leggatt<br />

Edited by Karen Bamford and Ric Knowles<br />

978-0-8020-3953-8 / $67.00 / £46.99 / 2008<br />

Shropshire<br />

J. Alan B. Somerset<br />

(Records <strong>of</strong> Early English Drama 11)<br />

978-0-8020-0648-6 / $203.00 / £142.99 / 1994<br />

Socrates on Trial<br />

A Play Based on Aristophanes’ Clouds and<br />

Plato’s Apology, Crito, and Phaedo Adapted<br />

for Modern Performance<br />

Andrew D. Irvine<br />

978-0-8020-9783-5 / $44.00 / £30.99<br />

978-0-8020-9538-1 / $20.95 / £14.99 / 2008<br />

Somerset, including Bath<br />

James Stokes with Robert J. Alexander<br />

(Records <strong>of</strong> Early English Drama 12)<br />

978-0-8020-0459-8 / $194.00 / £135.99 / 1996<br />

Sussex<br />

Cameron Louis<br />

(Records <strong>of</strong> Early English Drama 15)<br />

978-0-8020-4849-3 / $175.00 / £122.99 / 2000<br />

Teaching with the Records <strong>of</strong> Early English Drama<br />

Edited by Eliza C. Tiner<br />

(Studies in Early English Drama 7)<br />

978-0-8020-9082-9 / $87.00 / £60.99 / 2006<br />

The Triumphant Juan Rana<br />

A Gay Actor <strong>of</strong> the Spanish Golden Age<br />

Peter E. Thompson<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-8969-4 / $52.00 / £36.99 / 2006<br />

Wagner<br />

The Terrible Man and His Truthful Art<br />

M. Owen Lee<br />

(The 1998 Larkin-Stuart Lectures)<br />

978-0-8020-8291-6 / $19.95 / £13.99 / 1999<br />

Wagner and the Wonder <strong>of</strong> Art<br />

An Introduction to Die Meistersinger<br />

M. Owen Lee<br />

978-0-8020-9857-3 / $49.00 / £34.99<br />

978-0-8020-9573-2 / $21.95 / £15.99 / 2007<br />

Wales<br />

David Klausner<br />

(Records <strong>of</strong> Early English Drama 18)<br />

978-0-8020-9072-0 / $285.00 / 2005<br />

World rights less UK and Europe<br />

Wanton Words<br />

Rhetoric and Sexuality in English<br />

<strong>Renaissance</strong> Drama<br />

Madhavi Menon<br />

978-0-8020-8837-6 / $62.00 / £43.99 / 2004<br />

ERASMUS<br />

The Adages <strong>of</strong> Erasmus<br />

Selected by William Barker<br />

978-0-8020-4874-5 / $95.00 / £66.99<br />

978-0-8020-7740-0 / $40.95 / £28.99 / 2001<br />

Conversing with God<br />

Prayer in Erasmus’ Pastoral Writings<br />

Hilmar M. Pabel<br />

(Erasmus Studies)<br />

978-0-8020-4101-2 / $72.00 / £50.99 / 1997<br />

Editing Texts from the Age <strong>of</strong> Erasmus<br />

Edited by Erika Rummel<br />

(Conference on Editorial Problems)<br />

978-0-8020-0797-1 / $44.00 / £30.99 / 1996<br />

Encounters with a Radical Erasmus<br />

Erasmus’ Work as a Source <strong>of</strong> Radical Thought<br />

in Early Modern Europe<br />

Peter G. Bietenholz<br />

(Erasmus Studies)<br />

978-0-8020-9905-1 / $67.00 / £46.99 / 2009<br />

Erasmus in the Twentieth Century<br />

Interpretations 1920–2000<br />

Bruce Mansfield<br />

(Erasmus Studies)<br />

978-0-8020-3767-1 / $84.00 / £58.99 / 2003<br />

Erasmus on Women<br />

Edited by Erika Rummel<br />

978-0-8020-78087 / $25.95 / £18.99 / 1996<br />

The Erasmus Reader<br />

Edited by Erika Rummel<br />

978-0-8020-6806-4 / $30.95 / £21.99 / 1990<br />

Exploiting Erasmus<br />

The Erasmian Legacy and Religious Change<br />

in Early Modern England<br />

Gregory D. Dodds<br />

(Erasmus Studies)<br />

978-0-8020-9900-6/ $85.00 / £59.99 / 2009<br />

Holy Scripture Speaks<br />

The Production and Reception <strong>of</strong> Erasmus’<br />

Paraphrases on the New Testament<br />

Edited by Hilmar Pabel and Mark Vessey<br />

(Erasmus Studies)<br />

978-0-8020-3642-1 / $95.00 / £66.99 / 2003<br />

Man on His Own<br />

Interpretations <strong>of</strong> Erasmus, c. 1750–1920<br />

Bruce Mansfield<br />

(Erasmus Studies)<br />

978-0-8020-5950-5 / $90.00 / £62.99 / 1992<br />

Patronage and Humanist Literature in<br />

the Age <strong>of</strong> the Jagiellons<br />

Court and Career in the Writings <strong>of</strong> Rudolf<br />

Agricola Junior, Valentin Eck, and Leonard Cox<br />

Jacqueline Glomski<br />

(Erasmus Studies)<br />

978-0-8020-9300-4 / $82.00 / £57.99 / 2007<br />

HISTORY<br />

‘A Great Effusion <strong>of</strong> Blood’<br />

Interpreting <strong>Medieval</strong> Violence<br />

Edited by Mark D. Meyerson, Daniel Thierry,<br />

and Oren Falk<br />

978-0-8020-8774-4 / $74.00 / £51.99 / 2004<br />

Anti-Italianism in Sixteenth-Century France<br />

Henry Heller<br />

978-0-8020-3689-6 / $72.00 / £50.99 / 2003<br />

After Rome’s Fall: Narrators and Sources<br />

<strong>of</strong> Early <strong>Medieval</strong> History<br />

Edited by Alexander Callander Murray<br />

978-0-8020-0779-7 / $67.00 / £46.99 / 1999<br />

utppublishing.com 53


BACKLIST<br />

Byzantine Hermeneutics and Pedagogy<br />

in the Russian North<br />

Monks and Masters at the Kirillo-Belozerskii<br />

Monastery, 1397–1501<br />

Robert Romanchuk<br />

978-0-8020-9063-8 / $104.00 / £72.99 / 2007<br />

The Case Against Johann Reuchlin<br />

Social and Religious Controversy in<br />

Sixteenth-Century Germany<br />

Erika Rummel<br />

978-0-8020-3651-3 / $62.00 / £43.99<br />

978-0-8020-8484-2 / $30.95 / £21.99 / 2002<br />

Chronicles <strong>of</strong> the Vikings<br />

Records, Memorials, and Myths<br />

R.I. Page<br />

978-0-8020-0803-9 / $60.00<br />

978-0-8020-7165-1 / $32.95 / 1995<br />

North American rights<br />

Constant Minds<br />

Political Virtue and the Lipsian Paradigm<br />

in England, 1584–1650<br />

Adriana McCrea<br />

(The Mental and Cultural World <strong>of</strong> Tudor<br />

and Stuart England)<br />

978-0-8020-0666-0 / $78.00 / £54.99 / 1997<br />

The Correspondence <strong>of</strong> Wolfgang Capito<br />

Edited and translated by Erika Rummel with<br />

the assistance <strong>of</strong> Milton Kooistra<br />

Volume 1: 1507–1523<br />

978-0-8020-9017-1 / $109.00 / £76.99 / 2005<br />

Volume 2: 1524–1531<br />

978-0-8020-9955-6 / $165.00 / £115.99 / 2009<br />

The Court Book <strong>of</strong> Mende and the<br />

Secular Lordship <strong>of</strong> the Bishop<br />

Jan K. Bulman<br />

978-0-8020-9337-0 / $52.00 / £36.99 / 2008<br />

The Culture <strong>of</strong> Pr<strong>of</strong>essions in<br />

Late <strong>Renaissance</strong> Italy<br />

George W. McClure<br />

978-0-8020-8970-0 / $74.00 / £51.99 / 2004<br />

Decentring the <strong>Renaissance</strong><br />

Canada and Europe in Multidisciplinary<br />

Perspective, 1500–1700<br />

Edited by Germaine Warkentin<br />

and Carolyn Podruchny<br />

978-0-8020-4327-6 / $72.00 / £50.99<br />

978-0-8020-8149-0 / $32.95 / £23.99 / 2001<br />

Early Modern Catholicism<br />

Essays in Honour <strong>of</strong> John W. O’Malley, S.J.<br />

Edited by Kathleen M. Comerford<br />

and Hilmar M. Pabel<br />

978-0-8020-3547-9 / $84.00 / £58.99<br />

978-0-8020-8417-0 / $36.00 / £25.99 / 2001<br />

Eradicating the Devil’s Minions<br />

Anabaptists and Witches in Reformation Europe<br />

Gary K. Waite<br />

978-1-4426-1032-3 / $29.95 / £20.99 / 2009<br />

Fishers’ Craft and Lettered Art<br />

Tracts on Fishing from the End <strong>of</strong><br />

the Middle Ages<br />

Richard C. H<strong>of</strong>fmann<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 12)<br />

978-0-8020-7853-7 / $32.95 / £23.99 / 1997<br />

The Gallery <strong>of</strong> Memory<br />

Literary and Iconographic Models in the<br />

Age <strong>of</strong> the Printing Press<br />

Lina Bolzoni<br />

Translated by Jeremy Parzen<br />

978-0-8020-4330-6 / $90.00 / £62.99 / 2001<br />

Gender and Memory in <strong>Medieval</strong> Europe<br />

Elisabeth van Houts<br />

978-0-8020-4698-7 / $62.00<br />

978-0-8020-8277-0 / $25.95 / 1999<br />

North American rights<br />

A Guide to British <strong>Medieval</strong> Seals<br />

P.D.A. Harvey and Andrew McGuinness<br />

978-0-8020-0867-1 / $49.00 / 1996<br />

North American rights<br />

History, Literature, and Music in Scotland,<br />

700–1560<br />

Edited by R. Andrew McDonald<br />

978-0-8020-3601-8 / $56.00 / £39.99 / 2002<br />

Holiness and Masculinity in the Middle Ages<br />

Edited by Patricia Cullum and Katherine J. Lewis<br />

978-0-8020-4892-9 / $32.95 / 2005<br />

North American rights<br />

The Illustrated Old English Hexateuch,<br />

Cotton Ms. Claudius B.iv<br />

The Frontier <strong>of</strong> Seeing and Reading<br />

in Anglo-Saxon England<br />

Benjamin C. Withers<br />

978-0-8020-9104-8 / $93.00 / 2007<br />

World rights less UK and Europe<br />

The Jesuits<br />

Cultures, Sciences, and the Arts, 1540–1773<br />

Edited by John W. O’Malley, SJ, Gauvin Alexander<br />

Bailey, Steven J. Harris, and T. Frank Kennedy, SJ<br />

Volume I<br />

978-0-8020-4287-3 / $95.00 / £66.99 / 1999<br />

Volume II<br />

978-0-8020-3861-6 / $109.00 / £76.99 / 2005<br />

John Selden<br />

Measures <strong>of</strong> the Holy Commonwealth<br />

in Seventeenth-Century England<br />

Reid Barbour<br />

978-0-8020-8776-8 / $84.00 / £58.99 / 2003<br />

King Death<br />

The Black Death and Its Aftermath in<br />

Late-<strong>Medieval</strong> England<br />

Colin Platt<br />

978-0-8020-7900-8 / $25.95 / 1996<br />

North American rights<br />

Last Judgment Iconography in the Carpathians<br />

John-Paul Himka<br />

978-0-8020-9809-2 / $75.00 / £52.99 / 2009<br />

Letters from Heaven<br />

Popular Religion in Russia and Ukraine<br />

Edited by John-Paul Himka and Andriy Zayarnyuk<br />

978-0-8020-9148-2 / $69.00 / £48.99 / 2006<br />

Lodovico Dolce<br />

<strong>Renaissance</strong> Man <strong>of</strong> Letters<br />

Ronnie H. Terpening<br />

978-0-8020-4159-3 / $67.00 / £46.99 / 1997<br />

The Making <strong>of</strong> <strong>Medieval</strong> Forgeries<br />

False Documents in Fifteenth-Century England<br />

Alfred Hiatt<br />

978-0-8020-8951-9 / $72.00 / 2004<br />

North and South American rights<br />

Marriage, Family, and Law in <strong>Medieval</strong> Europe<br />

Collected Studies<br />

Michael M. Sheehan, CSB<br />

Edited by James K. Farge<br />

978-0-8020-8137-7 / $29.95 / 1996<br />

World rights less UK and Europe<br />

Medici Women<br />

Portraits <strong>of</strong> Power, Love, and Betrayal in<br />

the Court <strong>of</strong> Duke Cosimo I<br />

Gabrielle Langdon<br />

978-0-8020-9526-8 / $38.95 / £27.99 / 2006<br />

<strong>Medieval</strong> Women in Their Communities<br />

Edited by Diane Watt<br />

978-0-8020-8122-3 / $24.95 / 1997<br />

World rights less UK and Europe<br />

<strong>Medieval</strong> Virginities<br />

Edited by Anke Bernau, Saah Saligh, and Ruth Evans<br />

978-0-8020-8960-1 / $59.00<br />

978-0-8020-8637-2 / $29.95 / 2003<br />

North American rights<br />

A Mirror for Magistrates and the<br />

de casibus Tradition<br />

Paul Budra<br />

(The Mental and Cultural World <strong>of</strong> Tudor<br />

and Stuart England)<br />

978-0-8020-4717-5 / $56.00 / £39.99 / 2001<br />

The Monstrous Middle Ages<br />

Edited by Bettina Bildhauer and Robert Mills<br />

978 08020-8719-5 / $59.00<br />

978 08020-8667-9 / $26.95 / 2004<br />

North American rights<br />

Hierarchies and Order in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Europe<br />

Jeffrey Denton<br />

978-0-8020-8264-0 / $25.95 / 1999<br />

North American rights<br />

Padua and the Tudors<br />

English Students in Italy, 1485–1603<br />

Jonathan Woolfson<br />

978-0-8020-0946-3 / $72.00 / 1998<br />

World rights less Europe and British Commonwealth,<br />

but including Canada<br />

54 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

Romanesque Architecture and its Sculptural<br />

Decoration in Christian Spain, 1000–1120<br />

Exploring Frontiers and Defining Identities<br />

Janice Mann<br />

978-0-8020-9324-0 / $75.00 / £52.99 / 2009<br />

Winner <strong>of</strong> the American Society for Hispanic Art<br />

Historical Studies Eleanor Tufts Book Award<br />

The Scribes for Women’s Convents<br />

in <strong>Medieval</strong> Germany<br />

Cynthia J. Cyrus<br />

978-0-8020-9369-1 / $75.00 / £52.99 / 2009<br />

Sex Crimes, Honour, and the Law<br />

in Early Modern Spain<br />

Vizcaya, 1500–1750<br />

Renato Barahona<br />

978-0-8020-36940- / $72.00 / £50.99 / 2003<br />

Sexual Hierarchies, Public Status<br />

Men, Sodomy, and Society in Spain’s Golden Age<br />

Cristian Berco<br />

978-0-8020-9139-0 / $61.00 / £42.99 / 2007<br />

Twilight <strong>of</strong> the <strong>Renaissance</strong><br />

The Life <strong>of</strong> Juan de Valdés<br />

Daniel A. Crews<br />

978-0-8020-9867-2 / $72.00 / £50.99 / 2008<br />

The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti<br />

An Edition and English Translation <strong>of</strong> his<br />

Dialogue on Mechanics, 1576<br />

W. R. Laird<br />

978-0-8020-4699-4 / $67.00 / £46.99 / 1999<br />

Women, Property, and the Letters <strong>of</strong> the Law<br />

in Early Modern England<br />

Edited by Nancy E. Wright, Margaret W. Ferguson,<br />

and A.R. Buck<br />

978-0-8020-8757-7 / $74.00 / £51.99 / 2004<br />

Words and Deeds in <strong>Renaissance</strong> Rome<br />

Trials before the Papal Magistrates<br />

Thomas V. Cohen and Elizabeth S. Cohen<br />

978-0-8020-7699-1 / $29.95 / £20.99 / 1993<br />

Working in the Vineyard <strong>of</strong> the Lord<br />

Jesuit Confraternities in Early Modern Italy<br />

Lance Gabriel Lazar<br />

978-0-8020-8854-3 / $92.00 / £64.99 / 2005<br />

The World in Venice<br />

Print, the City, and Early Modern Identity<br />

Bronwen Wilson<br />

(Studies in Book and Print Culture)<br />

978-0-8020-8725-6 / $81.00 / £56.99 / 2005<br />

LITERATURE – OLD ENGLISH<br />

The Aesthetics <strong>of</strong> Nostalgia<br />

Historical Representation in Old English Verse<br />

Renée R. Trilling<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9971-6 / $70.00 / £48.99 / 2009<br />

Winner <strong>of</strong> the International Society <strong>of</strong> Anglo-Saxonists<br />

Best First Book Prize<br />

Authors, Audiences, and Old English Verse<br />

Thomas A. Bredeh<strong>of</strong>t<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9945-7 / $65.00 / £45.99 / 2009<br />

The Beginnings <strong>of</strong> English Law<br />

Lisi Oliver<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations)<br />

978-0-8020-3535-6 / $72.00 / £50.99 / 2002<br />

The Dating <strong>of</strong> Beowulf<br />

Edited by Colin Chase<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-7879-7 / $25.95 / £18.99 / 1997<br />

Early English Metre<br />

Thomas A. Bredeh<strong>of</strong>t<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-3831-9 / $78.95 / £55.99 / 2005<br />

Families <strong>of</strong> the King<br />

Writing Identity on the Anglo-Saxon Chronicle<br />

Alice Sheppard<br />

978-0-8020-8984-7 / $81.00 / £56.99 / 2004<br />

Finding the Right Words<br />

Isidore’s Synonyma in Anglo-Saxon England<br />

Claudia di Sciacca<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9129-1 / $88.00 / £61.99 / 2008<br />

Gold-Hall and Earth-Dragon<br />

‘Beowulf ’ as Metaphor<br />

Alvin Lee<br />

978-0-8020-4378-8 / $62.00 / £43.99 / 1998<br />

Hrotsvit <strong>of</strong> Gandersheim<br />

Contexts, Identities, Affinities, and Performances<br />

Edited by Phyllis R. Brown, Linda A. McMillin,<br />

and Katharina M. Wilson<br />

978-0-8020-8962-5 / $69.00 / £48.99 / 2004<br />

Latin Learning and English Lore<br />

Studies in Anglo-Saxon Literature for<br />

Michael Lapidge, Volumes I & II<br />

Edited by Katherine O’Brien O’Keeffe<br />

and Andy Orchard<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-8919-9 / $172.00 / £120.99 / 2005<br />

New Readings in the Vercelli Book<br />

Edited by Samantha Zacher and Andy Orchard<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9869-6 / $85.00 / £59.99 / 2009<br />

Preaching the Converted<br />

The Style and Rhetoric <strong>of</strong> the Vercelli<br />

Book Homilies<br />

Samantha Zacher<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9158-1 / $75.00 / £52.99 / 2009<br />

Old English Glossed Psalters Pss. 150<br />

Edited by Phillip Pulsiano<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-4470-9 / $117.00 / £81.99 / 2001<br />

Pride and Prodigies<br />

Studies in the Monsters <strong>of</strong> the<br />

Beowulf Manuscript<br />

Andy Orchard<br />

978-0-8020-8583-2 / $44.00 / £30.99 / 2003<br />

Satan Unbound<br />

The Devil in Old English Narrative Literature<br />

Peter Dendle<br />

978-0-8020-4839-4 / $62.00 / £43.99<br />

978-0-8020-8369-2 / $30.95/ £21.99 / 2001<br />

Say What I Am Called<br />

The Old English Riddles <strong>of</strong> the Exeter Book<br />

and the Anglo-Latin Riddle Tradition<br />

Dieter Bitterli<br />

(<strong>Toronto</strong> Anglo-Saxon Series)<br />

978-0-8020-9352-3 / $75.00 / £52.99 / 2009<br />

Source <strong>of</strong> Wisdom<br />

Old English and Early <strong>Medieval</strong> Latin Studies<br />

in Honour <strong>of</strong> Thomas D. Hill<br />

Edited by Charles D. Wright, Frederick M. Biggs,<br />

and Thomas N. Hall<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9367-7 / $82.00 / £57.99 / 2007<br />

Striving with Grace<br />

Views <strong>of</strong> Free Will in Anglo-Saxon England<br />

Aaron J. Kleist<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9163-5 / $93.00 / £65.99 / 2008<br />

Textual Histories<br />

Readings in the Anglo-Saxon Chronicle<br />

Thomas A. Bredeh<strong>of</strong>t<br />

978-0-8020-4850-9 / $84.00 / £58.99 / 2001<br />

Unlocking the Wordhord<br />

Anglo-Saxon Studies in Memory <strong>of</strong><br />

Edward B. Irving, Jr.<br />

Edited by Mark C. Amodio and<br />

Katherine O’Brien O’Keeffe<br />

978-0-8020-4822-6 / $90.00/ £62.99 / 2003<br />

Verbal Encounters<br />

Anglo-Saxon and Old Norse Studies for<br />

Roberta Frank<br />

Edited by Antonia Harbus and Russell Poole<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-8011-0 / $87.00 / £60.99 / 2005<br />

Verse and Virtuosity<br />

The Adaptation <strong>of</strong> Latin Rhetoric in<br />

Old English Poetry<br />

Janie Steen<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-9157-4 / $72.00 / £50.99 / 2008<br />

Words and Works<br />

Studies in <strong>Medieval</strong> English Language and<br />

Literature in Honour <strong>of</strong> Fred C. Robinson<br />

Edited by Peter Baker and Nicholas Howe<br />

(<strong>Toronto</strong> Old English Series)<br />

978-0-8020-4153-1 / $72.00 / £50.99 / 1998<br />

utppublishing.com 55


BACKLIST<br />

LITERATURE – OLD NORSE<br />

AND ICELANDIC<br />

Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts<br />

Magnus Fjalldal<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-3837-1 / $69.00 / £48.99 / 2005<br />

Einar Skulason’s Geisli<br />

A Critical Edition<br />

Edited and Translated by Martin Chase<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-3826-5 / $74.00 / £51.99<br />

978-0-8020-3822-7 / $35.95 / £25.99 / 2005<br />

Grettir’s Saga<br />

Translated by Denton Fox and Hermann Palsson<br />

978-0-8020-6165-2 / $24.95 / £17.99 / 1974<br />

Perilous Realms<br />

Celtic and Norse in Tolkien’s Middle-Earth<br />

Marjorie J. Burns<br />

978-0-8020-3806-7 / $32.95 / £23.99 / 2005<br />

Sanctity in the North<br />

Saints, Lives, and Cults in <strong>Medieval</strong> Scandinavia<br />

Edited by Thomas A. Dubois<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-9130-7 / $82.00 / £57.99<br />

978-0-8020-9410-0 / $36.00 / £25.99 / 2007<br />

Snorri Sturluson and the Edda<br />

The Conversion <strong>of</strong> Cultural Capital in<br />

<strong>Medieval</strong> Scandinavia<br />

Kevin J. Wanner<br />

(<strong>Toronto</strong> Old Norse and Icelandic Series)<br />

978-0-8020-9801-6 / $72.00 / £50.99 / 2008<br />

Tools <strong>of</strong> Literacy<br />

The Role <strong>of</strong> Skaldic Verse in Icelandic Textual<br />

Culture <strong>of</strong> the Twelfth and Thirteenth Centuries<br />

Gudrún Nordal<br />

978-0-8020-4789-2 / $95.00 / £66.99 / 2000<br />

LITERATURE – MEDIEVAL<br />

Beasts <strong>of</strong> Love<br />

Richard de Fournival’s Bestiaire d’amour<br />

and the Response<br />

Jeanette Beer<br />

978-0-8020-3612-4 / $62.00 / £43.99 / 2003<br />

Before Malory<br />

Reading Arthur in Later <strong>Medieval</strong> England<br />

Richard J. Moll<br />

978-0-8020-3722-0 / $72.00 / £50.99 / 2003<br />

Chaucer’s Miller’s, Reeve’s, and Cook’s Tales<br />

An Annotated Bibliography, 1900–1992<br />

T.L. Burton and R. Greentree<br />

(The Chaucer Bibliographies)<br />

978-0-8020-0874-9 / $90.00 / £62.99 / 1997<br />

Chaucer’s Monk’s Tale and Nun’s Priest’s Tale<br />

An Annotated Bibliography<br />

Edited by Peter Goodall<br />

(Chaucer Bibliographies)<br />

978-0-8020-9320-2 / $110.00 / £76.99 / 2008<br />

Chaucer’s Pardoner’s Prologue and Tale<br />

An Annotated Bibliography, 1900–1995<br />

Edited by Marilyn Sutton<br />

(Chaucer Bibliographies)<br />

978-0-8020-4744-1 / $112.00 / £78.99 / 1999<br />

Chaucer’s Queer Poetics<br />

Rereading the Dream Trio<br />

Susan Schiban<strong>of</strong>f<br />

978-0-8020-9035-5 / $87.00 / £60.99 / 2006<br />

Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale<br />

An Annotated Bibliography, 1900–1995<br />

Edited by Peter G. Beidler and Elizabeth M. Biebel<br />

(The Chaucer Bibliographies)<br />

978-0-8020-4366-5 / $101.00 / £70.99 / 1998<br />

Controlling Readers<br />

Guillaume de Machaut and His Late<br />

<strong>Medieval</strong> Audience<br />

Deborah McGrady<br />

(Studies in Book and Print Culture)<br />

978-0-8020-9020-1 / $87.00 / £60.99 / 2006<br />

Editing Robert Grosseteste<br />

Edited by Evelyn A. Mackie and Joseph Goering<br />

(Conference on Editorial Problems)<br />

978-0-8020-8841-3 / $49.95 / £34.99 / 2003<br />

Interstices<br />

Studies in Middle English and Anglo-Latin<br />

Texts in Honour <strong>of</strong> A.G. Rigg<br />

Edited by Richard Firth Green and Linne R.Mooney<br />

978-0-8020-8743-0 / $62.00 / £43.99 / 2004<br />

The Letters <strong>of</strong> Robert Grosseteste,<br />

Bishop <strong>of</strong> Lincoln<br />

Translated with Introduction and Annotation<br />

by F.A.C. Mantello and Joseph Goering<br />

978-0-8020-9813-9 / $135.00 / £94.99 / 2009<br />

Manuscript Diversity, Meaning, and Variance<br />

in Juan Manuel’s El Conde Lucanor<br />

Laurence de Looze<br />

978-0-8020-9057-7 / $87.00 / £60.99 / 2006<br />

Marco Polo and the Encounter <strong>of</strong> East and West<br />

Edited by Suzanne Conklin Akbari and<br />

Amilcare A. Iannucci<br />

978-0-8020-9928-0 / $67.00 / £46.99 / 2008<br />

Marian Devotion in Thirteenth-Century<br />

French Lyric<br />

Daniel E. O’Sullivan<br />

978-0-8020-3885-2 / $69.00 / £48.99 / 2005<br />

<strong>Medieval</strong> Christian Literary Imagery<br />

A Guide to Interpretation<br />

R.E. Kaske in collaboration with Arthur Groos<br />

and Michael W. Twomey<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />

978-0-8020-6663-3 / $29.95/ £20.99 / 1988<br />

<strong>Medieval</strong> Latin Palaeography<br />

A Bibliographic Introduction<br />

Leonard E. Boyle<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Bibliographies)<br />

978-0-8020-6558-2 / $31.95 / £22.99 / 1984<br />

Playing the Hero<br />

Reading the Irish Saga Táin Bó Cúailnge<br />

Ann Dooley<br />

978-0-8020-3832-6 / $87.00 / £60.99 / 2005<br />

Seeing Through the Veil<br />

Optical Theory and <strong>Medieval</strong> Allegory<br />

Suzanne Conklin Akbari<br />

978-0-8020-36056 / $74.00 / £51.99 / 2004<br />

The Syntax <strong>of</strong> Desire<br />

Language and Love in Augustine,<br />

the Modistae, and Dante<br />

Elena Lombardi<br />

978-0-8020-9070-6 / $82.00 / £57.99 / 2007<br />

Thomas Usk’s Testament <strong>of</strong> Love<br />

A Critical Edition<br />

Edited by Gary W. Shawver<br />

(<strong>Toronto</strong> <strong>Medieval</strong> Texts and Translations 13)<br />

978-0-8020-5471-5 / $146.00 / £102.99 / 2002<br />

Through a Classical Eye<br />

Transcultural and Transhistorical Visions in<br />

<strong>Medieval</strong> English, Italian, and Latin Literature<br />

in Honour <strong>of</strong> Winthrop Wetherbee<br />

Edited by Andrew Galloway and R. F. Yeager<br />

978-0-8020-9917-4 / $80.00 / £55.99 / 2009<br />

Women’s Writing in English<br />

Early Modern England<br />

Patricia Demers<br />

(History <strong>of</strong> Women’s Writing in English)<br />

978-0-8020-8710-2 / $74.00 / £51.99<br />

978-0-8020-8664-8 / $39.95 / £27.99 / 2005<br />

Writing Religious Women<br />

Female Spiritual and Textual Practice in<br />

Late <strong>Medieval</strong> England<br />

Edited by Paul Renevey and Christiania Whitehead<br />

978-0-8020-3517-2 / $78.00<br />

978-0-8020-8403-3 / $32.95 / 2000<br />

North American rights<br />

LITERATURE – SPANISH<br />

Cervantes’ Epic Novel<br />

Empire, Religion, and the Dream Life<br />

<strong>of</strong> Heroes in Persiles<br />

Michael Armstrong-Roche<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9085-0 / $70.00 / £48.99 / 2009<br />

Conscience on Stage<br />

The Comedia as Casuistry in Early Modern Spain<br />

Hilaire Kallendorf<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9229-8 / $71.00 / £49.99 / 2007<br />

Discourses <strong>of</strong> Poverty<br />

Social Reform and the Picaresque Novel<br />

in Early Modern Spain<br />

Anne J. Cruz<br />

978-0-8020-4439-6 / $67.00 / £46.99 / 1999<br />

Figuring the Feminine<br />

The Rhetoric <strong>of</strong> Female Embodiment in<br />

<strong>Medieval</strong> Hispanic Literature<br />

Jill Ross<br />

978-0-8020-9098-0 / $77.00 / £53.99 / 2008<br />

56 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

The Laughter <strong>of</strong> the Saints<br />

Parodies <strong>of</strong> Holiness in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Spain<br />

Ryan D. Giles<br />

978-0-8020-9952-5 / $55.00 / £38.99 / 2009<br />

Quixotic Frescoes<br />

Cervantes and Italian <strong>Renaissance</strong> Art<br />

Frederick A. de Armas<br />

978-1-4426-1031-6 / $35.00 / £24.99 / 2009<br />

Transnational Cervantes<br />

William Childers<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-9045-4 / $69.00 / £48.99 / 2006<br />

Winner <strong>of</strong> the Modern Language Association<br />

Katherine Singer Kovacs Prize<br />

LITERATURE – FRENCH<br />

The Art <strong>of</strong> Meditation and the<br />

French <strong>Renaissance</strong> Love Lyric<br />

The Poetics <strong>of</strong> Introspection in Maurice Scève’s<br />

Délie, objet de plus haulte vertu (1544)<br />

Michael J. Giordano<br />

978-0-8020-9946-4 / $125.00 / £87.99 / 2009<br />

The Gargantuan Polity<br />

On the Individual and the Community<br />

in the French <strong>Renaissance</strong><br />

Michael Randall<br />

978-0-8020-9814-6 / $77.00 / £53.99 / 2008<br />

Sounding Objects<br />

Musical Instruments, Poetry, and Art<br />

in <strong>Renaissance</strong> France<br />

Carla Zecher<br />

978-0-8020-9014-0 / $66.00 / £46.99 / 2007<br />

Theorizing the Ideal Sovereign<br />

The Rise <strong>of</strong> the French Vernacular Royal Biography<br />

Daisy Delogu<br />

978-0-8020-9807-8 / $72.00 / £50.99 / 2008<br />

LITERATURE – RENAISSANCE<br />

Against Reproduction<br />

Where <strong>Renaissance</strong> Texts Come From<br />

Stephen Guy-Bray<br />

978-1-4426-4060-3 / $55.00 / £38.99 / 2009<br />

Shortlisted for the Canada Prize in the Humanities<br />

(English)<br />

Architectonics <strong>of</strong> Imitation in Spenser,<br />

Daniel, and Drayton<br />

David Galbraith<br />

978-0-8020-4451-8 / $67.00 / £46.99 / 2000<br />

Between Worlds<br />

The Rhetorical Universe <strong>of</strong> Paradise Lost<br />

William Pallister<br />

978-0-8020-9835-1 / $72.00 / £50.99 / 2008<br />

Winner <strong>of</strong> the Modern Language Association<br />

Independent Scholar Prize<br />

Chamber Music<br />

Elizabethan Sonnet-Sequences and the<br />

Pleasure <strong>of</strong> Criticism<br />

Roger Kuin<br />

978-0-8020-4188-3 / $62.00 / £43.99 / 1998<br />

A Critical Edition <strong>of</strong> Robert Barnes’ ‘A<br />

Supplication Unto the Most Gracyous Prince<br />

Kynge Henry The. VIIJ, 1534’<br />

Edited by Douglas H. Parker<br />

978-0-8020-9312-7 / $155.00 / £108.99 / 2008<br />

Culture and Authority in the Baroque<br />

Edited by Massimo Ciavolella and Patrick Coleman<br />

(UCLA Clark Memorial Library Series)<br />

978-0-8020-3838-8 / $81.00 / £56.99 / 2005<br />

Early Modern Nationalism and Milton’s England<br />

Edited by David Loewenstein and Paul Stevens<br />

978-0-8020-8935-9 / $82.00 / £57.99 / 2008<br />

Winner <strong>of</strong> the Irene Samuel Award for the<br />

Best Collection <strong>of</strong> Essays in Milton Studies<br />

Elizabeth Jane Weston: Collected Writings<br />

Edited and translated by Donald Cheney and<br />

Brenda Hosington<br />

978-0-8020-4472-3 / $95.00 / £66.99 / 2000<br />

European Literary Careers<br />

The Author from Antiquity to the <strong>Renaissance</strong><br />

Edited by Patrick Cheney and Frederick A. de Armas<br />

978-0-8020-4779-3 / $78.00 / £54.99 / 2002<br />

An exhortation to the diligent studye <strong>of</strong><br />

scripture and An exposition into the seventh<br />

chaptre <strong>of</strong> the pistle <strong>of</strong> Corinthians<br />

Edited by Douglas H. Parker<br />

978-0-8020-4818-9 / $78.00 / £54.99 / 2000<br />

Exorcism and Its Texts<br />

Subjectivity in Early Modern Literature <strong>of</strong><br />

England and Spain<br />

Hilaire Kallendorf<br />

(<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Romance Series)<br />

978-0-8020-8817-8 / $78.00 / £54.99 / 2003<br />

Flaunting<br />

Style and the Subversive Male Body in<br />

<strong>Renaissance</strong> England<br />

Amanda Bailey<br />

978-0-8020-9242-7 / $71.00 / £49.99 / 2007<br />

Fools <strong>of</strong> Time<br />

Studies in Shakespearean Tragedy<br />

Northrop Frye<br />

978-0-8020-6215-4 / $24.95 / £17.99 / 1967<br />

‘Full <strong>of</strong> all knowledg’<br />

George Herbert’s Country Parson and<br />

Early Modern Social Discourse<br />

Ronald W. Cooley<br />

978-0-8020-3723-7 / $62.00 / £43.99 / 2004<br />

Homoerotic Space<br />

The Poetics <strong>of</strong> Loss in English<br />

<strong>Renaissance</strong> Literature<br />

Stephen Guy-Bray<br />

978-0-8020-3677-3 / $72.00 / £50.99 / 2002<br />

The Imperfect Friend<br />

Emotion and Rhetoric in Sidney, Milton,<br />

and Their Contexts<br />

Wendy Olmsted<br />

978-0-8020-9136-9 / $62.00 / £43.99 / 2008<br />

In the Anteroom <strong>of</strong> Divinity<br />

The Reformation <strong>of</strong> the Angels from<br />

Colet to Milton<br />

Feisal G. Mohamed<br />

978-0-8020-9792-7 / $57.00 / £39.99 / 2008<br />

Loving in Verse<br />

Poetic Influence as Erotic<br />

Stephen Guy-Bray<br />

978-0-8020-9203-8 / $52.00 / £36.99 / 2006<br />

The Mothers Legacy to her Vnborn Childe<br />

Elizabeth Joscelin<br />

Edited by Jean LeDrew Metcalfe<br />

978-0-8020-4694-9 / $56.00 / £39.99 / 2000<br />

Northrop Frye on Milton and Blake<br />

Edited by Angela Esterhammer<br />

(Collected Works <strong>of</strong> Northrop Frye 16)<br />

978-0-8020-3919-4 / $97.00 / £67.99 / 2005<br />

Ovid and the <strong>Renaissance</strong> Body<br />

Edited by Goran V. Stanivukovic<br />

978-0-8020-3515-8 / $78.00 / £54.99 / 2001<br />

Of Philosophers and Kings<br />

Political Philosophy in Shakespeare’s<br />

Macbeth and King Lear<br />

Leon Harold Craig<br />

978-0-8020-3571-4 / $84.00 / £58.99<br />

978-0-8020-8605-1 / $39.95 / £27.99 / 2001<br />

Playing with Desire<br />

Christopher Marlowe and the<br />

Art <strong>of</strong> Tantalization<br />

Fred B. Tromly<br />

978-0-8020-4355-9 / $62.00 / £43.99 / 1998<br />

The Poetry <strong>of</strong> Immanence<br />

Sacrament in Donne and Herbert<br />

John Whalen<br />

978-0-8020-3659-9 / $56.00 / £39.99 / 2002<br />

Printed Voices<br />

The <strong>Renaissance</strong> Culture <strong>of</strong> Dialogue<br />

Edited by Dorothea Heitsch and Jean-Francois Vallee<br />

978-0-8020-8706-5 / $74.00 / £51.99 / 2004<br />

Searching Shakespeare<br />

Studies in Culture and Authority<br />

Derek Cohen<br />

978-0-8020-8778-2 / $62.00 / £43.99 / 2003<br />

Sexuality and Citizenship<br />

Metamorphosis in Elizabethan Erotic Verse<br />

Jim Ellis<br />

978-0-8020-8735-5 / $67.00 / £46.99 / 2003<br />

Shakespeare’s Comic Commonwealths<br />

Camille Wells Slights<br />

978-0-8020-2924-9 / $56.00 / £39.99 / 1993<br />

The Spenser Encyclopedia<br />

Edited by A.C. Hamilton et al.<br />

978-0-8020-7923-7 / $62.00 / £43.99 / 1990<br />

utppublishing.com 57


BACKLIST<br />

Spenser’s Supreme Fiction<br />

Platonic Natural History in The Faerie Queene<br />

Jon A. Quitslund<br />

978-0-8020-3505-9 / $84.00 / £58.99 / 2001<br />

Utopia, Carnival, and Commonwealth in<br />

<strong>Renaissance</strong> England<br />

Christopher Kendrick<br />

978-0-8020-8936-6 / $97.00 / £67.99 / 2004<br />

William Roye’s A Brefe Dialoge bitwene a<br />

Christen Father and his stobborne Sonne<br />

Edited by Douglas H. Parker and Bruce Krajewski<br />

978-0-8020-4389-4 / $72.00 / £50.99 / 1999<br />

LITERATURE – ITALIAN<br />

Aretino’s Dialogues<br />

Pietro Aretino<br />

Translated by Raymond Rosenthal with a new<br />

introduction by Margaret Rosenthal<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-9004-1 / $69.00 / £48.99<br />

978-0-8020-4890-5 / $35.95 / £25.99 / 2005<br />

Aretino’s Satyr<br />

Sexuality, Satire, and Self-Projection in<br />

Sixteenth-Century Literature and Art<br />

Raymond B. Waddington<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8814-7 / $72.00 / £50.99 / 2003<br />

Ariosto Today<br />

Contemporary Perspectives<br />

Donald Beecher, Massimo Ciavolella,<br />

and Roberto Fedi<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-2967-6 / $72.00 / £50.99 / 2003<br />

Boccaccio’s Expositions on Dante’s Comedy<br />

Translated by Michael Papio<br />

978-0-8020-9975-4 / $135.00 / £94.99 / 2009<br />

Boccaccio’s Naked Muse<br />

Eros, Culture, and the Mythopoeic Imagination<br />

Tobias Foster Gittes<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9204-5 / $67.00 / £46.99 / 2008<br />

Shortlisted for the Raymond Klibansky Prize<br />

Comanini’s The Figino, or On the Purpose<br />

<strong>of</strong> Painting<br />

Art Theory in the Late <strong>Renaissance</strong><br />

Edited by Giancarlo Maiorino and<br />

Ann Doyle-Anderson<br />

978-0-8020-3574-5 / $62.00 / £43.99<br />

978-0-8020-8446-0 / $29.95 / £20.99 / 2002<br />

Cosmopoiesis<br />

The <strong>Renaissance</strong> Experiment<br />

Giuseppe Mazzotta<br />

(Emilio Goggio Publications, <strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3551-6 / $44.00 / £30.99<br />

978-0-8020-8421-7 / $22.95 / £16.99 / 2001<br />

Dante<br />

Contemporary Perspectives<br />

Edited by Amilcare A. Iannucci<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-7736-3 / $29.95 / £20.99 / 1997<br />

Dante’s Hermeneutics <strong>of</strong> Salvation<br />

Passages to Freedom in the Divine Comedy<br />

Christine O’Connell Baur<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9206-9 / $61.00 / £42.99 / 2006<br />

Dante’s Journey to Polyphony<br />

Francesco Ciabattoni<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9626-5 / $55.00 / £38.99 / 2009<br />

The Decameron First Day in Perspective<br />

Edited by Elissa B. Weaver<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-4454-9 / $72.00 / £50.99<br />

978-0-8020-8589-4 / $36.95 / £25.99 / 2003<br />

Dialogues <strong>of</strong> Love<br />

Leone Ebreo<br />

Translated by Damian Bacich and Rossella Pescatori<br />

978-0-8020-9910-5 / $85.00 / £59.99 / 2009<br />

Divine Dialectic<br />

Dante’s Incarnational Poetry<br />

Guy P. Raffa<br />

978-0-8020-4856-1 / $67.00 / £46.99 / 2001<br />

Eco’s Chaosmos<br />

From the Middle Ages to Postmodernity<br />

Cristina Farronato<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8789-8 / $62.00 / £43.99<br />

978-0-8020-8586-3 / $36.95 / £25.99 / 2003<br />

Experiences in Translation<br />

Umberto Eco<br />

(Emilio Goggio Publications Series,<br />

<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9614-2 / $18.95 / £13.99 / 2008<br />

Fairy-Tale Science<br />

Monstrous Generation in the Tales <strong>of</strong><br />

Straparola and Basile<br />

Suzanne Magnanini<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9754-5 / $46.00 / £32.99 / 2008<br />

Guido Cavalcanti<br />

The Other Middle Ages<br />

Maria Luis Ardizzone<br />

978-0-8020-3591-2 / $67.00 / £46.99 / 2002<br />

Hermes’ Lyre<br />

Italian Poetic Self-Commentary from Dante<br />

to Tommaso Campanella<br />

Sherry Roush<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3712-1 / $62.00 / £43.99 / 2002<br />

Hopeless Love<br />

Boiardo, Ariosto, and Narratives <strong>of</strong><br />

Queer Female Desire<br />

Mary-Michelle DeCoste<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9684-5 / $35.00 / £24.99 / 2009<br />

An Italian <strong>Renaissance</strong> Sextet<br />

Six Tales in Historical Context<br />

Lauro Martines<br />

Translations by Murtha Baca<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-8993-9 / $59.00 / £41.99<br />

978-0-8020-8650-1 / $29.95 / £20.99 / 2004<br />

Lelia’s Kiss<br />

Imagining Gender, Sex, and Marriage in Italian<br />

<strong>Renaissance</strong> Comedy<br />

Laura Giannetti<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9951-8 / $65.00 / £45.99 / 2009<br />

The Quest for Epic<br />

From Ariosto to Tasso<br />

Sergio Zatti<br />

Edited by Dennis Looney<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9031-7 / $92.00 / £64.99<br />

978-0-20209373-8 / $35.95 / £25.99 / 2006<br />

Raffaello Borghini’s Il Riposo<br />

Edited and translated by Lloyd H. Ellis Jr.<br />

(The Lorenzo Da Ponte Italian Library)<br />

978-0-8020-9743-9 / $77.00 / £53.99 / 2008<br />

<strong>Renaissance</strong> Comedy<br />

The Italian Masters, Volume 1<br />

Edited with an introduction by Donald Beecher<br />

978-0-8020-9292-2 / $93.00 / £65.99<br />

978-0-8020-9484-1 / $36.00 / £25.99 / 2008<br />

A Rhetoric <strong>of</strong> the Decameron<br />

Marilyn Migiel<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8819-2 / $59.00 / £41.99<br />

978-0-8020-8594-8 / $29.95 / £20.99 / 2004<br />

The Romance Epics <strong>of</strong> Boiardo, Ariosto,<br />

and Tasso<br />

From Public Duty to Private Pleasure<br />

Jo Ann Cavallo<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-8915-1 / $81.00 / £56.99 / 2004<br />

The Ugly Woman<br />

Transgressive Aesthetic Models in Italian Poetry<br />

from the Middle Ages to the Baroque<br />

Patrizia Bettella<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-3926-2 / $69.00 / £48.99 / 2005<br />

Writing Gender in Women’s Letter Collections<br />

<strong>of</strong> the Italian <strong>Renaissance</strong><br />

Meredith K. Ray<br />

(<strong>Toronto</strong> Italian Studies)<br />

978-0-8020-9704-0 / $75.00 / £52.99 / 2009<br />

Winner <strong>of</strong> the American Association for Italian Studies<br />

<strong>Medieval</strong>, <strong>Renaissance</strong>, and Baroque Book Prize<br />

58 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


BACKLIST<br />

CLASSICS<br />

Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science<br />

Malcolm Wilson<br />

978-0-8020-4796-0 / $90.00 / £62.99 / 2000<br />

Assyrian Rulers <strong>of</strong> the Early First Millennium BC<br />

I (1114–859 BC)<br />

Kirk Grayson<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-5965-9 / $175.00 / £122.99 / 1991<br />

Assyrian Rulers <strong>of</strong> the Early First Millennium BC<br />

II (858–745 BC)<br />

Kirk Grayson<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-0886-2 / $175.00 / £122.99 / 1996<br />

Assyrian Rulers <strong>of</strong> the Third and<br />

Second Millennia BC (to 1115 BC)<br />

Kirk Grayson<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-2605-7 / $117.00 / £81.99 / 1987<br />

Catullus<br />

Edited by D.F.S. Thomson<br />

(Phoenix Supplementary Volumes XXXIV)<br />

978-0-8020-8592-4 / $56.00 / £39.99 / 1997<br />

The Classical Tradition in Operation<br />

Chaucer/Virgil; Shakespeare/Plautus; Pope/Horace;<br />

Tennyson/Lucretius; Pound/Propertius<br />

Niall Rudd<br />

(Robson Classical Lectures)<br />

978-0-8020-0570-0 / $67.00 / £46.99 / 1994<br />

The Emotions <strong>of</strong> the Ancient Greeks<br />

Studies in Aristotle and Classical Literature<br />

David Konstan<br />

(Robson Classical Lectures)<br />

978-0-8020-9558-9 / $43.95 / £30.99 / 2006<br />

Winner <strong>of</strong> the American Philological Association<br />

Charles J. Goodwin Award <strong>of</strong> Merit<br />

Epigraphy and the Greek Historian<br />

Edited by Craig Cooper<br />

(Phoenix Supplementary Volumes XLVII)<br />

978-0-8020-9069-0 / $77.00 / £53.99 / 2008<br />

Excavations <strong>of</strong> San Giovanni di Ruoti<br />

Vol. I: The Villas<br />

Alastair M. Small and Robert J. Buck<br />

(Phoenix Supplementary Volumes XXXIII)<br />

978-0-8020-59482 / $146.00 / £102.99 / 1994<br />

Vol. II: The Small Finds<br />

C.J. Simpson<br />

(Phoenix Supplementary Volumes XXXV)<br />

978-0-8020-0631-8 / $112.00 / £78.99 / 1997<br />

Vol. III: Faunal Remains<br />

M.R. MacKinnon<br />

(Phoenix Supplementary Volumes XL)<br />

978-0-8020-4865-3 / $175.00 / £122.99 / 2002<br />

Gudea and his Dynasty<br />

Dietz Otto Edzard<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-4187-6 / $175.00 / £122.99<br />

Imagination <strong>of</strong> a Monarchy<br />

Studies in Ptolemaic Propaganda<br />

R.A. Hazzard<br />

(Phoenix Supplementary Volumes XXVI)<br />

978-0-8020-4313-9 / $72.00 / £50.99 / 2000<br />

In the Image <strong>of</strong> the Ancestors<br />

Narratives <strong>of</strong> Kinship in the Flavian Epic<br />

Neil W. Bernstein<br />

(Phoenix Supplementary Volumes XLVIII)<br />

978-0-8020-9879-5 / $67.00 / £46.99 / 2008<br />

Latin Poets and Italian Gods<br />

Elaine Fantham<br />

(Robson Classical Lectures)<br />

978-1-4426-4059-7 / $55.00 / £38.99<br />

Justin and Pompeius Trogus<br />

John Yardley<br />

(Phoenix Supplementary Volumes XLI)<br />

978-0-8020-8766-9 / $112.00 / £78.99 / 2003<br />

Mortuary Landscapes <strong>of</strong> North Africa<br />

Edited by David L. Stone and Lea M. Stirling<br />

(Phoenix Supplementary Volumes XLIII)<br />

978-0-8020-9083-6 / $82.00 / £57.99 / 2007<br />

Old Babylonian Period (2003–1595 BC)<br />

Douglas Frayne<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-5873-7 / $226.00 / £158.99 / 1990<br />

Pre-Sargonic Period (2700–2350 BC)<br />

Douglas Frayne<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-3586-8 / $232.00 / £162.99 / 2004<br />

Reading and Variant in Petronius<br />

Studies in the French Humanists and<br />

Their Manuscript Sources<br />

T. Wade Richardson<br />

(Phoenix Supplementary Volumes XXXII)<br />

978-0-8020-2866-2 / $72.00 / £50.99 / 1993<br />

Roman Dress and the Fabrics <strong>of</strong> Roman Culture<br />

Edited by Jonathan Edmondson and Alison Keith<br />

(Phoenix Supplementary Volumes)<br />

978-1-4426-1079-8 / $35.00 / £24.99 / 2008<br />

Rulers <strong>of</strong> Babylonia<br />

From the Second Dynasty <strong>of</strong> Isin to the<br />

End <strong>of</strong> Assyrian Control (1157612 BC)<br />

Grant Frame<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-0724-7 / $203.00 / £142.99 / 1995<br />

Sargonic and Gutian Periods (2334–2113 BC)<br />

Douglas Frayne<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-0593-9 / $203.00 / £142.99 / 1993<br />

Studies in Hellenistic Architecture<br />

Frederick E. Winter, with a chapter by Janos Fedak<br />

(Phoenix Supplementary Volumes XLII)<br />

978-0-8020-3914-9 / $172.00 / £120.99 / 2006<br />

Ur III Period (2112–2004 BC)<br />

Douglas Frayne<br />

(Royal Inscriptions <strong>of</strong> Mesopotamia)<br />

978-0-8020-4198-2 / $232.00 / £162.99 / 1997<br />

Virginity Revisited<br />

Configurations <strong>of</strong> the Unpossessed Body<br />

Edited by Bonnie MacLachlan and Judith Fletcher<br />

(Phoenix Supplementary Volumes XLIV,<br />

Studies in Gender)<br />

978-0-8020-9013-3 / $61.00 / £42.99 / 2007<br />

The War Lover<br />

A Study <strong>of</strong> Plato’s Republic<br />

Leon Harold Craig<br />

978-0-8020-0586-1 / $78.00 / £54.99<br />

978-0-8020-7942-8 / $39.95 / £27.99 / 1994<br />

Williams’ Hebrew Syntax<br />

Third Edition<br />

Ronald J. Williams<br />

Revised and Expanded by John C. Beckman<br />

978-0-8020-9429-2 / $27.95 / £19.99 / 2007<br />

utppublishing.com 59


INDEX<br />

Name Title Page<br />

Aalen et al Atlas <strong>of</strong> the Irish Rural Landscape......................... 4<br />

Ackerman Seeing Things..................................................... 10<br />

Ager & Faber Belonging and Isolation in the Hellenistic World..... 36<br />

Akbari Seeing Through the Veil..................................... 56<br />

Akbari & Iannucci Marco Polo and the Encounter <strong>of</strong> East and West... 56<br />

Akbari & Ross The Ends <strong>of</strong> the Body......................................... 23<br />

Alfie Dante’s Tenzone with Forese Donati................... 34<br />

Allen & Amt The Crusades....................................................... 7<br />

Amodio & O’Brien O’Keeffe Unlocking the Wordhord.................................... 55<br />

Amt <strong>Medieval</strong> England, 1000-1500............................. 7<br />

Anlezark Myths, Legends, and Heroes.............................. 22<br />

Ardizzone Guide Cavalcanti................................................ 58<br />

Aretino Aretino’s Dialogues............................................ 58<br />

Armstrong & Kirshner The Politics <strong>of</strong> Law in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Italy......................................... 16<br />

Armstrong-Roche Cervantes’ Epic Novel......................................... 56<br />

Backhouse <strong>Medieval</strong> Birds in the Sherborne Missal............... 51<br />

Backhouse <strong>Medieval</strong> Rural Life in the Luttrell Psalter............. 52<br />

Backhouse The Sherborne Missal......................................... 52<br />

Bailey, A. Flaunting............................................................ 57<br />

Bailey, G.A.<br />

Art on the Jesuit Missions in Asia<br />

and Latin America, 1542-1773........................... 51<br />

Bailey, G.A. Between <strong>Renaissance</strong> and Baroque.................... 51<br />

Bailey, M.<br />

The Poetics <strong>of</strong> Speech in the<br />

<strong>Medieval</strong> Spanish Epic........................................ 24<br />

Bailey, M. Las Mocedades de Rodrigo................................. 45<br />

Baker & Howe Words and Works.............................................. 55<br />

Baker-Smith More’s Utopia (RSART 11).................................. 48<br />

Baldwin et al Chesire, including Chester (REED 19).................. 52<br />

Bamford & Knowles Shakespeare’s Comedies <strong>of</strong> Love........................ 53<br />

Barahona<br />

Sex Crimes, Honour, and the Law<br />

in Early Modern Spain........................................ 55<br />

Barbour John Selden....................................................... 54<br />

Barker The Adages <strong>of</strong> Erasmus...................................... 53<br />

Barnard & de Armas Objects <strong>of</strong> Culture in the Literature<br />

<strong>of</strong> Imperial Spain................................................ 28<br />

Bartlett The Civilization <strong>of</strong> the Italian <strong>Renaissance</strong>............. 5<br />

Baur Dante’s Hermeneutics <strong>of</strong> Salvation...................... 58<br />

Bearden The Emblematics <strong>of</strong> the Self............................... 26<br />

Beecher The Pleasant Nights, Volumes 1 and 2.................. 1<br />

Beecher <strong>Renaissance</strong> Comedy.......................................... 58<br />

Beecher et al Ariosto Today..................................................... 58<br />

Beer Beasts <strong>of</strong> Love.................................................... 56<br />

Beidler & Biebel Chaucer’s Wife <strong>of</strong> Bath’s Prologue and Tale........ 56<br />

Bell Music in <strong>Medieval</strong> Manuscripts........................... 52<br />

Bellamy Dire Straits......................................................... 24<br />

Benfell The Biblical Dante.............................................. 34<br />

Benton Self and Society in <strong>Medieval</strong> France (MART 15)... 39<br />

Berco Sexual Hierarchies, Public Status......................... 55<br />

Bernau et al <strong>Medieval</strong> Virginities............................................ 54<br />

Bernstein In the Image <strong>of</strong> the Ancestors............................ 59<br />

Bettella The Ugly Woman............................................... 58<br />

Bietenholz Encounters with a Radical Erasmus..................... 53<br />

Bietenholz & Deutscher Contemporaries <strong>of</strong> Erasmus............................... 15<br />

Bildhauer & Mills The Monstrous Middle Ages............................... 54<br />

Binski Painters.............................................................. 51<br />

Bitterli Say What I Am Called........................................ 55<br />

Bolzoni The Gallery <strong>of</strong> Memory....................................... 54<br />

Boon The <strong>Medieval</strong> Science <strong>of</strong> the Soul....................... 18<br />

Botero<br />

On the Causes <strong>of</strong> the Greatness<br />

and Magnificence <strong>of</strong> Cities................................... 1<br />

Bouchard Three Cartularies from Thirteenth-Century Auxerre.. 44<br />

Bouchard The Cartulary <strong>of</strong> Montier-en-Der, 666-1129........ 45<br />

Bovey<br />

Monsters and Grotesques in <strong>Medieval</strong> Manuscripts.52<br />

Boyle <strong>Medieval</strong> Latin Palaeography.............................. 56<br />

Bradley Apuleius and Antonine Rome............................. 37<br />

Braider The Matter <strong>of</strong> Mind............................................ 19<br />

Bredeh<strong>of</strong>t Authors, Audiences, and Old English Verse......... 55<br />

Bredeh<strong>of</strong>t Early English Metre............................................. 55<br />

Bredeh<strong>of</strong>t Textual Histories................................................. 55<br />

Brown, P.R. et al Hrotsvit <strong>of</strong> Gandersheim.................................... 55<br />

Brown, M.P. The Book <strong>of</strong> Cerne............................................. 51<br />

Brown, M.P.<br />

A Guide to Western Historical Scripts<br />

from Antiquity to 1600...................................... 51<br />

Brown, M.P. The Lindisfarne Gospels...................................... 51<br />

Brown, M.P. Manuscripts from the Anglo-Saxon Age............. 51<br />

Brown, M.P. Writing and Scripts............................................. 52<br />

Brown, M.P. & Lovett The Historical Source Book for Scribes................ 51<br />

Brown, M.P. & McKendrick Illuminating the Book......................................... 51<br />

Brucker The Society <strong>of</strong> <strong>Renaissance</strong> Florence (RSART 8)... 47<br />

Bruno The Ash Wednesday Supper (RSART 4)............... 46<br />

Budra<br />

A Mirror for Magistrates and the<br />

de casibus Tradition............................................ 54<br />

Bulman<br />

The Court Book <strong>of</strong> Mende and<br />

the Secular Lordship <strong>of</strong> the Bishop..................... 54<br />

Burns Perilous Realms.................................................. 56<br />

Burton & Greentree Chaucer’s Miller’s, Reeve’s, and Cook’s Tales....... 56<br />

Buzwell Saints in <strong>Medieval</strong> Manuscripts........................... 52<br />

Byrne Law and History in Cervantes’ Don Quixote........ 28<br />

Carey The Apocalypse and the Shape <strong>of</strong> Things to Come.. 51<br />

Carlsmith A <strong>Renaissance</strong> Education.................................... 19<br />

Carrión Subject Stages.................................................... 11<br />

Cascardi Cervantes, Literature, and the Discourse <strong>of</strong> Politics... 29<br />

Cavallo The Romance Epics <strong>of</strong> Boiardo, Ariosto, and Tasso... 58<br />

Chambers & Pullan Venice (RSART 12).............................................. 48<br />

Chase, C. The Dating <strong>of</strong> Beowulf....................................... 55<br />

Chase, M. Einar Skulason’s Geisli........................................ 56<br />

Cheney & de Armas European Literary Careers................................... 57<br />

Chenu<br />

Nature, Man, and Society in the<br />

Twelfth Century (MART 37)................................ 43<br />

Childers Transnational Cervantes..................................... 57<br />

Ciabattoni Dante’s Journey to Polyphony............................. 58<br />

Ciavolella & Coleman Culture and Authority in the Baroque................. 57<br />

Clark-Hall A Concise Anglo-Saxon Dictionary (MART 14).... 39<br />

Claster Sacred Violence.................................................... 5<br />

Clegg The <strong>Medieval</strong> Church in Manuscripts.................. 52<br />

Clover & Lindow Old Norse-Icelandic Literature (MART 42)........... 43<br />

Cohen, D. Searching Shakespeare....................................... 57<br />

Cohen, T.V. & Cohen Words and Deeds in <strong>Renaissance</strong> Rome.............. 55<br />

Coleman<br />

The Treatise <strong>of</strong> Lorenzo Valla and<br />

the Donation <strong>of</strong> Constantine (RSART 1).............. 46<br />

Collins <strong>Medieval</strong> Herbals................................................ 52<br />

Comerford & Pabel Early Modern Catholicism................................... 54<br />

Constable<br />

Three Treatises from Bec on<br />

the Nature <strong>of</strong> Monastic Life................................ 44<br />

Cooley ‘Full <strong>of</strong> all knowledg’.......................................... 57<br />

Cooper Epigraphy and the Greek Historian..................... 59<br />

Craig Of Philosophers and Kings.................................. 57<br />

Craig A War Lover....................................................... 59<br />

Crews Twilight <strong>of</strong> the <strong>Renaissance</strong>................................ 55<br />

Cruz Discourses <strong>of</strong> Poverty......................................... 56<br />

Cullum & Lewis Holiness and Masculinity in the Middle Ages...... 54<br />

Curd Anaxagoras <strong>of</strong> Clazomenae................................ 36<br />

Cyrus<br />

The Scribes for Women’s Convents<br />

in <strong>Medieval</strong> Germany......................................... 55<br />

da Bisticci The Vespasiano Memoirs (RSART 7).................... 47<br />

Daly & Dimmler The Jesuit Series................................................. 51<br />

Daly & Silcox The English Emblem Tradition, Volume 4............ 51<br />

Daly et al Andreas Alciatus................................................ 51<br />

Dane The Myth <strong>of</strong> Print Culture................................... 52<br />

Davis-Weyer Early <strong>Medieval</strong> Art 300-1150 (MART 17)............ 40<br />

Dawson Mission to Asia (MART 8)................................... 39<br />

60 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


INDEX<br />

de Armas Don Quixote among the Saracens...................... 29<br />

de Armas Ovid in the Age <strong>of</strong> Cervantes............................. 30<br />

de Armas Quixotic Frescoes............................................... 57<br />

de France Fables (MART 32)............................................... 42<br />

de Hamel Scribes and Illuminators...................................... 52<br />

de Looze Manuscript Diversity, Meaning, and Variance...... 56<br />

DeCoste Hopeless Love.................................................... 58<br />

Delogu Theorizing the Ideal Sovereign............................ 57<br />

Demers Women’s Writing in English................................ 56<br />

Dendle Satan Unbound.................................................. 55<br />

Denton<br />

Hierarchies and Order in Late <strong>Medieval</strong><br />

and <strong>Renaissance</strong> Europe..................................... 54<br />

Deutscher Punishment and Penance................................... 17<br />

DeVries & Smith <strong>Medieval</strong> Military Technology............................... 3<br />

di Sciacca Finding the Right Words..................................... 55<br />

Dodds Exploiting Erasmus............................................. 53<br />

Donovan The de Brailes Hours........................................... 51<br />

Dooley Playing the Hero................................................. 56<br />

Douglas & Greenfield Cumberland, Westmorland,<br />

Gloucestershire (REED 6).................................... 52<br />

Douglas & MacLean REED in Review.................................................. 53<br />

Dubois Sanctity in the North.......................................... 56<br />

Dutton Carolingian Civilization......................................... 7<br />

Dutton Charlemagne’s Courtier........................................ 7<br />

Dzon & Kenney The Christ Child in <strong>Medieval</strong> Culture.................. 16<br />

Eames English Tilers...................................................... 51<br />

Ebreo Dialogues <strong>of</strong> Love............................................... 58<br />

Echard & Partridge The Book Unbound............................................ 51<br />

Eco Experiences in Translation................................... 58<br />

Edmondson & Keith Roman Dress and the Fabrics <strong>of</strong> Roman Culture... 59<br />

Edzard Gudea and his Dynasty....................................... 59<br />

Elliott et al Oxford (<strong>University</strong> and City)................................ 53<br />

Ellis, J. Sexuality and Citizenship.................................... 57<br />

Ellis, L.H. Raffaello Borghini’s Il Riposo............................... 58<br />

Ellis, R.R. They Need Nothing............................................ 29<br />

Epstein & Robins Sacred and Pr<strong>of</strong>ane in Chaucer<br />

and Late <strong>Medieval</strong> Literature.............................. 23<br />

Erasmus (CWE 13) Correspondence <strong>of</strong> Erasmus, Letters 1802-1925.. 13<br />

Erasmus (CWE 14) Correspondence <strong>of</strong> Erasmus, Letters 1926-2081.. 14<br />

Erasmus (CWE 15) Correspondence <strong>of</strong> Erasmus, Letters 2082-2203.. 13<br />

Erasmus (CWE 65) Expositions on the Psalms................................... 14<br />

Erasmus (CWE 82) Controversies..................................................... 13<br />

Erler Ecclesiastical London (REED 20).......................... 52<br />

Evans Colonial Virtue................................................... 26<br />

Everett The Alphabet <strong>of</strong> Galen......................................... 3<br />

Evergates The Cartulary <strong>of</strong> Countess Blanche <strong>of</strong> Champagne.. 44<br />

Evergates Littere Baronum................................................. 45<br />

Fanning & Bachrach The ‘Annals’ <strong>of</strong> Flodoard <strong>of</strong> Reims, 919-966......... 7<br />

Fantham Latin Poets and Italian Gods............................... 59<br />

Farronato Eco’s Chaosmos................................................. 58<br />

Feerick Strangers in Blood.............................................. 27<br />

Ferguson The <strong>Renaissance</strong> in Historical Thought (RSART 16).. 49<br />

Fichtenau The Carolingian Empire (MART 1)....................... 38<br />

Fisher Flowers in <strong>Medieval</strong> Manuscripts........................ 51<br />

Fjalldal Anglo-Saxon England in Icelandic <strong>Medieval</strong> Texts... 56<br />

Fletcher<br />

Drama, Performance, and Polity in<br />

Pre-Cromwellian England (REED 6)..................... 52<br />

Forrest<br />

The History <strong>of</strong> Morris Dancing,<br />

1458-1750 (SEED 5)........................................... 52<br />

Fox, D. & Palsson Grettir’s Saga..................................................... 56<br />

Fox, M. & Sharma Old English Literature and the Old Testament..... 21<br />

Frame Rulers <strong>of</strong> Babylonia............................................. 59<br />

Frayne Old Babylonian Period........................................ 59<br />

Frayne Pre-Sargonic Period............................................ 59<br />

Frayne Sargonic and Gutian Periods.............................. 59<br />

Frayne Ur III Period........................................................ 59<br />

Frisch Gothic Art 1140-c1450 (MART 20)..................... 40<br />

Frye Fools <strong>of</strong> Time..................................................... 57<br />

Frye (CWNF 16) Northrop Frye on Milton and Blake..................... 57<br />

Frye (CWNF 28)<br />

Northrop Frye’s Writings on Shakespeare<br />

and the <strong>Renaissance</strong>........................................... 27<br />

Fulk et al Klaeber’s Beowulf............................................... 22<br />

Fumo The Legacy <strong>of</strong> Apollo.......................................... 24<br />

Galbraith<br />

Architectonics <strong>of</strong> Imitation in Spenser,<br />

Daniel, and Drayton........................................... 57<br />

Gallagher<br />

Redrawing the Map <strong>of</strong> Early Modern<br />

English Catholicism............................................ 18<br />

Gallop Parmenides <strong>of</strong> Elea............................................. 36<br />

Galloway & Yeager Through a Classical Eye...................................... 56<br />

Gansh<strong>of</strong> Feudalism (MART 34)......................................... 42<br />

Geary Readings in <strong>Medieval</strong> History................................ 8<br />

George, D. Lancashire (REED 10).......................................... 52<br />

George, M. Roman Slavery and Roman Material Culture....... 36<br />

Gerli Celestina and the Ends <strong>of</strong> Desire........................ 31<br />

Giannetti Lelia’s Kiss.......................................................... 58<br />

Gibson Kent, Diocese <strong>of</strong> Canterbury (REED 16).............. 52<br />

Giles The Laughter <strong>of</strong> the Saints................................. 57<br />

Giordano<br />

The Art <strong>of</strong> Meditation and the<br />

French <strong>Renaissance</strong> Love Lyric............................. 57<br />

Gittes Boccaccio’s Naked Muse..................................... 58<br />

Glenn The Middle Ages in Texts and Texture................... 5<br />

Glomski<br />

Patronage and Humanist Literature<br />

in the Age <strong>of</strong> the Jagiellons................................ 53<br />

Goldberg Jews and Magic in Medici Florence....................... 2<br />

Goldberg A Jew at the Medici Court.................................... 2<br />

Goodall Chaucer’s Monk’s Tale and Nun’s Priest’s Tale...... 56<br />

Gordon The Story <strong>of</strong> Troilus (MART 2)............................. 38<br />

Grayson<br />

Assyrian Rulers <strong>of</strong> the Third and<br />

Second Millennia BC.......................................... 59<br />

Grayson Assyrian Rulers <strong>of</strong> the Early First Millenium BC.... 59<br />

Green & Mooney Interstices........................................................... 56<br />

Guenther Magical Imaginations......................................... 26<br />

Gundersheimer The Italian <strong>Renaissance</strong> (RSART 2)....................... 46<br />

Guy-Bray Against Reproduction......................................... 57<br />

Guy-Bray Homoerotic Space.............................................. 57<br />

Guy-Bray Loving in Verse................................................... 57<br />

Hamilton et al The Spenser Encyclopedia.................................. 57<br />

Harbus & Poole Verbal Encounters.............................................. 55<br />

Harvey & McGuinness A Guide to British <strong>Medieval</strong> Seals....................... 54<br />

Hays et al Dorset/Cornwall (REED 14)................................. 52<br />

Hazzard Imagination <strong>of</strong> a Monarchy................................ 59<br />

Healey Italian Literature before 1900 in English Translation.. 32<br />

Heitsch & Vallee Printed Voices.................................................... 57<br />

Helfer Spenser’s Ruins and the Art <strong>of</strong> Recollection........ 25<br />

Heller Anti-Italianism in Sixteenth-Century France........ 53<br />

Henderson The Unfolding <strong>of</strong> Words..................................... 14<br />

Hiatt The Making <strong>of</strong> <strong>Medieval</strong> Forgeries...................... 54<br />

Hieatt et al Pleyn Delit.......................................................... 52<br />

Higgitt The Murthly Hours............................................. 52<br />

Hill<br />

On the Aesthetics <strong>of</strong> Beowulf<br />

and Other Old English Poems............................. 21<br />

Hill The Narrative Pulse <strong>of</strong> Beowulf........................... 22<br />

Himka Last Judgment Iconography in the Carpathians.. 54<br />

Himka & Zayarnyuk Letters from Heaven........................................... 54<br />

H<strong>of</strong>fman Fishers’ Craft and Lettered Art............................ 54<br />

Hosington Elizabeth Jane Weston: Collected Writings......... 57<br />

Houston Building a Monument to Dante.......................... 35<br />

Hudson<br />

Selections from English Wycliffite Writings<br />

(MART 38)......................................................... 43<br />

Hughes <strong>Medieval</strong> Manuscripts for Mass and Office......... 53<br />

Hughes et al Cataloguing Discrepancies................................. 19<br />

Iannucci Dante................................................................. 58<br />

Inwood The Poem <strong>of</strong> Empedocles................................... 36<br />

Irvine Socrates on Trial................................................. 53<br />

utppublishing.com 61


INDEX<br />

Jeauneau Rethinking the School <strong>of</strong> Chartres........................ 9<br />

Jenkins Byzantium (MART 18)........................................ 40<br />

Johnston <strong>Medieval</strong> Conduct Literature.............................. 44<br />

Jones<br />

Constantine and the Conversion <strong>of</strong> Europe<br />

(MART 4)........................................................... 38<br />

Joscelin The Mothers Legacy to her Vnborn Childe.......... 57<br />

Joslin & Watson The Egerton Genesis.......................................... 51<br />

Kallendorf Conscience on Stage.......................................... 56<br />

Kallendorf Exorcism and Its Texts......................................... 57<br />

Kaske <strong>Medieval</strong> Christian Literary Imagery.................... 56<br />

Kendrick<br />

Utopia, Carnival, and Commonwealth<br />

in <strong>Renaissance</strong> England...................................... 58<br />

Kessler Seeing <strong>Medieval</strong> Art............................................. 9<br />

Klausner Herefordshire and Worcestershire (REED 9)......... 52<br />

Klausner Wales................................................................. 53<br />

Klausner & Marsalek ‘Bring furth the pagants’ (SEED 9)...................... 52<br />

Kleiman Philippe de Commynes....................................... 32<br />

Kleinbauer<br />

Modern Perspectives in Western Art History<br />

(MART 25)......................................................... 41<br />

Kleist Striving with Grace............................................. 55<br />

Kökeritz A Guide to Chaucer’s Pronounciation (MART 3).. 38<br />

Konstan The Emotions <strong>of</strong> the Ancient Greeks.................. 59<br />

Kowaleski <strong>Medieval</strong> Towns................................................... 7<br />

Kroeker Erasmus in the Footsteps <strong>of</strong> Paul........................ 15<br />

Kuin Chamber Music.................................................. 57<br />

Laird The Unfinished Mechanics <strong>of</strong> Giuseppe Moletti.. 55<br />

Lancashire Forgetful Muses................................................. 28<br />

Lancashire Dramatic Texts and Records <strong>of</strong> Britain (SEED 1)... 52<br />

Landsberg The <strong>Medieval</strong> Garden......................................... 51<br />

Langdon Medici Women.................................................. 54<br />

Lazar Working in the Vineyard <strong>of</strong> the Lord................... 55<br />

Lee, A. Gold-Hall and Earth-Dragon............................... 55<br />

Lee, M.O. Athena Sings...................................................... 52<br />

Lee, M.O. Father Lee’s Opera Quiz Book............................. 52<br />

Lee, M.O. A Season <strong>of</strong> Opera............................................. 53<br />

Lee, M.O. Wagner.............................................................. 53<br />

Lee, M.O. Wagner and the Wonder <strong>of</strong> Art.......................... 53<br />

Lesher Xenophanes <strong>of</strong> Colophon.................................. 36<br />

Levy Tudor Historical Thought (RSART 15).................. 49<br />

Lockett<br />

Anglo-Saxon Psychologies in the Vernacular<br />

and Latin Traditions............................................ 21<br />

Loewenstein & Stevens Early Modern Nationalism and Milton’s England... 57<br />

Lombardi The Syntax <strong>of</strong> Desire........................................... 56<br />

Looney ‘My Muse will have a story to paint’................... 33<br />

Louis Sussex................................................................ 53<br />

Mackenzie The Poetry <strong>of</strong> Place............................................. 31<br />

Mackie, E.A. & Goering Editing Robert Grosseteste................................. 56<br />

Mackie, G. Early Christian Chapels in the West.................... 51<br />

MacKinnon<br />

Excavations <strong>of</strong> San Giovanni di Ruoti, Volume III.59<br />

MacLachlan & Fletcher Virginity Revisited............................................... 59<br />

Magnanini Fairy-Tale Science............................................... 58<br />

Maiorino & Doyle-Anderson Comanini’s The Figino, or On the Purpose<br />

<strong>of</strong> Painting......................................................... 58<br />

Mak How the Page Matters......................................... 4<br />

Makaryk & Tkacz Shakespeare and the Second World War............ 10<br />

Mango The Art <strong>of</strong> the Byzantine Empire 312-1453<br />

(MART 16)......................................................... 40<br />

Mann<br />

Romanesque Architecture and<br />

its Sculptural Decoration.................................... 55<br />

Mansfield Erasmus in the Twentieth Century...................... 53<br />

Mansfield Man on His Own................................................ 53<br />

Mantello & Goering The Letters <strong>of</strong> Robert Grosseteste,<br />

Bishop <strong>of</strong> Lincoln................................................ 56<br />

Marchesi Dante and Augustine......................................... 34<br />

Marks Bookbinding...................................................... 51<br />

Marner St. Cuthbert....................................................... 52<br />

Martin & Scheil Shakespeare/Adaptation/Modern Drama............ 10<br />

Martines<br />

The Social World <strong>of</strong> the Florentine Humanists,<br />

1390-1460 (RSART 17)...................................... 49<br />

Martines An Italian <strong>Renaissance</strong> Sextet............................. 58<br />

Mazzotta Cosmopoeisis..................................................... 58<br />

McAleer Rochester Cathedral, 604-1540.......................... 51<br />

McClure<br />

The Culture <strong>of</strong> Pr<strong>of</strong>essions in Late<br />

<strong>Renaissance</strong> Italy................................................ 54<br />

McCrea Constant Minds................................................. 54<br />

McDonald<br />

History, Literature, and Music in Scotland,<br />

700-1560........................................................... 54<br />

McGee <strong>Medieval</strong> and <strong>Renaissance</strong> Music........................ 53<br />

McGrady Controlling Readers............................................ 56<br />

McKitterick The Trinity Apocalypse........................................ 52<br />

Menon Wanton Words................................................... 53<br />

Meyerson et al ‘A Great Effusion <strong>of</strong> Blood’................................. 53<br />

Migiel A Rhetoric <strong>of</strong> the Decameron............................. 58<br />

Mills Recycling the Cycle............................................ 53<br />

Mize Traditional Subjectivities..................................... 20<br />

Mohamed In the Anteroom <strong>of</strong> Divinity................................ 57<br />

Mohamed & Nyquist Milton and Questions <strong>of</strong> History......................... 25<br />

Moll Before Malory.................................................... 56<br />

Moore The Origins <strong>of</strong> European Dissent (MART 30)....... 42<br />

Moore The Birth <strong>of</strong> Popular Heresy (MART 33)............... 42<br />

Morris The Discovery <strong>of</strong> the Individual 1050-1200<br />

(MART 19)......................................................... 40<br />

Murray, A.C. From Roman to Merovingian Gaul........................ 7<br />

Murray, A.C. Gregory <strong>of</strong> Tours.................................................. 7<br />

Murray, A.C. After Rome’s Fall................................................ 53<br />

Murray, J. Love, Marriage, and Family in the Middle Ages..... 7<br />

Nash Between France and Flanders............................. 51<br />

Neel <strong>Medieval</strong> Families (MART 40).............................. 43<br />

Nelson, B.J. The Persistence <strong>of</strong> Presence................................ 31<br />

Nelson, A. Cambridge (REED 8)........................................... 52<br />

Netzley<br />

Reading, Desire, and the Eucharist in<br />

Early Modern Religious Poetry............................ 27<br />

Nicol Middleton and Rowley....................................... 11<br />

Nissen Kissing the Wild Woman.................................... 32<br />

Nordal Tools <strong>of</strong> Literacy................................................. 56<br />

Oakley The <strong>Medieval</strong> Experience (MART 23)................... 41<br />

O’Brien O’Keeffe Stealing Obedience............................................ 20<br />

O’Brien O’Keeffe & Orchard Latin Learning and English Lore.......................... 55<br />

Oliver The Body Legal in Barbarian Law........................ 17<br />

Oliver The Beginnings <strong>of</strong> English Law........................... 55<br />

Olmsted The Imperfect Friend.......................................... 57<br />

O’Malley et al The Jesuits......................................................... 54<br />

Orchard Pride and Prodigies............................................. 55<br />

O’Sullivan<br />

Marian Devotion in Thirteenth-Century<br />

French Lyric........................................................ 56<br />

Pabel Conversing with God......................................... 53<br />

Pabel & Vessey Holy Scripture Speaks......................................... 53<br />

Page, S. Astrology in <strong>Medieval</strong> Manuscripts..................... 51<br />

Page, S. Magic in <strong>Medieval</strong> Manuscripts.......................... 51<br />

Page, R.I. Chronicles <strong>of</strong> the Vikings.................................... 54<br />

Painter William Marshal (MART 13)................................ 39<br />

Pallister Between Worlds................................................. 57<br />

Papio Boccaccio’s Expositions on Dante’s Comedy........ 58<br />

Parker<br />

A Critical Edition <strong>of</strong> Robert Barnes’<br />

‘A Supplication Unto’......................................... 57<br />

Parker<br />

An exhortation to the diligent studye <strong>of</strong><br />

scripture............................................................. 57<br />

Parker & Krajewski William Roye’s A Brefe Dialoge bitwene<br />

a Christen Father................................................ 58<br />

Partridge & Kwakkel Author, Reader, Book......................................... 23<br />

Pilkinton Bristol (REED 13)................................................ 52<br />

Platt King Death......................................................... 54<br />

Porter Courtly Love in <strong>Medieval</strong> Manuscripts................ 51<br />

Porter <strong>Medieval</strong> Warfare in Manuscripts....................... 52<br />

62 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


INDEX<br />

Pulsiano Old English Glossed Psalters Pss. 150.................. 55<br />

Quinones Erasmus and Voltaire.......................................... 15<br />

Quitslund Spenser’s Supreme Fiction.................................. 58<br />

Raffa Divine Dialectic................................................... 58<br />

Raguin et al Artistic Integration in Gothic Buildings................ 51<br />

Randall The Gargantuan Polity........................................ 57<br />

Ray Writing Gender in Women’s Letter Collections.... 58<br />

Raymo & Whitaker The Mirroure <strong>of</strong> the Worlde................................ 45<br />

Renevey & Whitehead Writing Religious Women................................... 56<br />

Rhodes Dressed to Kill.................................................... 30<br />

Richardson Reading and Variant in Petronius........................ 59<br />

Robins Textual Cultures <strong>of</strong> <strong>Medieval</strong> Italy....................... 33<br />

Robinson Heraclitus........................................................... 36<br />

Rogerson Playing a Part in History...................................... 53<br />

Romanchuk<br />

Byzantine Hermeneutics and<br />

Pedagogy in the Russian North........................... 54<br />

Rosemann The Story <strong>of</strong> a Great <strong>Medieval</strong> Book..................... 9<br />

Rosenwein A Short History <strong>of</strong> the Middle Ages...................... 8<br />

Rosenwein Reading the Middle Ages..................................... 8<br />

Roskill<br />

Dolce’s Aretino and Venetian Art Theory<br />

<strong>of</strong> the Cinquecento (RSART 10)......................... 48<br />

Ross Figuring the Feminine......................................... 56<br />

Roush Hermes’ Lyre...................................................... 58<br />

Rudd The Classical Tradition in Operation.................... 59<br />

Rummel Editing Texts from the Age <strong>of</strong> Erasmus............... 53<br />

Rummel Erasmus on Women........................................... 53<br />

Rummel The Erasmus Reader........................................... 53<br />

Rummel The Case Against Johann Reuchlin..................... 54<br />

Rummel The Correspondence <strong>of</strong> Wolfgang Capito........... 54<br />

Samuelsson Religion and Economic Action (RSART 3)............ 46<br />

Schiban<strong>of</strong>f Chaucer’s Queer Poetics..................................... 56<br />

Schiesari Beasts and Beauties............................................ 33<br />

Schmidt, R. Forms <strong>of</strong> Modernity............................................ 30<br />

Schmidt, T. & Fleury Perceptions <strong>of</strong> the Second Sophistic<br />

and Its Times...................................................... 37<br />

Scoville<br />

Saints and the Audience in<br />

Middle English Biblical Drama............................. 53<br />

Scully The Opera <strong>of</strong> Bartolomeo Scappi (1570)............... 2<br />

Shailor The <strong>Medieval</strong> Book (MART 28)........................... 41<br />

Shaw Bringing in the Sheaves...................................... 37<br />

Shawver Thomas Usk’s Testament <strong>of</strong> Love........................ 56<br />

Sheehan Marriage, Family, and Law in <strong>Medieval</strong> Europe... 54<br />

Sheppard Families <strong>of</strong> the King............................................ 55<br />

Shinners <strong>Medieval</strong> Popular Religion, 1000-1500................. 7<br />

Shuger<br />

Habits <strong>of</strong> Thought in the English <strong>Renaissance</strong><br />

(RSART 6)........................................................... 47<br />

Simpson Excavations <strong>of</strong> San Giovanni di Ruoti, Volume II.. 59<br />

Slights Shakespeare’s Comic Commonwealths............... 57<br />

Slocum Liturgies in Honour <strong>of</strong> Thomas Beckett............... 52<br />

Smail & Gibson Vengeance in <strong>Medieval</strong> Europe............................. 7<br />

Small & Buck Excavations <strong>of</strong> San Giovanni di Ruoti, Volume I... 59<br />

Smith, K.A. The Taymouth Hours............................................ 4<br />

Smith, K.A.<br />

Art, Identity, and Devotion in<br />

Fourteenth-Century England.............................. 51<br />

Smith, S.T. Land and Book................................................... 20<br />

Somerset Shropshire.......................................................... 53<br />

Somerville & McDonald The Viking Age.................................................... 6<br />

Springer Armour and Masculinity in the Italian <strong>Renaissance</strong>..... 3<br />

Stanivukovic Ovid and the <strong>Renaissance</strong> Body.......................... 57<br />

Steen Verse and Virtuosity........................................... 55<br />

Stoicheff & Taylor The Future <strong>of</strong> the Page....................................... 51<br />

Stokes Lincolnshire (REED 21)........................................ 52<br />

Stokes Somerset, including Bath.................................... 53<br />

Stone & Stirling Mortuary Landscapes <strong>of</strong> North Africa................. 59<br />

Stouck <strong>Medieval</strong> Saints.................................................... 7<br />

Stouck A Short Reader <strong>of</strong> <strong>Medieval</strong> Saints........................ 7<br />

Sutton Chaucer’s Pardoner’s Prologue and Tale.............. 56<br />

Syros Marsilius <strong>of</strong> Padua.............................................. 16<br />

Taylor, C.C.W. The Atomists...................................................... 36<br />

Taylor, L.J. Soldiers <strong>of</strong> Christ (RSART 14).............................. 48<br />

Terasawa Old English Metre................................................ 9<br />

Terpening Lodovico Dolce................................................... 54<br />

Thompson The Outrageous Juan Rana Entremeses.............. 53<br />

Thompson The Triumphant Juan Rana................................. 53<br />

Thomson Catullus............................................................. 59<br />

Thrupp Change in <strong>Medieval</strong> Society (MART 22).............. 41<br />

Tierney The Crisis <strong>of</strong> Church and State 1050-1300<br />

(MART 21)......................................................... 41<br />

Tiner<br />

Teaching with the Records <strong>of</strong><br />

Early English Drama............................................ 53<br />

Trilling The Aesthetics <strong>of</strong> Nostalgia................................ 55<br />

Tromly Fathers and Sons in Shakespeare........................ 11<br />

Tromly Playing with Desire............................................. 57<br />

Twyman Printing.............................................................. 52<br />

Ullman Ancient Writing and its Influence (MART 10)...... 39<br />

van Houts Gender and Memory in <strong>Medieval</strong> Europe........... 54<br />

Verdicchio The Poetics <strong>of</strong> Dante’s Paradiso.......................... 35<br />

Vessey et al The Calling <strong>of</strong> the Nations.................................. 18<br />

Vives On Assistance to the Poor (RSART 9)................. 47<br />

Wace & Layamon Arthurian Chronicles (MART 35)......................... 42<br />

Wackernagel<br />

The World <strong>of</strong> the Florentine <strong>Renaissance</strong> Artist<br />

(RSART 18)......................................................... 49<br />

Waddington Looking into Providences.................................... 25<br />

Waddington Aretino’s Satyr.................................................... 58<br />

Waite Reformers on Stage............................................ 53<br />

Waite Eradicating the Devil’s Minions........................... 54<br />

Wallis <strong>Medieval</strong> Medicine............................................... 6<br />

Wanner Snorri Sturluson and the Edda............................ 56<br />

Warkentin & Podruchny Decentring the <strong>Renaissance</strong>................................ 54<br />

Wasson Devon (REED 7).................................................. 52<br />

Watt <strong>Medieval</strong> Women in their Communities.............. 54<br />

Weaver The Decameron First Day in Perspective.............. 58<br />

Whalen, B.E. Pilgrimage in the Middle Ages.............................. 6<br />

Whalen, J. The Poetry <strong>of</strong> Immanence................................... 57<br />

Wickersham Rituals <strong>of</strong> Prosecution......................................... 17<br />

Williams Williams’ Hebrew Syntax.................................... 59<br />

Wilson, B. The World in Venice........................................... 55<br />

Wilson, M. Aristotle’s Theory <strong>of</strong> the Unity <strong>of</strong> Science............ 59<br />

Winter Studies in Hellenistic Architecture....................... 59<br />

Withers<br />

The Illustrated Old English Hexateuch,<br />

Cotton Ms. Claudius B.iv.................................... 54<br />

Wolf Jews in the Canary Islands (RSART 13)................ 48<br />

Woodward<br />

Vittorino da Feltre and Other<br />

Humanist Educators (RSART 5)........................... 47<br />

Woolfson Padua and the Tudors......................................... 54<br />

Wright, C.D. et al Source <strong>of</strong> Wisdom.............................................. 55<br />

Wright, D.H.<br />

The Roman Vergil and the Origins<br />

<strong>of</strong> <strong>Medieval</strong> Book Design.................................... 52<br />

Wright, N.E. et al Women, Property, and the Letters <strong>of</strong><br />

the Law in Early Modern England....................... 55<br />

Yardley Justin and Pompeius Trogus................................ 59<br />

Young The English Emblem Tradition, Volume 3............ 51<br />

Young The English Emblem Tradition, Volume 5............ 51<br />

Zacher Preaching the Converted.................................... 55<br />

Zacher & Orchard New Readings in the Vercelli Book...................... 55<br />

Zatti The Quest for Epic.............................................. 58<br />

Zecher Sounding Objects............................................... 57<br />

Zöega A Concise Dictionary <strong>of</strong> Old Icelandic (MART 41)..... 43<br />

utppublishing.com 63


ORDER FORM<br />

Individuals’ Order Form<br />

Name_________________________________________________________________________<br />

Institution______________________________________________________________________<br />

Address________________________________________________________________________<br />

Phone_________________________________________________________________________<br />

Payment<br />

Name_________________________________________________________________________<br />

p Enclosed is my cheque/money order,<br />

payable to <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press for $ _________________<br />

p Please charge my: p Visa p MasterCard p American Express<br />

Card # ________________________________________________________________________<br />

Expiry _________________________________________________________________________<br />

Signature (required)______________________________________________________________<br />

Please Quote Marketing Code 1021<br />

Qty Author/Title ISBN Price Subtotal<br />

______________________________________________________________________________<br />

______________________________________________________________________________<br />

______________________________________________________________________________<br />

______________________________________________________________________________<br />

HOW TO ORDER<br />

Individuals:<br />

Mail this form to:<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

Order Department<br />

5201 Dufferin Street<br />

North York, ON M3H 5T8<br />

To order by phone:<br />

(800) 565-9523<br />

(Canada and US)<br />

(416) 667-7791<br />

Or fax this order form to:<br />

(800) 221-9985<br />

(Canada and US)<br />

(416) 667-7832<br />

Or contact us by email at:<br />

utpbooks@utpress.utoronto.ca<br />

Booksellers:<br />

Order direct from <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong> Press Order<br />

Department. If you are billing<br />

an order, please include your<br />

UTP account number.<br />

Institutions:<br />

Order through your wholesaler<br />

or direct from <strong>University</strong><br />

<strong>of</strong> <strong>Toronto</strong> Press Order<br />

Department. Institutional<br />

purchase orders accepted.<br />

______________________________________________________________________________<br />

______________________________________________________________________________<br />

______________________________________________________________________________<br />

Subtotal $___________<br />

Shipping Charges:<br />

Canada & US: $8.50 for the first book, $2.00 for each additional book $___________<br />

Overseas: $25.00 for the first book, $5.00 for each additional book<br />

Canadian orders should add 5% HST for total books and shipping<br />

NY State orders should add 8% state sales tax<br />

Total Amount <strong>of</strong> this order<br />

$___________<br />

$___________<br />

$___________<br />

$___________<br />

Note: Books not yet published will be shipped when stock arrives.<br />

All prices are subject to change without notice.<br />

Outside Canada all prices are in US dollars.<br />

64 <strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press


Orders and Customer Service<br />

HEAD OFFICE<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

10 St. Mary Street, Suite 700<br />

<strong>Toronto</strong>, ON M4Y 2W8<br />

Tel: (416) 978-2239 x 253<br />

Fax: (416) 978-4738<br />

utppublishing.com<br />

Brian MacDonald<br />

Sales and Marketing Manager<br />

Email: brianm@utpress.utoronto.ca<br />

SEND ORDERS to<br />

Canada, US, ROW Except Europe<br />

Customer Order Department<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

5201 Dufferin Street<br />

North York, ON M3H 5T8<br />

Tel: (416) 667-7791<br />

Fax: (416) 667-7832<br />

Tel: 1 (800) 565-9523<br />

Fax: 1 (800) 221-9985<br />

(Toll-Free in Canada & US)<br />

Email: utpbooks@utpress.utoronto.ca<br />

US ORDERS can be sent to<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press<br />

2250 Military Road<br />

Tonawanda, NY 14150<br />

Tel: (716) 693-2768<br />

Fax: (716) 692-7479<br />

ExAMINATION COPIES<br />

<strong>University</strong> <strong>of</strong> <strong>Toronto</strong> Press is pleased to<br />

provide examination copies <strong>of</strong> books to<br />

qualified instructors considering texts for<br />

course adoption.<br />

To allow instructors access to potential course<br />

material quickly, examination copies for most<br />

UTP titles are now available electronically.<br />

If you would like to request a UTP book to<br />

consider for course use, simply search for the<br />

book at utppublishing.com, click ‘More about<br />

this book,’ then the ‘Request an Exam Copy’<br />

button.<br />

UTP’s electronic exam copy system now runs<br />

on the industry-standard Adobe Digital<br />

Editions platform, which is available as a<br />

free download for PCs, Macs, and e-readers.<br />

Adobe Digital Editions allows you to view your<br />

exam copies on more than one device for up<br />

to 30 days, and you may renew each exam<br />

copy once for an additional 14 days.<br />

For further information,<br />

please contact Elizabeth Glenn<br />

at eglenn@utpress.utoronto.ca.<br />

Europe<br />

c/o NBN International<br />

Airport Business Centre<br />

10 Thornbury Road<br />

Plymouth, Devon PL6 7PP UK<br />

Tel: (0) 1752 202301<br />

Fax: (0) 1752 202333<br />

Email: orders@nbninternational.com


Recent Award Winners<br />

WINNER: International Society <strong>of</strong><br />

Anglo-Saxonists Best First Book Prize<br />

The Aesthetics <strong>of</strong> Nostalgia<br />

Historical Representation in<br />

Old English Verse<br />

Renee R. Trilling<br />

WINNER: Society for the Study <strong>of</strong> Early<br />

Modern Women Collaborative Project Award<br />

Women, Religion, and the Atlantic World,<br />

1600–1800<br />

Edited by Daniella Kostroun<br />

and Lisa Vollendorf<br />

WINNER: American Society for Hispanic<br />

Art Historical Studies Eleanor Tufts Award<br />

Romanesque Architecture and its Sculptural<br />

Decoration in Christian Spain, 1000–1120<br />

Exploring Frontiers and Defining Identities<br />

Janice Mann<br />

HONOURABLE MENTION: American Publishers Awards<br />

for Pr<strong>of</strong>essional and Scholarly Excellence<br />

– Literature Category<br />

Don Quixote among the Saracens<br />

A Clash <strong>of</strong> Civilizations and Literary Genres<br />

Frederick A. de Armas<br />

10 St. Mary Street, Suite 700<br />

<strong>Toronto</strong>, ON, Canada M4Y 2W8<br />

utppublishing.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!