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An American Jeremiah in Rome: A Study of Margaret Fuller's ... - aisna

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RSA Journal 11<br />

105<br />

<strong>Fuller's</strong> critique <strong>of</strong> America lies with<strong>in</strong> the tradition <strong>of</strong> the jeremiad,<br />

a lament over the nation's failure to live up to its orig<strong>in</strong>al promise,<br />

which, I underscore, reaffirms national dreams while deplor<strong>in</strong>g the<br />

failure <strong>of</strong> will to pursue them. 7 I f<strong>in</strong>d confirmation <strong>of</strong> <strong>Fuller's</strong><br />

adherence to the ideology <strong>of</strong> <strong>American</strong> republican exceptionalism<br />

<strong>in</strong> the comparison between the public discourse <strong>of</strong> the dispatches<br />

and the private text <strong>of</strong> her correspondence and personal journal.<br />

While the public dispatches mostly <strong>of</strong>fer a celebratory image <strong>of</strong><br />

revolutionary <strong>Rome</strong>, one <strong>in</strong>tended to shame America <strong>in</strong>to<br />

redress<strong>in</strong>g her wrongs, the private letters, which do not have that<br />

purpose, <strong>of</strong>ten express doubts about the Italians' read<strong>in</strong>ess for<br />

republicanism and at times contrast sharply with the positive<br />

evaluations <strong>of</strong> the dispatches. 8 Even the dispatches, moreover, are<br />

occasionally characterized by an aestheticized approach to the<br />

Roman revolution which betrays <strong>Fuller's</strong> <strong>in</strong>ability to escape<br />

nationalistic ideology <strong>in</strong> spite <strong>of</strong> her <strong>in</strong>sights elsewhere <strong>in</strong>to the<br />

identity <strong>of</strong> discourses <strong>of</strong> power which <strong>in</strong>tend to marg<strong>in</strong>alize nondom<strong>in</strong>ant<br />

groups, <strong>in</strong>clud<strong>in</strong>g the very patriarchal rhetoric she had<br />

critiqued <strong>in</strong> her fem<strong>in</strong>ist writ<strong>in</strong>gs.<br />

The Critic as <strong>Jeremiah</strong><br />

By the time she left for Europe to report on popular revolts<br />

aga<strong>in</strong>st extreme political and economic stratification <strong>in</strong> England.<br />

France, and Italy, Fuller had become an outspoken critic <strong>of</strong><br />

America's own deviations from the pr<strong>in</strong>ciple <strong>of</strong> human equality.<br />

She had denounced patriarchal restrictions on women's right to the<br />

development and expression <strong>of</strong> their natures <strong>in</strong> Woman <strong>in</strong> the<br />

N<strong>in</strong>eteenth Century. She had censured racial prejudice aga<strong>in</strong>st<br />

Native <strong>American</strong>s <strong>in</strong> Summer on the Lakes <strong>in</strong> 1843, an account <strong>of</strong> a<br />

trip west which allowed her to witness the devastat<strong>in</strong>g effects <strong>of</strong><br />

<strong>American</strong> imperialism upon the orig<strong>in</strong>al <strong>in</strong>habitants <strong>of</strong> the land.<br />

Encouraged by Horace Greeley, the liberal editor <strong>of</strong> the New-York<br />

Daily Tribune who had hired her as the lead columnist <strong>in</strong> 1844<br />

moreover, she had written a series <strong>of</strong> bit<strong>in</strong>g articles rang<strong>in</strong>g from<br />

condemnations <strong>of</strong> the war aga<strong>in</strong>st Mexico, which she read as a

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