An American Jeremiah in Rome: A Study of Margaret Fuller's ... - aisna
An American Jeremiah in Rome: A Study of Margaret Fuller's ... - aisna
An American Jeremiah in Rome: A Study of Margaret Fuller's ... - aisna
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RSA Journal 11<br />
105<br />
<strong>Fuller's</strong> critique <strong>of</strong> America lies with<strong>in</strong> the tradition <strong>of</strong> the jeremiad,<br />
a lament over the nation's failure to live up to its orig<strong>in</strong>al promise,<br />
which, I underscore, reaffirms national dreams while deplor<strong>in</strong>g the<br />
failure <strong>of</strong> will to pursue them. 7 I f<strong>in</strong>d confirmation <strong>of</strong> <strong>Fuller's</strong><br />
adherence to the ideology <strong>of</strong> <strong>American</strong> republican exceptionalism<br />
<strong>in</strong> the comparison between the public discourse <strong>of</strong> the dispatches<br />
and the private text <strong>of</strong> her correspondence and personal journal.<br />
While the public dispatches mostly <strong>of</strong>fer a celebratory image <strong>of</strong><br />
revolutionary <strong>Rome</strong>, one <strong>in</strong>tended to shame America <strong>in</strong>to<br />
redress<strong>in</strong>g her wrongs, the private letters, which do not have that<br />
purpose, <strong>of</strong>ten express doubts about the Italians' read<strong>in</strong>ess for<br />
republicanism and at times contrast sharply with the positive<br />
evaluations <strong>of</strong> the dispatches. 8 Even the dispatches, moreover, are<br />
occasionally characterized by an aestheticized approach to the<br />
Roman revolution which betrays <strong>Fuller's</strong> <strong>in</strong>ability to escape<br />
nationalistic ideology <strong>in</strong> spite <strong>of</strong> her <strong>in</strong>sights elsewhere <strong>in</strong>to the<br />
identity <strong>of</strong> discourses <strong>of</strong> power which <strong>in</strong>tend to marg<strong>in</strong>alize nondom<strong>in</strong>ant<br />
groups, <strong>in</strong>clud<strong>in</strong>g the very patriarchal rhetoric she had<br />
critiqued <strong>in</strong> her fem<strong>in</strong>ist writ<strong>in</strong>gs.<br />
The Critic as <strong>Jeremiah</strong><br />
By the time she left for Europe to report on popular revolts<br />
aga<strong>in</strong>st extreme political and economic stratification <strong>in</strong> England.<br />
France, and Italy, Fuller had become an outspoken critic <strong>of</strong><br />
America's own deviations from the pr<strong>in</strong>ciple <strong>of</strong> human equality.<br />
She had denounced patriarchal restrictions on women's right to the<br />
development and expression <strong>of</strong> their natures <strong>in</strong> Woman <strong>in</strong> the<br />
N<strong>in</strong>eteenth Century. She had censured racial prejudice aga<strong>in</strong>st<br />
Native <strong>American</strong>s <strong>in</strong> Summer on the Lakes <strong>in</strong> 1843, an account <strong>of</strong> a<br />
trip west which allowed her to witness the devastat<strong>in</strong>g effects <strong>of</strong><br />
<strong>American</strong> imperialism upon the orig<strong>in</strong>al <strong>in</strong>habitants <strong>of</strong> the land.<br />
Encouraged by Horace Greeley, the liberal editor <strong>of</strong> the New-York<br />
Daily Tribune who had hired her as the lead columnist <strong>in</strong> 1844<br />
moreover, she had written a series <strong>of</strong> bit<strong>in</strong>g articles rang<strong>in</strong>g from<br />
condemnations <strong>of</strong> the war aga<strong>in</strong>st Mexico, which she read as a