Visual Language Magazine Contemporary Fine Art Vol 2 no 10 October 2013
Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. This month features the Miller Gallery Fall Show in Cincinnati, and studio visits with Nocona Burgess, Artspan artist Joe Belt, Sarah Beth Banning, Dave Sime, Connie Morse, and Texas artist Kristine Byars. Enjoy an up close and person interview with Texas Artspan artist Sharon Hodges and the gallery show of Texas Artspan artist Melissa Doron. The issue would not be complete without the fascinating photography of Artspan Photographer Rudolph De Ram. On the Cover is the artwork of Artspan Artist Joe Belt. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. This month features the Miller Gallery Fall Show in Cincinnati, and studio visits with Nocona Burgess, Artspan artist Joe Belt, Sarah Beth Banning, Dave Sime, Connie Morse, and Texas artist Kristine Byars. Enjoy an up close and person interview with Texas Artspan artist Sharon Hodges and the gallery show of Texas Artspan artist Melissa Doron. The issue would not be complete without the fascinating photography of Artspan Photographer Rudolph De Ram. On the Cover is the artwork of Artspan Artist Joe Belt. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
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Texas <strong>Art</strong>ist Sharon Hodges in studio.<br />
How do you overcome these obstacles Just getting to the studio each day helps…I am blessed w/ a supportive<br />
husband, friends, and great studio partners who encourage my work. The smell of the paints, good music, the quiet<br />
company of a painting friend or two is helpful for me.<br />
What is your favorite way to get creative juices flowing Just paint…for me, it is all about moving the paint on<br />
the surface, making the colors vibrate together...I’m enjoying painting thicker <strong>no</strong>w…it gets dangerous, only from the<br />
standpoint that it is easy to lose control of a painting quickly when there is so much wet paint on the surface…it can<br />
turn from colorful to mud in an instant.<br />
Which work of yours is your favorite My next painting is always my favorite.<br />
www.sharonhodgesfineart.com<br />
<strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com - VL <strong>Magazine</strong> | 127
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