Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
- No tags were found...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
© ANIMOTIONS<br />
Concertgebouw<br />
the cultural year. Preliminary research had indicated that these crowd-pullers represented<br />
an enormous potential for overnight tourist stays.<br />
INTERNATIONAL PROMOTION<br />
The international canvassing for a project like BRUGGE 2002 cannot be disassociated<br />
from general city marketing. Therefore it was decided to strengthen the image of<br />
Bruges as a city to stay in. The major exhibitions were to act as major “draws” here.<br />
The promotion abroad concentrated on the neighbouring countries, plus Italy, Spain,<br />
Austria, the USA and Japan – important markets for hotel-based tourism in Bruges.<br />
There were three main target groups: the professional travel sector (the “trade”), the<br />
public and the press. The campaigns set in train for these respective target groups<br />
were each given a different slant in terns of the technical marketing approach adopted.<br />
Thus, the promotion aimed at the public included as a leitmotif the message “take<br />
your time to visit Bruges”, with the aim of fostering city trips or short breaks. In the<br />
communication targeting the trade, which was aimed primarily at tour operators running<br />
cultural tours, the emphasis was placed on the availability and affordability of<br />
the accommodation. The press action, meanwhile, focused on the creation of an overall<br />
image of Bruges and BRUGGE 2002.<br />
The WES study indicates that there was very great appreciation for the communication<br />
by and about BRUGGE 2002, which was regarded as strategically well thought-out<br />
and innovative.<br />
COMMERCIAL PRODUCT DEVELOPMENT<br />
BRUGGE 2002 offered the professional travel sector various “building blocks” that<br />
could be offered as part and parcel of specific holiday packages. The sector eagerly<br />
took advantage of these.<br />
The most innovative of these was the BRUGGE 2002 Pass. For a democratic price visitors<br />
could do justice to what the Cultural Capital had to offer, for three days. The<br />
BRUGGE 2002 Pass was intrinsically a good idea, but it did not properly get off the<br />
ground. The reasons for this were the fact that the price advantages obtained by the<br />
pass-holder were too small, the handling was too complex, and the range of extras on<br />
offer was relatively limited. As regards the latter, for example, the permanent offer in<br />
terms of museums in Bruges was not included. The period of use (three days) also<br />
prevented the customer from making optimal use of this special pass. Nonetheless