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Concise.pdf - Brugge Plus

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communication strategy and<br />

planning for these three exhibitions<br />

was worked out by the<br />

BRUGGE 2002 communication<br />

department and d’Artagnan, in<br />

close consultation with the<br />

management of the Municipal<br />

Museums. This smooth cooperation<br />

resulted in three<br />

much talked-about campaign<br />

images.<br />

These images appeared as busshelter<br />

posters and banners in<br />

the major NMBS/SNCB railway<br />

stations in Flanders and<br />

The Fairy-Tale Brothel<br />

Wallonia, thanks to the very<br />

comprehensive media deal<br />

with the NMBS/SNCB. They<br />

were also to be seen on posters<br />

in shops in Bruges, on strikingly-clad<br />

De Lijn buses, in<br />

radio and TV commercials on<br />

Radio 1, Klara, Radio 2, Canvas,<br />

TV1 and RTBF, and in advertisements<br />

in De Standaard and<br />

Het Nieuwsblad, Le Soir, La voix du Nord and in the magazine Knack.<br />

On top of this, canvassing leaflets for these exhibitions were disseminated in large<br />

print runs and in four languages (in as many as six languages in the case of “Jan van<br />

Eyck, Early Netherlandish Painting and Southern Europe”), the museums developed<br />

merchandising products, and catalogues and spin-off publications were sold. De<br />

Standaard, together with BRUGGE 2002 and a commercial partner, developed largescale<br />

campaigns targeting the public for each of these three exhibitions, which generated<br />

necessary additional media interest – and consequently ticket revenue.<br />

© PATRICK DE SPIEGELAERE<br />

© TRUI GALLE<br />

59<br />

CONCISE<br />

The other projects in the panoply of events on offer in the context of BRUGGE 2002<br />

were ranked according to size and capacity. They could also call on the whole range<br />

of BRUGGE 2002 communication tools. A selection was made from among these<br />

tools, depending on the duration, nature, budget and importance of the project in the<br />

overall programming. This occurred in close consultation with the programme director<br />

and the intendant of BRUGGE 2002. Thus, for example, the contemporary art exhibitions<br />

Attachment + and Octopus, the youth month Kaapstad, the sound art itinerary<br />

.WAV, the video exhibition WHAT and the multimedia festival Format 2002<br />

received special attention in the media planning.<br />

Press sessions were organised by BRUGGE 2002 on an ongoing basis for small and<br />

large projects, and flyers or programme sheets, leaflets, postcards, etc. were prepared.<br />

The other projects were also carefully, clearly and specifically included in the general<br />

communication media.<br />

Communication in the city: House 2002<br />

In the splendid, recently restored House Perez de Malvenda, at Wollestraat no. 53, a<br />

central and multifaceted meeting place was created. Anne Mie Minten was appointed<br />

co-ordinator. Three sponsors were responsible for providing for a contemporary<br />

decoration of the building: B Design and Fractal provided for the furniture and

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