Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
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communication strategy and<br />
planning for these three exhibitions<br />
was worked out by the<br />
BRUGGE 2002 communication<br />
department and d’Artagnan, in<br />
close consultation with the<br />
management of the Municipal<br />
Museums. This smooth cooperation<br />
resulted in three<br />
much talked-about campaign<br />
images.<br />
These images appeared as busshelter<br />
posters and banners in<br />
the major NMBS/SNCB railway<br />
stations in Flanders and<br />
The Fairy-Tale Brothel<br />
Wallonia, thanks to the very<br />
comprehensive media deal<br />
with the NMBS/SNCB. They<br />
were also to be seen on posters<br />
in shops in Bruges, on strikingly-clad<br />
De Lijn buses, in<br />
radio and TV commercials on<br />
Radio 1, Klara, Radio 2, Canvas,<br />
TV1 and RTBF, and in advertisements<br />
in De Standaard and<br />
Het Nieuwsblad, Le Soir, La voix du Nord and in the magazine Knack.<br />
On top of this, canvassing leaflets for these exhibitions were disseminated in large<br />
print runs and in four languages (in as many as six languages in the case of “Jan van<br />
Eyck, Early Netherlandish Painting and Southern Europe”), the museums developed<br />
merchandising products, and catalogues and spin-off publications were sold. De<br />
Standaard, together with BRUGGE 2002 and a commercial partner, developed largescale<br />
campaigns targeting the public for each of these three exhibitions, which generated<br />
necessary additional media interest – and consequently ticket revenue.<br />
© PATRICK DE SPIEGELAERE<br />
© TRUI GALLE<br />
59<br />
CONCISE<br />
The other projects in the panoply of events on offer in the context of BRUGGE 2002<br />
were ranked according to size and capacity. They could also call on the whole range<br />
of BRUGGE 2002 communication tools. A selection was made from among these<br />
tools, depending on the duration, nature, budget and importance of the project in the<br />
overall programming. This occurred in close consultation with the programme director<br />
and the intendant of BRUGGE 2002. Thus, for example, the contemporary art exhibitions<br />
Attachment + and Octopus, the youth month Kaapstad, the sound art itinerary<br />
.WAV, the video exhibition WHAT and the multimedia festival Format 2002<br />
received special attention in the media planning.<br />
Press sessions were organised by BRUGGE 2002 on an ongoing basis for small and<br />
large projects, and flyers or programme sheets, leaflets, postcards, etc. were prepared.<br />
The other projects were also carefully, clearly and specifically included in the general<br />
communication media.<br />
Communication in the city: House 2002<br />
In the splendid, recently restored House Perez de Malvenda, at Wollestraat no. 53, a<br />
central and multifaceted meeting place was created. Anne Mie Minten was appointed<br />
co-ordinator. Three sponsors were responsible for providing for a contemporary<br />
decoration of the building: B Design and Fractal provided for the furniture and