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Concise.pdf - Brugge Plus

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© RANDOALD SABBE<br />

© MARK MORRISROE<br />

Bite (there’s only a bit missing)<br />

44<br />

(“Leg Work”). Benenwerk was a sparkling summer’s night filled with music and dance<br />

at and around eight different stages in all corners and squares of Bruges’ city centre.<br />

A swinging popular festival for thousands of partygoers!<br />

BRUGGE 2002<br />

In co-operation with the city of Bruges a splendid series of new thematic walks was<br />

conceived in 100 stories. These were published under the title The other side of Bruges.<br />

The four walks guide the visitor along mysterious and less well-trodden paths<br />

through the history of Bruges.<br />

Another prominent happening in 2002 was the 22 nd edition of the annual international<br />

Hanseatic Days of Modern Times, which took place in Bruges. It turned into a<br />

major four-day international gathering of the Hanseatic towns with a varied programme<br />

of cultural, tourist and economic activities. Thanks to the dynamic of the<br />

Cultural Capital’s programme it was possible to move away from the traditional way<br />

in which such meetings are viewed.<br />

Party with a capital P<br />

Furthermore there were of course the exclusive and unforgettable festive moments<br />

specific to the one-off title of Cultural Capital of Europe, and among these we can<br />

undoubtedly cite the large-scale opening party and the official closing events.<br />

Meanwhile, the grand finale of the opening week, O-dag, can proudly boast the title<br />

of “biggest and best day in terms of public interest”. On this day 11,539 tickets were<br />

sold and more than thirty different activities were on offer for a public ranging from<br />

toddlers to cultural connoisseurs, and from young tyrants to high-spirited party animals<br />

- all played out in the most bizarre weather conditions. This day was topped off<br />

in the evening with a Japanese Edo fireworks display on ’t Zand.<br />

Another exceptional festive event in 2002 was Cirque Plume, which pitched its tents<br />

at the edge of the city. Almost 10,000 people bought a ticket to see this French<br />

troupe’s magnificent circus show Récréation.<br />

For the closure, the decision was taken to organise a smaller-scale public occasion on<br />

the Burg square. With musical accompaniment, a visual look back at the year on a<br />

large screen and a full glass in everyone’s hand, some 2,500 Bruges residents and<br />

BRUGGE 2002 partners together thus brought the curtain down on the successful cultural<br />

year in the city centre.<br />

The “Events” part of the programme was perhaps not the greatest showcase of<br />

BRUGGE 2002, but many thousands of visitors did find their way to the Cultural<br />

Capital on these occasions, for a day of unforgettable enjoyment. And after all, were<br />

not festive celebration and lightness one of the main themes that were supposed to<br />

shape the programme

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