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Concise.pdf - Brugge Plus

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Film and media<br />

We cannot get round the fact that film and image culture are constantly making deep inroads<br />

on our culture, and are increasingly playing a decisive role in shaping it. BRUGGE 2002 did<br />

not remain indifferent to the obstinate dreams of a number of filmmakers, and saw to it that<br />

a number of new projects were given the seed needed for them to grow and develop. Various<br />

projects were accorded a place within the programme in various ways from the point of view<br />

of content.<br />

34<br />

Creation<br />

Q-tag, the Bruges organisation for young people and film, offered five young people<br />

between sixteen and eighteen the chance to make their own short film. A year full of<br />

brainstorming sessions and workshops on script writing, direction, camera, lighting,<br />

photography and sound resulted in El Fish d’Or, a colourful, poetic and abstract short<br />

film.<br />

BRUGGE 2002<br />

The tragedy of forty-eight Chinese refugees dying of suffocation in a freight container<br />

in 2000 inspired Jan Lauwers, theatre maker and plastic artist, to make his first<br />

feature-length film, Goldfish Game - a film about jealousy, power and lost ideals.<br />

In the short film Het oog van de Zee (The Eye of the Sea), director Dany Deprez and<br />

writer/philosopher Frank Van De Veire tell a love story, with a camera style evoking a<br />

thriller and using nature as a third character. As regards the production, a deliberate<br />

choice was made to work with the Sint-Lucas<br />

College in Ghent and the Narafi College in<br />

Brussels, and the actors were not professionals.<br />

This meant an additional commitment for the project.<br />

© TRUI GALLE<br />

Production<br />

The Cinema Novo film festival has been setting<br />

itself up for years as a driving force behind the distribution<br />

of films from Asia, Africa and Latin<br />

America. BRUGGE 2002 decided to award two<br />

prizes for post-production, in conjunction with<br />

Cinema Novo. Both films were screened during the<br />

Cinema Novo festival. Rachida even did well in the<br />

Official Selection of the Cannes Film Festival and<br />

was subsequently shown again during the BRUGGE<br />

2002 film month in the autumn.<br />

Benoît<br />

Dany Deprez and Jean-Claude Van Rijckeghem<br />

brought a cast-iron screenplay to BRUGGE 2002,<br />

and we immediately jumped at the chance of giving<br />

them an initial helping hand. Thereupon the necessary<br />

funds for the family film Science Fiction were<br />

found quite quickly. It was a splendid film, which<br />

was shot almost entirely in and around Bruges.<br />

Inherent link as regards content<br />

The following film projects came to fruition<br />

because they had an inherent connection, as<br />

regards their content, with other parts of the<br />

BRUGGE 2002 programme.<br />

Princess Astrid visiting The (e)migrants

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