Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
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30<br />
BRUGGE 2002<br />
De Werf: productive and versatile<br />
The arts centre De Werf had a high-profile presence in the BRUGGE 2002 programme,<br />
with various projects. There was the start of a new jazz festival and the publication of<br />
a ten-part CD box, there were the new creations The (e)migrants, de kavijaks (zonder<br />
hoofdletters) [the kavijaks (without capital letters)], Het moment, Reading Lamp, the children’s<br />
festival Jonge Snaken (Young Fellas) and the repeat performance of the dance<br />
and music production Passages.<br />
“Is Bruges really a suitable breeding ground for artistic activity” This was the question<br />
to which The (e)migrants sought an answer by having artists who have immigrated<br />
or emigrated give a rendering of their – vexed or otherwise – relationship with<br />
this city. Again this was no traditional theatre production, but a project in which the<br />
public moved between the Centre for Asylum Seekers and the Kruispoort and were<br />
thus able to witness four performances or installations. The arrival in and departure<br />
from the city were symbolically well supported by the choice of the locations and the<br />
walk between them.<br />
Giving a rendering of “de kavijaks (zonder hoofdletters)” had long been the pipe dream<br />
of actor Kurt Defrancq. This book by Jozef Vantorre tells of how a large fishing family<br />
was able to thrill entire generations of residents of Knokke-Heist. It was a compelling<br />
solo performance that kept the audience spellbound from start to finish.<br />
De Werf also developed a new daring project with young people, entitled The Moment.<br />
Based on the stage play The Determined by Elias Canetti and the myth of Narcissus,<br />
seven young people between the ages of sixteen and eighteen worked for nine<br />
months on a production on the themes of individuality, making choices and growing<br />
up. The teenagers received support from Ivo Opstaele, Jorre Vandenbussche and Rik De<br />
Jonghe, but decided themselves on the content and form of their production.<br />
Finally De Werf organised an ode to jazz composer and musician Kris Defoort before<br />
a sold-out Concert Hall, with the repeat performance of the dance and music production<br />
Passages and the release of the jazz CD Sound Plaza by the Kris Defoort<br />
Quartet.<br />
Amateur arts on the boards<br />
Pieter Aspe is a household name in Bruges. The most widely read author in Flanders<br />
was born in this city and lived there up until a couple of years ago. At the request of<br />
BRUGGE 2002 he wrote a new crime novel, Vagevuur (Purgatory), the action of which<br />
takes place in and around the new Concertgebouw. Michel De Sutter adapted this<br />
novel into four stage plays with a heart-stopping denouement. Co-ordinated by<br />
renowned procession organiser Etienne Mommerency the various Bruges drama<br />
societies put on Ontmaskerd (Unmasked), a marathon of the successive plays.<br />
Other projects by amateur companies were also included in the programme: a concert<br />
© FRAUKE DENDOOVEN<br />
© MARLEEN LAMOTE<br />
Nobody - Sasha Waltz<br />
Toyo Ito’s pavilion