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Concise.pdf - Brugge Plus

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30<br />

BRUGGE 2002<br />

De Werf: productive and versatile<br />

The arts centre De Werf had a high-profile presence in the BRUGGE 2002 programme,<br />

with various projects. There was the start of a new jazz festival and the publication of<br />

a ten-part CD box, there were the new creations The (e)migrants, de kavijaks (zonder<br />

hoofdletters) [the kavijaks (without capital letters)], Het moment, Reading Lamp, the children’s<br />

festival Jonge Snaken (Young Fellas) and the repeat performance of the dance<br />

and music production Passages.<br />

“Is Bruges really a suitable breeding ground for artistic activity” This was the question<br />

to which The (e)migrants sought an answer by having artists who have immigrated<br />

or emigrated give a rendering of their – vexed or otherwise – relationship with<br />

this city. Again this was no traditional theatre production, but a project in which the<br />

public moved between the Centre for Asylum Seekers and the Kruispoort and were<br />

thus able to witness four performances or installations. The arrival in and departure<br />

from the city were symbolically well supported by the choice of the locations and the<br />

walk between them.<br />

Giving a rendering of “de kavijaks (zonder hoofdletters)” had long been the pipe dream<br />

of actor Kurt Defrancq. This book by Jozef Vantorre tells of how a large fishing family<br />

was able to thrill entire generations of residents of Knokke-Heist. It was a compelling<br />

solo performance that kept the audience spellbound from start to finish.<br />

De Werf also developed a new daring project with young people, entitled The Moment.<br />

Based on the stage play The Determined by Elias Canetti and the myth of Narcissus,<br />

seven young people between the ages of sixteen and eighteen worked for nine<br />

months on a production on the themes of individuality, making choices and growing<br />

up. The teenagers received support from Ivo Opstaele, Jorre Vandenbussche and Rik De<br />

Jonghe, but decided themselves on the content and form of their production.<br />

Finally De Werf organised an ode to jazz composer and musician Kris Defoort before<br />

a sold-out Concert Hall, with the repeat performance of the dance and music production<br />

Passages and the release of the jazz CD Sound Plaza by the Kris Defoort<br />

Quartet.<br />

Amateur arts on the boards<br />

Pieter Aspe is a household name in Bruges. The most widely read author in Flanders<br />

was born in this city and lived there up until a couple of years ago. At the request of<br />

BRUGGE 2002 he wrote a new crime novel, Vagevuur (Purgatory), the action of which<br />

takes place in and around the new Concertgebouw. Michel De Sutter adapted this<br />

novel into four stage plays with a heart-stopping denouement. Co-ordinated by<br />

renowned procession organiser Etienne Mommerency the various Bruges drama<br />

societies put on Ontmaskerd (Unmasked), a marathon of the successive plays.<br />

Other projects by amateur companies were also included in the programme: a concert<br />

© FRAUKE DENDOOVEN<br />

© MARLEEN LAMOTE<br />

Nobody - Sasha Waltz<br />

Toyo Ito’s pavilion

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