Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus Concise.pdf - Brugge Plus
© SVEN VAN BAARLE Impact, 1902 Revisited © HUGO MAERTENS De Kunstbende © PHILE DEPREZ 27 CONCISE Patatboem Opera As regards opera, we programmed Schöne Geschichten by the Prometheus Ensemble conducted by Etienne Siebens, L’Orfeo by I Barocchisti conducted by Diego Fasolis and Il Re Pastore by Il Fondamento conducted by Paul Dombrecht. In co-operation with the Brussels festival Ars Musica we programmed What Next, which was performed by deFilharmonie under the direction of Peter Eötvös. But the greatest challenge lay in the new opera production Antigona, which BRUGGE 2002 co-produced with Muziektheater Transparant and Salamanca 2002. The baroque orchestra Il Fondamento conducted by Paul Dombrecht and the La Sfera del Canto choir performed this opera by the 18 th -century composer Tommaso Traeta in a surprising production by Gerardjan Rijnders. Antigona opened in Bruges and played a total of three times before a packed Concert Hall.
Pop, rock and underground BRUGGE 2002 worked with the Bruges music centre Cactus for four concerts: Chocolat Genius, Tindersticks, Mafalda Arnauth and Marianne Faithfull, and for four Label nights, with well-known and less well-known labels and peppered with DJs, VJs and multimedia effects. And there was the 21 st Cactus Festival in the Minnewater Park, with St Germain as one of the big crowd-pullers. But the most intense music events for a young public were to be experienced on the Stubnitz. BRUGGE 2002 brought this converted cargo ship from the German port of Rostock to Bruges, where it played host to 170 performances by a large number of underground groups, bands starting out, and well-known and less well-known groups. 28 BRUGGE 2002 World music and folk Rembetika organised three projects with world music and folk. The fifteenth edition of the Brugges Festival had a strong programme, including Madredeus, Guo Yue, Anouar Brehem, Koen De Cauter, and many others. There was just as much appreciation for the festival Old and New Belgians, in which established Belgian folk was on offer alongside new names: Jan De Wilde, Catherine Delasalle, Olla Vogala, Brise l’Ame, Fluxus, Tango al Sur, and so on. And then there were also The Caravans, with musicians travelling through various suburbs of Bruges for three days, to end with a two-day happening in the Sebrechts Park. And let’s not forget... BRUGGE 2002 also had its own “in-house orchestra”. Flat Earth Society opened the cultural year with a procession from Toyo Ito’s pavilion at the Burg to the Concertgebouw. During the opening weekend they performed at a number of locations. They also went into the prison to give a concert, worked on Patatboem and played the tiles off the roof during the Sail sailors’ parade. As a closing event, FES excelled con brio on the main stage of the Concertgebouw. Finally, it should also be mentioned that a number of dance and theatre performances were accompanied by live music. We can cite, for example, Ictus in Rosas, the Flemish Radio Orchestra in Swan Lake, and the Madrigal Chorus in SS. © PIERRE CONSTANT © ANDRÉ VAN RIET & KARINA LEIJNSE 100 Zeeland Portraits
- Page 1 and 2: concise
- Page 3 and 4: (ENCORE) PLUS EST EN VOUS...
- Page 5 and 6: © BAYERISCHE NATIONALBIBLIOTHEK M
- Page 7 and 8: 6 NOTHING REALLY ENDS! BRUGGE 2002
- Page 9 and 10: also that the cultural-historical w
- Page 11 and 12: 10 BRUGGE 2002 “It’s a miracle.
- Page 13 and 14: 12 BRUGGE 2002 The new “look & fe
- Page 15 and 16: PROGRAMME
- Page 17 and 18: tural year we were able to boast a
- Page 19 and 20: A discovery of the world, then and
- Page 21 and 22: Contemporary art The place of conte
- Page 23 and 24: Jan Broes organised the poetic Ston
- Page 25 and 26: © ROLAND PATTEEUW Attachment+ 24 t
- Page 27: BRUGGE 2002 also conceived new fest
- Page 31 and 32: 30 BRUGGE 2002 De Werf: productive
- Page 33 and 34: 32 BRUGGE 2002 New media and techno
- Page 35 and 36: Film and media We cannot get round
- Page 37 and 38: © HANNS JOOSTEN © A PRIOR Octopus
- Page 39 and 40: On each occasion the official openi
- Page 41 and 42: kamishibai books, in which popular
- Page 43 and 44: However, in addition to this specif
- Page 45 and 46: © RANDOALD SABBE © MARK MORRISROE
- Page 47 and 48: | HANZE@M4DICI BRUGES, CROSSROADS O
- Page 49 and 50: Project publications | IMPACT 1902
- Page 51 and 52: COMMUNICATION
- Page 53 and 54: cation department. A project and to
- Page 55 and 56: © PATRICK DE SPIEGELAERE 54 BRUGGE
- Page 57 and 58: importance to press releases. In 19
- Page 59 and 60: Koninklijk Filharmonisch Orkest van
- Page 61 and 62: 60 BRUGGE 2002 design, whilst the l
- Page 63 and 64: The public network Introduction Nob
- Page 65 and 66: BRUGGE 2002 as an opportunity for (
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- Page 69 and 70: this formula has potential for the
- Page 71 and 72: Music and Architecture © MICHAEL M
- Page 73 and 74: MANAGEMENT, ORGANISATION AND BUDGET
- Page 75 and 76: Overview of total budget BRUGGE 200
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© SVEN VAN BAARLE<br />
Impact, 1902 Revisited<br />
© HUGO MAERTENS<br />
De Kunstbende<br />
© PHILE DEPREZ<br />
27<br />
CONCISE<br />
Patatboem<br />
Opera<br />
As regards opera, we programmed Schöne Geschichten by the Prometheus Ensemble<br />
conducted by Etienne Siebens, L’Orfeo by I Barocchisti conducted by Diego Fasolis<br />
and Il Re Pastore by Il Fondamento conducted by Paul Dombrecht. In co-operation<br />
with the Brussels festival Ars Musica we programmed What Next, which was performed<br />
by deFilharmonie under the direction of Peter Eötvös. But the greatest challenge<br />
lay in the new opera production Antigona, which BRUGGE 2002 co-produced<br />
with Muziektheater Transparant and Salamanca 2002. The baroque orchestra<br />
Il Fondamento conducted by Paul Dombrecht and the La Sfera del Canto choir performed<br />
this opera by the 18 th -century composer Tommaso Traeta in a surprising production<br />
by Gerardjan Rijnders. Antigona opened in Bruges and played a total of three<br />
times before a packed Concert Hall.
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