Merleau-Ponty, 1964. Eye and mind. - Biolinguagem

32. Cf. note 18, above.—Trans.
33. B. Dorival, Paul Cézanne (Paris, 1948), 103ff. [H. H. A. Thackthwaite's translation (London,
1948), 101-3.]
34. Charbonnier, Le monologue, 176.
35. Delaunay, Du cubisme, 109.
36. F. Novotny, Cézanne und das Ende der wissenschaftlichen Perspective (Vienna, 1938).
37. W. Grohmann, Paul Klee (Paris, 1954), 141. [New York, 1956.]
38. Delaunay, Du cubisme, 118.
39. Klee, Journal. French trans. P. Klossowski (Paris, 1959).
40. George Schmidt, Les aquarelles de Cézanne, 21. [The Watercolors of Cézanne (New York,
1953).]
41. Klee, Journal.
42. "The spectacle is first of all a spectacle of itself before it is a spectacle of something outside of
it." — Translator's note from Merleau-Ponty's 1961 lectures.
43. C. P. Bru, Esthétique de l'abstraction (Paris, 1959),99,86.
44. Henri Michaux, Aventures de lignes.
45. Ibid.
46. Ravaisson, cited by Bergson, "La vie et l'oeuvre de Ravaisson," in La pensée et le mouvant
(Paris, 1934), 264-65. [The passage quoted here is from M. L. Andison's translation of that work,
The Creative Mind (New York, 1946), 229. It remains moot whether these are Ravaisson's or da
Vinci's words.]
47. Bergson, ibid.
48. Michaux, Aventures de lignes. ["laissé rêver une ligne."]
49. Ibid. ["d'aller ligne."]
50. Grohmann, Paul Klee, 192.
51. Rodin, L'art. Interviews collected by Paul Gsell (Paris, 191I).
52. Ibid., 86. Rodin uses the word "metamorphosis," quoted below.
53. Michaux, Aventures de lignes.
54. Cited by Delaunay, Du cubisme, 175.
55. Rilke, Auguste Rodin, French translation by Maurice Betz (Paris, 1928), 150. [English
translation by Jessie Lamont and Hans Trausil (New York, 1919; republished 1945).]
56. Delaunay, Du cubisme, 1I5, 110.
57. Ibid.
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