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1 CARS PRODUCTION INFORMATION After taking ... - Disney

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Commenting on the characters themselves, Bonnie Hunt (the voice of<br />

Sally) says, “When they write these movies at Pixar, they start with the heart of<br />

the character first. And once the heart is there, it doesn’t matter what’s on the<br />

outside. Even a car becomes a character and a personality. The heart and soul is<br />

what turns a steel car into a character and a person. It’s not only the script that<br />

makes these films special. John Lasseter and the artists at Pixar provide the<br />

imagination that is the gold mine of their storytelling process. Their<br />

imaginations go to the fantasies of the heart, and of life, and of our values.<br />

Anything that you can possibly visualize in your mind, they bring to life.”<br />

The driving force behind “<strong>CARS</strong>” is John Lasseter, who returns to<br />

directing for the first time since “Toy Story 2” in 1999. During the past seven<br />

years, in addition to guiding “<strong>CARS</strong>” through the production process, Lasseter<br />

has executive produced and overseen all of Pixar’s creative endeavors<br />

(“Monsters, Inc.,” “Finding Nemo,” and “The Incredibles”), and supervised the<br />

building of a new state-of-the-art Studio in Emeryville, California. This latest film<br />

tapped into Lasseter’s personal love of cars and racing, as well as a variety of<br />

issues that were near and dear to him.<br />

“<strong>CARS</strong>” was co-directed by Joe Ranft, who also served as story<br />

supervisor for the film, and voiced several incidental characters. One of the most<br />

gifted and respected story artists in modern day animation, and the congenial<br />

voice behind such favorite Pixar characters as Heimlich the ravenous caterpillar<br />

(“A Bug’s Life”), Wheezy the penguin (“Toy Story 2”), and Jacques the shrimp<br />

(“Finding Nemo”), Ranft passed away in August, 2005. He had collaborated<br />

with Lasseter on all three of his previous directing efforts, and had been a key<br />

creative force at Pixar for over a decade.<br />

Serving as the film’s producer was Darla K. Anderson, a Pixar veteran<br />

whose previous producing credits include “A Bug’s Life” and “Monsters, Inc.”<br />

Combining her technical expertise with her tremendous respect and knowledge<br />

of the creative process, Anderson guided all aspects of the production and helped<br />

support Lasseter’s vision from the start. The film’s associate producer was Tom<br />

Porter, a technical pioneer in the world of computer animation who has been<br />

part of the Pixar inner circle since its inception. Eben Ostby, another original<br />

member of the Pixar team, was the supervising technical director.<br />

The original story for “<strong>CARS</strong>” was conceived by John Lasseter, Joe Ranft,<br />

and Jorgen Klubien. The screenplay for the film was written by Dan Fogelman,<br />

Lasseter, Ranft, Kiel Murray and Phil Lorin, and Klubien.<br />

Central to the plot and themes of “<strong>CARS</strong>” is the iconic Route 66, along<br />

which much of the story takes place. Lasseter and his team headed out on the<br />

historic highway on several occasions to research and observe the importance<br />

and impact of this cultural phenomenon.<br />

Route 66 expert Wallis, who has been exploring the “Mother Road” for<br />

over 60 years and who served as guide/pathfinder for the research trips,<br />

explains, “Route 66 is a mirror held up to the nation. It reflects what’s going on<br />

in the nation at any given time. For most people, this highway is the most<br />

famous in the world, and it represents the great American road trip. It’s a chance<br />

to drive from Chicago, (the city of big shoulders) through the heartland, and the<br />

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