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1 ARTS IMPACT LESSON PLANNING FORMAT

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<strong>ARTS</strong> <strong>IMPACT</strong> <strong>LESSON</strong> <strong>PLANNING</strong> <strong>FORMAT</strong><br />

Arts Discipline: Visual Art<br />

Grade 3 Title: Line with Printmaking<br />

Level:<br />

Author: Leann Christensen with Meredith Essex at Saltar’s Point Elementary<br />

School, Steilacoom, School District<br />

Enduring Understanding: Through observation and varying line quality an artist can describe<br />

the surface of a portion of an object.<br />

Examples:<br />

Varies line type.<br />

Makes a drawing that appears to extend<br />

off the paper.<br />

Target:<br />

Criteria:<br />

Target:<br />

Criteria:<br />

Target:<br />

Criteria:<br />

Target:<br />

Criteria:<br />

Target Learnings and Assessment Criteria<br />

Creates diverse line quality in one drawing.<br />

Varies line type.<br />

Describes shape and detail of object.<br />

Records exterior and interior contours of object.<br />

Creates an open composition.<br />

Makes a drawing that appears to extend off the paper.<br />

Creates a clear print.<br />

Transfers ink evenly to paper using printing techniques.<br />

Instructional Strategies<br />

1. (Session 1) Reviews examples of diverse line quality seen in examples of art.<br />

2. Demonstrates observing and drawing one object using contour interior and exterior<br />

lines to define the shapes and details. Shares final product so that students will know where they are<br />

headed. Prompts: We want to be sure that we use the whole space and the concept of open<br />

composition. And we are describing the surface of a portion of an object.<br />

3. Guides students as they make their drawing of the organic item (paper size needs to the<br />

same size of the scratch foam). Assesses whether students have met the criteria of open composition,<br />

the drawing is large enough, and that there is interior and exterior contour lines. Embedded<br />

Assessment: Teacher Checklist—Reverse Checklist<br />

4. Helps tape down student drawings to the scratch foam.<br />

5. Facilitates as students trace their drawings onto the scratch foam using different tools to<br />

vary the line quality.<br />

6. Facilitates as the students remove the paper drawing and go over the transferred line using<br />

a variety of tools to create clear lines that will transfer well when printed. Embedded Assessment:<br />

Teacher Checklist—Reverse Checklist (diverse line quality on their “plates”)<br />

7. (Session 2) Begins with a demonstration of using the brayer and printing from the<br />

“plate” created the first session.<br />

1


8. Facilitates small groups at a printmaking station (approximately four students) as students<br />

use brayers to transfer an even layer of ink to the “plate.” Prompts: Once you have an opaque layer<br />

of ink, lay a piece of copy paper on top of the inked “plate”. Then use a clean brayer and roll over the<br />

top of the copy paper. Remove the now inked copy paper and sign your names. Embedded<br />

Assessment: Teacher Checklist<br />

Vocabulary<br />

• brayer<br />

• contour line:<br />

interior and exterior<br />

• line quality<br />

• media<br />

• observation<br />

• point of view<br />

• printmaking<br />

• scratch foam<br />

• study<br />

Resources:<br />

Historical Art or<br />

Performance<br />

• Ambrose Patterson,<br />

Monterey Cypress<br />

Trees<br />

• Thomas Hart<br />

Benton, Still life<br />

Morris Graves, Message,<br />

Tacoma Art Museum<br />

Scheduled Study<br />

Visit: Tacoma Art<br />

Museum, May 31, 2006<br />

Classroom, Visual<br />

Arts or Performing<br />

Arts Materials<br />

• copy paper<br />

• pencils<br />

• organic items:<br />

plants, branches<br />

• scratch foam: 6x9<br />

• paperclips<br />

• ballpoint pens<br />

• brayers<br />

• block printing ink –<br />

green, brown, and<br />

black<br />

• Plexiglas<br />

• masking tape<br />

WA Essential<br />

Learnings<br />

AEL 1.1 concepts:<br />

• contour line<br />

AEL 1.2 skills and<br />

techniques:<br />

• printmaking<br />

2


Arts Discipline: Visual Art<br />

Grade 3 Title:<br />

Level: Author:<br />

Students<br />

1.<br />

2.<br />

3.<br />

4.<br />

5.<br />

6.<br />

7.<br />

8.<br />

9.<br />

10.<br />

11.<br />

12.<br />

13.<br />

14.<br />

15.<br />

16.<br />

17.<br />

18.<br />

19.<br />

20.<br />

21.<br />

22.<br />

23.<br />

24.<br />

25.<br />

Total<br />

Percentage<br />

Line<br />

Varies line type<br />

Line with Printmaking<br />

Leann Christensen with Meredith Essex at Saltar’s Point Elementary<br />

School, Steilacoom, School District<br />

Shape and Open<br />

Printmaking<br />

Detail Composition<br />

Records<br />

exterior and<br />

interior<br />

contours of<br />

object<br />

Makes a<br />

drawing that<br />

appears to<br />

extends off the<br />

paper<br />

Transfers ink evenly to<br />

paper using printing<br />

techniques<br />

Total<br />

Points<br />

4<br />

3


Teacher Comments<br />

Were there any students<br />

especially challenged by concepts<br />

in the lesson; what instructional<br />

strategies helped these students<br />

Were there lesson dynamics that<br />

helped or hindered learning<br />

What classroom management<br />

techniques supported student<br />

learning<br />

Other comments:<br />

Family Communication:<br />

Key Thoughts in Communication to Family: Student learned to<br />

observe an object and vary line quality to describe the surface of<br />

the object. Student transferred a drawing to a scratch foam print<br />

plate and made a print of the object’s surface.<br />

4

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