1 ARTS IMPACT LESSON PLANNING FORMAT
1 ARTS IMPACT LESSON PLANNING FORMAT
1 ARTS IMPACT LESSON PLANNING FORMAT
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<strong>ARTS</strong> <strong>IMPACT</strong> <strong>LESSON</strong> <strong>PLANNING</strong> <strong>FORMAT</strong><br />
Arts Discipline: Visual Art<br />
Grade 3 Title: Line with Printmaking<br />
Level:<br />
Author: Leann Christensen with Meredith Essex at Saltar’s Point Elementary<br />
School, Steilacoom, School District<br />
Enduring Understanding: Through observation and varying line quality an artist can describe<br />
the surface of a portion of an object.<br />
Examples:<br />
Varies line type.<br />
Makes a drawing that appears to extend<br />
off the paper.<br />
Target:<br />
Criteria:<br />
Target:<br />
Criteria:<br />
Target:<br />
Criteria:<br />
Target:<br />
Criteria:<br />
Target Learnings and Assessment Criteria<br />
Creates diverse line quality in one drawing.<br />
Varies line type.<br />
Describes shape and detail of object.<br />
Records exterior and interior contours of object.<br />
Creates an open composition.<br />
Makes a drawing that appears to extend off the paper.<br />
Creates a clear print.<br />
Transfers ink evenly to paper using printing techniques.<br />
Instructional Strategies<br />
1. (Session 1) Reviews examples of diverse line quality seen in examples of art.<br />
2. Demonstrates observing and drawing one object using contour interior and exterior<br />
lines to define the shapes and details. Shares final product so that students will know where they are<br />
headed. Prompts: We want to be sure that we use the whole space and the concept of open<br />
composition. And we are describing the surface of a portion of an object.<br />
3. Guides students as they make their drawing of the organic item (paper size needs to the<br />
same size of the scratch foam). Assesses whether students have met the criteria of open composition,<br />
the drawing is large enough, and that there is interior and exterior contour lines. Embedded<br />
Assessment: Teacher Checklist—Reverse Checklist<br />
4. Helps tape down student drawings to the scratch foam.<br />
5. Facilitates as students trace their drawings onto the scratch foam using different tools to<br />
vary the line quality.<br />
6. Facilitates as the students remove the paper drawing and go over the transferred line using<br />
a variety of tools to create clear lines that will transfer well when printed. Embedded Assessment:<br />
Teacher Checklist—Reverse Checklist (diverse line quality on their “plates”)<br />
7. (Session 2) Begins with a demonstration of using the brayer and printing from the<br />
“plate” created the first session.<br />
1
8. Facilitates small groups at a printmaking station (approximately four students) as students<br />
use brayers to transfer an even layer of ink to the “plate.” Prompts: Once you have an opaque layer<br />
of ink, lay a piece of copy paper on top of the inked “plate”. Then use a clean brayer and roll over the<br />
top of the copy paper. Remove the now inked copy paper and sign your names. Embedded<br />
Assessment: Teacher Checklist<br />
Vocabulary<br />
• brayer<br />
• contour line:<br />
interior and exterior<br />
• line quality<br />
• media<br />
• observation<br />
• point of view<br />
• printmaking<br />
• scratch foam<br />
• study<br />
Resources:<br />
Historical Art or<br />
Performance<br />
• Ambrose Patterson,<br />
Monterey Cypress<br />
Trees<br />
• Thomas Hart<br />
Benton, Still life<br />
Morris Graves, Message,<br />
Tacoma Art Museum<br />
Scheduled Study<br />
Visit: Tacoma Art<br />
Museum, May 31, 2006<br />
Classroom, Visual<br />
Arts or Performing<br />
Arts Materials<br />
• copy paper<br />
• pencils<br />
• organic items:<br />
plants, branches<br />
• scratch foam: 6x9<br />
• paperclips<br />
• ballpoint pens<br />
• brayers<br />
• block printing ink –<br />
green, brown, and<br />
black<br />
• Plexiglas<br />
• masking tape<br />
WA Essential<br />
Learnings<br />
AEL 1.1 concepts:<br />
• contour line<br />
AEL 1.2 skills and<br />
techniques:<br />
• printmaking<br />
2
Arts Discipline: Visual Art<br />
Grade 3 Title:<br />
Level: Author:<br />
Students<br />
1.<br />
2.<br />
3.<br />
4.<br />
5.<br />
6.<br />
7.<br />
8.<br />
9.<br />
10.<br />
11.<br />
12.<br />
13.<br />
14.<br />
15.<br />
16.<br />
17.<br />
18.<br />
19.<br />
20.<br />
21.<br />
22.<br />
23.<br />
24.<br />
25.<br />
Total<br />
Percentage<br />
Line<br />
Varies line type<br />
Line with Printmaking<br />
Leann Christensen with Meredith Essex at Saltar’s Point Elementary<br />
School, Steilacoom, School District<br />
Shape and Open<br />
Printmaking<br />
Detail Composition<br />
Records<br />
exterior and<br />
interior<br />
contours of<br />
object<br />
Makes a<br />
drawing that<br />
appears to<br />
extends off the<br />
paper<br />
Transfers ink evenly to<br />
paper using printing<br />
techniques<br />
Total<br />
Points<br />
4<br />
3
Teacher Comments<br />
Were there any students<br />
especially challenged by concepts<br />
in the lesson; what instructional<br />
strategies helped these students<br />
Were there lesson dynamics that<br />
helped or hindered learning<br />
What classroom management<br />
techniques supported student<br />
learning<br />
Other comments:<br />
Family Communication:<br />
Key Thoughts in Communication to Family: Student learned to<br />
observe an object and vary line quality to describe the surface of<br />
the object. Student transferred a drawing to a scratch foam print<br />
plate and made a print of the object’s surface.<br />
4