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March - San Diego Woodturners

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<strong>San</strong> <strong>Diego</strong> <strong>Woodturners</strong> Page 10 <strong>March</strong> 2011<br />

February Demo - Joe Fleming - Coloring Wood<br />

“Coloring Wood Is Not Weird”<br />

Notes on Demonstration by Joe Fleming<br />

Work Safely: when using colors, always protect<br />

yourself, especially your eyes and hands.<br />

Turning a beautiful wood vessel provides great satisfaction,<br />

but the ability to embellish the artwork with<br />

color allows the artist to create unique and wonderful<br />

art pieces.<br />

During his presentation, Joe demonstrated a number<br />

of techniques to color wood, using paint, stain, dye,<br />

and ink, including bleaching and lacquer finishing.<br />

He talked about the tools necessary, coloring media,<br />

wood considerations, surface preparation, technical<br />

issues, and top coats. Joe also demonstrated the<br />

creation of a glossy, glassy lacquer finish.<br />

Here are notes on the presentation highlights:<br />

The handout is available on the <strong>San</strong> <strong>Diego</strong> <strong>Woodturners</strong><br />

website, under Techniques & Tips, and is<br />

titled Coloring Wood With Dyes. While you are<br />

there, Joe has at least six other article of interest:<br />

• Rules for Creating Good Forms<br />

• Tips on turning Small Vessels<br />

• Coloring Wood With Dyes<br />

• Sharpening Your Woodturning Tools<br />

• Eccentric Circles<br />

• Turning a Calabash Bowl<br />

In 1999, Joe joined the <strong>San</strong> <strong>Diego</strong> <strong>Woodturners</strong> and<br />

we quickly became aware of his woodworking skills<br />

acquired over a lifetime of wood working with his<br />

dad in Iowa. The special interest in woodturning<br />

was quite by accident. Joe volunteered for a Church<br />

Committee that would build, you guessed it, a new<br />

Church. Jim Leary, then a member of the <strong>San</strong> <strong>Diego</strong><br />

<strong>Woodturners</strong>, was also on the committee and the rest<br />

is woodturning history.<br />

Joe learned additional woodworking skills from<br />

classes, trying to attend one per year dealing with<br />

artistic development. He also learned from some of<br />

the best in coloring:<br />

• John Jordon – ink soak<br />

• Michael Hosaluk – acrylic paint<br />

• Jimmy Clewes – all around woodturning<br />

• Bin Pho – air brushing with transparent<br />

paints<br />

• Don Deery – coloring wood<br />

• and our own Ken Haines – pyrography and<br />

colors<br />

As the title states: coloring wood is not weird.<br />

Colors can even out the wood grain and cover up the<br />

outer, lighter sapwood. Using Pyrography (woodburning)<br />

can help control the colors from bleeding<br />

into unwanted areas. Additionally, bleaching<br />

removes the color from wood, leaving it shades of<br />

white.<br />

Colors are available in different mediums:<br />

• Dye – pure color; will not hide grain<br />

• Paint – contains the most solids to cover up<br />

wood<br />

• Stain – similar to paint, but with less solids<br />

Some of the materials mentioned in the presentation<br />

are listed below:<br />

• Bleach – two part from Home Depot<br />

• Prismacolor colored pencils and markers<br />

available online<br />

• Liquidtex Professional Grade Acrylic heavy<br />

bodied acrylic paints – Michael’s<br />

• Liquidtex Basics Value Series Acrylic lower<br />

bodied paints – Michael’s<br />

• Golden acrylic paints; transparent and blendable;<br />

used by Bin Pho<br />

• Basic brand acrylics from Michael’s<br />

• Grex Private Stock Color System – designed<br />

for wood; grexusa.com<br />

• Master Lacquer at Rockler’s – heavy bodied<br />

and requires only a few layers.<br />

(Continued on page 11)

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