MIROSLAV NEMETH - Culturenet

MIROSLAV NEMETH 

85.

REPUBLIKA HRVATSKA 

MINISTARSTVO FINANCIJA 

POREZNA UPRAVA 

IZLOŽBENI PROSTOR POREZNE UPRAVE 

ZAGREB, AVENIJA DUBROVNIK 32 

CIP zapis dostupan u računalnom katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 743316 

ISBN 978-953-6758-90-6 

SLIKA NA NASLOVNOJ STRANI: Bez naslova, 1996.


CRTEŽI 

Drawings 

ZAGREB, 23. IX. – 2. XI. 2010.

CRTEŽI MIROSLAVA NEMETHA 

Osnovno Nemethovo likovno opredjeljenje za grafiku razvilo se u dvije prividno različite grane. S jedne strane 

u gestualni crtež, a s druge u svojevrsne likovne poliptihe u kojima osnovna forma preoblikovanjima i otiscima 

stvara složene scene intrigantnoga likovnog scenarija. Nemeth u crtežima, često i neuobičajeno velikih 

formata, osmišljenih masama crnila, oblikuje ekspresio nističkom pokrenutošću površinu bogate sadržajnosti. 

Trovrsnošću akromatskog, crnog, sivog, bijelog, nastaju plohe oblikovne slojevitosti, sklada i sraza masa kompozicijskog 

jedinstva, formi proizišlih iz neposrednosti iskaza, osvojene slobode poteza unutar kojeg prepoznajemo 

Nemethove rukopisne značajke, dinamiku (čak vid agresivnosti) slikarske emotivnosti opredmećenoj u energiji 

polja. Na prvi pogled apstraktnog izričaja, slikarske nepredmetnosti koja ipak otkriva motiviku asocijativnog 

karaktera. Nemeth, iako imenuje slike “Bez naziva”, slika dramu čovjeka, smisao postojanja, njegovo fizičko 

i duhovno razaranje, potaknuto konkretnim situacijama, ali i onim kontinuiranim egzistencijalnim i esencijalnim 

pitanjima i sumnjama. Ciklus, nastao 1995. godine, realiziran u zgusnutosti vremena, odraz je razmišljanja 

i senzibilnog doživljavanja stvarnosti, prepunoj paradoksa, strahova, ali i traga nade. Udaljavajući se od klasično 

lijepog, Nemeth nije izgubio osjećaj za red, odmjerenost fragmenata u prožetosti “pozitiva” i “negativa”, postižući 

i slutnju dubine prostora te uzdižući bjeline do blistavosti svjetla. U kompozicijama naznačene simetričnosti 

i pomaknutih akcenata zbivanja, zgušnjavanja u jednom polu slike i otvaranja na drugom, razvijaju se stanja 

psihogramske ispovjednosti. Ono racionalno u pristupu podržava likovnu i sadržajnu ideju, no u stvaralačkom 

procesu uzbudljivost čina prihvaća i kontroliranu slučajnost, razvijanje mrlje do nepredvidivosti obrisa, preplete 

crtačkog tkiva dovedene do probijanja zadanih koridora. Oblikovni krateri živi su organizmi, sukladni autentičnosti 

umjetnikova unutrašnjeg svijeta i traženje su istine snagom uvjerenja, putem relativno reduciranih likovnih 

sredstava. Nemeth je shvatio da neboje, crno i bijelo, predstavljaju i sve boje, početak su i kraj, sukus kromatske 

raskoši, dostatne za razumijevanje odnosa, za tankoćutnost dijaloga i udare do bola, za sav repertoar ljudskih 

raspoloženja. Slike su preslik Nemethovih treptaja trenutka, ali i kumuliranja iskustva, koje u njegovu predanju 

likovnom svježinom i kreativnom uvjerljivošću postaju djelo. 

U drugom segmentu izložbe, u stripovskom slijedu crteža, suodnosa bliskih animiranom filmu, Nemeth oblicima 

geometrijske čistoće sklada likovne priče, s nenametljivim provlačenjem note humornog. Figurativno je približio 

znaku primjenjujući oblike čitke siluete, s promjenjivošću elemenata kroz postavljene kadrove. Četiri isječka 

postavljena u dva para, jedni ispod drugih, sugeriraju kretanje u mijeni oblikovne činjeničnosti. Nemeth pretiskom 

i kolažiranjem postiže zanimljive pomake izmaštanih likova. Osim toga, Miroslav Nemeth transparentnošću 

papira, s izvorom svjetla u konstrukciji slike dobiva novu dimenziju u izražajnosti linija, tretmana prostora i 

jasnoću u praćenju tematskih varijacija. 

Vidljivo je da je Nemeth umjetnik sklon izazovima, s ravnopravnim prepuštanjem crtačkoj bujnosti, ali i minucioznoj 

razradi likovnog koncepta. Ostajući svoj, s poveznim nitima unutar različitosti izgrađenog opusa. 

Stanko Špoljarić 

2

DRAWINGS BY MIROSLAV NEMETH 

Nemeth’s fundamental artistic commitment to graphics has developed into two seemingly different branches. On 

one hand there is the gestural drawing, and on the other there are certain fine art poliptychs where the reshaping 

and printing of the basic form creates complex scenes and thus an intriguing artistic scenario. In his mostly 

large-format paintings Nemeth with the thought-through black masses and with expressionistic skill shapes 

a surface of a full content. Three types of achromatic colours, black, grey and white result in surfaces which are 

layered in its shapes, where harmony and collision take place between the masses of compositional unity, where 

forms evolve out of the immediacy of presentation, where the mastered freedom of brush which defines Nemeth’s 

signature is shown in characteristics such as dynamics (even a hint of aggression) in the painting sensitivity, as 

realised in the energy of the field. At a first glance his expression is abstract but the non objectivity of his painting 

still reveals motifs of associative character. Even if Nemeth titles his paintings ‘Untitled’, he presents human 

drama, the meaning of existence, its physical and spiritual destruction, initiated by concrete situations and also 

by those continuous existential and essential questions and doubts. The cycle from 1995, realised in a short period 

of time, is a reflection of thought and sensibility towards the experience of reality which is full of paradox, 

fear, but which also contains a streak of hope. When distancing himself from what is classically beautiful Nemeth 

does not lose touch with order, steadiness of fragments in the imbuement of ‘positives’ and ‘negatives’, thus also 

achieving the premonition of the depth of space and lifting the whiteness to the brilliance of light. The compositions 

of designated symmetry and removed accents of events, of density on one pole of the painting and opening 

on the other, develop states of psychogramic confession. What is rational in the approach supports the artistic 

and contextual idea, but in the process of creation the thrill of the act accepts controlled coincidence as well, 

the development of a smear into unexpected contours, intertwined artistic tissue brought to the breach of the 

set corridors. The shaping craters are live organisms, in accordance with the authenticity of the author’s internal 

world and they represent the search for truth powered by belief, on the path of relatively reduced artistic means. 

Nemeth realised that the non colours, the black and the white, also represent all colours, that they are the beginning 

and the end, the essence of chromatic wealth worthy of the understanding of relationships, for insensitiveness 

of dialogue and painful blows, for the entire repertoire of human moods. The paintings show Nemeth’s copy 

of the blink of a moment, but also the accumulation of experience, which because of his devotion to artistic freshness 

and creative credibility become a work of art. 

With regard to the other segment of the exhibition, in the strip-like succession of drawings, where relationships 

are similar to those of an animated film, Nemeth uses forms of geometrical purity to compose artistic stories, 

while unobtrusively inserting notes of humour. He brought the figurative nearer to the sign while applying clear 

silhouette forms with interchanging of elements through the set scenes. Four extracts set in two pairs, one under 

the other, suggest movement in the exchange of formative factuality. With double press and collage Nemeth 

achieves interesting moves of the imagined characters. Furthermore, with the transparency of paper and the 

source of light inside the construction of the painting Miroslav Nemeth achieves a new dimension in the expressiveness 

of lines, treatment of space and a clarity in following thematic variations. 

It is obvious that Nemeth is an artist prone to challenges; he gives over to the exuberance of painting equally, but 

carefully contemplates the artistic concept. He remains true to himself and while his opus is diverse there are 

threads inside it which bind it together. 

Stanko Špoljarić 

3

4 

Brnjica 2, 1995. 

MUZZLE 2, 1995

Uspomena na jednog psa, 

1995. 

MEMORY OF A DOG, 1995 

5

Bez naslova, 1996. 

Untitled, 1996 



7



8



9

10 

povezanost, 1995. 

BOND, 1995

11 


Untitled, 1996

12 


Untitled, 1994

13 


Untitled, 1996



14

15 


Untitled, 1996



16



18

19 


Untitled, 1996

TRIPTIH 1, 1997. 

TRIPTICH 1, 1997 

20

21 

TRIPTIH 2, 1997. 

TRIPTICH 2, 1997



22

DASKANJE 3, 1994. 

Surfing 3, 1994 

23

24 

DASKANJE 1, 1994. 

Surfing 1, 1994

25 


Untitled, 1996

ŽIVOTOPIS 

Miroslav Nemeth rođen je 8. kolovoza 1968. godine u Zagrebu. Vrijeme ranog djetinjstva provodi u 

bezbrižnom odrastanju u obitelji, gdje uz oca, već poznatog arhitekta, počinje crtati motive iz svakodnevnog 

života, igre i druženja s vršnjacima, te posebno likove iz stripova koje pasionirano kupuje. Želi nastaviti 

školovanje na Školi za primijenjenu umjetnosti, no upisuje se na Građevinsku školu u Novom Zagrebu, u 

kojoj, tijekom školovanja, sve više vremena provodi uz crtaći blok i svakodnevno crtanje, sa željom da likovno 

usavršavanje nastavi na Akademiji likovnih umjetnosti. Konačno 1987. upisuje se na pedagoški smjer 

Akademije likovnih umjetnosti u Zagrebu. U likovnom sazrijevanju Miroslava Nemetha važan su doprinos 

dali već afirmirani profesori na Akademiji likovnih umjetnosti: Dubravka Babić, Zlatko Keser, Rudi Labaš 

i Ivica Šiško, nudeći svojim studentima svu raskoš mogućnostî koje je pružala moderna umjetnost. Nakon 

druge godine studija, tijekom 1990. i 1991., Nemeth se s posebnim žarom uključio u grafičku klasu prof. 

Ivice Šiška. Kreativna atmosfera bila je vrlo poticajna. Počinje stvarati svoj likovni jezik pod utjecajima 

povijesnih avangardi i novih trendova u umjetnosti. Sudjeluje na izložbi studenata grafike u Malom salonu 

Moderne galerije u Rijeci. U Zagrebu sudjeluje na apsolventskoj izložbi te 1992. godine na XXIII. salonu 

mladih. S grupom umjetnika, kolega s Akademije, 1993. godine sudjeluje na izložbi u Kopenhagenu 

“Crosing over-Zagreb-Kobenhavn”, u organizaciji Željka Zorice i Muzeja suvremene umjetnosti i kustosa 

Tihomira Milovca, te na izložbi “container art”, priređenoj na jednom trgu u danskome glavnom gradu. 

Prvu samostalnu izložbu priređuje u Galeriji CEKAO pod nazivom “Rekonstrukcije”. Kao diplomski 

rad ručno je otisnuo seriju grafičkih otisaka na medijapanu te bio jedan od nagrađenih diplomanata. 

Diplomirao je 1995. godine u grafičkoj klasi prof. Ivice Šiška. Iste godine radi strip seriju radova “Izvan igre”, 

koju je realizirao u tehnici linoreza, na više od 150 listova po 5 primjeraka. Sa serijom od dvadesetak crteža 

velikog formata, snažne ekspresivne crno-bijele geste, Nemeth odgovara na rat i stradanja u Domovinskom 

ratu. Povremeno izlaže na kolektivnim izložbama poput Salona mladih i na strip festivalima. Godine 1999., 

na Salonu stripa u Vinkovcima, dobio je treću nagradu za duži strip, a 2001. postaje članom multimedijalne 

strip grupe “Divlje oko”, s kojima je imao vrlo zapažene strip izložbe. U najnovije stripove unosi svjetlosni 

okvir, pa nastaje serija radova strip objekata pod nazivom “Xeroxarium”, čija je glavna karakteristika moderni 

likovni rukopis i transparentnost. U tim radovima zastupa multime dijalni pristup stripu, što njegove 

radovi čini manje ilustrativnim, ali likovno potpuno novim u suvremenome likovnom izričaju. Paralelno s 

“Divljim okom” nastajali su kontakti sa slovenskim strip entuzijastima i izdavačima svjetski poznatog fanzina 

“Stripburger”, koji su mu objavili stripove u nekoliko svojih edicija, a 2003. pozvan je da s njima ide na 

veliki strip festival u Berlin i da sudjeluje na izložbi u sklopu festivala “Warburger”, nazvanom prema strip 

antologiji, ediciji koju su naši susjedi Slovenci posvetili besmislu rata i objavili s autorima stripova selektiranih 

iz čitavog svijeta. U toj ediciji Miroslav Nemeth bio je jedan od sedam jednakovrijedno nagrađenih 

autora sa serijom svojih radova u linorezu pod nazivom “Pad armije” (The fall of the army). Posljednji 

uradak stripa “stereostrip” izložio je na izložbi natječajnih radova 2010. u Studentskom centru u Zagrebu. 

Živi i radi u Zagrebu. Adresa: Aleja Hermana Bolléa 3, tel./fax: 01/462 4502, 

mob.: 098 906 64 09 i 049 468 3444, e-mail: miroslav.nemeth@zg.t-com.hr 

26

BIOGRAPHY 

Miroslav Nemeth was born on 8th August 1968 in Zagreb. He spent his early childhood growing up in 

a carefree family environment where the father was a well-known architect, so he began drawing motifs 

from everyday life, from playing and socialising with friends, and especially from the characters of the 

comic books he read passionately. He wanted to continue his education at the School of Applied Arts but 

he enrolled in the School of Construction in Novi Zagreb, where he started spending more and more time 

drawing because he wished to continue his artistic education at the Academy of Fine Arts. Finally, in 1987 

he started studying there at the department of pedagogy. Among the already well known professors at the 

Academy a considerable contribution to Miroslav Nemeth’s artistic growth came from Dubravka Babić, 

Zlatko Keser, Rudi Labaš and Ivica Šiško, who all introduced their students to an abundance of possibilities 

modern art had to offer. After his second year, during 1990 and 1991, with special enthusiasm Nemeth 

joined the graphic class of professor Ivica Šiško, where the creative atmosphere proved to be very encouraging. 

Nemeth began creating his own artistic language, either influenced by historical avant-gardes or new 

trends in art. He took part in the exhibition given by graphics students at Mali salon of Moderna galerija in 

Rijeka. In Zagreb he took part in the graduation exhibit and in 1992 at the XXIII Youth Exhibition. In 1993, 

together with a group of friends from the Academy he took part in the Copenhagen exhibition ‘Crossing 

over – Zagreb-Kobenhavn’, which was organised by Željko Zorica and the Museum of Contemporary Art 

and curator Tihomir Milovac, as well as in exhibition ‘container art’ which took place on one of the squares 

in the Danish capital. His first solo exhibition took place at CEKAO gallery and was titled ‘Reconstructions’. 

For his diploma work he manually pressed a serial of graphic prints on mediapan and was therefore awarded. 

He graduated in 1995 in the graphic class of professor Ivica Šiško. In the same year he made a comic strip 

serial ‘Outside the game’, realised in the linocut technique on over 150 sheets and in 5 copies. His serial of 

around twenty large format drawings, of powerful and expressive black and white gesture, was a reaction 

to war and the victims of the Croatian War of Independence. Occasionally Nemeth took part in collective 

exhibitions such as the Youth Exhibition and comic book festivals. In 1999 at the Comics Exhibition in 

Vinkovci he was awarded third place for longer comic strip, and in 2001 he became a member of a multimedia 

comics group called ‘Wild Eye’, in the association of which he had some very successful exhibitions. 

His most recent comic strips feature a light frame, which led to a serial of comic strip objects ‘Xeroxarium’, 

the main characteristic of which is a modern fine art signature and transparency. These works show his 

multimedia approach to comics, which make them look less illustrational but artistically completely new in 

the contemporary artistic expression. In parallel with ‘Wild Eye’ he made contacts with Slovenian comics 

enthusiasts and publishers of the world known fanzine ‘Stripburger’, who published his comics in several 

editions. In 2003 he was invited to join them on the big comics festival in Berlin as well as to take part in the 

exhibition at ‘Warburger’ festival, named after a comics anthology, an edition our neighbours, the Slovenes, 

published as a dedication to nonsense of war and the authors of which were selected from all around the 

world. In this edition Miroslav Nemeth was one of the seven equally awarded authors with his linocut serial 

‘The Fall of the Army’. His most recent comic strip ‘stereostrip’ was shown at the tender exhibition 2010 at 

the Student Centre in Zagreb. 

He lives and works in Zagreb, his address is Aleja Hermana Bolléa 3, tel/fax: 01/462 4502, 

mob: +385 98 906 64 09 and +385 49 468 3444, e-mail: miroslav.nemeth@zg.t-com.hr. 

27

SAMOSTALNE I SKUPNE IZLOŽBE (od 1992. godine) 

Solo and group exhibitions (since 1992) 

1992. Zagreb, MGC Gradec, izložba studenata ALU 

“Rat u Hrvatskoj” 

Rijeka, Mali salon Moderne galerije, izložba 

studentske grafike 

Zagreb, Galerija “Vladimir Nazor”, izložba 

apsolvenata ALU 

Zagreb, Galerija Studentskog centra, izložba 

apsolvenata ALU 

Bratislava, “Istropolitana project” 

Nova Kraljevica, Galerija “Ana Katarina”, 

izložba grafike 

Zagreb, Klub Arabesca, Daniel Kovač - 

Miroslav Nemeth 

Poreč, Romanička kuća, Daniel Kovač - 


Zagreb, XXIII. salon mladih 

Zagreb, “Klub Gjuro II”, Daniel Kovač - 


Zagreb, “Crosing over-Zagreb- Kobenhavn” 

1993. KoPenhaGEn, container art 

Zagreb, Galerija CEKAO, 

“Rekonstrukcije” 

1995. Novo mesto, Dolenjski muzej, izložba grupe 

autora 

Zagreb, Zagrebačka banka, izložba 

nagrađenih diplomanata ALU 

1996. ZAGREB, I. hrvatski trijenale crteža 

1998. Poreč, Mala galerija Otvorenoga pučkog 

učilišta, izložba radova autorâ XV. slikarske 

kolonije “Riviera” Poreč 

2010. ZAGREB, Ministarstvo financija, izložbeni 

prostor Porezne uprave 

IZLOŽBE VEZANE UZ STRIP (od 1995. godine) 

Comic strip exhibitions (since 1995) 

1995. Zagreb, “Gjuro II”, samostalna izložba 

stripova “Izvan igre” 

1996. Zagreb, XXIV. salon mladih, izložba grupe 

autora u koncepciji “Ironija i cinizam” 

1998. Zagreb, XXV. salon mladih, izložba stripa u 

Galeriji “Vladimir Nazor” 

Zagreb, Strip festival “Crtani romani šou” 

Zagreb, Galerija “Vladimir Nazor”, Promocija 

4. broja strip fanzina “Katakomba” i izložba 

autora 

1999. Vinkovci, Salon stripa Vinkovci, izložba 

natječajnih radova 


2000. Zagreb, XXVI. salon mladih, izložba stripa 

grupe autora “Strip Strip hura” 


2001. Zagreb, Galerija primijenjenih umjetnosti 

Studentski centar, izložba multimedijalne strip 

grupe “Divlje oko” 

Bjelovar, Gradski muzej, izložba 

multimedijalne strip grupe “Divlje oko” 

Zaprešić, Gradska knjižnica, izložba 


2002. Zagreb, Galerija “Vladimir Nazor”, 

izložba multimedijalne strip grupe “Divlje oko” 

Pula, Multimedijalni centar Luka, izložba 


Ljubljana, BREAK 21, V. međunarodni 

28

festival mladih neovisnih stvaralaca (strip 

sekcija) “Kapelica” 

Zagreb, Animafest, izložba multimedijalne 

strip grupe “Divlje oko” 

Zagreb, XXVII. zagrebački salon, 

Primijenjena umjetnost i dizajn, izložba 


Umag, Galerija “Marin”, izložba stripa i 

multimedije “Nuclear Age Nomad” & “Divlje 

oko” 

Zagreb, Strip festival “Crtani romani šou”, 

Promocija CD-a strip grupe “Divlje oko” 

2003. Beograd, “Novi hrvatski strip” 

Berlin, Comic festival, izložba “Warburger” u 

okviru festivala 

Zagreb, Crtani romani šou, izložba 

natječajnih radova 

2004. Barcelona, XXII. internacionalni salon 

stripa, izložba “Warburger” 

Bjelovar, Gradski muzej, Mala galerija, 

samostalna izložba stripova 

2005. Vinkovci, Gradski muzej Vinkovci, Galerija 

likovnih umjetnosti “Stanko Kopač”, izložba 


2006. Zagreb, Galerija Modulor Centra za kulturu 

Trešnjevka, samostalna izložba stripova “Xerox 

creatures” 

2007. Vinkovci, Gradski muzej Vinkovci, Galerija 

likovnih umjetnosti “Stanko Kopač”, samostalna 

izložba stripova 

2009. BJELOVAR, Gradsko kazalište, izložba stripova 

grupe autora u sklopu kazališnog festivala “BOK” 

2010. Zagreb, “Stereostrip”, Studentski centar, 

izložba natječajnih radova 

NAGRADE ZA STRIP 

Comic strip awards 

1999. VINKOVCI, Salon stripa Vinkovci, 

treća nagrada za duži strip 

2003. LJUBLJANA, Edicija “Warburger” (Stripburger, 

Forum Ljubljana), jedna od sedam 

jednakovrijednih nagrada za strip u okviru 

edicije 

2003. ZAGREB, Crtani romani šou, 

treća nagrada natječaja na temu “Zločin i kazna” 

29

POPIS IZLOŽENIH DJELA / List of exhibited works 

1. Bez naslova, 1994., 

medijapan, monotipija, 100 × 70 cm 

Untitled, 1994, 

mediapan, monotype, 100 × 70 cm 










drvorez u boji, 50 × 70 cm 


colour woodcut, 50 × 70 cm 


kombinirana tehnika, 70 × 50 cm 


combination technique, 70 × 50 cm 

6. DASKANJE 1, 1994., 


Surfing 1, 1994, 


7. DASKANJE 3, 1994., 




8. DASKANJE 4, 1994., 




9. DASKANJE 6, 1995., 

ugljen i tuš na papiru, 50 × 35 cm 


charcoal and Indian ink on paper, 50 × 35 cm 

10. povezanost, 1995., 

tuš na papiru, 65 × 50 cm 

BOND, 1995, 

Indian ink on paper, 65 × 50 cm 

11. Iscjeđivanje, 1995., 

tuš, 65 × 50 cm 

EXTRACTION, 1995, 

Indian ink, 65 × 50 cm 

12. SPIRALNI LIK, 1995., 


SPiRAL form, 1995, 


13. Uspomena na jednog psa, 1995., 


MEMORY OF A DOG, 1995, 


14. Uspomena na jednog psa 2, 1995., 


MEMORY OF A DOG 2, 1995, 


15. Brnjica 2, 1995., 

tuš i ugljen, fotokopija na papiru, 35 × 50 cm 

MUZZLE 2, 1995, 

Indian ink and charcoal, photocopy on paper, 

35 × 50 cm 


lavirani tuš na papiru, 38 × 28 cm 


Indian ink wash on paper, 38 × 28 cm 

30


tuš na natron papiru, 89 × 63 cm 


Indian ink on natron paper, 89 × 63 cm 


tuš i akrilik na natron papiru, 89 × 63 cm 


Indian ink and acrylic on natron paper, 89 × 63 cm 


tuš i akrilik na papiru, 89 × 63 cm 


Indian ink and acrylic on paper, 89 × 63 cm 










































tuš na papiru, 100 × 137 cm 


Indian ink on paper, 100 × 137 cm 


tuš, akrilik i flomaster na papiru, 35 × 50 cm 


Indian ink, acrylic and marker pen on paper, 

35 × 50 cm 


tuš, akrilik i flomaster na papiru, 35 × 50 cm 


Indian ink, acrylic and marker pen on paper, 

35 × 50 cm 






tuš i flomaster na papiru, 70 × 100 cm 

31


Indian ink and marker pen on paper, 70 × 100 cm 

35. TRIPTIH 1, 1997., 

linorez, 40 × 55 cm 

TRIPTICH 1, 1997, 

linocut, 40 × 55 cm 

36. TRIPTIH 2, 1997., 




37. TRIPTIH 3, 1997., 




38. TRIPTIH 4, 1997., 




39. TRIPTIH 5, 1997., 




40. TRIPTIH 6, 1997., 




41. TRIPTIH 7, 1997., 




42. TRIPTIH 8, 1997., 




43. BEZ NASLOVA, 2001., 




44. BEZ NASLOVA, 2001., 




45. XEROXARIUM #7, 2001., 

lumino strip objekt, 74 × 56 × 7 cm 

XEROXARIUM #7, 2001, 

lumino strip object, 74 × 56 × 7 cm 

46. Xeroxarium #8, 2001., 


Xeroxarium #8, 2001, 


47. Xeroxarium #9, 2001., 




48. Xeroxarium #10, 2001., 




49. Xeroxarium #11, 2001., 




50. Xeroxarium #12, 2001., 




32

REPUBLIKA HRVATSKA 

MINISTARSTVO FINANCIJA 

POREZNA UPRAVA, ZAGREB 

Za izdavača 

IVICA MLADINEO 

ravnatelj Porezne uprave 

Odgovorni urednik 

ŽELJKO GLAVAŠ 

Urednik kataloga 

SREĆKO PLANINIĆ 

Koncepcija izložbe 


STANKO ŠPOLJARIĆ 


Autor predgovora 

STANKO ŠPOLJARIĆ 

Autor životopisa 


Lektorica i korektorica 

KATA MAJDANDŽIĆ-STUPAC 

Prijevod na engleski jezik 

SANJA PEHNEC 

Oblikovanje pozivnice, kataloga i plakata 


Likovni postav 


MARIJA GRUBIŠIĆ 

Dijakolori i digitalno snimanje radova 

STUDIO PLAVI, ZAGREB 

IGOR ŠALER 

Priprema za tisak 

ART STUDIO AZINOVIĆ 

Tisak 

ART STUDIO AZINOVIĆ 

Naklada 

600 primjeraka

U IZLOŽBENOM PROSTORU POREZNE UPRAVE 

ZAGREB, AVENIJA DUBROVNIK 32 

DOSAD SU IZLAGALI: 

GODINE 1999. 

VESNA SOKOLIĆ, VINKO FIŠTER, RUŽICA DEŠKOVIĆ, DANIEL BUTALA, 

BORIS DEMUR, JURE LABAŠ, BORIS BUČAN, IVAN TUNA JAKIĆ 

GODINE 2000. 

GORAN PETRAČ, KREŠIMIR NIKŠIĆ, FRANE RADAK, VLADIMIR MEGLIĆ, 

LATICA IVANIŠEVIĆ, ALBINA JAKIĆ, ŽELJKO KROPF, EUGEN KOKOT 

GODINE 2001. 

MARKO ŽIVKOVIĆ, ŽELJKO UREMOVIĆ, JOSIP ŠKERLJ, MIRJANA KAROLINA KOREN, 

MARIJAN RICHTER, SANJA GAŠPARAC, KARINA SLADOVIĆ, VLADIMIR VRLJIĆ-ANKIN 

GODINE 2002. 

ŽELJKO MUCKO, ZLATKO KOKANOVIĆ, JOŠKO ETEROVIĆ, 

PREDRAG LEŠIĆ, ŽELJKO HEGEDUŠIĆ, VESNA PAVLAKOVIĆ, ZDRAVKO ĆOSIĆ 

GODINE 2003. 

MATO LOVRIĆ, MLADEN VEŽA, BRANKO BAZINA, ALBERT KINERT, 

TONI FRANOVIĆ, ANTON CETÍN, ZVJEZDANA MARGUŠ-PROHASKA 

GODINE 2004. 

IVAN LOVRENČIĆ, MATO JURKOVIĆ, JAGOR BUČAN, TOMISLAV BUNTAK, 

KIRO VINOKIĆ-VIKI, ZLATKO KAUZLARIĆ ATAČ, VASKO LIPOVAC 

GODINE 2005. 

ZDENKO BUŽEK, ROKO ŠTOKIĆ, ANA GUBERINA, IVAN ANDRIJANIĆ, 

MILE SKRAČIĆ, MAJA ARČANIN, SREĆKO PLANINIĆ 

GODINE 2006. 

JURICA PUHALOVIĆ, KRUNISLAV STOJANOVSKI, ANTE KUDUZ, LJUBOMIR PERČINLIĆ, 

IVAN LOČAR – ŽAN, NEVENKA ARBANAS, STIPE GOLAC 

GODINA 2007. 

MARCELA MUNGER, INGRID RUNTIĆ, MAURO STIPANOV, FLORIAN LANG, 

SÜLEYMAN GÜNDÜZ, GORAN ŠTIMAC, DAFNE PERKOVIĆ 

GODINA 2008. 

ROBERT PAULETTA, SANELA ĐURINEC, DANKO FRIŠČIĆ, PAULINA JAZVIĆ, 

TOMISLAV OSTOJA, DUŠKO ŠIBL, IVAN OBSIEGER 

GODINA 2009. 

JOSIP ŠARIĆ, DANIJEL ŽABČIĆ, DANIELA PAL BUČAN, Bojan Šumonja, 

fra Petar Perica Vidić, FADIL HADŽIĆ, Ivo Šebalj 

GODINA 2010. 

Stipe Nobilo, MARC PIO MAXIMILIEN SALVELLI, SANJA IPŠIĆ RANDIĆ, DUŠANKA JABLANOVIĆ, 

Miroslav Nemeth

MIROSLAV NEMETH - Culturenet

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