AP Language and Composition Summer Reading Assignment Your ...

AP Language and Composition Summer Reading Assignment Your ... AP Language and Composition Summer Reading Assignment Your ...

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AP Language and Composition Summer Reading Assignment Your summer assignment consists of the following, described in detail below: I. Read Black Boy by Richard Wright and complete a rhetorical journal II. Complete a 3-page rhetorical analysis III. Complete the highlighted words for a rhetorical terms handbook that we will be adding to throughout the school year. Though we will reference and discuss various themes from Black Boy the first two weeks of school, the first assignment will be due Wednesday, August 31, and the second assignment will be due Tuesday, September 6. However, the rhetorical terms handbook will be due on the first day of class. NO LATE WORK will be accepted! Not only will you be tested on this material within the first few weeks of school, you will be assigned several extension activities throughout the year. I. RHETORICAL JOURNAL: As you are reading Black Boy, pay close attention to the questions listed on the rhetorical analysis reading guide. These questions will prepare you for the close reading and analysis we will be doing this year. While you read, you must complete a rhetorical journal, each journal must be typed with a minimum header—name, date, journal title—no extra spacing between header and journal. Your rhetorical journal must answer each of the questions listed on the critical reading guide. For each question, rewrite the numbered question and write a brief answer, which includes at least one specific, relevant quotation from the text with page number. Be sure to explain how the quotation you selected to include supports the way you answered the question. You DO NOT have to answer the questions in order. Rather, when you notice an element of the book that fits into a critical reading question, do that question next. Just be sure to number the questions for your instructor. You will also be required to post to turnitin.com. Rhetorical Analysis Reading Guide When you are asked to do a “rhetorical analysis” of a text, you are being asked to apply critical reading skills to break down the text into its “parts.” You determine what the writer is trying to achieve, and what writing techniques he/she is using to achieve it. Reading critically means more than just being moved, informed, influenced, or persuaded by a piece of writing. Reading critically also means analyzing and understanding how the work has achieved its effect. Below is a list of questions to ask when you analyze a piece of prose. 1. What is the thesis (the overall point) How does the thesis comment on the subject 2. What is the tone of the text What specific words contribute to that tone 3. What is the writer’s purpose (To explain To inform To persuade To motivate To amuse) Is there more than one purpose Does the purpose shift all throughout the text 4. How does the writer arrange his/her ideas What are the patterns of arrangement General to specific Specific to general Spatial Chronological 5. What is the sentence structure like in the text Does the writer use fragments or run-ons Declarative Imperative Interrogative Exclamatory Are they simple Compound Complex Compound-complex Short Long Periodic Loose Parallel Are there any patterns in the sentence structure Can you make any connections between the patterns and the writer’s purpose

<strong>AP</strong> <strong>Language</strong> <strong>and</strong> <strong>Composition</strong> <strong>Summer</strong> <strong>Reading</strong> <strong>Assignment</strong><br />

<strong>Your</strong> summer assignment consists of the following, described in detail below:<br />

I. Read Black Boy by Richard Wright <strong>and</strong> complete a rhetorical journal<br />

II. Complete a 3-page rhetorical analysis<br />

III. Complete the highlighted words for a rhetorical terms h<strong>and</strong>book that we will be adding to<br />

throughout the school year.<br />

Though we will reference <strong>and</strong> discuss various themes from Black Boy the first two weeks of school,<br />

the first assignment will be due Wednesday, August 31, <strong>and</strong> the second assignment will be due<br />

Tuesday, September 6. However, the rhetorical terms h<strong>and</strong>book will be due on the first day of<br />

class. NO LATE WORK will be accepted! Not only will you be tested on this material within the first<br />

few weeks of school, you will be assigned several extension activities throughout the year.<br />

I. RHETORICAL JOURNAL: As you are reading Black Boy, pay close attention to the questions<br />

listed on the rhetorical analysis reading guide. These questions will prepare you for the close<br />

reading <strong>and</strong> analysis we will be doing this year.<br />

While you read, you must complete a rhetorical journal, each journal must be typed with a<br />

minimum header—name, date, journal title—no extra spacing between header <strong>and</strong> journal.<br />

<strong>Your</strong> rhetorical journal must answer each of the questions listed on the critical reading guide.<br />

For each question, rewrite the numbered question <strong>and</strong> write a brief answer, which includes<br />

at least one specific, relevant quotation from the text with page number. Be sure to<br />

explain how the quotation you selected to include supports the way you answered the<br />

question. You DO NOT have to answer the questions in order. Rather, when you notice an<br />

element of the book that fits into a critical reading question, do that question next. Just be<br />

sure to number the questions for your instructor. You will also be required to post to<br />

turnitin.com.<br />

Rhetorical Analysis <strong>Reading</strong> Guide<br />

When you are asked to do a “rhetorical analysis” of a text, you are being asked to apply critical<br />

reading skills to break down the text into its “parts.” You determine what the writer is trying<br />

to achieve, <strong>and</strong> what writing techniques he/she is using to achieve it.<br />

<strong>Reading</strong> critically means more than just being moved, informed, influenced, or persuaded by a<br />

piece of writing. <strong>Reading</strong> critically also means analyzing <strong>and</strong> underst<strong>and</strong>ing how the work has<br />

achieved its effect. Below is a list of questions to ask when you analyze a piece of prose.<br />

1. What is the thesis (the overall point) How does the thesis comment on the subject<br />

2. What is the tone of the text What specific words contribute to that tone<br />

3. What is the writer’s purpose (To explain To inform To persuade To motivate To<br />

amuse) Is there more than one purpose Does the purpose shift all throughout the text<br />

4. How does the writer arrange his/her ideas What are the patterns of arrangement<br />

General to specific Specific to general Spatial Chronological<br />

5. What is the sentence structure like in the text Does the writer use fragments or run-ons<br />

Declarative Imperative Interrogative Exclamatory Are they simple Compound<br />

Complex Compound-complex Short Long Periodic Loose Parallel Are there any<br />

patterns in the sentence structure Can you make any connections between the patterns<br />

<strong>and</strong> the writer’s purpose


6. How does the writer use diction Is it formal Informal Technical Jargon Slang Does<br />

the language change throughout the piece How does the language contribute to the<br />

writer’s purpose<br />

7. Is there anything unusual in the writer’s use of punctuation What punctuation or other<br />

techniques of emphasis (italics, capitals, underlining, ellipses, parentheses) does the writer<br />

use Is punctuation over or under used Which marks does the writer use When And<br />

for what effects (Dashes to create a hasty breathlessness Semi-colons for balance or<br />

contrast)<br />

8. Are important terms repeated throughout the text Why<br />

9. Are there any particularly vivid images that st<strong>and</strong> out What effect do these images have<br />

on the writer’s purpose<br />

10. Are devices used to enhance meaning Which devices (similes, metaphors,<br />

personification, hyperbole, etc.) does the writer use When does he use them Why<br />

11. Does the writer use devices of humor Puns Irony Sarcasm Understatement Is the<br />

effect pleasure Ridicule Comic relief<br />

II. RHETORICAL ANALYSIS ESSAY: <strong>Your</strong> next task is to type a 3-page rhetorical analysis paper<br />

based on the reading. Use your rhetorical journal to aid you in this task. Select one or two of<br />

the questions you answered that you feel could use elaboration <strong>and</strong> discussion. Remember<br />

that a rhetorical analysis focuses less on WHAT point the author is communicating, <strong>and</strong> more<br />

on HOW an author communicates that point.<br />

<strong>Your</strong> essay must include:<br />

‣ A thought-provoking title<br />

‣ An introduction with a thesis statement (the purpose the author conveys)<br />

‣ A body discussing rhetorical strategies <strong>and</strong> giving specific examples (each topic sentence<br />

MUST include a new rhetorical strategy that the author uses—you may need to look some<br />

up).<br />

‣ Include some direct quotes <strong>and</strong> some paraphrases from the novel (use correct MLA<br />

parenthetical documentation.<br />

• “This is sentence from the navel that is in my paper” (Smith 23).<br />

‣ A conclusion that re-states the thesis <strong>and</strong> transcends beyond a summary of what you have<br />

said<br />

‣ AVOID PLOT SUMMARY<br />

Due date: Tuesday, September 6. NO LATE P<strong>AP</strong>ERS WILL BE ACCEPTED!!! You will be required to<br />

post to turnitin.com.<br />

III. RHETORICAL TERMS BOOKLET: Create a booklet that includes the following 101 rhetorical<br />

terms, but only defines the highlighted 40 words. This booklet will require extensive<br />

research. Many of the rhetorical terms are not listed in traditional dictionaries as they are<br />

extremely specialized. Do not wait until the last minute to begin this project. Within the<br />

booklet, the terms should all be numbered <strong>and</strong> in alphabetical order. Type the numbered<br />

term, the definition of the term, <strong>and</strong> an example of the term. Please put spaces between<br />

the term/definition <strong>and</strong> the example, or put them in different colors or fonts. (Anything to<br />

make them easy to locate <strong>and</strong> read) Put a creative cover on your rhetorical terms booklet.<br />

This booklet will serve as a reference for you to use during the year; therefore, take your time<br />

<strong>and</strong> make this project as neat as possible.


This project is entirely independent. As always, students are held to all academic integrity<br />

guidelines. Working together on this project is not only in direct violation of that policy, but is<br />

also disrespecting your instructor, your classmates, <strong>and</strong> your own education.<br />

Rhetorical Terms to include in your booklet:<br />

1. Aesthetic<br />

2. Allegory<br />

3. Alliteration<br />

4. Allusion<br />

5. Ambiguity<br />

6. Anachronism<br />

7. Anadiplosis<br />

8. Analogy<br />

9. Anaphora<br />

10. Anastrophe<br />

11. Antanaclasis<br />

12. Anthimeria<br />

13. Antimetabole<br />

14. Antithesis<br />

15. Aphorism<br />

16. Apostrophe<br />

17. Appeals (logos,<br />

pathos, ethos)<br />

18. Assonance<br />

19. Asyndeton<br />

20. Author Purpose<br />

21. Cacophony<br />

22. Canon<br />

23. Catharsis<br />

24. Chiasmus<br />

25. Claim<br />

26. Cliché<br />

27. Colloquial<br />

28. Conceit<br />

29. Connotation<br />

30. Deductive<br />

31. Denotation<br />

32. Diction<br />

33. Didactic<br />

34. Digression<br />

35. Discourse<br />

36. Elegy<br />

37. Ellipsis<br />

38. Emphasis<br />

39. Enthymeme<br />

40. Epanalepsis<br />

41. Epideictic<br />

42. Epigraph<br />

43. Epistolary<br />

44. Epistrophe<br />

45. Epitaph<br />

46. Epithet<br />

47. Eulogy<br />

48. Euphemism<br />

49. Euphony<br />

50. Expletive<br />

51. Explication<br />

52. Figurative <strong>Language</strong><br />

53. Foreshadowing<br />

54. Formal/Informal<br />

<strong>Language</strong><br />

55. Hyperbole/Overstate<br />

ment<br />

56. Imagery<br />

57. Inductive<br />

58. Invective<br />

59. Irony<br />

(verbal/dramatic/situ<br />

ational)<br />

60. Juxtaposition<br />

61. Litotes<br />

62. Loose Sentence<br />

63. Metaphor<br />

64. Metonymy<br />

65. Mood<br />

66. Motif<br />

67. Onomatopoeia<br />

68. Oxymoron<br />

69. Paradox<br />

70. Parallelism<br />

71. Parenthesis<br />

72. Parody<br />

73. Paronomasia/Pun<br />

74. Pedantic<br />

75. Periodic Sentence<br />

76. Persona<br />

77. Personification<br />

78. Point of View<br />

79. Polyptoton<br />

80. Polysyndeton<br />

81. Repetition<br />

82. Rhetorical Question<br />

83. Sarcasm<br />

84. Satire<br />

85. Simile<br />

86. Speaker<br />

87. Style<br />

88. Syllepsis<br />

89. Syllogism<br />

90. Symbolism<br />

91. Synecdoche<br />

92. Synesthesia<br />

93. Syntax<br />

94. Thesis Statement<br />

95. Tone<br />

96. Transition<br />

97. Trope<br />

98. Understatement<br />

99. Verisimilitude<br />

100. Voice<br />

101. Zeugma

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