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2011 Issue - Santa Fe Community College

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Oh God, Oh Jesus, No!<br />

by Kona Morris<br />

Anytime I’m around this many women, especially adult, motherly,<br />

earth-tone wearing women, some with gurgling babes on lap, some brimming<br />

pots of estrogen just waiting for the right little tadpole to jump in, I<br />

get cold sweats, dizzy, blurry-eyed claustrophobia. As if the gaseous<br />

fumes exuding from their soft-pinned heads take up the rest of the space<br />

in the room, filling up all around me like the innards of a poisonous balloon.<br />

Their sisterly nag walks, bleeding axe wounds, nutritious home<br />

cooked meals, clogged Maybelline blackheads, expensive shampoo. I<br />

have to get out of here. Eighteen months overdue (again) or not. I look<br />

down at my core and grieve at it for making me need the same things<br />

they do.<br />

I’m about a half a foot from the door, on my way out, when I hear<br />

the voice of a heavy-thighed nurse, volunteer, whatever, call out, “Cara<br />

— Caralee Robinson.” I stand frozen, plagued with indecision. Responsibility<br />

versus tremendous humility and pain. I’m governed by the latter,<br />

continuing with my final step to the door. “Excuse me, aren’t you Caralee”<br />

She’s followed me. Fucktoast. This shouldn’t be allowed, this<br />

kind of intrusion, this break in the anonymity code. “Yes,” I squeeze out,<br />

much to my own dismay, a million fake names rolling around in my head<br />

that I could have claimed instead. “Well, it’s time for your appointment,<br />

dear, please follow me.” Yes, but I’m on my way out, I’ve just remembered<br />

something terribly important I have to do right now, I’m sorry but<br />

I have no choice but to reschedule. Only I’m not saying that, only my<br />

feet are following her, carrying me off to a room I don’t want to be going<br />

to.<br />

After the initial heart-beating blood-pressure tests and waiting on<br />

the little cushioned platform for what feels like an hour in this no-clock<br />

room, a four foot tall white haired woman with fur on her chin and a full<br />

body lab coat comes through the door.<br />

“Well, why don’t you have your gown on by now,” she looks down at<br />

my file, “Caralee”<br />

<strong>Santa</strong> <strong>Fe</strong> Literary Review 37

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