2011 Issue - Santa Fe Community College

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Swan Song for My Mother by Ursula Moeller All day every day these last two years I carried you with me. I carried you along on my riverside walk passing downy ducklings, cottony cattails, spatterdock, starry waterlilies white pointed petals bursting skyward, glimpsed a wild Trumpeter Swan heard him calling like the black swan at your retirement home. You said the swan knew you, remember I pushed your wheelchair right up to the fence. Broad red feet paddled him and his wavering mirror image as close as he could get. The swan nodded his scarlet knobbed beak spread wide those great glossy wings ruby-red eyes gleaming, and yes, when you spoke to him in both German and English in the soft voice you used talking to small children, he swayed his sinuous neck, sang his sonorous song. Clearly you understood each other. I stood silent behind you Santa Fe Literary Review 133
holding the wheelchair handles listening. Times I wished for the swan’s voice to reach you wherever you went during hallucinations, you told of fiacres and dancing chandeliers across the ocean in the land of your birth or perhaps further into realms I didn’t know and couldn’t follow. So we waited, mother, daughter and swan. I felt both inside and outside. The swan’s fluting led the way. 134 Santa Fe Literary Review
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Santa Fe Literary Review 2011 S A N
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Santa Fe Literary Review 2011 Facul
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Shell Carol Denson 60 Contemplating
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Rage by William Greenway Blow winds
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All Hallows, Colma Cemetary by Jean
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An Island, A Custody by Debbi Brody
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eborn in a scholar’s mind a half
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Brenden, Mid Tic Albuquerque, NM, O
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it beautiful. I bet they made you l
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Legally, I have changed my name man
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Three Visitations and a Prince by J
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ut innocent of intent thighs astrid
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Cleaning Saints by Ann Hunkins My g
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When the Baby Woke by Regina Murray
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The Formula for Wholeness by Kather
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30 Santa Fe Literary Review
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New Mexico 4 I-25 South of Socorro
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And my mother sighed and shook her
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I brightened up as Thwartly’s spe
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“Oh, you can just call me Cara.
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Behind the Wheel by Linda Whittenbe
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In the Company of Men At Outdoorsma
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The Beer Grabbing by Jon Olsen I'm
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After the Founders’ Room Closes,
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Knitting My Shroud by Dallas Huth I
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and mimes measuring around her ampl
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squeak, you are going to make a few
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Study in Black & White, 1 Mixed med
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Skowhegan for Robert Creeley by Aud
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Desert Kingdom (after the photograp
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Shell by Carol Denson If held tight
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the robes that Shakyamuni wore, the
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Tracks by Kathleen Runyan I remembe
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Yesterday Sonnet by Michelle Hollan
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For a Man to Whom I May Have Caused
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Interview with Melissa Pritchard by
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countries. I marvel at the mystery
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that. Friendlier and prone to insan
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ing the time out of your incredibly
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Looking for Dennis Hopper’s Grave
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(you flagged him down in his truck)
Page 83 and 84: of his body so he could be limber a
Page 85 and 86: Dream by Erin Brooks You tread wate
Page 87 and 88: Geezers on Parole After mis-hearing
Page 89 and 90: On the Rez: Bob Marley, William Bla
Page 91 and 92: Making Bacon by Lorenzo Atencio Buc
Page 93 and 94: Legacy by Marmika Paskiewicz Pink i
Page 95 and 96: Bowling With the Regulars by Alexis
Page 97 and 98: Heavy Metal by Ellen Birkett Morris
Page 99 and 100: Cul-de-Sac by Richard Robbins He ma
Page 101 and 102: getting anything dirty, then try to
Page 103 and 104: Day Hike by Kenneth P. Gurney We st
Page 105 and 106: ing from memory which holds which,
Page 107 and 108: Basement by Michael Hettich Hanging
Page 109 and 110: Whiskey Tango Foxtrot by John Davis
Page 111 and 112: Waiting by Josh Goller “So how di
Page 113 and 114: NIKE Antiques Effingham, IL, July 2
Page 115 and 116: Refugees by Tom Clayton For years,
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Page 119 and 120: Her Fingers by Nancy Wing Her hands
Page 121 and 122: Broken Bird by Leia Barnett Your cr
Page 123 and 124: Thank You Suzanna by Behzad Dayeny
Page 125 and 126: Colcha Treasure by H. Marie Aragón
Page 127 and 128: Monsoon Season -for Ed and Marcia W
Page 129 and 130: The Day I Lost My Mother at Ross Dr
Page 131 and 132: job, my life in Santa Fe and take c
Page 133: smiling down at her half-full dish
Page 137 and 138: Street Sign Cong, Ire., August 2010
Page 139 and 140: the prose, the lyrical movement of
Page 141 and 142: In 2004 Logghe published a small bo
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Page 145 and 146: functional in the extreme. “Holes
Page 147 and 148: ernment thought it was subversive,
Page 149 and 150: Bios Dick Altman continues to scrat
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Page 157 and 158: Jeanne Lohmann has five collections
Page 159 and 160: Kona Morris is the co-founder and e
Page 161 and 162: Timothy Riordan’s poems have appe
Page 163 and 164: Susan Varon is a poet, artist and I
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2011 Issue - Santa Fe Community College

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