Yamaha STAGEPAS Brochure - Full Compass
Yamaha STAGEPAS Brochure - Full Compass
Yamaha STAGEPAS Brochure - Full Compass
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L<br />
R<br />
Block Diagrams<br />
<strong>STAGEPAS</strong> 250M<br />
INPUT<br />
(CH1-2)<br />
[-60 ~ +15dBu]<br />
[-50~+25dBu]<br />
L/MONO<br />
INPUT<br />
(CH3/4-5/6)<br />
[-20 ~ +25dBu]<br />
R<br />
L/MONO<br />
INPUT<br />
(CH7/8)<br />
(CLICK)<br />
[-20 ~ +25dBu]<br />
L<br />
INPUT<br />
(CH9/10)<br />
R<br />
[-20 ~ +25dBu]<br />
R<br />
OFF<br />
(SLIDE SW)<br />
ON<br />
PHANTOM +15V<br />
HA<br />
[-36dBu]<br />
PAD: 30dB<br />
BA<br />
BA<br />
[-26dBu]<br />
BA<br />
BA<br />
MIC<br />
LINE<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
BA<br />
BA<br />
INV<br />
[-26dBu]<br />
[-26dBu]<br />
LIMIT/<br />
COMP<br />
[-26dBu]<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
DIGITAL<br />
EFFECT<br />
LIMIT<br />
COMP<br />
LOW<br />
HIGH<br />
HIGH<br />
HIGH<br />
[-26dBu]<br />
EQ BA<br />
HIGH<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
BA<br />
BA<br />
BA<br />
LEVEL<br />
BA<br />
BA<br />
BA<br />
BA<br />
[-8dBu]<br />
[-8dBu]<br />
REVERB<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
CLICK TO<br />
SP/PHONES<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
SP<br />
REVERB<br />
EFFECT<br />
L<br />
R<br />
INV<br />
INV<br />
CLICK TO<br />
PHONES<br />
PHONES<br />
SUM<br />
SUM<br />
SUM<br />
[-8dBu]<br />
[-8dBu]<br />
[-8dBu]<br />
MASTER LEVEL<br />
[-8dBu]<br />
[-8dBu]<br />
[0dBu]<br />
SUM<br />
INV<br />
SUM SP EQ LIMITER BA<br />
LIMITER<br />
SUM<br />
INV<br />
[0dBu]<br />
[-8dBu]<br />
[12dBu] 100<br />
SUM<br />
BA<br />
[-8dBu]<br />
100<br />
PHONES<br />
[-8dBu]<br />
[12dBu]<br />
SUM<br />
BA<br />
[-8dBu]<br />
[+4dBu]<br />
BA<br />
STEREO SUB<br />
HPF<br />
[-8dBu]<br />
OUT<br />
SPEECH<br />
MUSIC<br />
[+4dBu]<br />
BA<br />
MUSIC<br />
HPF<br />
SPEECH<br />
[-8dBu]<br />
MUSIC<br />
SPEECH/ MUSIC<br />
*1: plugged in STEREO LINK OUT (R)<br />
[+28dB/ +22dBu *1]<br />
SP EQ<br />
PA<br />
STEREO LINK OUT (R)<br />
[0dBu]<br />
L/MONO<br />
STEREO SUB OUT<br />
[+4dBu]<br />
R<br />
SPEAKER OUT<br />
(L/MONO)<br />
PHONES<br />
[20mW/40ohms]<br />
<strong>STAGEPAS</strong> 150M<br />
INPUT<br />
(CH1-2)<br />
[-60 ~ +15dBu]<br />
[-50 ~ +25dBu]<br />
L/MONO<br />
INPUT<br />
(CH3/4)<br />
[-20 ~ +25dBu]<br />
R<br />
L/MONO<br />
INPUT<br />
(CH5/6)<br />
(CLICK)<br />
[-20 ~ +25dBu]<br />
R<br />
L<br />
INPUT<br />
(CH7/8)<br />
[-20 ~ +25dBu]<br />
R<br />
BA<br />
BA<br />
BA<br />
BA<br />
BA<br />
BA<br />
HA<br />
PAD: 30dB<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
[-26dBu]<br />
MIC<br />
LINE<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
DIGITAL<br />
EFFECT<br />
[-26dBu]<br />
EQ<br />
LOW<br />
HIGH<br />
HIGH<br />
[-26dBu]<br />
HIGH<br />
[-26dBu]<br />
HIGH<br />
BA<br />
BA<br />
[-26dBu]<br />
[-26dBu]<br />
BA<br />
BA<br />
[-26dBu]<br />
[-26dBu]<br />
LEVEL<br />
[-11dBu]<br />
BA<br />
BA<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
BA<br />
BA<br />
REVERB<br />
[-8dBu]<br />
REVERB<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
CLICK TO<br />
SP/PHONES<br />
SP/PHONES<br />
[-8dBu]<br />
LEVEL<br />
[-8dBu]<br />
EFFECT<br />
INV<br />
INV<br />
CLICK TO<br />
PHONES<br />
PHONES<br />
SUM<br />
SUM<br />
SUM<br />
[-8dBu]<br />
[-8dBu]<br />
[-8dBu]<br />
HPF<br />
HPF<br />
MASTERLEVEL<br />
[0dBu]<br />
[-8dBu]<br />
SUM<br />
INV<br />
SUM<br />
[-8dBu]<br />
[-8dBu]<br />
SPEECH<br />
MUSIC<br />
MUSIC<br />
SPEECH<br />
MUSIC<br />
[-8dBu]<br />
SPEECH/<br />
INV<br />
[-8dBu]<br />
SUM<br />
SUM<br />
[0dBu]<br />
MUSIC<br />
BA<br />
BA<br />
[-11dBu]<br />
SUM SP EQ<br />
[-8dBu]<br />
[-8dBu]<br />
[+4dBu]<br />
STEREO SUB<br />
OUT<br />
[+4dBu]<br />
BA<br />
PHONES<br />
BA<br />
LIMITER<br />
LIMITER<br />
[12dBu]<br />
[12dBu]<br />
100<br />
100<br />
*1: plugged in STEREO LINK OUT(R)<br />
[+27dB/ +21dBu *1]<br />
BA PA<br />
SPEAKER OUT<br />
(L/MONO)<br />
STEREO LINK OUT (R)<br />
[0dBu]<br />
PHONES<br />
[20mW/40ohms]<br />
L/MONO<br />
STEREO SUB OUT<br />
[+4dBu]<br />
R<br />
BA<br />
[-8dBu]<br />
<strong>STAGEPAS</strong> 500 <strong>STAGEPAS</strong> 300<br />
OFF<br />
ON<br />
INPUT<br />
(CH1-2)<br />
[-60 ~ +15dBu]<br />
PHANTOM +15V<br />
HA<br />
COMP/LIMIT<br />
EQ<br />
BA<br />
[-8dBu]<br />
EFFECT<br />
L<br />
R<br />
[-50 ~ +25dBu]<br />
INPUT<br />
(CH3-4)<br />
[-60 ~ +15dBu]<br />
[-50 ~ +25dBu]<br />
INPUT<br />
(CH5/6)<br />
INPUT<br />
(CH7/8)<br />
[-20 ~ +25dBu]<br />
INPUT<br />
(CH9/10)<br />
L/MONO<br />
[-20 ~ +25dBu]<br />
[-20 ~ +25dBu]<br />
R<br />
L<br />
L<br />
R<br />
R<br />
L<br />
MIC/<br />
HA<br />
MIC/<br />
PAD: 30dB<br />
LINE<br />
LIMIT/<br />
PAD:30dB<br />
LINE<br />
BA<br />
BA<br />
BA<br />
BA<br />
BA<br />
COMP<br />
LOW<br />
HIGH<br />
EQ<br />
LOW<br />
HIGH<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
HIGH<br />
HIGH<br />
HIGH<br />
LEVEL<br />
BA<br />
LEVEL<br />
BA<br />
BA<br />
BA<br />
BA<br />
BA<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
REVERB<br />
REVERB<br />
[-8dBu]<br />
[-8dBu]<br />
[-8dBu]<br />
SUM<br />
SUM<br />
HPF<br />
HPF<br />
SPEECH/<br />
SPEECH<br />
MUSIC<br />
MUSIC<br />
SEECHP<br />
MUSIC<br />
MUSIC<br />
MASTER LEVEL<br />
BA<br />
BA<br />
[-8dBu]<br />
SP EQ<br />
SP EQ<br />
MONITOR<br />
OUT<br />
[+4dBu]<br />
[-10dBu]<br />
LIMITER<br />
LIMITER<br />
LIMITER<br />
BA<br />
BA<br />
L/MONO<br />
MONITOR OUT<br />
R<br />
L<br />
REC OUT<br />
R<br />
[+12dBu]<br />
-1<br />
PA<br />
PA<br />
[+25dBu]<br />
L<br />
SPEAKERS OUT<br />
R<br />
[-60 ~ +15dBu]<br />
INPUT<br />
(CH1~4)<br />
[-50 ~ +25dBu]<br />
INPUT<br />
(CH5/6)<br />
[-20 ~ +25dBu]<br />
INPUT<br />
(CH7/8)<br />
[-20 ~ +25dBu]<br />
L<br />
L<br />
R<br />
R<br />
L<br />
R<br />
HA<br />
BA<br />
BA<br />
BA<br />
BA<br />
MIC/<br />
PAD: 30dB<br />
LINE<br />
DIGITAL<br />
EFFECT<br />
EQ<br />
LOW<br />
HIGH<br />
EQ<br />
LOW<br />
EQ<br />
EQ<br />
LOW<br />
EQ<br />
HIGH<br />
HIGH<br />
BA<br />
BA<br />
LEVEL<br />
BA<br />
BA<br />
BA<br />
BA<br />
LEVEL<br />
LEVEL<br />
REVERB<br />
[-8dBu]<br />
REVERB<br />
[-8dBu]<br />
EFFECT<br />
L<br />
R<br />
[-8dBu]<br />
SP EQ<br />
LIMITER<br />
LIMITER<br />
MASTER LEVEL<br />
SP EQ<br />
LIMITER<br />
HPF<br />
SPEECH<br />
[+4dBu]<br />
BA<br />
SUM<br />
MUSIC<br />
MONITOR<br />
MUSIC<br />
OUT<br />
HPF<br />
SPEECH<br />
BA<br />
SUM<br />
MUSIC<br />
SPEECH/ MUSIC<br />
[-10dBu]<br />
SUM<br />
[+10dBu]<br />
[+23dBu]<br />
BA -1 PA<br />
BA<br />
PA<br />
L/L+R<br />
MONITOR OUT<br />
R<br />
L<br />
REC OUT<br />
R<br />
L<br />
SPEAKER OUT<br />
R<br />
R<br />
BA<br />
EQ<br />
BA<br />
DIGITAL<br />
EFFECT<br />
BA<br />
SUM<br />
REVERB<br />
General Specifications (Mixer)<br />
Maximum Output Power<br />
Output Power (RMS)<br />
Maximum Output Level<br />
Frequency Response<br />
(Nomimal output level @ 1 kHz)<br />
Total Harmonic Distortion<br />
Hum & Noise<br />
(Equivalent Input Noise, Rs = 150 Ω,<br />
MIC/LINE = MIC)<br />
Crosstalk (1 kHz)<br />
Power Consumption<br />
Weight<br />
Input Channel Equalization<br />
General Specifications (Speaker)<br />
Enclosure<br />
Crossover Frequency<br />
Frequency Range<br />
Speaker Unit<br />
<strong>STAGEPAS</strong> 500<br />
250 W + 250 W (±10 %)<br />
4 Ω@ 10 % THD at 1 kHz (SPEAKER L/R)<br />
200 W + 200 W<br />
4Ω @ 1 % THD at 1 kHz<br />
(SPEAKER L/R)<br />
116 dB (1 m)<br />
<<br />
= -106 dBu (CH1/2)<br />
<<br />
= -112 dBu (CH3/4)<br />
<<br />
= -65 dBu Residual output noise<br />
(SPEAKER L/R)<br />
65 W<br />
24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)<br />
<strong>STAGEPAS</strong> 500<br />
LF: 10" (25 cm) Cone<br />
HF: 1" (2.54 cm) Compression Driver<br />
<strong>STAGEPAS</strong> 300<br />
150 W+150 W (±10 %)<br />
6 Ω @10 % THD at 1 kHz (SPEAKER L/R)<br />
100 W+100 W<br />
6 Ω @1 % THD at 1 kHz<br />
(SPEAKER L/R)<br />
112 dB (1 m)<br />
<strong>STAGEPAS</strong> 250M<br />
250 W (±10 %)<br />
4 Ω @ 10 %THD at 1 kHz (SPEAKER)<br />
200 W<br />
4 Ω @ 1 % THD at 1 kHz<br />
(SPEAKER)<br />
116 dB (1 m)<br />
<strong>STAGEPAS</strong> 150M<br />
150 W (±10 %)<br />
6 Ω @ 10 % THD at 1 kHz (SPEAKER)<br />
100 W<br />
4 Ω@ 1 % THD at 1 kHz<br />
(SPEAKER)<br />
112 dB (1 m)<br />
-3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output (MUSIC/SPEECH=MUSIC, without Speaker EQ)<br />
(<strong>STAGEPAS</strong> 500/300: SPEAKER L/R) (<strong>STAGEPAS</strong> 250M/150M: SPEAKER)<br />
0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal<br />
(<strong>STAGEPAS</strong> 500/300: MONITOR OUT, REC OUT) (<strong>STAGEPAS</strong> 250M/150M: ST SUB OUT, ST LINK OUT)<br />
<<br />
= -65 dBu Residual output noise<br />
(SPEAKER L/R)<br />
<<br />
= -106 dBu (CH1/2)<br />
<<br />
= -65 dBu Residual output noise<br />
<<br />
= -112 dBu (CH3/4)<br />
<<br />
= -65 dBu Residual output noise<br />
(SPEAKER)<br />
(SPEAKER)<br />
-70dB between input channels<br />
70 W<br />
35 W<br />
18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer) 13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)<br />
±15 dB, HIGH 10 kHz shelving, LOW 100 Hz shelving<br />
<strong>STAGEPAS</strong> 300<br />
LF: 8" (20 cm) Cone<br />
HF: 1" (2.54 cm) Compression driver<br />
<strong>STAGEPAS</strong> 250M<br />
2-way bass-reflex type, Polypropylene, Black<br />
4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)<br />
55 Hz-20 kHz (-10 dB)<br />
LF: 10" (25 cm) Cone<br />
HF: 1" (2.54 cm) Compression Driver<br />
20 W<br />
9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)<br />
<strong>STAGEPAS</strong> 150M<br />
LF: 8" (20 cm) Cone<br />
HF: 1" (2.54 cm) Compression Driver<br />
• Specifications and appearance subject to change without notice.<br />
• All trademarks and registered trademarks are property of their respective owners.<br />
www.yamahaproaudio.com<br />
Printed in Japan<br />
This document is printed on chlorine-free (ECF) paper with soy ink.<br />
LPA549
Multi-purpose Portable PA<br />
Whether your Portable PA needs are Pro Audio (for music performance) or Public<br />
Address for school, church and meeting assemblies, the <strong>STAGEPAS</strong> systems are<br />
lightweight, compact and simple to setup—and fit a wide variety of applications.<br />
Versatility and Power—in Four Portable Systems<br />
Combining high-performance power and accurate sound reproduction<br />
with remarkable versatility in a portable package, <strong>Yamaha</strong>’s <strong>STAGEPAS</strong><br />
Series Portable PA Systems are fast becoming the standard for musicians<br />
and other PA users on the go.<br />
These combination mixer/amplifier/speaker systems are exceptionally<br />
lightweight, portable and full-featured. Since virtually everything you need<br />
is in one, easy-to-use package, you can be set up and playing within a<br />
matter of minutes. And when you’re done, you can be packed and back on<br />
the road again with the same ease and speed. Yet despite the simplicity<br />
and compact size, these systems cut no corners in sound quality or<br />
versatility, and in fact give you some advanced features not normally<br />
found in systems of this class.<br />
The series now includes the new single-speaker <strong>STAGEPAS</strong> 150M and<br />
250M, which can be expanded to a stereo system by simply adding a<br />
second speaker. They can also function either as an ultra-portable PA<br />
system, or as a powerful keyboard amplifier—with sound quality and<br />
portability that far surpasses any other conventional keyboard amp. No<br />
matter what system you choose, you have a high-power, highperformance<br />
sound system ready for a wide variety of venues and events,<br />
both indoors and out.<br />
All-in-one Systems<br />
Virtually everything you need is right here in each of<br />
these systems: one versatile, powerful mixer/amplifier,<br />
two top-quality speakers (or one speaker, with the<br />
<strong>STAGEPAS</strong> 250M and 150M systems), and even<br />
the necessary speaker cables for quick setup!<br />
Two-way <strong>Full</strong>-range Speaker System<br />
The <strong>STAGEPAS</strong> delivers a remarkably large and<br />
powerful sound despite its compact size—thanks<br />
to the two-way speaker system and bass reflex<br />
design. All models feature a 1" titanium tweeter.<br />
The 250M and 500 employ a 10" woofer while the<br />
150M and 300 have an 8" woofer. The sound is<br />
exceptionally clean, clear and free from break-up,<br />
even at high levels.<br />
Detachable Powered Mixer<br />
The high-performance combination<br />
mixer/amplifier comes in 8- and 10-<br />
channel configurations, providing all the<br />
inputs you need, as well as all the power<br />
you want. Fitting neatly inside one of the<br />
speaker cabinets, it can be used as is, or<br />
detached for<br />
convenient<br />
placement and<br />
easy access.<br />
Optional BMS-10A for Convenient<br />
Mic Stand Mounting<br />
The detachable mixer can<br />
be conveniently mounted<br />
on a conventional<br />
microphone stand for<br />
easy access, using the<br />
optional BMS-10A Mic<br />
Stand Adaptor.<br />
For Singers<br />
Vocalists will appreciate the built-in, high-quality<br />
reverb on all <strong>STAGEPAS</strong> systems. Plus, the 250M<br />
and 500 models feature a built-in<br />
limiter/compressor to let you dial in a smooth,<br />
punchy vocal sound.<br />
For Public Speakers<br />
If you’re a speaker or giving presentations, you can<br />
instantly optimize the system settings with the<br />
special Speech mode—giving you maximum clarity<br />
for speech applications. Naturally, you can mix<br />
background music from a CD player or other source<br />
with the mic input.<br />
For Bands<br />
Multiple microphone inputs make the <strong>STAGEPAS</strong><br />
series an ideal choice for band rehearsals and<br />
performances. The <strong>STAGEPAS</strong> 500 in particular is<br />
well suited for many sources and larger venues,<br />
while the optional MSR100 powered speakers can<br />
be used for monitoring.<br />
For Guitarists<br />
For Instrumentalists<br />
The versatile <strong>STAGEPAS</strong> mixer has more than<br />
enough input capability to directly handle many<br />
different instruments—from electric-acoustic<br />
guitars to electronic keyboards.<br />
For Keyboard Players<br />
Players needing a simple, yet exceptionally highquality<br />
keyboard amplifier will find ideal solutions in<br />
the <strong>STAGEPAS</strong> 150M and 250M. These compact,<br />
highly portable and easy-to-use systems can serve as<br />
your main system for small gigs, or as a sub-mixer for<br />
direct connection to the main mixer at large events.<br />
The <strong>STAGEPAS</strong> 150M and 250M are excellent systems<br />
for guitarists playing in small venues, since they deliver<br />
outstanding sound for the house as well as great monitor<br />
sound for the player.
Portable PA System / Keyboard Amplifier<br />
NEW<br />
Portable PA System / Keyboard Amplifier<br />
NEW<br />
10 Channels for More Sources,<br />
Plus 250 Watt of Power<br />
Exceptionally Compact System<br />
—8 Channels, 150 Watt Output<br />
Versatile 10-channel Powered Mixer<br />
The built-in yet detachable mixer of the <strong>STAGEPAS</strong> 250M<br />
provides a total of ten input channels: two mono<br />
microphone/line inputs and four stereo line inputs. In<br />
addition to a speaker output for the supplied speaker, the<br />
mixer has line outputs that can be used to connect additional<br />
powered speakers or to send the mixer’s output to a main<br />
mixer or recording device. It also features a convenient<br />
PHONES jack for connecting a set of headphones.<br />
250 Watt Class D Power Amplifier<br />
This high-power amplifier is capable of filling a relatively large<br />
club or room with sound, and can even project well outdoors.<br />
The advanced Class-D design delivers exceptional efficiency—<br />
ensuring high power amplification with low power consumption<br />
and minimal heat generation. This means you get superior<br />
sound quality and reliability in a remarkably compact unit.<br />
Built-in Compression/Limiting<br />
Channels 1 and 2 feature LIMIT/COMP switches that let you apply<br />
either limiting or compression to those channels. Limiting is useful in<br />
preventing input overload and distortion with sources that suddenly<br />
surge in level, while compression can smooth out vocals, bass, guitar<br />
and other signals that have widely varying dynamic range, giving<br />
those sources added punch and helping them “sit” better in the mix.<br />
Useful Features for keyboard players<br />
Stereo Link Out<br />
A dedicated Stereo Link Out jack is<br />
provided for connection to optional<br />
MSR250 powered speaker—allowing you<br />
to easily create a powerful stereo setup<br />
for larger venues and greater sound projection.<br />
Phantom Power for High-performance<br />
Condenser Microphones<br />
The <strong>STAGEPAS</strong> 250 mixer features switchable<br />
phantom power for the two mono microphone/line<br />
inputs. This lets you use high-performance phantompowered<br />
condenser microphones in situations where<br />
you want the extended, natural response they provide.<br />
Ideal for Monitor Speaker Use<br />
The <strong>STAGEPAS</strong> 250M is also effective as a monitor speaker<br />
system (especially for keyboard players, drummers and solo<br />
performers), thanks to its full-range reproduction,<br />
convenient mixing controls, and versatile speaker placement.<br />
Pole Mount Receptacle for Direct<br />
Speaker Stand Mounting<br />
The <strong>STAGEPAS</strong> 250M speaker is directly mountable on<br />
35mm pole with securing thumb screw.<br />
Common Features<br />
• Detachable Powered Mixer<br />
• Two-way <strong>Full</strong>-range Speaker System<br />
• Built-in EQ and High-quality Digital Reverb<br />
• MUSIC / SPEECH Switch<br />
• Auto Limiter<br />
• LED output level meter<br />
• One Speaker Cable Supplied<br />
Balanced ST SUB OUT<br />
These outputs let you connect<br />
additional powered speakers to<br />
the <strong>STAGEPAS</strong> 250M or send<br />
the mixer’s output to a main<br />
mixer or recording device.<br />
Dimensions<br />
■ Speaker<br />
342 (13-1/2")<br />
120 (4-3/4")<br />
Unit: mm (inch)<br />
544.5 (21-1/2")<br />
152 (6")<br />
298 (11-3/4")<br />
■ Mixer<br />
175<br />
(6-7/8")<br />
Tripod pole diameter 35-36 mm<br />
* Use of the stand should refer to stand<br />
manufacturer's instructions.<br />
2-M8 x 25<br />
330 (13")<br />
111.5<br />
(4-3/8")<br />
Flexible 8-channel Powered Mixer<br />
The <strong>STAGEPAS</strong> 150M provides a total of eight input<br />
channels: two mono microphone/line inputs and three<br />
stereo line inputs. Along with the output for the supplied<br />
speaker, the built-in yet detachable mixer also has line<br />
outputs that can be used to connect additional powered<br />
speakers or to send the mixer’s output to a main mixer<br />
or recording device. A convenient PHONES jack is also<br />
included for connecting a set of headphones.<br />
150 Watt Class D Power Amplifier<br />
This power amplifier is all you’ll need for most small<br />
venues and street performance situations, as well as<br />
personal monitoring applications.<br />
The advanced Class-D design delivers exceptional<br />
efficiency—ensuring high power amplification with low<br />
power consumption and minimal heat generation. This<br />
means you get superior sound quality and reliability in<br />
a remarkably compact unit.<br />
Useful Features for keyboard players<br />
Stereo Link Out<br />
A dedicated Stereo Link Out jack is<br />
provided for connection to optional MSR100<br />
powered speaker—allowing you to easily<br />
create a powerful stereo setup for larger<br />
venues and greater sound projection.<br />
Ideal for Monitor Speaker Use<br />
The <strong>STAGEPAS</strong> 150M is also effective as a monitor<br />
speaker system (especially for keyboard players,<br />
drummers and solo performers), thanks to its fullrange<br />
reproduction, convenient mixing controls, and<br />
versatile speaker placement.<br />
Speaker Stand Mountable<br />
(with optional accessory)<br />
The <strong>STAGEPAS</strong> 150M speaker can be<br />
mounted onto a standard speaker stand,<br />
using an optional mount adaptor such as<br />
the ADP138, the Ultimate BMB200,<br />
or an equivalent.<br />
Common Features<br />
• Detachable Powered Mixer<br />
• Two-way <strong>Full</strong>-range Speaker System<br />
• Built-in EQ and 1-bit Modulation Reverb<br />
• MUSIC / SPEECH Switch<br />
• Auto Limiter<br />
• LED output level meter<br />
• One Speaker Cable Supplied<br />
Balanced ST SUB OUT<br />
These outputs let you connect<br />
additional powered speakers<br />
to the <strong>STAGEPAS</strong> 150M or<br />
send the mixer’s output to a<br />
main mixer or recording device.<br />
137 (5-3/8")<br />
Dimensions<br />
■ Speaker<br />
275 (10-7/8")<br />
120 (4-3/4")<br />
2-M8 x 25<br />
455.5 (17-7/8")<br />
Unit: mm (inch)<br />
■ Mixer<br />
255 (10-1/8")<br />
160<br />
(6-1/4")<br />
96.3<br />
(3-3/4")<br />
290 (11-3/8")<br />
APPLICATION EXAMPLE<br />
APPLICATION EXAMPLE<br />
Click Assign Switches<br />
This convenient feature lets you connect a drum machine, synthesizer or<br />
metronome to Channels 7/8 and route a click/metronome or rhythm signal<br />
through the mixer for monitoring purposes only. Turning this switch on takes<br />
the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch<br />
lets you route the click signal to the PHONES out for headphones monitoring.<br />
Comprehensive sub mixer<br />
for keyboard players<br />
In this versatile sub-mixing<br />
system, a click track can be<br />
monitored in the headphones or<br />
monitor speaker while the clickless<br />
keyboard signal is fed to the<br />
main mixer. The Stereo Link<br />
output lets you hook up an<br />
optional MSR250 powered<br />
speaker for stereo monitoring.<br />
To Main PA<br />
Optional MSR250<br />
for stereo monitoring<br />
<strong>STAGEPAS</strong><br />
SPEAKER<br />
Headphones<br />
ST SUB<br />
OUT<br />
Keyboard<br />
Mics<br />
OFF<br />
Keyboard<br />
ON<br />
Audio<br />
Supplied cable<br />
Click Assign Switches<br />
This convenient feature lets you connect a drum machine, synthesizer or<br />
metronome to Channels 5/6 and route a click/metronome or rhythm signal<br />
through the mixer for monitoring purposes only. Turning this switch on takes<br />
the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch<br />
lets you route the click signal to the PHONES out for headphones monitoring.<br />
Monitoring for home<br />
studio owners and<br />
MIDI keyboard players<br />
This ideal solution provides<br />
excellent quality high-power<br />
sound for recording—and a<br />
compact live performance<br />
system as well. Play your<br />
synth/sample playback plug-ins<br />
(such as HALionOne, included<br />
with Cubase AI) with the KX MIDI<br />
keyboard, and use the<br />
AUDIOGRAM3 interface to feed<br />
the computer sound to the 150M.<br />
For live work, the computer click<br />
can be routed through the<br />
monitor only, and you can set the<br />
speaker on stage as a floor monitor.<br />
KX Series<br />
<strong>STAGEPAS</strong><br />
SPEAKER<br />
Headphones<br />
USB<br />
USB<br />
NOTE PC<br />
Keyboard<br />
Keyboard<br />
AUDIOGRAM3<br />
Audio<br />
Supplied cable<br />
USB
MONITOR<br />
OUT<br />
L<br />
L (MONO)<br />
L<br />
L<br />
OFF<br />
LOCK<br />
OPEN<br />
POWER<br />
AC IN<br />
R<br />
R<br />
R<br />
R<br />
R<br />
ON<br />
MIC<br />
LINE<br />
MIC<br />
LINE<br />
HIGH<br />
HIGH<br />
HIGH<br />
HIGH<br />
HIGH<br />
MIC<br />
LINE<br />
LIMIT<br />
COMP<br />
HIGH<br />
MIC<br />
LINE<br />
LIMIT<br />
COMP<br />
HIGH<br />
CH1-4<br />
OFF ON<br />
+6<br />
+3<br />
MONITOR<br />
OUT<br />
0<br />
-6<br />
-20<br />
LOW<br />
LOW<br />
LOW<br />
LOW<br />
LOW<br />
LOW<br />
LOW<br />
POWER<br />
LOCK<br />
MUSIC<br />
OPEN<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
LEVEL<br />
9/10<br />
7/8<br />
5/6<br />
4<br />
3<br />
2<br />
1<br />
MSC<br />
MSC<br />
MSC<br />
MSC<br />
1 2<br />
1<br />
2<br />
1<br />
2<br />
1<br />
3<br />
3<br />
3<br />
2<br />
3<br />
10 Channels and 250W + 250W Power<br />
for More Sources and Larger Venues<br />
Dual 250 Watt Class D Power Amplifier<br />
Two 250 Watt power amplifier can fill surprisingly large<br />
clubs or rooms, or project your sound over a<br />
considerable distance outdoors. The class-D power<br />
amplifier has been painstakingly designed to deliver<br />
superior sound quality as well as reliability in a<br />
remarkably compact unit.<br />
Versatile 10-channel Mixer with<br />
Monitor and Record Outputs<br />
If there are more members in your band than the<br />
<strong>STAGEPAS</strong> 300’s 8 input channels can handle, or you<br />
simply have a lot of sources to mix, the <strong>STAGEPAS</strong> 500<br />
gives you 10 input channels in all: four mono<br />
microphone/line inputs and three stereo line inputs.<br />
The additional stereo channel can be used for either a<br />
stereo or mono source. In addition to the main speaker<br />
outputs the mixer has line outputs that can be used to<br />
connect additional powered speakers for monitoring,<br />
and to send the mixer’s output to a recording device.<br />
Phantom Power for High-performance<br />
Condenser Microphones<br />
The <strong>STAGEPAS</strong> 500 mixer features switchable phantom<br />
power for the four mono microphone/line inputs. This<br />
lets you use high-performance phantom-powered<br />
condenser microphones in situations where you want<br />
the extended, natural response they provide.<br />
Useful Features for Band<br />
Phantom Power Switch<br />
Supplies phantom power to the microphone<br />
inputs on channels 1 through 4, for high<br />
performance condenser microphones.<br />
Digital Reverb<br />
Renowned <strong>Yamaha</strong> SPX reverb technology gives<br />
you studio-quality ambience on the road.<br />
Built-in Channel Compression/Limiting<br />
Channels 1 and 2 feature LIMIT/COMP switches that<br />
let you apply either limiting or compression to those<br />
channels. Limiting is useful in preventing input<br />
overload and distortion with sources that suddenly<br />
surge in level, while compression can smooth out<br />
vocals, bass, guitar and other signals that have widely<br />
varying dynamic range, giving those sources added<br />
punch and helping them “sit” better in the mix.<br />
Pole Mount Receptacle for<br />
Direct Speaker Stand Mounting<br />
The <strong>STAGEPAS</strong> 500<br />
speaker is directly<br />
mountable on 35mm pole<br />
with securing thumb screw.<br />
Convenient Accessory Compartment<br />
Neatly pack away your cables, microphones<br />
and other small necessities in the speaker<br />
accessory compartment, and enjoy a<br />
truly streamlined system when on the road.<br />
Common Features<br />
• Detachable Powered Mixer<br />
• Two-way <strong>Full</strong>-range Speaker System<br />
• Built-in EQ and High-quality Digital Reverb<br />
• MUSIC / SPEECH Switch<br />
• Auto Limiter<br />
• LED output level meter<br />
• Ideal for Monitor speaker use.<br />
• Speaker cables supplied.<br />
LIMIT / COMP Switches<br />
Apply limiting or compression<br />
to channels 1 and 2 for added<br />
sonic control and versatility.<br />
APPLICATION EXAMPLE<br />
Live performance<br />
with a full band<br />
This extensive yet compact<br />
stereo system has inputs for<br />
three mics, an acoustic/electric<br />
guitar and two keyboards. Two<br />
<strong>Yamaha</strong> POCKETRAK 2G units<br />
are connected—one for<br />
recording the performance and<br />
the other for playing an<br />
additional source. The<br />
speakers fit atop stands<br />
(without the need for<br />
adaptors) for maximum<br />
projection of the powerful,<br />
high-quality sound.<br />
Dimensions<br />
■ Speaker<br />
342 (13-1/2")<br />
120 (4-3/4")<br />
Monitor SP<br />
MSR 250<br />
<strong>STAGEPAS</strong><br />
SPEAKERS<br />
Unit: mm (inch)<br />
544.5 (21-1/2")<br />
152 (6")<br />
POCKETRAK 2G<br />
298 (11-3/4")<br />
■ Mixer<br />
SPEAKERS<br />
L L<br />
(MONO) L<br />
R R<br />
PHANTOM<br />
LIMITER<br />
–15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15<br />
–15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15<br />
REVERB REVERB REVERB REVERB<br />
0 10<br />
REVERB<br />
175<br />
(6-7/8")<br />
Tripod pole diameter 35-36 mm<br />
* Use of the stand should refer to stand<br />
manufacturer's instructions.<br />
2-M8 x 25<br />
Vocal Chorus X2<br />
Preamp for<br />
Acoustic Guitar<br />
Keyboard<br />
0 10<br />
SPEECH<br />
0 10<br />
0 10<br />
0 10<br />
0 10<br />
0 10<br />
0 10<br />
0 10<br />
0 10<br />
MASTER<br />
330 (13")<br />
111.5<br />
(4-3/8")<br />
Audio<br />
Supplied cable<br />
Electric<br />
-Acoustic<br />
Guitar<br />
Keyboard<br />
POCKETRAK<br />
2G<br />
The Ultimate In Portability with<br />
8 Channels and 150W + 150W Output<br />
Dual 150 Watt Class D Power Amplifier<br />
Two 150 Watt power amplifier is plenty for most small<br />
venues and street performance situations. And you get<br />
clean, reliable power from a Class-D design that provides<br />
high-efficiency amplification with low power consumption<br />
and minimal heat generation, allowing the amplifier to<br />
be built into a smaller, lighter, and cooler package.<br />
8-channel Mixer with Monitor and<br />
Record Outputs<br />
The powered mixer is normally stored in the rear of<br />
one of the speakers, but it can be easily detached (the<br />
only tool you need is a coin) for convenient operation.<br />
The <strong>STAGEPAS</strong> 300 mixer has a total of eight input<br />
channels: four mono microphone/line inputs and two<br />
stereo line inputs. In addition to speaker outputs for<br />
the supplied speakers, the mixer has line outputs that<br />
can be used to connect additional powered speakers<br />
for monitoring, and to send the mixer’s output to a<br />
recording device.<br />
Convenient Accessory Compartment<br />
Neatly pack away your cables,<br />
microphones and other small<br />
necessities in the speaker<br />
accessory compartment, and<br />
enjoy a truly streamlined<br />
system when on the road.<br />
Useful Features for performer<br />
MUSIC / SPEECH Switch<br />
This unique feature optimizes the system<br />
settings for maximum clarity with speech.<br />
1-bit Modulation Reverb<br />
Advanced 1-bit modulation technology<br />
delivers great-sound reverb for<br />
natural warmth and ambience.<br />
Speaker Stand Mountable<br />
(with optional accessory)<br />
The <strong>STAGEPAS</strong> 300 speakers can be<br />
mounted onto a standard speaker stands,<br />
using an optional mount adaptor such as<br />
the ADP138, the Ultimate BMB200,<br />
or an equivalent.<br />
Common Features<br />
• Detachable Powered Mixer.<br />
• Two-way <strong>Full</strong>-range Speaker System.<br />
• Built-in EQ and 1-bit Modulation Reverb.<br />
• MUSIC / SPEECH Switch<br />
• Auto Limiter<br />
• LED output level meter<br />
• Ideal for Monitor speaker use.<br />
• Speaker Cables Supplied.<br />
APPLICATION EXAMPLE<br />
Duo performers<br />
This is a perfect system for<br />
two guitarists/singers<br />
performing on the street or in<br />
small venues such as coffee<br />
houses. A CD player or<br />
portable player (such as the<br />
<strong>Yamaha</strong> POCKETRAK 2G)<br />
connects to provide prerecorded<br />
backing tracks.<br />
137 (5-3/8")<br />
Dimensions<br />
■ Speaker<br />
275 (10-7/8")<br />
120 (4-3/4")<br />
2-M8 x 25<br />
<strong>STAGEPAS</strong><br />
SPEAKERS<br />
455.5 (17-7/8")<br />
Mics<br />
Unit: mm (inch)<br />
255 (10-1/8")<br />
■ Mixer<br />
160<br />
(6-1/4")<br />
Electric-Acoustic<br />
Guitar<br />
Audio<br />
Preamp for<br />
Acoustic Guitar<br />
Preamp for<br />
Acoustic Guitar<br />
96.3<br />
(3-3/4")<br />
Electric<br />
-Acoustic<br />
Guitar<br />
POCKETRAK<br />
2G<br />
290 (11-3/8")