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temporary art has a fixed venue, at best, in the <strong>Sofia</strong> <strong>Art</strong> Gallery.<br />

Curator Iara Boubnova is especially proud that in the past, especially<br />

in 1996, when all of Bulgaria sank into economic anarchy and<br />

the inflation rate reached 1,000 per cent, she accepted no »unclean<br />

money« for her Institute of Contemporary <strong>Art</strong> project. »In those<br />

days we were in the midst of a trauma of change from Communism<br />

to capitalism, which we simply couldn’t digest, because we were<br />

right in the middle of it.« This »trauma«, which many of the artists<br />

we met in <strong>Sofia</strong> talked about, manifested itself – just ten years ago<br />

– quite simply as hunger. »Our grandparents had to go begging,<br />

and sometimes we had no idea where to buy our bread.« Iara<br />

remembers it well.<br />

It irritates her that it has not been possible up to this point to<br />

bring a qualitatively valuable international art exhibition – one that<br />

deserves the name – to <strong>Sofia</strong>. »Nobody would lend us a big Picasso<br />

exhibition, just to name one example. We are third class citizens,<br />

the poorest country in the EU, and we are neither interesting as a<br />

political, nor as an economic, partner. We can’t offer an interesting<br />

counter offer, and we can’t find anybody here, certainly not in<br />

the government, who is willing to insure such an exhibition« says<br />

Boubnova angrily.<br />

The artists in <strong>Sofia</strong> are drawing some hope from the Scottish-<br />

Bulgarian team of Chris Byrne and Iliyana Nedkova, who opened<br />

»the first commercial gallery of an international kind« in Bulgaria<br />

in autumn 2007. »We think it was a very optimistic time to be opening<br />

a gallery in <strong>Sofia</strong>« says Chris Byrne. »We had practically no competition<br />

because other galleries in <strong>Sofia</strong> have been acting like shops<br />

until now, selling old masters, icons or academic art. Since the<br />

accession to the EU in 2007 we’ve had fewer problems with customs,<br />

and the economic situation of the country is also becoming<br />

more stable, bit by bit. We see the fact that there has been no art<br />

market until now as a challenge to create one.« ——<br />

Nobody<br />

would<br />

lend us<br />

a big<br />

Picasso<br />

exhibition<br />

229<br />

<strong>Sofia</strong><br />

SPIKE ART GUIDE EAST 01 — 2009<br />

<strong>Sofia</strong>

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