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Lunedì 23 Maggio 2011<br />

Presso lo Spazio Viterbi della Provincia di Bergamo<br />

PASSERELLE PEDONALI FORMA E STRUTTURA<br />

Prof. Ing. Bruno Briseghella<br />

University of Fuzhou (PRC)<br />

Prof. Ing. Enzo Siviero<br />

Università IUAV di Venezia<br />

Prof. Ing. Tobia Zordan<br />

Tongji University (PRC)<br />

NUOVE TENDENZE<br />

PASSERELLE STRALLATE<br />

PASSERELLE A NASTRO TESO


Footbridges can be special objects


What is the usual practice<br />

for bridge engineers


Disappointing!<br />

How can we improve our skills<br />

in bridge design


What are bridges and footbridges<br />

Are they just…<br />

crossing devices


Are they just the result of the<br />

application of codes’ requirements<br />

Are they just the result of<br />

the checking process<br />

of repeated standard solutions


Hopefully not.<br />

Proficiency in any art or science is not attained until its history is<br />

known.<br />

History is very fully taught in schools of architecture, but up to the<br />

present , very little time or thought has been given in the engineering<br />

school to history of engineering, which is certainly quite as worthy of<br />

attention<br />

- History of Bridge, 1911. H.G.Tyrrell


So what are bridges and footbridges<br />

A FOOTBRIDGE CAN BE…


A FOOTBRIDGE CAN BE…<br />

A FOOTBRIDGE CAN BE…


A FOOTBRIDGE CAN BE…THE MOST ENJOYABLE GAME FOR ENGINEERS!<br />

BUY CAN ALSO REPRESENT A…PROBLEM FOR HUMANS AND LANDSCAPE


What makes you feel a bridge is<br />

beautiful or ugly<br />

Bridges are “naked” constructions<br />

Bridges combine form with function.<br />

Bridges are “sincere” constructions.<br />

When Conceptual Design is wrong, the bridge will be a bad one and<br />

designer and owner will have no chance to disguise it!<br />

Generally bridges seem aesthetically more pleasing if they are<br />

simple in form, the deck is thinner (as a proportion of its span), the<br />

lines of the structure are continuous and the shapes of the structural<br />

members reflect the forces acting on them.


" . . . a good looking bridge is one which responds most<br />

gracefully to the structural requirements that it must meet."<br />

David P. Billington<br />

How do we sense bridges


How can we deal with<br />

“perception”


Footbridge or…handle


Turbine or…footbridge<br />

VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other


VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other<br />

VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other


VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontality<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other<br />

VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other


VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other<br />

VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other


Girder cross seciton<br />

The shadow created by the overhang reduces the dominance<br />

of the girder. The deck overhang should be proportional to the<br />

girder depth.<br />

Girder cross seciton<br />

Different girder cross sections can have different aesthetic<br />

effects.<br />

The cross sectional shape of the girder should be considered in<br />

accordance with the following principles.<br />

A right angled (90°) connection can catch the light and a<br />

double line may be visible.<br />

Maximizing the overhang will increase the shadow.


Girder cross seciton<br />

An angled connection would minimize this effect<br />

Girder cross seciton<br />

A very acute angle provides a deep shadow nearly all of<br />

the time.


Girder cross seciton<br />

A curved soffit will provide a gradation of tone and minimize<br />

a sharp line at the base of the beam.<br />

VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other


VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />

Shaping parameters<br />

Ratio elevation/background<br />

Neighbouring objects<br />

Rooting on the ground<br />

Verticality vs horizontal<br />

Trasparence vs Presence<br />

Dynamic continuity<br />

Lighting<br />

Colors Material<br />

Historical tradition<br />

…… other<br />

Some useful principles<br />

to approach design


Understand context<br />

Understand the natural, built and community context of that<br />

would influence the design.<br />

- Topography, water bodies and water courses.<br />

- Other bridges in the area and along the road corridor.<br />

- Soils and geology.<br />

- Biodiversity.<br />

- Views to and from the bridge location.<br />

- Landscape and built character.<br />

- History, tradition and culture of the place<br />

Setting consistent design objectives<br />

and goals<br />

- Unobtrusive or landmark<br />

- Integration (preferable) with landscape / Denial of surroundings.<br />

- Proportions: symmetrical / non-symmetrical - slender / stocky.<br />

- Simple / refined.<br />

- Conform / not conform to suite of bridges along corridor.


Explore different possibilities<br />

Understand and channel force flows<br />

• Topological Optimization for Bridge Tower and Anchor<br />

Y<br />

MX Z X<br />

Y<br />

MX Z X


Understand and channel force flows<br />

• Topological Optimization for Three-hinged Arch<br />

Y<br />

MX Z<br />

X<br />

MN<br />

Y<br />

MX Z<br />

X<br />

MN<br />

Y<br />

MX Z<br />

X<br />

MN<br />

Sometimes a structure<br />

is magnificently shaped<br />

by the flow of forces…<br />

under specified boundary<br />

conditions and constraints so<br />

that each single component<br />

fulfill his task


J. Schlaich – Proposal for a pedestrian bridge<br />

Sometimes this does not occur


But when this is the case<br />

an observer might feel more<br />

comfortable and harmony it’s<br />

introduced in the design


Girder bridges<br />

Truss bridges<br />

Arch bridges<br />

Cable stayed bridges<br />

Suspension bridges<br />

More variety can be found in<br />

footbridges


Stress ribbon<br />

Arch<br />

+<br />

Stress ribbon<br />

Suspension<br />

/<br />

Stress ribbon<br />

And even more…<br />

MEMORIAL BRIDGE IN RIJEKA<br />

Croatia, 2003


Trusses<br />

Footbridge Alveiro University, Portugal


J. Da Fonseca – Aveiro bridge, Portugal<br />

Last trends: new forms


BRIDGE AT THE ROYAL VICTORIA DOCK<br />

London, UK, 1998


Pedestrian bridges<br />

Cost per unit surface


New forms<br />

Stess ribbon


Sacramento J. Strasky River Bridge, – stress Redding, ribbon California, footbridge USA


Grants Pass Bridge, Oregon, USA


Sacramento River Bridge, Redding, California, USA


Grants Pass Bridge, Oregon, USA<br />

J. Schlaich – Northbridge, Rostock


J. Schlaich – In den Enzauen, Knoll<br />

J.Conzett - Suransuns footbridge, 40m span, pre-stressed natural stone deck (h=6cm)<br />

Switzerland


Stainless steel structural components, pre-stressed stone, and dry joints<br />

are used for the deck


Stess ribbon supported by arch


Expressway R3508, Czech Republic<br />

Expressway R3508, Czech Republic


Erection of footbridge: arch segments and deck segments<br />

Possible different arrangements of partially or fully self-anchored<br />

systems with the use of an arch<br />

Arch fixed at the anchor blocks of the<br />

prestressed concrete deck (tied arch)<br />

The deck below the arch work as a<br />

saddle for the stress ribbon scheme<br />

of the side spans (tied arch with side<br />

spans)<br />

Side spans are stiffened by thicker<br />

sections<br />

Two spans stress ribbon suspended<br />

on arch


PASSERELLE SIMONE DE BEAUVOIR<br />

Paris, France, 2007


Self anchored supported by<br />

lower suspension


J. Strasky - Johnson Creek Bridge, Portland, Oregon USA<br />

Johnson Creek Bridge, Portland, Oregon, USA<br />

Johnson Creek Bridge, Portland, Oregon, USA


Curved suspension<br />

or cable stayed decks


Different layouts of curved cable stayed decks outer suspended<br />

and their implications


Different layouts of curved cable stayed decks centrally suspended<br />

and their implications<br />

Radial uniformly distributed load<br />

Radial uniformly distributed force H on<br />

the edge<br />

The principle is that highlighted by Boyle-Mariotte for a circular ring<br />

subjected to a uniform pressure distribution. The tensile force in each<br />

parallel (including that corresponding to the restraints) equals to:<br />

N = H r a


J. Schlaich – footbridge in Kelheim over<br />

Danube


J. Schlaich – footbridge in Deutsche museum in<br />

Munich


J. Schlaich – Reedy river bridge, Greenville - USA


Structural Study<br />

J. Strasky – proposal for a pedestrian bridge

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