passerelle pedonali forma e struttura nuove tendenze passerelle ...
passerelle pedonali forma e struttura nuove tendenze passerelle ...
passerelle pedonali forma e struttura nuove tendenze passerelle ...
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Lunedì 23 Maggio 2011<br />
Presso lo Spazio Viterbi della Provincia di Bergamo<br />
PASSERELLE PEDONALI FORMA E STRUTTURA<br />
Prof. Ing. Bruno Briseghella<br />
University of Fuzhou (PRC)<br />
Prof. Ing. Enzo Siviero<br />
Università IUAV di Venezia<br />
Prof. Ing. Tobia Zordan<br />
Tongji University (PRC)<br />
NUOVE TENDENZE<br />
PASSERELLE STRALLATE<br />
PASSERELLE A NASTRO TESO
Footbridges can be special objects
What is the usual practice<br />
for bridge engineers
Disappointing!<br />
How can we improve our skills<br />
in bridge design
What are bridges and footbridges<br />
Are they just…<br />
crossing devices
Are they just the result of the<br />
application of codes’ requirements<br />
Are they just the result of<br />
the checking process<br />
of repeated standard solutions
Hopefully not.<br />
Proficiency in any art or science is not attained until its history is<br />
known.<br />
History is very fully taught in schools of architecture, but up to the<br />
present , very little time or thought has been given in the engineering<br />
school to history of engineering, which is certainly quite as worthy of<br />
attention<br />
- History of Bridge, 1911. H.G.Tyrrell
So what are bridges and footbridges<br />
A FOOTBRIDGE CAN BE…
A FOOTBRIDGE CAN BE…<br />
A FOOTBRIDGE CAN BE…
A FOOTBRIDGE CAN BE…THE MOST ENJOYABLE GAME FOR ENGINEERS!<br />
BUY CAN ALSO REPRESENT A…PROBLEM FOR HUMANS AND LANDSCAPE
What makes you feel a bridge is<br />
beautiful or ugly<br />
Bridges are “naked” constructions<br />
Bridges combine form with function.<br />
Bridges are “sincere” constructions.<br />
When Conceptual Design is wrong, the bridge will be a bad one and<br />
designer and owner will have no chance to disguise it!<br />
Generally bridges seem aesthetically more pleasing if they are<br />
simple in form, the deck is thinner (as a proportion of its span), the<br />
lines of the structure are continuous and the shapes of the structural<br />
members reflect the forces acting on them.
" . . . a good looking bridge is one which responds most<br />
gracefully to the structural requirements that it must meet."<br />
David P. Billington<br />
How do we sense bridges
How can we deal with<br />
“perception”
Footbridge or…handle
Turbine or…footbridge<br />
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other<br />
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontality<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other<br />
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other<br />
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other
Girder cross seciton<br />
The shadow created by the overhang reduces the dominance<br />
of the girder. The deck overhang should be proportional to the<br />
girder depth.<br />
Girder cross seciton<br />
Different girder cross sections can have different aesthetic<br />
effects.<br />
The cross sectional shape of the girder should be considered in<br />
accordance with the following principles.<br />
A right angled (90°) connection can catch the light and a<br />
double line may be visible.<br />
Maximizing the overhang will increase the shadow.
Girder cross seciton<br />
An angled connection would minimize this effect<br />
Girder cross seciton<br />
A very acute angle provides a deep shadow nearly all of<br />
the time.
Girder cross seciton<br />
A curved soffit will provide a gradation of tone and minimize<br />
a sharp line at the base of the beam.<br />
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other
VISUAL PERCEPTION – BRIDGE AND SOURROUNDINGS<br />
Shaping parameters<br />
Ratio elevation/background<br />
Neighbouring objects<br />
Rooting on the ground<br />
Verticality vs horizontal<br />
Trasparence vs Presence<br />
Dynamic continuity<br />
Lighting<br />
Colors Material<br />
Historical tradition<br />
…… other<br />
Some useful principles<br />
to approach design
Understand context<br />
Understand the natural, built and community context of that<br />
would influence the design.<br />
- Topography, water bodies and water courses.<br />
- Other bridges in the area and along the road corridor.<br />
- Soils and geology.<br />
- Biodiversity.<br />
- Views to and from the bridge location.<br />
- Landscape and built character.<br />
- History, tradition and culture of the place<br />
Setting consistent design objectives<br />
and goals<br />
- Unobtrusive or landmark<br />
- Integration (preferable) with landscape / Denial of surroundings.<br />
- Proportions: symmetrical / non-symmetrical - slender / stocky.<br />
- Simple / refined.<br />
- Conform / not conform to suite of bridges along corridor.
Explore different possibilities<br />
Understand and channel force flows<br />
• Topological Optimization for Bridge Tower and Anchor<br />
Y<br />
MX Z X<br />
Y<br />
MX Z X
Understand and channel force flows<br />
• Topological Optimization for Three-hinged Arch<br />
Y<br />
MX Z<br />
X<br />
MN<br />
Y<br />
MX Z<br />
X<br />
MN<br />
Y<br />
MX Z<br />
X<br />
MN<br />
Sometimes a structure<br />
is magnificently shaped<br />
by the flow of forces…<br />
under specified boundary<br />
conditions and constraints so<br />
that each single component<br />
fulfill his task
J. Schlaich – Proposal for a pedestrian bridge<br />
Sometimes this does not occur
But when this is the case<br />
an observer might feel more<br />
comfortable and harmony it’s<br />
introduced in the design
Girder bridges<br />
Truss bridges<br />
Arch bridges<br />
Cable stayed bridges<br />
Suspension bridges<br />
More variety can be found in<br />
footbridges
Stress ribbon<br />
Arch<br />
+<br />
Stress ribbon<br />
Suspension<br />
/<br />
Stress ribbon<br />
And even more…<br />
MEMORIAL BRIDGE IN RIJEKA<br />
Croatia, 2003
Trusses<br />
Footbridge Alveiro University, Portugal
J. Da Fonseca – Aveiro bridge, Portugal<br />
Last trends: new forms
BRIDGE AT THE ROYAL VICTORIA DOCK<br />
London, UK, 1998
Pedestrian bridges<br />
Cost per unit surface
New forms<br />
Stess ribbon
Sacramento J. Strasky River Bridge, – stress Redding, ribbon California, footbridge USA
Grants Pass Bridge, Oregon, USA
Sacramento River Bridge, Redding, California, USA
Grants Pass Bridge, Oregon, USA<br />
J. Schlaich – Northbridge, Rostock
J. Schlaich – In den Enzauen, Knoll<br />
J.Conzett - Suransuns footbridge, 40m span, pre-stressed natural stone deck (h=6cm)<br />
Switzerland
Stainless steel structural components, pre-stressed stone, and dry joints<br />
are used for the deck
Stess ribbon supported by arch
Expressway R3508, Czech Republic<br />
Expressway R3508, Czech Republic
Erection of footbridge: arch segments and deck segments<br />
Possible different arrangements of partially or fully self-anchored<br />
systems with the use of an arch<br />
Arch fixed at the anchor blocks of the<br />
prestressed concrete deck (tied arch)<br />
The deck below the arch work as a<br />
saddle for the stress ribbon scheme<br />
of the side spans (tied arch with side<br />
spans)<br />
Side spans are stiffened by thicker<br />
sections<br />
Two spans stress ribbon suspended<br />
on arch
PASSERELLE SIMONE DE BEAUVOIR<br />
Paris, France, 2007
Self anchored supported by<br />
lower suspension
J. Strasky - Johnson Creek Bridge, Portland, Oregon USA<br />
Johnson Creek Bridge, Portland, Oregon, USA<br />
Johnson Creek Bridge, Portland, Oregon, USA
Curved suspension<br />
or cable stayed decks
Different layouts of curved cable stayed decks outer suspended<br />
and their implications
Different layouts of curved cable stayed decks centrally suspended<br />
and their implications<br />
Radial uniformly distributed load<br />
Radial uniformly distributed force H on<br />
the edge<br />
The principle is that highlighted by Boyle-Mariotte for a circular ring<br />
subjected to a uniform pressure distribution. The tensile force in each<br />
parallel (including that corresponding to the restraints) equals to:<br />
N = H r a
J. Schlaich – footbridge in Kelheim over<br />
Danube
J. Schlaich – footbridge in Deutsche museum in<br />
Munich
J. Schlaich – Reedy river bridge, Greenville - USA
Structural Study<br />
J. Strasky – proposal for a pedestrian bridge