Wagner Flyer-100504-LTR - The Wagner Society of Washington DC

The Wagner Singer
Volume I, No.1 October 2004
Inside This Issue
Greeting from Evelyn Lear
and Thomas Stewart (p.2)
16 Selected Singers in the
Program (pp. 3 to 6)
Chronology of Emerging
Singers Concerts (p.6)
Support the Emerging Singers
Fund (p. 7)
Views of the Critics (p.7)
Invitation to Aspiring Singers (p.7)
A Publication of the Evelyn Lear and
Thomas Stewart Emerging Singers Program
A Partnership with
the Wagner Society of Washington, DC
Over the last four years, the Evelyn Lear & Thomas Stewart Emerging Singers Program (ESP) has
guided some of the most talented young voices in opera. In addition, the Program has staged nine
successful concerts. The Wagner Singer is intended to introduce leading opera directors, producers,
intendants and agents around the world to a new generation of Wagner performers.
16 Selected Emerging Singers
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Charles Robert Austin,
Bass-baritone (P. 3)
Amanda Mace,
Soprano (P. 4)
Gail Sullivan,
Mezzo-soprano (P. 5)
Nathan Bahny,
Baritone (P. 3)
Paul Mow,
Tenor (P. 4)
Jason Switzer,
Bass-Baritone (P. 5)
Jennifer Rodderer,
Mezzo-soprano (P. 4)
Brian Carter,
Tenor (P. 3)
Roxanne Rowedder,
Mezzo-soprano (P. 4)
Thomas Rolf Truhitte,
Heldentenor (P. 5)
Michael Hayes,
Tenor (P. 3)
David Smith,
Tenor (P. 5)
Caroline Whisnant,
Soprano (P. 6)
Matt Leopold,
Baritone (P. 3)
Roy Stevens,
Tenor (P. 5)
Jennifer Wilson,
Soprano (P. 6)
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
○
The Evelyn Lear and Thomas Stewart Emerging Singers Program
The Wagner Society of Washington, DC
P.O. Box 33051
Washington, DC 20033
Phone 301.907.2600 • Fax 301.907.8671
www.wagner-dc.org

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Greetings from Evelyln Lear and Thomas Stewart
We both thank you for reading this first issue of The Wagner Singer. We hope it will provide you with information about many of
the promising young people the Emerging Singers Program is helping. It is our goal to do all we can to encourage and develop
American singers who have genuine potential for careers singing the music of Richard Wagner --- through auditions, rehearsals,
public concerts, and follow-on coaching, financial and other assistance.
The Emerging Singers Program is focused on artists who have already demonstrated both the talent, and perhaps more importantly,
the commitment over time to careers in opera. Also, the Program is not focused on singers who are already being hired by major
opera houses on a regular basis, but on singers who, with the Program's help, can achieve that level of success. Of course, the
Program is also intended to provide for the study and enjoyment of Wagner's art.
We are delighted by our partnership in this endeavor with the Wagner Society of Washington, DC and we are encouraged by your
interest and support.
Betty Bullock (Piano) is a favorite of the singers at the German Embassy concerts where she has sensitively
accompanied them as a talented and experienced Wagner pianist.. She has been a member of the
music staff at the Washington National Opera since 1982. She holds degrees from Oberlin Conservatory
and UNC-Chapel Hill. She studied at the Mozarteum in Salzburg, Austria and at the Hochschule für Musik,
in Munich on a German Government grant. She is a former faculty member, Duke University and Oberlin
Conservatory, and a winner of a Franz Schubert Prize for Accompanists, Baden bei Wien, Austria. She is a
faculty member at American Institute of Musical Studies in Graz, Austria, and since 1997, a faculty member
of the University of Miami Summer Vocal Institute in Salzburg, Austria.
John Edward Niles is the Program Director of the Evelyn Lear and Thomas Stewart Emerging Singers Program. He is a member of the
Board of Directors of the Wagner Society of Washington, DC and the Director of the Opera Theatre of Northern Virginia ((OTNV).
The 9th Emerging Singers Concert (October 8, 2004)
at the German Embassy, Washington, DC
The performers accept the applause, left to right: Jason Switzer, Mathew Lepold,
David Smith, Brian Carter, Roxanne Rowedder and Betty Bullock with Evelyn Lear,
Thomas Stewart and John Edward Niles.
Evelyn Lear and Thomas
Stewart review the program
with the singers and Betty
Bullock (back to camera) and
John Edward Niles in
background.
The rehearsals
Evelyn Lear reviews the scores
with Roxanne Rowedder and
Jason Switzer.

WAGNER ROLES: Hunding, Wotan and King Marke
Charles Robert Austin sang Wotan’s Farewell in the 6 th (May 2003) and 7 th (September 2003)
Concerts. Previously, he had appeared with Arizona Opera and Michigan Opera Theatre. His Wagner
roles with the Virginia Opera include Hunding in 2003 and King Marke in February 2005. He has
appeared with Virginia Opera as Rocco in the 2004 production of Fidelio. He has also appeared with
Pittsburgh Opera, the University of Nebraska Symphony and the Madison, Wisconsin, Symphony. A
native of Nebraska, Mr. Austin has served as an officer in the US Marine Corps and worked as a
businessman before turning his full attention to developing his opera singing career. He resides in
Seattle. singnchrlyaustin@earthlink.net
WAGNER ROLES: Alberich and Hunding
Bass Nathan Bahny sang Alberich roles in the 4 th (May 2002) and 5 th (October 2002) Concerts. He
has performed numerous roles for New York City’s West Side Opera. In 2003, he appeared in the West
Side Opera’s Götterdämmerung and as Benoit in Baz Lurhmann’s Broadway staging of La Bohème.
His Italian repertoire encompasses roles such as Dr. Dulcamara. A native New Yorker, Mr. Bahny’s
was a member of the New York Virtuoso singers during the city’s 1990 Bang on a Can Festival and has
appeared in several concerts with the Liederkrantz Society in New York. natebahny@yahoo.com
WAGNER ROLES: Siegmund
Tenor Brian Carter sang Winterstürme in the 9 th (October 2004) Concert. He studied at the University
of North Carolina at Greensboro and at the University of Houston. He has performed with Opera North
and the Greensboro Opera. He recently completed his second season with the Merola Opera Program
in San Francisco. He has performed the role of Max in Der Freischütz, Turiddu in Cavalleria Rusticana
and Boris in Katya Kabanova. He will be singing the role of Lennie in Of Mice and Men in 2006. He
is a student of soprano Jane Eaglen. bcbigpipes@aol.com
WAGNER ROLES: Siegmund and Erik
Tenor Michael Hayes sang in the 6 th (May 2003) Concert. Recent engagements have included Calaf
in Turandot with Knoxville Opera, Edmonton Opera, and most recently with Virginia Opera. In the
summer of 2004 he sang Otello with Catholic University Summer Opera. His Wagner roles include
Siegmund in Die Walküre and Erik in Der fliegende Holländer. He has also appeared in major roles
with Cleveland Opera, Opera Dayton and Kentucky Opera (Louisville, Ky). Mr. Hayes resides in
Hyattsville, Md. Hayes10or@aol.com
WAGNER ROLES: An Emerging Wagner Baritone
Baritone Matthew Lepold sang in the 8 th (May 2004) and 9 th (October 2004) Concerts. He participated
in the Wagner Society of Washington, DC weekend seminar Wagner in der Wildnis: Götterdämmerung
in June 2004. He has performed with the McLean Symphony, George Mason Symphony, and the N.I.H.
Orchestra. His roles range from Gilbert and Sullivan (Sir Roderick, Sir Marmaduke) to Ramfis in Aida
and Silvio in I Pagliacci. He performed Mr. Johnson in the premiere of Garrison Hull’s Nancy and will
appear as Alessio in Opera Bel Canto’s La Sonnambula. He was also a 1997 Metropolitan Opera
Regional Finalist. He studies voice with John Fiorito. mlepold@hudsontrail.com
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WAGNER ROLES: A Bayreuth Ortlinde and Eva
Soprano Amanda Mace sang in the 2 nd (May 2001) Concert. She will make her Bayreuth debut in 2006
as Ortlinde in the new Ring production to be conducted by Christian Thielemann. She is also engaged at
Bayreuth to sing Eva in Die Meistersinger in 2007. In November 2004, she will sing Leonore at the
Chiemgau MusikFest in Gut Immling. In 2004 she appeared in Britten’s War Requiem with the Bach
Orchestra in Hannover and Mahler’s Symphony No. 8 at the Gran Canaria Festival in Las Palmas. In 2003
she sang Gerhilde with the Bamberg Sinfoniker and Ah! Perfido with the Rotterdam Philharmonic under
Edo de Waart. Her 2002 engagements included performances of Elijah with the Minnesota Orchestra
conducted by Helmut Rilling. vatosca@yahoo.com
WAGNER ROLES: Steuermann andTristan
Tenor Paul Mow sang in the 2 nd (May 2001) Concert and 4 th Annual Wagner Society of Washington, DC
banquet in June (2002). He sang Bacchus in Ariadne auf Naxos at the Catholic University Summer
Opera Theatre in 2003. He adds two Wagner roles to his rapidly expanding repertoire in early 2005. He
sings the Steuermann in Der fliegende Holländer with the Anchorage Opera in January, followed by
Tristan in February, in the Rostock OperTheater’s concert version of Act I of Tristan und Isolde. He
returns to New York for performances of the Beethoven 9th, then goes on the perform Lennie in the
Toledo Opera’s Of Mice and Men, which he also performed with New York City Opera. He appeared in
NYCO production of Il Ritorno d’Ulisse in Patria and Sousa’s The Glass Blowers, which he originated
with the Glimmerglass Opera. Pmtenor@aol.com
WAGNER ROLES: Ortrud, Erda and Waltraute
Mezzo-soprano Jennifer Roderer sang in the 6 th (May 2003) and 8 th (May 2004) Concerts. Her versatile
repertory extends from works written by Baroque-era composers to 21 st century fare. After her 1999
debut at New York City Opera as Third Lady in Die Zauberflöte, she has appeared with the company as
Giovanna in Rigoletto, Jade Boucher in Dead Man Walking, and Junon in Rameau’s Platèe. She has sung
in the Ring at the Seattle Opera and in the Lyric Opera of Chicago production of Die Walküre. She made
her European debut at Open Air Gars as Amneris in Aida and appeared in Les Noces with the Los Angeles
Master Chorale. In February 2005 she sings Santuzza for the Sarasota Opera. Jenrozzy1@aol.com
WAGNER ROLES: Fricka
Mezzo soprano Roxanne Rowedder sang in 6 th (May 16, 2003) and 9 th (October 8, 2004) Concerts.
She is a graduate of the University of Northern Iowa. She has performed the role of Dryad in Ariadne auf
Naxos with Sarasota Opera, Emilia in Otello with Opera Delaware and the role of Ulrica in Un ballo in
Maschera with Brevard Music Festival. She has also performed the role of Mamma Lucia in Mascagni’s
Cavalleria Rusticana with New Jersey Opera. Ms. Rowedder has received from the George London
Foundation the George London/Kirsten Flagstad Award. She has received a study grant from The Wagner
Society of New York, Sarasota Opera’s Kern Grant, and the Fritz and Lavinia Jensen Foundation
Encouragement Award. Roxanne_Row@msn.com

WAGNER ROLES: Siegmund and Tannhäuser
Tenor David Smith sang in the 9 th (October 2004) Concert. He has performed with the Kentucky Opera,
Louisville Symphony Orchestra, Cincinnati Opera, Indiana Opera Theater, Opera Theater Saint Louis, and the
Des Moines Metro Opera. Internationally he has performed with the Israeli Vocal Arts Institute and Opera
Aegea, and the Slaskie Philharmonic in Katowice, Poland. He has performed principal roles in I Pagliacci,
Cavalleria Rusticana, Tosca, Madama Butterfly, Faust, La Forza del Destino, Wozzeck, and other operas.
He is also in demand as an oratorio performer. He has performed the tenor solos in the Mozart Requiem, the
Beethoven Missa Solemnis, the Verdi Requiem, the Beethoven 9 th Symphony and Haydn’s Lord Nelson Mass.
He performed Schubert’s Mass in G and Beethoven’s Mass in C at Carnegie Hall. Mr. Smith was the featured
tenor soloist with the Concert Artists of Baltimore with whom he completed numerous performances in 2002
and 2003. Mr. Smith is on the faculty of the University of Maryland Baltimore County. dalch39@comcast.net
WAGNER ROLES: Loge, Siegfried and Tristan
Tenor Roy Stevens sang in the 7 th (September 2003) and 8 th (May 2004) Concerts. He recently made
his Heldentenor debut at Austria’s Tiroler Festspiele after an already successful career as a bass-baritone.
Aside from several Wagner roles in the heldentenor repertoire, he has performed Florestan in Fidelio,
Don Josè in Carmen, Canio in I Pagliacci, Bacchus in Ariadne auf Naxos, and others. Baritone career
highlights include a role in Prokofiev’s War and Peace at the Metropolitan Opera, and engagements at
the Theatre du Chatelet in Paris and at Barcelona’s Gran Theatre del Liceu. RoyStevens96@cs.com
WAGNER ROLES: Senta, Brünnhilde and Kundry
Soprano Gail Sullivan sang in the 4 th (May 2002) and 6 th May 2003) Concerts. Her Wagner roles
include Senta, Brünnhilde and Kundry, which she has performed both in the U.S. and Germany. She is
currently engaged on contract at Theater Regensburg. Ms. Sullivan sang in Don Carlos in Regensburg in
2004. In the autumn 2004 she will perform the First Lady in Die Zauberflöte. She will perform Santuzza
in Cavalleria Rusticana and the Mahler 8 th Symphony. gaildiva1@aol.com
WAGNER ROLES: Wotan
Baritone Jason Switzer sang in the 9 th (October 2004) Concert. He graduated from the University of
Southern California at Long Beach. He is presently studying at the Philadelphia Academy of Music. He
performed the three Villains in Offenbach’s The Tales of Hoffmann at Central City, Colorado in 2004. He
has also performed the role of Orest in Strauss’s Elektra, the Count in Mozart’s Le Nozze di Figaro and
Dulcamara in L’Elisir d’Amore of Donizetti. He was a Metropolitan Opera semi-finalist in 2004. He has
performed with Opera North and at the Tanglewood Festival. bariclaw@hotmail.com
WAGNER ROLES: Siegmund, Tristan, Erik, Lohengrin and Parsifal
Heldentenor Thomas Rolf Truhitte sang in the 3 rd (October 2001) and 4 th (May 2002) Concerts. He is a
favorite of audiences in the Washington, DC area from his appearances with the Virginia Opera as Siegmund in
Die Walküre and Florestan in Fidelio in 2003 and 2004. He returns to the Virginia Opera in February 2005 for
his Tristan. His appearances have garnered accolades from Seattle to Spoleto. His repertory also includes
Don Jose (Seattle Opera, Opera San Jose, Sacramento Opera), Parsifal (Genoa Opera, conducted by Lorin
Maazel), Bacchus (Opera Monte-Carlo), Max (Metz Opera), and Lohengrin (Spoleto Festival). His lyric roles
include Erik, Alfredo, Pinkerton, Lensky, Tom Rakewell and the tenor part in Das Lied von der Erde.
Webmaster@thomasrolftruhitte.com
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WAGNER ROLES: Senta, Elisabeth and Isolde
Soprano Caroline Whisnant sang in the 7 th (September 2003) Concert at the Smithsonian Institution
seminar jointly-sponsored with the Wagner Society of Washington, DC. Following her acclaimed European
debut as Elektra with the Badisches Staatstheater in Karlsruhe, she joined the Mannheim Opera, where
she is appearing as Isolde, Senta, Elisabeth, and Leonore. She sang Ariadne at the Broomhill Festival.
She has sung Norma in Kentucky, Dallas, Portland, Bogota and Santiago; Turandot (Santiago and Dallas),
Freia (Arizona Opera), and Rosalinda (Kentucky Opera). Her repertory encompasses the lyric Desdemona
(Baltimore Opera), the Madame Lidoine (Tulsa) and Santuzza (Kansas City Opera). CWhisnant@aol.com
WAGNER ROLES: Helmwige, Gutrune, Brünnhilde (cover for Jane Eaglen at Chicago Lyric)
Soprano Jennifer Wilson sang in the 3 rd (October 2001) and 8 th (September 2004) Concerts as well as
at the September 2002 Gala Benefit. She also appeared as a panelist with Thomas Stewart and critic Tim
Page in the Wagner Society of Washington, DC seminar at the Smithsonian Institution in September 2003.
She made her operatic debut in the role of Turandot with the Connecticut Opera in October 2002, a role
she repeated for the Houston Grand Opera in 2004 to great critical acclaim. Her debut role for the Lyric
Opera of Chicago in 2002 was Helmwige. She will reprise this role again in the Lyric Opera of Chicago’s
2005 Ring cycle, when she will sing her first Gutrune. She will also cover for Jane Eaglen’s Brünnhilde. She
will perform Helmwige in Die Walküre at the Teatre du Châtelet in Paris. She will appear in an Amsterdam
radio broadcast of Schulhoff’s Flammen, led by Edo de Waart and she will sing Turandot at the Santa Fe Opera in 2005. She is a
native or Farifax, Virigina and a favorite in the Washington, DC area. Ms. Wilson is a protege of Evelyn Lear. www.funkhauserartists.com
The Emerging Singers Program 2000 to 2004
Nine Concerts and Public Performance Opportunities for 21 Singers
Extensive rehearsals and coaching were provided by Evelyn Lear and Thomas Stewart in preparation for these concerts. Most
concerts were presented at the German Embassy, Washington, DC with the singers accompanied by pianist Betty Bullock. Two
single concerts were held at the Smithsonian Institution (7 th ) and the Northern Virginia Community College (8 th ) with singers
accompanied by the Friday Morning Music Club Orchestra under the baton of Sylvia Alimena.
lst Concert Concert
(April 15, 2000)
Connie Coffelt,
Soprano
Laura Zuiderveen,
Mezzo Soprano
(German Embassy)
2nd Concert
(May 2001)
Amy Fuller,
Soprano
Ray Karms,
Bass Baritone
Amanda Mace,
Soprano
Paul Mow,
Tenor
(German Embassy)
3rd Concert
(October 19, 2001)
Alma De Lon,
Soprano
3rd Concert (Continued)
Jason Detwiler,
Baritone
Thomas Rolf Truhitte,
Tenor
Jennifer Wilson,
Soprano
Laura Zuiderveen,
Mezzo Soprano
(German Embassy)
4th Concert
(May 3, 2002)
Nathan Bahny,
Baritone
Jennifer Roderer,
Mezzo Soprano
Gail Sullivan,
Soprano
Thomas Rolf Truhitte,
Tenor
(German Embassy)
5th Concert
(October 21, 2002)
Nathan Bahny,
Baritone
Allison Bolshoi,
Soprano
Richard Demers,
Baritone
Lawrence Harris,
Tenor
(German Embassy)
6th Concert
(May 16, 2003)
Charles Robert Austin,
Bass Baritone
Michael Hayes,
Tenor
Roxanne Rowedder,
Mezzo Soprano
Gail Sullivan,
Soprano
(German Embassy)
7 th Concert
(September 31, 2003)
Charles Robert Austin,
Bass Baritone
Roy Stevens,
Tenor
Caroline Whisnant,
Soprano
(with Friday Morning
Music Club Orchestra at
the Smithsonian Institution)
8 th Concert
(May 21, 2004)
Jennifer Wilson,
Soprano
Jennifer Roderer,
Mezzo Soprano
Roy Stevens,
Tenor
8th Concert (Continued)
Mathew Lepold,
Baritone
(with Friday Morning
Music Club at
Northern Virginia
Community College)
9th Concert
(October 8, 2004)
Roxanne Rowedder,
Mezzo Soprano
Brian Carter,
Tenor
Jason Switzer,
Bass-Baritone
David Smith,
Tenor
Mathew Lepold,
Baritone
(German Embassy)

Help Develop the Emerging Singers Program
Your financial contributions help to create opportunities for emerging Wagner singers to perform in public after coaching and rehearsals with Eveyln
Lear and Thomas Stewart. Make your tax deductible contribution using the form, below. Questions: call 301.907.2600
To benefit the Evelyn Lear and Thomas Stewart Emerging Singers Program Fund
A Partnership with the Wagner Society of Washington, DC
I/We wish to contribute: ❏ $100 ❏ $150 ❏ $250 ❏ $500 ❏ $1,000 ❏ $2,500 ❏ Other ______
Enclosed is check for _____. Make tax deductible contribution payable to: Emerging Singers Program Fund
Charge to (check one) ❏ VISA or ❏ MC Number ________________________________ Expires ________
Name ________________________________________________________________________________________
Address ______________________________ City ____________________________ State _______ Zip _________
Telephone ____________________________ E-Mail __________________________ Fax _____________________
Special thanks to the many previous financial contributors reported in Wagner on the Potomac , the newsletter of the
Wagner Society of Washington, DC. See the January 2004 issue (Vol 6. No. 1, page 5), which is available online at
www.wagner-dc.org.. Thanks to Guillermo and Cecilia Schultz, John and Lynn Pohanka and Jim and Diana Holman for
especially generous contributions.
Music Critics and the Emerging Singers Peogram
"In retirement from star-quality careers on the opera and concert stage, Thomas Stewart and Evelyn Lear, husband and wife,
are passing on the wisdom underlying their artistry to a new generation of singers. ... What is emerging is the maturing to the
status of Wagnerian singers, something one attains, if ever, only with considerable physical and artistic development." Joan
Reinthaler, The Washington Post, September 23, 2003 on the 7 th Concert.
Lear and Stewart "know good Wagner singing when they see it.". ... They "help identify, mentor and promote singers who show
promise as Wagnerians." The 4 th Concert (May 2002) "offered a tantalizing notion that a new vanguard of Wagernians just
might be in the offing." Tim Smith, The Baltimore Sun, May 7, 2002.
The 2 nd Concert (May 2001) was "an exciting venture into music of the future" at the German Embassy. ... "Five young American
singers displayed their promising voices.”. ... "Already three splendid singers are affirming the old truth that no musical
instrument can match the beauties of the human voice." Cecelia Porter, The Washington Post, May 4, 2001.
"A strong impression was made by four young singers" in the 8 th Concert (May 2003). . ... "The program was notable for its
inclusion of extended scenes and relatively unfamiliar material." ... "Conductor Sylvia Alimena accomplished wonders with the
Friday Morning Music Club Orchestra, not only in her sensitive accompaniment for the singers but in the Prelude to Tristan
und Isolde which opened the program." Joseph McClellan, The Washington Post, May 24, 2004.
Invitation to Aspiring Wagner Singers
To apply for the program see www.wagner-dc.org and submit to the return address of this publication your photo, biography
and a recorded example of your singing. Questions: Call 301.907.2600.
7

Evelyn Lear & Thomas Stewart The 7 th Emerging Singers Concert at the the Smithsonian
Artistic Directors Institution with the Friday Morning Music Club Orchestra
conducted by Sylvia Alimena(September 2003).
John Edward Niles
Program Director
The Wagner Society of Washington, DC
James K. Holman, Chairman
Aurelius Fernandez, President
NON-PROFIT
U.S. POSTAGE
PAID
WASHINGTON, DC
PERMIT NO. 1895
The Evelyn & Thomas Stewart
Emerging Singers Program
P.O. Box 33051
Washington, DC 20033
Tel 301.907.2600
Fax 301.907.8671
Email: wagner-dc.org
Editor: Aurelius Fernandez
Cover Design: Chris Boutlier and Helen Huang
The 7th Emerging Singers Concert concluded a Seminar weekend in September 2003 . In
photo left to right: Thomas Stewart; Mary McLaughlin, Program Coordinator, The Smithsonian
Associates; bass-baritone Charles Robert Austin; soprano Caroline Wisnant; Friday Morning
Music Club Conductor Sylvia Alimena; tenor Roy Stevens with Evelyn Lear.
Wagner Society of
Washington, DC
Chairman J.K. Holman
with Thoma Stewart
and Evelyn Lear
The Thomas Stewart and Evelyn Lear
Emerging Singers Program
The Wagner Singer
The Wagner Society of Washington, DC
P.O. Box 33051
Washington, DC 20033
www: wagner-dc.org