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2013 Summit Programme - The Centre for Excellence in Media ...

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PARALLEL SESSION 6: Friday 20th 14.00- 14.45<br />

STUDENT VOICE:<br />

Disrupt<strong>in</strong>g Familiar Roles: the <strong>in</strong><strong>for</strong>mal learn<strong>in</strong>g<br />

experiences of undergraduate documentary<br />

filmmakers<br />

Cantor<br />

9132<br />

abstracts<br />

Ross Adamson<br />

This paper presents f<strong>in</strong>d<strong>in</strong>gs from my research <strong>in</strong>to the documentary filmmak<strong>in</strong>g<br />

experiences of undergraduate students. Situated with<strong>in</strong> scholarly activity on ‘learn<strong>in</strong>g<br />

<strong>in</strong> everyday life’, the role of creative/practice based work <strong>in</strong> Higher Education,<br />

and documentary theory, the research is trac<strong>in</strong>g the experiences of students placed<br />

<strong>in</strong>to the position of filmmaker <strong>in</strong> the course of their undergraduate studies. Such<br />

filmmak<strong>in</strong>g offers opportunities to fulfill stated curricular requirements <strong>in</strong> terms of<br />

technical competence, creativity and ethical documentary.<br />

However it also provides a potential site <strong>for</strong> ‘<strong>in</strong><strong>for</strong>mal learn<strong>in</strong>g’ (e.g. Drotner et al.<br />

2008) outside <strong>for</strong>mal assessment criteria. This paper presents a case study of a<br />

student who made a film about her father <strong>in</strong> the ‘domestic ethnographic’ mode of<br />

filmmak<strong>in</strong>g (Renov 2004). Data from two <strong>in</strong>terviews with the student illustrates<br />

how <strong>in</strong>troduc<strong>in</strong>g the camera <strong>in</strong>to a familiar environment provoked disjuncture<br />

(Jarvis 2010) <strong>in</strong> social <strong>in</strong>teraction with her family. Filmmak<strong>in</strong>g offered her a subject<br />

position <strong>in</strong> which to explore not only relationships with<strong>in</strong> her family but her own<br />

subjectivity with<strong>in</strong> and outside of familial arrangements.<br />

Documentary production <strong>in</strong> this context can be seen as act<strong>in</strong>g to bridge multiple<br />

sites of learn<strong>in</strong>g and positionality <strong>for</strong> student filmmakers.<br />

Keywords: documentary, filmmak<strong>in</strong>g, subjectivity, <strong>in</strong><strong>for</strong>mal learn<strong>in</strong>g,<br />

Higher Education.<br />

Ross Adamson is senior lecturer <strong>in</strong> media studies at the University of Brighton.<br />

His research <strong>in</strong>terests are <strong>in</strong> personal documentary and the learn<strong>in</strong>g potential of<br />

documentary filmmak<strong>in</strong>g <strong>for</strong> undergraduate students.<br />

<strong>Media</strong> Education <strong>Summit</strong> <strong>2013</strong> 41

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