A Handbook <strong>of</strong> <strong>Karnataka</strong> 526 Shishunala Sharif, Bannada Gejje, Hagalu Vesha, Nagamandala, Deveeri etc. The commercially successful films <strong>of</strong> that period were ‘Nagar Havu’ and ‘Bangarada Manushya’ (1972), ‘Yedakallu Goodada Mele’ and ‘Pr<strong>of</strong>essor Huchchuraya’ (1973), ‘Upasane’ and ‘Bhootayyana Maga Ayyu,’ (1974), ‘Aparichita’ and ‘Parasangada Gendethimma’ (1978), ‘Mother,’ ‘Mithuna’ (1980), ‘Gaali Maatu’ (1981), Manasa Sarovara (1982), Phaniyamma (1983), Anubhava (1984), Bettada Hoovu, Masanada Hoovu (1985), Malaya Maruta (1986), Ondu Muttina Kathe (1987), Suprabhata (1988), Sankranti (1989), Udbhava, Shabarimale Swamy Ayyappa (1990), Ramachari (1991), Kraurya, Pallavi, Anuroopa, Khandavldeko Mamsavideko, Sankalpa, Bankar Margaiah, Geejagana Goodu, Savithri, Giddah, Ghata Shradda (President’s Gold Medal), Akramana, Mane, Tayi Saheba (President’s Gold Medal) (1997), Aparichita and Beladingala Bale. Chaytrada chigaru, Hoomale, Donisagali (1998). Deveri, Kanuru Thegaadati, Chandramukhi Prahasakhi (1999). Mussanje, shapa, kurigalu sar kurigalu (2000). Dveepa, Eakangi, Neela (2001). Artha, kshama, lali Hadu (2002). Chigaridakanasu (2003). Monalisa, Beeru, gowdru, Haseena, (National award Tara best actress), Mithaye mane (2004). Tutturi (2005). Nayineralu, Nayineralu, Nenapirali Amrutashere (2006). Kallarali Hoovagi Kadaveladingalu Footpath (2007). Gulabi Talkes, Mooggina Jade, Matad Matad Mallige, Banada Neralu (2008) In the 1980s the <strong>Government</strong> <strong>of</strong> Katnataka granted 50% tax exemption to Kannada films completely made in Kamataka and it increased the subsidy amount to films. At present all Kannada Films produced and processed entirely in the State is eligible for Rs. 2.50 lakhs (black & white) and Rs. 3.50 lakhs (colour). L.V. Prasad established a Colour Processing Laboratory in Bangalore, Besides, Sanketh, a recording studio <strong>of</strong> the Nag Brothers and the Chamundeshwari studio were started. The availability <strong>of</strong> good infrastructure and encouragement received from the <strong>Government</strong> and the viewership had a cascading effect and there was a jump in the number <strong>of</strong> films made each year, in this decade.Films based on political and social themes, like ‘Accident,’ ‘Antha,’ ‘Bara,’ ‘Chakravyuha,’ ‘Aasphota,’ etc., were made in this decade. Films that were commercially successful in this decade were ‘Ahtha,”Chakravyooha,’ ‘Hosabelaku,’ ‘Haalu Jenu,’ ‘Mududida Taavare Aralithu,’ ‘Bandhana,’ ‘Benkiya Bale,’ ‘Anubhava,’ ‘Anand,’ ‘Rathasaptami,’ ‘Neebareda Kaadambari,’ ‘Premaloka,’ ‘Pushpaka Vimana,’ ‘Ranadheera,’ ‘Suprabhata,’ ‘Sangliyana,’ ‘Nanjundi Kalyana,’ ‘Avale Nanna Hendathi,’ ‘Hendthige Helabedi,’ ‘Indrajit’ ‘Dada,’ ‘Deva,’ ‘Anjadagandu,’ ‘Hridaya Haadithu,’ ‘Gagana,’ ‘CBI Shankar’, ‘Gajapathi Garvabhanga,’ ‘Ramachari,’ ‘Chaitrada Premanjali,’ ‘Bhanda Nanna Ganda,’ ‘Jeevan Chaitra’ and ‘Aakasmika’. Even though the background instrumental music was in vogue in silent films, songs were sung in the first talkie film in 1934. It is said that the advent <strong>of</strong> modern orchestra in films was due to the efforts <strong>of</strong> P. Kalinga Rao in 1941. Playback Singing became popular later. Music directors like P. Shamanna, R. Sudarshan, G.K. Venkatesh, T.G. Lingappa, Vijaya Bhaskar, Rajan Nagendra and Hamasalekha have become popular. B.V. Karnath, Prema Karanth,
Culture 527 A Scene from School Master Girish Kasaravalli, M.S. Satyu, Siddalingaiah, Girish Karnad, Suvarna, G.V. Iyer, Nagabharana and Baraguru Ramachandrappa are film directors who have won national awards. A promising young women film maker is Kavitha Lankesh (Deveeri Film). Many Kannada films have won a large number <strong>of</strong> State and National awards over this period <strong>of</strong> time. Kamataka Film Chamber <strong>of</strong> Commerce was started in Bangalore in 1944. Some amateur film societies are producing film in 17 mm or 8 mm cameras. They are ‘Assema,’ ‘Srishtri,’ ‘Swajan’ and ‘Suchitra’ Societies. The first regional <strong>of</strong>fice <strong>of</strong> the National film Archives <strong>of</strong> India, Pune, was started in Bangalore in 1982 at Chowdiah Memorial Hall. It is engaged in collecting and preserving old and memorable films made in all the regional languages <strong>of</strong> South India. The popular film studios <strong>of</strong> <strong>Karnataka</strong> are Premier Studio at Mysore and Chamundeshwari, Sree Kantheerava and Abhimaan at Bangalore. Many colour laboratories, processing and recording units are also functioning in Bangalore, Which is the film city <strong>of</strong> <strong>Karnataka</strong>. Apart from veteran “<strong>Karnataka</strong> Ratna” Dr. Rajkumar who has won prestigious Dada Phalke Award, the Kannada screen has produced a host <strong>of</strong> talented artistes like Ashwath, Balakrishna, Narasimha Raju, Kalyan Kumar, Udaya Kumar, Gangadhar, Vishnuvardhan, Ambarish, Prabhakar, Sridhar, Ravichandran, Kashinath, Shankar Nag, Ananth Nag, Lokesh, Rajesh, Sudharshan, Srinath,