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Chapter XIII CULTURE - Government of Karnataka

Chapter XIII CULTURE - Government of Karnataka

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Culture 515<br />

various centres <strong>of</strong> <strong>Karnataka</strong>. The government conducts examinations on<br />

modelling. The <strong>Karnataka</strong> Lalitha Kala Academy assumed its present format<br />

in the year 1977. This Academy arranges annual exhibitions and art shows.<br />

It has also instituted awards that are given annually to outstanding works<br />

<strong>of</strong> art. The Academy encourages holding <strong>of</strong> art exhibitions and purchase <strong>of</strong><br />

useful books by making liberal grants. The Academy has built up its own<br />

collection <strong>of</strong> works <strong>of</strong> art. Art camps are organised by the Academy in different<br />

centres <strong>of</strong> the state. Central Lalith Kala Academy is located at Delhi with its<br />

South Zone Cultural Centre in Chennai and South Central Cultural Zone in<br />

Nagpur. National gallery <strong>of</strong> modern art (NGMA)’s south zone centre is started at<br />

Bangalore in 2008 Bangalore city had the privilege <strong>of</strong> hosting many prestigeous<br />

art exhibitions. Several camps have been organised by the Zonal Centres in<br />

which artists selected from the state participated. The academies also conduct<br />

periodic seminars on art and bring out systematic publications on the subject.<br />

‘Kalavarth’ is the magazine brought out by the Lalitha Kala Academy. <strong>Karnataka</strong><br />

State <strong>Government</strong> presented a bus to the Academy which has enabled it to<br />

organise mobile art exhibitions. The vehicle moves in different places and<br />

works <strong>of</strong> art are exhibited in it. The exhibition is arranged at venues where the<br />

academy conducts its programmes like art exhibitions, art camps, seminars,<br />

symposia and during the Dasara and Sahitya Sammelanas.<br />

Kondachari <strong>of</strong> Bellary, Purushottam, Agaram Krishnamurthy, Sherigar,<br />

Bayiri, T.K. Rama Rao and K.B. Kulakarni <strong>of</strong> Hubli and others are famous<br />

for their line drawings. R.K. Lakshman, R.S. Naldu, R. Murthy, Ramesh,<br />

Gopal, G.Y.Hublikar, Ranganath, N.C. Raghu, Gujjar, Pa. Sa. Kumar, S.K.<br />

Nadig and others are famous for their caricature drawings. P. Subba Rao,<br />

R.M. Hadpad, G.S. Shenoy, S.G. Vasudev, Dandavatimath, Halabavi, M.C.<br />

Chetti, Vijayasindur, U. Bhaskar Rao, M.B.Patil, V.M.Sholapurkar, V.T.Kale,<br />

M.S.Chandrashekar, M.C.Chetty, Ravi Kumar Kashi, C.Chandrashekara,<br />

Babu Eswara Prasad, V.G.Anadani, Peter Lewis, V.B.Hiregowder, Usuf Arakal,<br />

M.S.Murthy, P.S.Kademani, Madhu Desai, Ramdas Adyanthaya, M.C.Chetty,<br />

John Devaraj, Shankar Patil, Chandranatha Acharya, J.M.S. Mani, E.G.<br />

Badigera, T.P. Akki, S.M. Pandit, Ramananarasaiah, Raghottama Putti,<br />

Goolannanavar, M.E. Guru, S. Kalappa, M.S. Nanjunda Rao, M.B. Basavaraj,<br />

Vishnudas Ramadas, Sunkad, Manoli and others have enlivened the art<br />

scene in the state. P.R. Kamalamma, Subhashinidevi, S. Dhanalakshmi, M.J.<br />

Kamalakshi, Sheela Gowda, Pushpa Dravid, Pushpamala, Shanthamani,<br />

Surekha, Renuka Markhande, Gayathri Desai etc., are among the noted lady<br />

artists. Siddalingaswamy, Nagendrasthapathi and Mahadevaswamy are noted<br />

artists in classical paintings and drawing <strong>of</strong> traditional themes.<br />

There are many constructive art critics <strong>of</strong> whom G. Venkatachalam <strong>of</strong><br />

Pandavapura, Shivarama Karanth, A.N. Krishna Rao, S.K. Ramachandra<br />

Rao, B.V.K. Shastry P.R Thippeswamy, C.S.Krishnasetty, K.V.Subramanyam,<br />

A.L.Narasimhan, Anil Kumar are note-wrothy. Art schools started by A.N.<br />

Subbarao, R.M. Hadapad, M.S. Nanjunda Rao in Bangalore. Halbhavi at<br />

Dharwad, Minajigi at Hubli, Akki at Gadag and Andani at Gulbarga Babu Rao<br />

at Tumkur, Mysore and Mangalore have become famous. The <strong>Government</strong>

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